WORK IN PROGRESS
Introduction
In 1986, Haring opened the flagship location of his Pop Shop in Manhattan’s SoHo neighborhood, with the storefront at 292 Lafayette Street. Taking Warhol’s concept of the factory one step further, Haring saw the Pop Shop as a logical next step from his subway drawings—it was rooted in his desire to make art for a wide range of people, not just collectors and gallery goers.
“I could earn more money if I just painted a few things and jacked up the price. My shop is an extension of what I was doing in the subway stations, breaking down the barriers between high and low art.”
Aimed at kids and collectors alike, the Pop Shops were a place where Haring could sell his art for as little as 50 cents. The store stocked t-shirts, badges and magnets featuring his now ubiquitous designs. While the project was praised by friends such as Andy Warhol, who was fascinated by the possibilities of the work of art in the age of mechanical reproduction, it was snubbed by many leading art world figures who placed more value on original works of art.
In response to criticism and being called a sell out, Haring explained, “The Pop Shop sort of grew naturally out of what the work was becoming anyway. The images had become part of the world and part of a universal culture. I had to go with that idea and let it happen, let it become part of the culture, let it become part of the mass culture instead of taking it back into the art world and hiding in the art world, which is where I was trying to break out of in the first place.” For Haring, the Pop Shop was itself an art statement, making his work easily accessible to communities throughout New York. It was met with large success, and in 1988 a second location of the Pop Shop opened in Tokyo.
TSENG KWONG CHI (1950-1990)
Keith Haring at the Pop Shop, c. 1985
Chromogenic print, printed later
While the project was praised by friends such as Andy Warhol who was fascinated by the possibilities of the work of art in the age of mechanical reproduction, it was snubbed by many leading art world figures who placed more value on original works of art.
Having grown up with comics and cartoons, his was an iconography of reproduction. His love for commercial and Pop art was evident in his first experiments with street art which saw him creating signature figures he named ‘icons’, such as the barking dog, the radiant child and the winged superman. He would reproduce these figures over and over again, in bright colors reminiscent of advertising and later, just before his death from AIDS in 1990, in plain white embossings.
TSENG KWONG CHI (1950-1990)
Keith Haring at the Pop Shop, c. 1985
Chromogenic print, printed later
In every way, the Pop Shop was an extension of Haring’s work: he even painted the entire interior of the store with a black and white mural. Through the merchandise sold at his Pop Shop, Haring’s visual vocabulary was even further integrated into the fabric of the city. Posters were sold for a dollar, buttons for 50 cents. Tshirts, sweatshirts, skateboards, and more displaying Haring’s lexicon—images that were essentially established in the twelve drawings comprising the present sale—were available to fans of his work at a low cost, ultimately breaking down the barrier that blocked access to the sphere of an elitist art world. Profits were distributed to children’s charities and educational organizations as well as AIDS research, areas of commitment for Haring that were also incorporated in the mission of the Keith Haring Foundation, established by the artist in 1989, one year before his death in 1990 due to AIDS-related complications.
TSENG KWONG CHI (1950-1990)
Keith Haring at the Pop Shop, c. 1985
Chromogenic print, printed later
Pop Shop Prints
The Pop Shop prints bring together some of the artist’s most recognizable motifs, rendered in his classic simplified and linear style filled with bright, block colors. In 1986, Haring opened the Pop Shop in downtown Manhattan, seeing the boutique primarily as an extension of his work where his art could be accessible to everyone. The Pop Shop series represents some of the works created over those years when the Shop was thriving between 1987 and 1990.
Typical of Haring’s street art style, developed in the early 1980s in the blank advertisement spaces in New York’s subway, these prints are created using thick, black outlines and highly simplified form. These early experiments resulted in a style and iconography for which Haring would become world famous, his barking dog, radiant child and winged angel and devil-like figures instantly recognizable for their originality and playfulness. He would reproduce these figures over and over again, in bright colors reminiscent of advertising, and later, just before his death from AIDS in 1990, in plain white embossings.
Between 1987 and 1989, Keith Haring released 6 portfolios of Pop Shop prints. Each portfolio comprises four screen-prints, made in editions of 200 as individual works (800 prints per portfolio). Keith Haring also released corresponding Pop Shop Quads, reuniting all four images within one single print, released in an edition of 75.
Pop Shop I, 1987
Pop Shop II, 1988
Pop Shop III, 1989
Pop Shop IV, 1989
Pop Shop V, 1989
Pop Shop VI, 1989
Auction Market Overview
WORK IN PROGRESS
Pop Shop I
7 lots sold at auction in 2024, for a total turnover of USD 263,896. This compares to 13 lots sold at auction in 2023 for a total turnover of USD 412,159, and to a turnover of USD 386,878 in 2022 for 10 lots sold.
Furthermore, one set of Pop Shop I sold in 2024, at LA Modern on 10 January 2024 for USD 107,100. One complete set sold in 2023 at Sotheby’s in New-York on 24 October for 2023 for USD 177,800. One set sold in 2022 at Sotheby’s in New-York for USD 100,800.
Pop Shop III
3 plates of Pop Shop III sold at auction in 2024. Plate II sold at Sotheby’s in New-York on 22 October 2024 for USD 24,000. Plate III sold twice, at Phillips in New-York on 22 October 2024 for USD 38,100, and at LA Modern, on 4 September 2024 for USD 32,760.
Only 1 plate of Pop Shop III sold at auction in 2023. Plate II sold at Swann Galleries on 8 June 2023 for USD 30,000. However, a complete set of Pop Shop III sold in 2023, at Heritage Auctions, on 18 April 2023, for USD 125,000.
Two plates of Pop Shop III sold at auction in 2022. Plate I sold at China Guardian in Hong-Kong on 9 October 2022 for HKD 180,000 (USD 22,930). Plate IV sold at Heritage Auctions on 26 October 2022 for USD 27,500. However, Pop Shop Quad III sold at Uppsala in Stockholm on 10 November 2022 for SEK 487,500 (USD 44,815).
Pop Shop IV
8 prints from Pop Shop IV sold at auction in 2024 for a total turnover of USD 257,960. This compares to 12 prints sold at auction in 2023 for a turnover of USD 428,020. Only one print sold at auction in 2022.
One complete set of Pop Shop IV sold at auction in 2024, at Christie’s in New-York, on 16 April 2024, for USD 113,400. One complete set sold as well in 2023 at Heritage Auctions on 24 October 2023 for USD 106,250. Two complete sets sold in 2022 including one at Sotheby’s on 28 October 2022 for USD 100,800.
Plate 4 is the most expensive plates from Pop Shop IV with a median price of USD 40,960.
Pop Shop V
No print from Pop Shop V sold at auction in 2024. Only one print from Pop Shop V sold in 2023 at Van Ham in June 2023. Only two prints sold in 2022, one at Est-Ouest Auctions in Tokyo, and another at Abell in the US.
2 complete sets of Pop Shop V sold in 2022, one at Heritage Auctions on 19 April 2022 for USD 70,000; and another one at Sotheby’s on 21 April 2022 for USD 69,300.
2025 Auction Results
WORK IN PROGRESS
Pop Shop I Plate 1 (L. 82), 1987
Sotheby’s New-York: 15 April 2025
Estimated: USD 25,000 – 35,000
USD 40,640
KEITH HARING (1958 – 1990)
Pop Shop I: One Plate (Littman p. 82), 1987
Screenprint in colors on wove paper
Signed in pencil, dated and numbered 121/200
Pop Shop I Plate 1 (L. 82), 1987
Phillips New-York: 12 February 2025
Estimated: USD 15,000 – 25,000
USD 19,050
KEITH HARING
Pop Shop I: one plate (L. p. 82), 1987
Screenprint in colors on Coventry Rag paper
Inscribed and dedicated ‘Merry Christmas Bill + Arnie 1987, Love Keith’ in black ink
Presumably a proof, aside from the edition of 200 and 30 artist’s proofs
Pop Shop I Plate 2 (L. 82), 1987
Estimated: USD 15,000 – 20,000
KEITH HARING (American, 1958-1990)
Pop Shop I: one plate (Plate 2) (Littmann p.82), 1987
Color screenprint
Signed, dated, and numbered 158/200 in pencil
Pop Shop I Plate 3 (L. 83), 1987
Estimated: USD 15,000 – 20,000
Pop Shop I Plate 4 (L. 83), 1987
Mallet Japan: 2 October 2025
Estimated: JPY 1,500,000 – 2,500,000
JPY 3,300,000 (Hammer)
JPY 3,844,500 / USD 26,120
KEITH HARING
One Plate from ‘Pop Shop I’ (Plate 4) (Littmann P.83), 1987
Screenprint in colors on wove
Signed and dated in pencil, numbered 66/200 (there were also 20 A.P.)
Pop Shop I Plate 4 (L. 83), 1987
Estimated: USD 15,000 – 20,000
Pop Shop I Plate 4 (L. 83), 1987
Koller Zurich: 26 June 2025
Estimated: CHF 15,000 – 25,000
CHF 17,500 / USD 21,860
KEITH HARING (Reading 1958–1990 New York City)
Pop Shop I Plate 4 (Littmann p. 83), 1987
Color silkscreen on firm wove paper
Edition: 190/200
Signed and dated in pencil along the right hand margin: K. Haring 87
Pop Shop II Plate 1 (L. 96), 1988
Mallet Japan: 2 October 2025
Estimated: JPY 1,500,000 – 2,500,000
JPY 3,400,000 (Hammer)
JPY 3,961,000 / USD 26,910
KEITH HARING
One Plate from ‘Pop Shop II’ (Plate 1) (Littmann P.96), 1988
Screenprint in colors on wove
Signed and dated in pencil
Numbered 95/200 (there were also 20 A.P.)
Pop Shop II Plate 1 (L. 96), 1988
Sotheby’s online: 15 July 2025
Estimated: USD 20,000 – 30,000
USD 25,400
KEITH HARING (1958 – 1990)
Pop Shop II: Plate 1 (Littmann p. 96), 1988
Screenprint in colors on wove paper
Signed in pencil, dated ’88 and inscribed HC 12/20 (lower right)
One of 20 hors commerce impressions aside from the numbered edition of 200 plus 20 artist’s proofs
Pop Shop II Plate 2 (L. 96), 1988
Sotheby’s online: 15 July 2025
Estimated: USD 20,000 – 30,000
PASSED
KEITH HARING (1958 – 1990)
Pop Shop II: Plate 2 (Littmann p. 96), 1988
Screenprint in colors on wove paper
Signed in pencil, dated ’88 and inscribed HC 7/20 (lower right)
One of 20 hors commerce impressions aside from the numbered edition of 200 plus 20 artist’s proofs
Pop Shop II Plate 2 (L. 96), 1988
Mallet Japan: 6 March 2025
Estimated: JPY 2,000,000 – 3,000,000
JPY 3,600,000 (Hammer)
JPY 4,195,000 / USD 28,350
KEITH HARING
Pl.2 from ‘Pop Shop II’ (Littmann p. 96), 1988
Screenprint
Signed, dated
Edition 60/200
Pop Shop II Plate 3 (L. 97), 1988
Sotheby’s online: 15 July 2025
Estimated: USD 20,000 – 30,000
PASSED
KEITH HARING (1958 – 1990)
Pop Shop II: Plate 3 (Littmann p. 97), 1988
Screenprint in colors on wove paper
Signed in pencil, dated ’88 and inscribed HC 10/20 (lower right)
One of 20 hors commerce impressions aside from the numbered edition of 200 plus 20 artist’s proofs
Pop Shop II Plate 4 (L. 97), 1988
Sotheby’s online: 15 July 2025
Estimated: USD 20,000 – 30,000
USD 25,400
KEITH HARING (1958 – 1990)
Pop Shop II: Plate 4 (Littmann p. 97), 1988
Screenprint in colors on wove paper
Signed in pencil, dated ’88 and inscribed HC 9/20 (lower right)
One of 20 hors commerce impressions aside from the numbered edition of 200 plus 20 artist’s proofs
Pop Shop Quad II (L. 94-95), 1988
Estimated: USD 30,000 – 50,000
KEITH HARING (American, 1958-1990)
Pop Shop Quad II (Littmann p. 94-95), 1988
Screenprint
Signed, dated, and numbered 74/75 in pencil
Pop Shop III Plate 1 (L. 144), 1989
Estimated: GBP 15,000 – 20,000
(there were also 20 artist’s proofs)
Pop Shop III Plate 2 (L. 144), 1989
Estimated: USD 15,000 – 20,000
KEITH HARING (American, 1958-1990)
Pop Shop III: one plate (Plate 2) (Littmann p. 144), 1989
Color screenprint
Signed, dated, and numbered 112/200 in pencil
Pop Shop III Plate 2 (L. 144), 1989
Estimated: GBP 12,000 – 18,000
GBP 18,860 / USD 24,560
(there were also 20 artist’s proofs)
Pop Shop IV Plate 1 (L. 146), 1989
Freeman’s Hindman: 26 September 2025
Estimated: USD 15,000 – 20,000
USD 24,320
KEITH HARING (American, 1958-1990)
Pop Shop IV: one plate (Plate 1) (Littmann p. 146), 1989
Color screenprint
Signed, dated, and numbered 13/200 in pencil
Pop Shop IV Plate 1 (L. 146), 1989
SBI Art Auction: 25 January 2025
Estimated: JPY 2,000,000 – 3,000,000
JPY 5,750,000 / USD 36,850
KEITH HARING
Pop Shop Ⅳ Plate 1 (Littmann P. 146), 1989
Screenprint
Signed, dated and numbered on the lower right
An Hors Commerce (HC) aside from the edition of 200
Pop Shop IV Plate 1 (L. 146), 1989
SHINWA AUCTION:25 January 2025
Estimated: JPY 1,500,000 – 2,500,000
JPY 3,450,000 / USD 22,120
Keith HARING (1958−1990)
Plate 1 from “POP SHOP IV” series, 1989
Silkscreen
Embossed on lower left margin
Signed, dated and edition on lower right margin
From the edition of 200
Pop Shop V Plate 3 (L. 149), 1989
Koller Zurich: 26 June 2025
Estimated: CHF 15,000 – 25,000
CHF 15,000 / USD 18,735
KEITH HARING (Reading 1958–1990 New York City)
Pop Shop V Plate 3 (Littmann p.149), 1989
Color silkscreen on firm paper
Edition: 4/200
With the stamp of the Keith Haring Estate
With the signature of Julia Gruen, Executor of the Haring Estate
With the confirmation of authenticity and the date on the reverse: 10/19/92
Pop Shop VI Plate 1 (L. 150), 1989
Artnet Auctions: 18 September 2025
Estimated: USD 12,000 – 18,000
USD 15,000
Pop Shop VI: one print, (Plate 1) (Littmann pp. 150-151), 1989
Screenprint in colors on wove paper
Stamped with the artist’s estate stamp on the reverse
Signed, dated and numbered 95/200 by the executor, Julia Gruen, in pencil on the reverse (as issued)
Pop Shop VI Plate 2 (L. 150), 1989
Artnet Auctions: 18 September 2025
Estimated: USD 12,000 – 18,000
USD 15,000
KEITH HARING
Pop Shop VI: one print, (Plate 2) (Littmann pp. 150-151), 1989
Screenprint in colors on wove paper
Stamped with the artist’s estate stamp on the reverse
Signed, dated and numbered 95/200 by the executor, Julia Gruen, in pencil on the reverse (as issued)
Pop Shop VI Plate 3 (L. 151), 1989
Artnet Auctions: 18 September 2025
Estimated: USD 12,000 – 18,000
USD 15,000
KEITH HARING
Pop Shop VI: one print, (Plate 3) (Littmann pp. 150-151), 1989
Screenprint in colors on wove paper
Stamped with the artist’s estate stamp on the reverse
Signed, dated and numbered 95/200 by the executor, Julia Gruen, in pencil on the reverse (as issued)
Pop Shop VI Plate 3 (L. 151), 1989
Sotheby’s New-York: 15 April 2025
Estimated: USD 15,000 – 20,000
USD 22,860
KEITH HARING (1958 – 1990)
Pop Shop VI: Plate III (Littmann p. 151), 1989
Screenprint in colors wove paper
Inscribed AP 13/25 in pencil on the estate stamp on the verso
One of 25 artist’s proofs aside from the numbered edition of 200
Pop Shop VI Plate 3 (L. 151), 1989
Mallet Japan: 6 March 2025
Estimated: JPY 1,500,000 – 2,500,000
JPY 1,600,000 (Hammer)
JPY 1,865,000 / USD 12,600
KEITH HARING
Pl.3 from ‘Pop Shop VI’ (Littmann p. 151), 1989
Screenprint
With a certificate of authenticity stamp by the Keith Haring Estate, Julia Gruen’s signature
Edition 151/200
Pop Shop VI Plate 4 (L. 151), 1989
Sotheby’s London: 24 September 2025
Estimated: GBP 6,000 – 8,000
GBP 12,700 / USD 17,020
KEITH HARING (1958 – 1990)
Pop Shop VI: One Plate (Plate 4) (L. p. 151), 1989
Screenprint in colors on wove paper
Signed in pencil by Julia Gruen (Executor of the Keith Haring Estate)
Dated and numbered 16/200 on the Estate Stamp verso
This impression is number 16 from the edition of 200 plus 25 artist’s proofs
Pop Shop VI Plate 4 (L. 151), 1989
Artnet Auctions: 18 September 2025
Estimated: USD 12,000 – 18,000
USD 15,000
KEITH HARING
Pop Shop VI: one print, (Plate 4) (Littmann pp. 150-151), 1989
Screenprint in colors on wove paper
Stamped with the artist’s estate stamp on the reverse
Signed, dated and numbered 95/200 by the executor, Julia Gruen, in pencil on the reverse (as issued)
2024 Auction Results
WORK IN PROGRESS
Pop Shop I Plate 1 (L. 82), 1987
Phillips London: 19 September 2024
Estimated: GBP 15,000 – 20,000
GBP 25,400 / USD 32,995
KEITH HARING
Pop Shop I: one plate (L. p. 82), 1987
Screenprint in colors on Coventry Rag paper
Sheet: 30.5 x 38 cm (12 x 14 7/8 inches)
Signed, dated and numbered 192/200 in pencil (there were also 30 artist’s proofs)
Pop Shop I Plate 1 (L. 82), 1987
Bruun Rasmussen: 17 September 2024
Estimated: DKK 125,000 – 150,000
Hammer: DKK 180,000
DKK 237,600 / USD 34,585
KEITH HARING (b. Kunztown, Pennsylvania 1958, d. New York 1990)
Pop Shop 1 (plate 1) or Best Buddies, 1987
Silkscreen in colors
Sheet: 30.5 × 38 cm
Signed K. Haring 87, 93/200
Original yellow envelope/packing from Pop Shop Tokyo is enclosed
Pop Shop I Plate 1 (L. 82), 1987
Christie’s New-York: 16 April 2024
Estimated: USD 20,000 – 30,000
USD 47,880
KEITH HARING (1958-1990)
Pop Shop I: One Print, 1987
Screenprint in colors on Coventry rag paper
Signed and dated in pencil, numbered ‘AP 3⁄30’
An artist’s proof, the edition was 200
Pop Shop I Plate 2 (L. 82), 1987
Mallet Japan: 12 December 2024
Estimated: JPY 2,000,000 – 3,000,000
JPY 3,611,500 / USD 24,010
KEITH HARING (1958-1990)
Plate 2 from Pop Shop I (Littmann p.82), 1987
Screenprint in colors on wove paper
Signed and dated in pencil
Numbered 63/200 (there were also 20 AP)
Pop Shop I Plate 3 (L. 83), 1987
SBI Art Auction: 6 July 2024
Estimated: JPY 1,500,000 – 2,500,000
JPY 4,140,000 / USD 25,754
KEITH HARING
Pop Shop I Plate 3 (Littmann p.83), 1987
Screenprint
Signed, dated and numbered on the lower right
From the edition of 200
Pop Shop I Plate 3 (L. 83), 1987
Sotheby’s New-York: 19 April 2024
Estimated: USD 15,000 – 25,000
USD 25,400
KEITH HARING (1958 – 1990)
Pop Shop I: One Plate (see Littman p. 83)
Screenprint in colors on wove paper
Signed in pencil, dated and inscribed AP 29/30
This impression is one of 30 artist’s proofs aside from the numbered edition of 200
Pop Shop Quad 1 (L. 80-81), 1987
SBI Art Auction: 25 May 2024
Estimated: JPY 10,000,000 – 15,000,000
JPY 11,500,000 / USD 73,272
KEITH HARING
Pop Shop Quad I (Littmann P. 81), 1987
Screenprint
Signed, dated and numbered on the lower right
From the edition of 45
Pop Shop I (L.82-83), 1987
LA Modern: 10 January 2024
Estimated: USD 80,000 – 120,000
USD 107,100
COMPLETE SET
KEITH HARING (1958–1990)
Pop Shop I, 1987
Complete portfolio of four screenprints in colors
Signed, dated and numbered to right edge of each work
‘K. Haring 87 14/200′, ’23/200′, ’24/200’ and ‘134/200’
Pop Shop Quad II (L. 94-95), 1988
Sotheby’s Hong-Kong: 11 November 2024
Estimated: HKD 200,000 – 300,000
HKD 360,000 / USD 46,300
KEITH HARING (1958 – 1990)
Pop Shop Quad II, 1988
Silkscreen print on paper
24×30 inches (61×76 cm)
Signed, dated 88 and numbered 11/75 (lower right); inscribed (on the verso)
Pop Shop II (L. 96-97), 1988
Heritage Auctions: 10 December 2024
Estimated: USD 60,000 – 80,000
USD 87,500
COMPLETE SET
KEITH HARING (1958-1990)
Pop Shop II (complete portfolio, four works), 1988
Screenprints in colors on wove paper
Each: 12 x 15 inches (30.5 x 38.1 cm)
Each editioned 29/200 (aside from 20 artist’s proofs)
Each signed, editioned, and dated in pencil lower right
Pop Shop III Plate 2 (L. 144), 1989
Sotheby’s New-York: 22 October 2024
Estimated: USD 20,000 – 30,000
USD 24,000
KEITH HARING (1958 – 1990)
Pop Shop III: Plate 2 (Littmann p. 144), 1989
Screenprint in colors on wove paper
Sheet: 13 1/2 x 16 3/8 inches (34.3 x 41.7 cm)
Signed in pencil, dated and inscribed PP 3/10
One of ten printer’s proofs aside from the numbered edition of 200 plus 20 artist’s proofs
Pop Shop III Plate 3 (L. 145), 1989
Phillips New-York: 22 October 2024
Estimated: USD 20,000 – 30,000
USD 38,100
KEITH HARING
Pop Shop III: one plate (L. p. 145), 1989
Screenprint in colors on wove paper
Sheet: 13 1/2 x 16 1/2 inches (34.3 x 41.9 cm)
Signed, dated and numbered 48/200 in pencil (there were also 20 artist’s proofs)
Pop Shop III Plate 3 (L. 145), 1989
LA Modern: 4 September 2024
Estimated: USD 20,000 – 30,000
USD 32,760
KEITH HARING (1958-1990)
Plate 3 (from the Pop Shop III portfolio), 1989
Screenprint in colors
Signed, dated and numbered to lower right ‘182/200 Haring 89’
Pop Shop IV Plate 1 (L. 146), 1989
Estimated: USD 30,000 – 50,000
USD 30,240
Plate I, from the Pop Shop IV series, 1989
Screenprint in color
Signed, dated and numbered to right edge
’50/200 ‘K. Haring 89
Pop Shop IV Plate 2 (L. 146), 1989
Estimated: CAD 8,000 – 12,000
Hammer: CAD 37,500
CAD 46,250 / USD 33,203
Untitled (Plate 4 from Pop Shop IV), 1989
Signed, editioned 27/200, dated 1989 and stamped with the blindstamp
Pop Shop IV Plate 3 (L. 147), 1989
Van Ham: 27 November 2024
Estimated: EUR 20,000 – 30,000
EUR 25,080 / USD 26,480
KEITH HARING (1958 Kutztown, PA/USA – 1990 New York)
Plate 3 from: Pop Shop IV (Littmann p. 147), 1989
Color silkscreen on vellum
Signed, dated and numbered 94/200
Pop Shop IV Plate 3 (L. 147), 1989
Heffel online: 31 October 2024
Estimated: CAD 8,000 – 12,000
Hammer: CAD 27,500
CAD 34,250 / USD 24,588
Untitled (Plate 3 from Pop Shop IV), 1989
Pop Shop IV Plate 3 (L. 147), 1989
Sotheby’s New-York: 22 October 2024
Estimated: USD 20,000 – 30,000
USD 21,600
KEITH HARING (1958 – 1990)
Pop Shop IV: Plate 3 (Littmann p. 147), 1989
Screenprint in colors on wove paper
Sheet: 13 1/2 x 16 1/2 inches (34.4 x 41.8 cm)
Signed in pencil, dated and numbered 127/200
Pop Shop IV Plate 4 (L. 147), 1989
Heritage Auctions: 10 December 2024
Estimated: USD 20,000 – 30,000
USD 42,500
KEITH HARING (1958-1990)
Untitled (Print Four), from Pop Shop IV, 1989
Screenprint in colors on wove paper
Sheet: 13-1/2 x 16-1/2 inches (34.3 x 41.9 cm)
Editioned 134/200 (aside from 25 artist’s proofs and 20 hors commerce)
Signed, editioned, and dated in pencil lower right; printer’s chop mark lower left
Pop Shop IV Plate 4 (L. 147), 1989
Heritage Auctions: 16 April 2024
Estimated: USD 20,000 – 30,000
USD 41,250
KEITH HARING (1958-1990)
Untitled (Print Four), from Pop Shop IV, 1989
Screenprint in colors on wove paper
Ed. 54/200 (editioned aside from 25 artist’s proofs and 20 hors commerce)
Signed, editioned, and dated in pencil, lower right; printer’s chop mark, lower left
Pop Shop Quad IV (L. 142), 1989
Sotheby’s New-York: 19 April 2024
Estimated: USD 25,000 – 35,000
USD 38,100
KEITH HARING (1958 – 1990)
Pop Shop Quad IV (Littman p. 142), 1989
Screenprint in colors on wove paper
Signed in pencil on the verso by Julia Gruen, the executor for the Keith Haring Estate
Dated ’11/1/95′ and numbered 19/75 with the Iguana blindstamp
Pop Shop IV (L. 146-147), 1989
Christie’s New-York: 16 April 2024
Estimated: USD 80,000 – 120,000
USD 113,400
COMPLETE SET
KEITH HARING (1958-1990)
Pop Shop IV, 1989
The complete set of four screenprints in colors on wove paper
Each signed and dated in pencil, numbered 149⁄200
Pop Shop VI Plate 2 (L. 150), 1989
Heritage Auctions: 10 December 2024
Estimated: USD 20,000 – 30,000
USD 16,875
KEITH HARING (1958-1990)
Untitled (Plate two), from Pop Shop VI, 1989
Screenprint in colors on wove paper
Sheet: 13 1/2 x 16 1/2 inches (34.3 x 41.9 cm)
A.P. 19/25 (aside from an edition of 200)
Signed, editioned, and dated by Julia Gruen, the executor of the Keith Haring Estate, with the artist’s estate stamp verso; printer’s chop mark lower left
Pop Shop VI (L. 150-151), 1989
Sotheby’s New-York: 22 October 2024
Estimated: USD 20,000 – 30,000
USD 21,600
COMPLETE SET
KEITH HARING (1958 – 1990)
Pop Shop VI (Littmann pp. 150-151), 1989
The complete set of four screenprints in colors on wove paper
All sheets: 13 1/2 x 16 1/2 inches (34×42 cm)
Each signed in pencil on the estate stamp on the verso by Julia Gruen, the Executor of the Keith Haring Estate
Each dated and numbered 152/200
Pop Shop VI (L. 150-151), 1989
Christie’s online: 27 March 2024
Estimated: GBP 35,000 – 45,000
GBP 37,800 / USD 47,745
COMPLETE SET
KEITH HARING (1958-1990)
Pop Shop VI, 1989
The complete set of four screenprints in colors on wove paper
Signed, dated and numbered by the executor of the Keith Haring Estate, Julia Gruen
With the artist’s estate stamp on the reverse, each numbered 95/200
Pop Shop VI (L. 150-151), 1989
Bonhams LA: 26 March 2024
Estimated: USD 35,000 – 55,000
USD 74,160
COMPLETE SET
The complete set, comprising four screenprints in colors on wove paper
Each with the artist’s estate stamp (verso)
Each signed in pencil, dated and numbered 53/200 (3) and 61/200 respectively
by Julia Gruen (the executor of the Keith Haring Estate, total edition includes 25 artist’s proofs)
Pop Shop I, 1987
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Pop Shop I
The complete set of four screenprints in colors
Medium: Screen-print in colors on Coventry rag paper
Year: 1987
Image: 10 3/8 x 13 1/2 inches (26.5 x 34.2 cm)
Sheet: 12×15 inches (30.6 x 38.1 cm)
Edition: 200
Artist’s Proofs: 30 AP
Hors Commerce: 10 HC
Publisher: Martin Lawrence Limited Editions, New-York
Literature: Littmann pp 82-83
Each signed dated and numbered in pencil
Plate 1 (L. 82)
Plate 2 (L. 82)
Plate 3 (L. 83)
Plate 4 (L. 83)
Pop Shop Quad I (L. 80-81)
Pop Shop II, 1988
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Pop shop II
The complete set of four screenprints in colors
Medium: Screenprint in colors on wove paper
Year: 1988
Image: 10 5/8 x 13 1/2 inches (27.1 x 34.3 cm)
Sheet: 12×15 inches (30.6 x 38.1 cm)
Regular Edition: 200
Artist’s Proofs: 20 AP
Printer’s Proofs: 10 PP
Hors Commerce: 20 HC
Publisher: Martin Lawrence Limited Editions, New-York
Literature: Littmann pp. 96-97
Each signed dated and numbered in pencil
Plate 1 (L. 96)
Plate 2 (L. 96)
Plate 3 (L. 97)
Plate 4 (L. 97)
Pop Shop Quad II
Pop Shop III, 1989
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Pop Shop III
The complete set of four screenprints in colors
Medium: Screenprint in colors on wove paper
Year: 1989
Image: 11 5/8 x 14 7/8 inches (29.5 x 37.7 cm)
Sheet: 13 1/2 x 16 1/2 inches (34×42 cm)
Edition: 200
Artist’s Proofs: 20 AP
Printer’s Proofs: 10 PP
Hors Commerce: 20 HC
Publisher: Martin Lawrence Limited Editions, New-York
Printer: Durham Press, Inc., Durham, Pennsylvania
Literature: Littmann pages 144-145
Each signed dated and numbered in pencil, with an iguana blindstamp
1. Plate 1 (Littmann p. 144)
2. Plate 2 (Littmann p. 144)
3. Plate 3 (Littmann p. 145)
4. Plate 4 (Littmann p. 145)
5. Pop Shop Quad III (Littmann p. 142)
Pop Shop IV, 1989
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Pop Shop IV
The complete set of four screenprints in colors
Medium: Screenprint in colors on wove paper
Year: 1989
Image: 11 1/4 x 14 5/8 inches (28.6 x 37.2 cm)
Sheet: 13 1/2 x 16 1/2 inches (34×42 cm)
Edition: 200
Artist’s Proofs: 25 AP
Hors Commerce: 20 HC
Publisher: Martin Lawrence Limited Editions, New-York
Printer: Durham Press, Durham, Pennsylvania
Literature: Littmann pp. 146-147
Each signed dated and numbered in pencil, with the iguana blindstamp
1. Plate 1 (Littmann p. 146)
2. Plate 2 (Littmann p. 146)
3. Plate 3 (Littmann p. 147)
4. Plate 4 (Littmann p. 147)
5. Pop Shop Quad IV (Littmann p. 142)
Pop Shop V, 1989
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Pop Shop V
The complete set of 4 screenprint in colors
Medium: Screenprint in colors on wove paper
Year: 1989
Image: 11 3/8 x 14 5/8 inches (29×37 cm)
Sheet: 13 1/2 x 16 1/2 inches (34.4 x 42 cm)
Edition: 200
Artist’s Proofs: 25 AP
Hors Commerce: 20 HC
Publisher: The Artist
Literature: Littmann pp. 148-149
Each signed, dated and numbered in pencil by Julia Gruen (Executor for the Keith Haring Estate) on a stamped Certificate of Authenticity on the reverse and with an iguana blindstamp
1. Plate 1 (Littmann p. 148)
2. Plate 2 (Littmann p. 148)
3. Plate 3 (Littmann p. 149)
4. Plate 4 (Littmann p. 149)
Pop Shop VI, 1989
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Pop Shop VI
The complete set of four screenprints in colors
Medium: Screenprint in colors on wove paper
Year: 1989
Image: 11 1/2 x 14 3/4 inches (29.1 x 37.4 cm)
Sheet: 13 1/2 x 16 1/2 inches (34×42 cm)
Edition: 200
Artist’s Proofs: 25 AP
Hors Commerce: 20 HC
Publishers: Martin Lawrence Limited Editions and The Artist
Printer: Durham Press, Pennsylvania
Literature: Littmann pp. 150-151
Each signed, dated and numbered in pencil by Julia Gruen, the executor for the artist’s estate, with the estate stamp, and an iguana blindstamp on the vers
1. Plate 1 (Littmann p.150)
2. Plate 2 (Littmann p. 150)
3. Plate 3 (Littmann p. 151)
4. Plate 4 (Littmann p. 151)
