BANKSY
Ballerina CP/03, 2013
Spray paint on canvas
40.7 x 30.5 cm (16×12 inches)
Signed and numbered ‘BANKSY CP/03’ on the overlap

Provenance
‘Better Out Than In’, Central Park, New York
Acquired from the above by the present owner in October 2013

 

Phillips Hong-Kong: 26 May 2019
HKD 3,250,000

Source: Phillips
Banksy – 20th Century & Contemporary Ar… Lot 132 May 2019 | Phillips

 

One of the most successful and world-renowned artists of his generation, Banksy works under the veil of anonymity to create works of visual audacity and satiric potency. With a background in graffiti, he elevated street art practices to widespread prominence, using the medium as a way of drawing attention to aspects of politics and society often left unpublished in mainstream media. As part of the artist’s Better Out Than In residency in 2013, a month-long show that took place in New York City where Banksy unveiled at least one work of art daily, Ballerina CP/03 was one of the authentic signed canvases that sold at a stall in Central Park.

The artistic quality in the present lot cannot be overlooked. Banksy confronts and disrupts another icon in Ballerina CP/03, where he takes the silhouette of Princess Odette in one of the most prominent ballets composed by Pyotr Illyich Tchaikovsky, Swan Lake, and transforms the figure into a caricature, all the while retaining the sinister underlying emotions of the character’s inevitable demise. The grace and poise of the ballerina en pointe in an arabesque is at once contrasted with the potentially disquieting text “FRAGILE” overlaid on the canvas rendered in red. Banksy’s use of the instantly recognizable features of Princess Odette as a visual theme demonstrates his laser-sharp sense of satire. Using the story of Odette, a princess turned into a swan by an evil sorcerer’s curse and who is only able to break the spell by finding eternal love, Banksy points to the softness and delicacy of the character and implies that there is often more than what simply meets the eye. As part of the artist’s aesthetic vocabulary, he uses a stencil to create the figure of the ballerina while evidently keeping his style and control through his use of the spray can, applying his graffiti sensibilities on canvas.

Ballerina CP/03 is at once a work of art that not only exhibits Banksy’s clean aesthetic but also recalls a distinctly transformative public art form unprecedented by any other artist of our time, further consolidating his position as an iconic artist of the contemporary age.