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# IntelArt

Art Advisor

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- [Amedeo Modigliani (Italian, 1884-1920)](https://intelart.io/2022/12/11/amedeo-modigliani-italian-1884-1920/) - PRELIMINARY DRAFT WORK IN PROGRESS 2026 Auction Results #1. Nu assis au collier, 1917-18 Masterpieces from the Lewis Collection Sotheby's London: 24 June 2026 Estimate upon Request GBP 48,235,000 / USD 63,667,160 Amedeo Modigliani | Nu assis au collier | Masterpieces from the Lewis AMEDEO MODIGLIANI (1884 - 1920) Nu
- [Claude Monet (French, 1840-1926)](https://intelart.io/2022/12/11/claude-monet-french-1840-1926/) - WORK IN PROGRESS Claude Monet (1840–1926) was a pioneering French painter whose work laid the foundation for the Impressionist movement, emphasizing the depiction of light and natural forms through plein air (outdoor) painting. Born on November 14, 1840, in Paris, Monet grew up in Le Havre, Normandy. His early interest in art was nurtured by
- [George Condo (American, b. 1957)](https://intelart.io/2022/12/13/george-condo-recent-auction-results-2/) - George Condo occupies a singular position within contemporary painting. At a time when figuration has reasserted itself globally, his work appears both foundational and forward-looking. He has reintroduced a form of intellectual rigor into figurative painting, one that embraces history without nostalgia and distortion without arbitrariness. His influence is evident in a younger generation
- [2026 London Summer Auctions (June 2026)](https://intelart.io/2026/06/15/2026-london-summer-auctions-june-2026/) - PRELIMINARY DRAFT WORK IN PROGRESS Agenda Masterpieces from the Lewis Collection 24 June 2026 Masterpieces from the Lewis Collection | 2026 | Sotheby's Modern & Contemporary Evening Auction 24 June 2026 Modern & Contemporary Evening Auction | 2026 | Sotheby's Contemporary Day Auction 25 June 2026 Contemporary Day Auction | 2026 | Sotheby's
- [Invader (French, b. 1969)](https://intelart.io/2022/12/13/invader-recent-auction-results-2/) - Invader is a French urban artist known for his ceramic tile mosaics modeled on the pixelated art of 1970s–1980s 8-bit video games, many of which depict the titular aliens from the 1978 arcade game Space Invader (the inspiration for his pseudonym). As of December 2020, his creations can be seen in highly-visible locations in 79 cities in 33
- [Jade Fadojutimi (British, b. 1993)](https://intelart.io/2022/12/15/jade-fadojutimi-recent-auction-results-2/) - Jade Fadojutimi is a British contemporary artist who lives and works in London. A recent graduate of the Royal College of Art, Fadojutimi has seen a precipitous ascent to success: she is the youngest artist represented in the collection of the Tate, London, and has upcoming exhibitions planned for the Hepworth Wakefield and the Liverpool
- [David Hockney Prints 2026 Upcoming Lots and Auction Results](https://intelart.io/2025/12/22/david-hockney-prints-2026-upcoming-lots-and-auction-results/) - This article shows the most recent auction results for David Hockney Prints in reverse chronological order before those are incorporated within the various relevant articles from the catalogue. PLEASE CLICK ON THE IMAGE OF ANY PRINT TO ACCESS ITS CATALOGUE ENTRY WITH NARRATIVE AND HISTORICAL AUCTION RESULTS intelART constantly monitors a large number
- [David Hockney Works on Paper](https://intelart.io/2025/12/31/david-hockney-works-on-paper/) - David Hockney’s works on paper occupy a central position in his oeuvre, not as preparatory material or secondary production, but as a sustained, autonomous field in which his most radical ideas about seeing, space, and representation are tested with particular freedom. Paper allows speed, intimacy, and repetition; it accommodates both hesitation and decisiveness. In
- [David Hockney (British, b. 1937)](https://intelart.io/2022/12/12/david-hockney-recent-auction-results-2/) - David Hockney, born on July 9, 1937, in Bradford, England, is widely regarded as one of the most influential artists of the 20th and 21st centuries. Renowned for his vibrant use of color, versatility across mediums, and keen ability to capture modern life, Hockney’s work has shaped the course of contemporary art. Introduction
- [Two Chairs and a Wooden Spoon, July 1988](https://intelart.io/2022/07/28/two-chairs-and-a-wooden-spoon-july-1988/) - DAVID HOCKNEY (1937 - 2026) Two Chairs and a Wooden Spoon, July 1988 Oil on canvas 24x24 inches (61x61 cm) Signed and titled (on the reverse) Provenance Knoedler Gallery, London Acquired from the above in 1988 by the present owner History Sotheby's London: 24 June 2026 Estimated: GBP 1,200,000 - 1,800,000 GBP 2,164,000 / USD
- [The Only One with Waves, 1991](https://intelart.io/2022/07/31/the-only-one-with-waves-1991-2/) - DAVID HOCKNEY The Only One with Waves, 1991 Oil on canvas 35 7/8 x 48 inches (91.4 x 122 cm) Signed, titled and dated 'The Only One with Waves David Hockney 1991' on the reverse Provenance Richard Gray Gallery, Chicago Private Collection (acquired from the above in January 1992) Sotheby's, New York, 17 May 2018,
- [Pablo Picasso (Spanish, 1881-1973)](https://intelart.io/2022/12/11/pablo-picasso-spanish-1881-1973/) - WORK IN PROGRESS Pablo Picasso is probably the most important figure of the 20th century, in terms of art, and art movements that occurred over this period. Before the age of 50, the Spanish born artist had become the most well-known name in modern art, with the most distinct style and eye for artistic creation. There
- [Cecily Brown (British, b. 1969)](https://intelart.io/2022/12/13/cecily-brown-recent-auction-results-2/) - Cecily Brown occupies a pivotal position within contemporary painting. At a time when painting was frequently declared obsolete, she played a crucial role in reasserting its relevance, demonstrating that figuration and abstraction need not be opposed but can coexist within a single, dynamic field. Her work has influenced a generation of painters who similarly
- [Damien Hirst (British, b. 1965)](https://intelart.io/2022/12/13/damien-hirst-auction-market-overview/) - Damien Hirst, is one of the most influential and controversial figures in contemporary art. Emerging in the late 1980s as a central figure of the Young British Artists (YBAs), Hirst became internationally known for works that confront viewers with themes of life, death, science, and belief. From vitrines containing preserved animals to dazzling paintings composed
- [Yayoi Kusama Auction Results (2021-2026)](https://intelart.io/2025/01/24/yayoi-kusama-auction-results-2021-2024/) - Yayoi Kusama is a very prolific artist, she created a large number of works in a multitude of medium, including painting, sculpture, together with a very extensive print-making production. However, there are two major types of paintings the artist has been very consistent in producing during her entire career, and those are the most
- [Andy Warhol Prints 2026 Upcoming Lots and Auction Results](https://intelart.io/2025/12/21/andy-warhol-prints-2026-upcoming-lots-and-auction-results/) - This article presents the 2026 auction results for Andy Warhol Prints in reverse chronological order. Even though some lots under USD 5,000 are not necessarily presented here, nor are all passed lots, they are taken into account for auction statistics and placed within the relevant catalogue entries. intelART constantly monitors a large number of auction
- [Roy Lichtenstein 2026 Upcoming Lots and Auction Results](https://intelart.io/2025/12/22/roy-lichtenstein-2026-upcoming-lots-and-auction-results/) - This article presents 2026 auction results in reverse chronological order (most recent sales first) before those are incorporated within the various relevant articles from the catalogue. Of course, all the sales incorporated within the catalogue remain. intelART constantly monitors a large number of auction houses worldwide. All auction results are checked one by one
- [Ads, 1985](https://intelart.io/2021/07/29/ads-1985/) - Using vivid hues, flat planes of color, and spirited linework, prints in Warhol’s Ads Series transform popular advertisements into individual works of art. The series consists of 10 images which clearly merge Warhol’s commercial advertising skills with his artistic mastery Introduction The Ads portfolio was printed in 1985, two years before Warhol's death. It
- [Chanel from Ads, 1985](https://intelart.io/2021/07/29/chanel-ads-1985/) - Chanel from Ads Medium: Screenprint in colors on Lenox Museum Board Year: 1985 Sheet: 38x38 inches (96.5 x 96.5 cm) Edition: 190 Artist's Proofs: 30 AP Printer's Proofs: 5 PP Exhibitor's Proofs: 5 EP Hors Commerce: 10 HC Other: 10 numbered in Roman numerals Bon a Tirer: 1 BAT Trial Proofs: 30 TP, each print
- [Endangered Species, 1983](https://intelart.io/2021/07/28/endangered-species-1983/) - Warhol once famously stated, “I think having land and not ruining it is the most beautiful art that anybody could ever want to own.” The artist was true to his word, owning a beachfront property in Montauk, Long Island and undeveloped land in Colorado. The Andy Warhol Foundation for the Visual Arts donated Warhol’s 15
- [Pine Barrens Tree Frog from Endangered Species, 1983](https://intelart.io/2021/07/28/pine-barrens-tree-frog-from-endangered-species-1983/) - Pine Barrens Tree Frog from Endangered Species Medium: Screenprint in colors on Lenox Museum Board Year: 1983 Sheet: 38x38 inches (96.5 x 96.5 cm) Edition: 150 Artist's Proofs: 30 AP Printer's Proofs: 5 PP Exhibitor's Proofs: 5 EP Hors Commerce: 3 HC Bon a Tirer: 1 BAT Other: 10 numbered in Roman numerals intended for
- [Untitled (Fertility), 1983](https://intelart.io/2021/07/23/the-fertility-suite-1983/) - The Fertility Suite highlighted the prevalence of HIV infection among pregnant women in Sub-Saharan Africa, an issue that was largely suppressed due to the homophobia and racism shaping narratives. The series celebrates these mothers’ strength by including ankh crosses, glowing pregnant women, and dancing. Not one to shy away from taboo topics, Haring’s Fertility celebrates
- [Andy Mouse, 1986](https://intelart.io/2021/07/26/andy-mouse-1986/) - In 1985-86, Keith Haring created the artworks Andy Mouse as tributes to his friend, hero, and mentor Andy Warhol. This was an extremely prolific time period for Haring, coming off the heels of his second major exhibition at Tony Shafrazi Gallery in New York in 1984. It was at this show that Warhol and Haring first
- [Untitled (2 Lovers), 1989](https://intelart.io/2021/07/29/untitled-2-lovers-1989-l-p-153/) - Untitled (two lovers) Medium: Screenprint in colors on canvas over wood stretchers Year: 1989 Size: 8x8 inches (20.3 x 20.3 cm) Edition: 60 Artist's Proofs: 25 Literature: Littmann p. 153 Signed in black ink on a label affixed to the reverse Auction Results Grisebach Berlin: 5 June 2026 Estimated: EUR 20,000 - 30,000 EUR
- [Untitled 1-6, 1982](https://intelart.io/2021/07/22/untitled-1-6-1982-l-pp-18-21-6-works/) - Introduction Untitled is a portfolio of six lithographs created in 1982, a pivotal year in the career of Keith Haring. The series coincides with his inaugural exhibition at Tony Shafrazi Gallery in New York—an event that propelled the artist from the subway to the international stage almost overnight. Executed entirely in black and white, the
- [Three Lithographs, 1985](https://intelart.io/2021/07/24/three-lithographs-1985-l-pp-38-41/) - In 1985, at the height of his meteoric rise and at the very moment when the AIDS crisis was devastating the communities he belonged to, Keith Haring produced Three Lithographs, a suite that distills his visual language into three stark, monumental statements. Introduction With each lithograph executed in black lithographic line with strategic red
- [Dog, 1985-1986](https://intelart.io/2021/07/24/dog-1985/) - First appearing in a subway drawing series from 1980-85, the barking dog is one of Keith Haring’s most well-known subjects. Both dogs and dog-human hybrids feature prominently in his works. Interpreted as a universal symbol of resistance and protection, barking to call out social injustice, the dog warns viewers of the abuses of power that
- [Silence = Death, 1989](https://intelart.io/2021/07/29/silence-death-1989/) - Silence = Death Medium: Screenprint in colors on heavy wove paper Year: 1989 Image: 33x33 inches (83.8 x 83.8 cm) Sheet: 39x39 inches (99.1 x 99.1 cm) Edition: 200 Artist's Proofs: 25 AP Publisher: George Mulder Fine Arts, New York, for the Arts Outreach Fund for AIDS Publisher: The Outreach Fund for AIDS Literature: Littmann
- [Totem, 1988-1989](https://intelart.io/2021/07/29/totem-concrete-1989/) - Keith Haring's Totem series, released in 1988/1989, consists of several editions in different mediums, including a three-part woodcut print on Japanese paper, a carved and painted wood relief sculpture, and a cast concrete wall relief. The artwork is a powerful exploration of human connection, spirituality, and mortality, executed in Haring's signature bold, graphic style.
- [Untitled (Cup Man), 1989](https://intelart.io/2021/07/29/untitled-cupman-1988-l-pp-116-117/) - Untitled (Cup Man) Medium: Screen-print in colors on wove paper Year: 1989 Sheet: 29 7/8 x 22 3/4 inches (76 x 57.8 cm) Edition: 100 Artist's Proofs: 30 AP Publisher: Edition Domberger, Filderstadt, West Germany Literature: Littmann pp. 116-117 Signed, dated and numbered in pencil with the blindstamp of the printer and publisher Untitled (1986)
- [Retrospect, 1989](https://intelart.io/2021/07/29/retrospect-1989/) - Retrospect Medium: Screen-print in colors on heavy wove paper Year: 1989 Image: 40 3/4 x 77 inches (103.5 x 195.6 cm) Sheet: 45 3/4 x 82 inches (116.2 x 208.3 cm) Edition: 75 Artist's Proofs: 7 Other: 3 PP Publisher: Martin Lawrence Editions, New-York, Los Angeles Literature: Littmann pp. 120-121 Signed, dated and numbered in
- [Pyramid, 1989](https://intelart.io/2021/07/29/pyramids-1989/) - Keith Haring’s Pyramid, made a year before his death in 1990, depicts a teeming crowd of his signature dancing figures together with various fish-like creatures. In this dynamic composition, they engage in a lively dance, contorting and morphing themselves within the boundaries of a triangular sheet of aluminum that resembles an Egyptian pyramid. Introduction Haring
- [Growing, 1988](https://intelart.io/2021/07/28/growing-1988/) - The Growing Suite features some of Haring's most iconic humanoid figures. It also displays captivating visual experimentation not seen in some of the artist's earlier works. Haring uses his signature 'energy lines' to depict groups of figures merging their energies, reflecting his faith in collective action. Five years after his first silkscreens, these prints showed
- [Keith Haring Prints 2026 Upcoming Lots and Auction Results](https://intelart.io/2025/12/22/keith-haring-prints-2026-upcoming-lots-and-auction-results/) - You will find here the most recent auction results for Keith Haring Prints by chronological order before those are incorporated within the various relevant articles from the catalogue. intelART constantly monitors a large number of auction houses worldwide. All auction results are checked one by one directly from the auction houses websites, and the
- [Sean Scully (Irish, b. 1945)](https://intelart.io/2022/12/13/sean-scully-irish-b-1945/) - Sean Scully occupies a unique position between European sensibility and American abstraction. His work rejects both decorative abstraction and conceptual detachment, insisting instead on material presence, emotional resonance, and structural clarity. Over more than five decades, he has expanded the language of abstraction into a form capable of carrying memory, weight, and human experience.
- [Joan Mitchell (American, 1925-1992)](https://intelart.io/2022/12/12/joan-mitchell-american-1925-1992/) - Joan Mitchell (1925–1992) stands as one of the most powerful and singular voices within postwar painting, bridging the New York School and a deeply personal, transatlantic practice rooted in both American abstraction and the landscapes of France. Born in Chicago and later active in New York, she was closely associated with the circle of Willem
- [MAY 2026 NEW-YORK AUCTIONS: Joan Mitchell](https://intelart.io/2026/05/05/may-2026-new-york-auctions-joan-mitchell/) - MAY 2026 NEW-YORK AUCTIONS Joan Mitchell Auction Results #1. Cherchez l’aiguille, 1958 The Arc of Abstraction: Masterpieces from a Private European Collection Christie's New-York: 18 May 2026 Estimated: USD 10,000,000 - 15,000,000 USD 12,135,000 JOAN MITCHELL (1925-1992), Cherchez l’aiguille | Christie's JOAN MITCHELL (1925-1992) Cherchez l’aiguille, 1958 Oil on canvas 76-1/2 x 69
- [STURTEVANT (American, 1924-2014)](https://intelart.io/2022/12/12/elaine-sturtevant-american-1924-2014/) - Introduction Elaine Sturtevant, known professionally as STURTEVANT, was an American conceptual artist born on August 23, 1924, in Lakewood, Ohio, and passed away on May 7, 2014, in Paris, France. Often described as a pioneer of appropriation art, her work interrogated the nature of originality, authorship, and repetition in contemporary art. She studied
- [SALVO (Italian, 1947-2015)](https://intelart.io/2022/12/13/salvo/) - Salvo (1947–2015) occupies a distinctive position in postwar Italian art, having moved from the intellectual rigor of Arte Povera and conceptual practices in the late 1960s to a highly personal reinvention of painting in the decades that followed. Rejecting the dematerialization of art at a moment when it was still dominant, he returned to figuration
- [Christopher Wool (American, b. 1955)](https://intelart.io/2022/12/13/christopher-wool-american-b-1955-auction-market-overview-2/) - Christopher Wool is one of the most influential figures in contemporary painting, known for a practice that dismantles and reconstructs the language of abstraction and text. Since the late 1980s, he has developed a body of work that interrogates image-making through processes of repetition, erasure, fragmentation, and mechanical reproduction. His paintings, at once austere
- [Matthew Wong (Canada, 1984-2019)](https://intelart.io/2022/12/15/matthew-wong-auction-market-overview/) - Matthew Wong (1984–2019) occupies a singular and deeply moving position in contemporary painting. Born in Toronto and largely self-taught, Wong developed, in the span of less than a decade, a body of work that feels both historically grounded and intensely personal. His paintings—lush, melancholic, and vibrantly chromatic—are less depictions of the external world than
- [Lynette Yiadom-Boakye (British, b. 1977)](https://intelart.io/2022/12/15/lynette-yiadom-boakye-british-b-1977/) - WORK IN PROGRESS Born in 1977 in London, the United Kingdom, Lynette Yiadom-Boakye studied at the Royal Academy Schools, Falmouth College of Art, and finally received her MFA from St. Martins School of Art and Design. Culling images from a variety of sources, but foremost her own imagination, Yiadom-Boakye’s most recognizable works are those
- [Ed Ruscha Works on Paper](https://intelart.io/2026/03/02/ed-ruscha-works-on-paper/) - Born in Omaha in 1937 and raised in Oklahoma City, Ed Ruscha moved to Los Angeles in 1956 to study at the Chouinard Art Institute. From the outset, he positioned himself slightly outside orthodox Pop Art. While associated with the West Coast response to Pop, Ruscha’s work was less about consumer imagery and more about
- [Ed Ruscha (American, b. 1937)](https://intelart.io/2022/12/12/ed-ruscha-recent-auction-results-2/) - Ed Ruscha’s oeuvre is incredibly diverse in its use of media and includes painting, drawing, print, photography, and film, among other less categorical experiments such as artist’s books. The highly graphic, illustrational aesthetic, and often ironic language-based content of his work has become iconic in West Coast Pop art. Born in 1937, and raised largely
- [MAY 2026 NEW-YORK AUCTIONS: Ed Ruscha](https://intelart.io/2026/05/01/may-2026-new-york-auctions-ed-ruscha/) - MAY 2026 NEW-YORK AUCTIONS Ed Ruscha Auction Results #1. Me, 1999 Sotheby's New-York: 14 May 2026 Estimated: USD 4,000,000 - 6,000,000 USD 6,952,000 Ed Ruscha | Me | The Now & Contemporary Evening Auction | 2026 | ED RUSCHA (b. 1937) Me, 1999 Acrylic on canvas 64x72 inches (162 x 182.9 cm) Signed and dated
- [Adrian Ghenie (Romanian, b. 1977)](https://intelart.io/2022/12/15/adrian-gheni-recent-auction-results-2/) - Adrian Ghenie creates sumptuous, large-scale paintings that examine the brutality of recent history’s darkest moments. Using unconventional tools and methods, Ghenie blurs his imagery with knives and pencils. He often turns to infamous figures of the 20th century, from within his home region as well as from around the world, who have engaged in
- [BANKSY (British, b. 1974)](https://intelart.io/2022/12/15/banksy-recent-auction-results-2/) - BANKSY (born 1974?, Bristol?, England) is an anonymous British graffiti artist known for his acerbic and antiauthoritarian art, often done in public places. Although he is particularly known for his stenciled art featuring policemen and rats, over the years he has extended his practice to include installation and performance. Banksy’s art often appears unexpectedly, and
- [Yoshitomo Nara Works on Paper](https://intelart.io/2026/02/23/yoshitomo-nara-works-on-paper/) - WORK IN PROGRESS For Yoshitomo Nara, works on paper are a crucial medium through which he conveys his creativity and most intimate emotions. In the 1980s when he was studying at the Aichi Prefectural University of the Arts, he lived by himself in a mobile home surrounded by the forest where he blasted music
- [Yoshitomo Nara (Japanese, b. 1959)](https://intelart.io/2022/12/13/yoshitomo-nara-recent-auction-results-2/) - Yoshitomo Nara is one of the most influential contemporary artists to emerge from Japan in the late twentieth century. Known worldwide for his striking images of solitary children with oversized heads, penetrating eyes, and ambiguous expressions, Nara has developed a visual language that is both deceptively simple and psychologically complex. Beneath the apparent innocence of
- [Queen Elizabeth II of the UK from Reigning Queens, 1985](https://intelart.io/2021/07/29/reining-queens-1985/) - In 1985, Andy Warhol transformed Queen Elizabeth II into the celebrity he imagined her to be. Using a photograph taken from the Queen’s 1977 Silver Jubilee portrait, when she was just 51, the artist applied his Pop aesthetic to the British monarch, stylizing her face with graphic lines and flat colors. Introduction In
- [MAY 2026 NEW-YORK AUCTIONS: Pablo Picasso](https://intelart.io/2026/05/09/may-2026-new-york-auctions-pablo-picasso/) - MAY 2026 NEW-YORK AUCTIONS Pablo Picasso Arlequin (Buste), 1909 Arlequin (Buste), 1909 A Night in May: The Collection of Adele & Enrico Donati Sotheby's New-York: 19 May 2026 Estimate on Request USD 42,640,000 Pablo Picasso | Arlequin (Buste) | Modern Evening Auction | 2026 | PABLO PICASSO (1881 - 1973) Arlequin (Buste), 1909 Oil
- [Willem de Kooning (American, 1904-1997)](https://intelart.io/2022/12/11/willem-de-kooning-auction-market-overview/) - Willem de Kooning was born on April 24, 1904, into a working class family in Rotterdam, the Netherlands. Driven by an acutely perceptive mind, a strong work ethic, and persistent self doubt – coupled with the determination to achieve – the charismatic de Kooning became one of America’s and the twentieth century’s most influential artists.
- [MAY 2026 NEW-YORK AUCTIONS: Willem de Kooning](https://intelart.io/2026/05/01/may-2026-new-york-auctions-willem-de-kooning/) - MAY 2026 NEW-YORK AUCTIONS Willem de Kooning Auction Results #1. Untitled III, 1975 Property from an Important Private Collection Sotheby's New-York: 14 May 2026 Estimated: USD 25,000,000 - 35,000,000 USD 26,000,000 Willem de Kooning | Untitled III | The Now & Contemporary Evening WILLEM DE KOONING (1904 - 1997) Untitled III, 1975 Oil on
- [Jeff Koons (American, b. 1955)](https://intelart.io/2022/12/13/jeff-koons-american-b-1955-auction-market-overview-2/) - Jeff Koons stands among the most consequential figures of late 20th- and early 21st-century art. Emerging in New York during the early 1980s, he redefined the relationship between popular culture and high art through an aesthetic that is at once seductive, industrial, and conceptually precise. His practice is built on clarity of form, immaculate
- [MAY 2026 NEW-YORK AUCTIONS: Jeff Koons](https://intelart.io/2026/05/04/may-2026-new-york-auctions-jeff-koons/) - MAY 2026 NEW-YORK AUCTIONS Jeff Koons Louis XIV, 1986 Louis XIV, 1986 Robert Mnuchin: Collector at Heart Sotheby's New-York: 14 May 2026 Estimated: USD 7,000,000 - 10,000,000 USD 8,570,000 Jeff Koons | Louis XIV | Robert Mnuchin: Collector at Heart Evening JEFF KOONS (b. 1955) Louis XIV, 1986 Stainless steel 46x27x15 inches (116.8 x
- [Alex Katz (American, b. 1927)](https://intelart.io/2022/12/12/alex-katz-auction-market-overview-2/) - Few artists have managed to distill the visual language of modern life with the clarity and elegance achieved by Alex Katz. Over a career spanning more than seven decades, Katz has developed a distinctive pictorial style characterized by large-scale portraits, flattened forms, bold color fields, and a refined economy of means. His work sits at
- [MAY 2026 NEW-YORK AUCTIONS: Alex Katz](https://intelart.io/2026/05/05/may-2026-new-york-auctions-alex-katz/) - MAY 2026 NEW-YORK AUCTIONS Alex Katz Boquerón, 1979 Boquerón, 1979 Property from the Collection of Annabelle and Bernard Fishman Sotheby's New-York: 15 May 2026 Estimated: USD 800,000 - 1,200,000 USD 1,216,000 Alex Katz | Boquerón | Contemporary Day Auction | 2026 | Sotheby's ALEX KATZ (b. 1927) Boquerón, 1979 Oil on linen 72x96
- [KAWS Prints & Multiples 2026 Upcoming Lots and Auction Results](https://intelart.io/2026/01/07/kaws-prints-multiples-2026-upcoming-lots-and-auction-results/) - 2026 Upcoming Lots June 2026 10 June 2026 Sotheby's Hong-Kong Modern & Contemporary Discoveries Modern & Contemporary Discoveries | 2026 | Sotheby's Sotheby's Hong-Kong: 10 June 2026 Estimated: HKD 300,000 - 500,000 HKD 448,000 / USD 57,180 COMPLETE SET KAWS (b. 1974) Ups and Downs (Set of Ten), 2013 Screenprint
- [KAWS (American, b. 1974)](https://intelart.io/2022/12/13/kaws-american-b-1974-auction-market-overview-2/) - For twenty-five years, Brooklyn-based artist KAWS (Brian Donnelly, American, born 1974) has bridged the worlds of art, popular culture, and commerce. Adapting the rules of cultural production and consumption in the twenty-first century, his practice both critiques and participates in consumer culture. Continuing in the tradition of pop art, his influential work crosses painting,
- [Marilyn, 1967](https://intelart.io/2021/07/17/marilyn-1967/) - For Andy Warhol, Marilyn Monroe was the perfect interplay of personal tragedy and beauty. The world was captivated by the actress; newspapers provided access to her life through a steady stream of front-page articles and black and white photos. Indeed, Monroe possessed a tragic romance balanced with a striking naivete that gave her a magnetic
- [Jonas Wood (American, b. 1977)](https://intelart.io/2022/12/15/jonas-wood-american-b-1977-auction-market-overview-2/) - Jonas Wood has established himself as one of the most distinctive painters of his generation, known for his highly stylized depictions of interiors, still lifes, and landscapes. His work is immediately recognizable for its flattened perspective, bold outlines, and intricate patterns, which transform familiar subjects into complex, almost decorative compositions. Blending references from modern art,
- [Gerhard Richter (German, b. 1932)](https://intelart.io/2022/12/12/gerhard-richter-recent-auction-results-2/) - Gerhard Richter is widely regarded as one of the most important painters of the postwar period. Over a career spanning more than six decades, Richter has continuously challenged the boundaries of painting by moving freely between figuration and abstraction. His work explores the relationship between painting, photography, history, and perception, while maintaining a profound skepticism
- [Rashid Johnson (American, b. 1977)](https://intelart.io/2022/12/15/rashid-johnson-recent-auction-results-2/) - Born in Chicago in 1977, Rashid Johnson is among an influential cadre of contemporary American artists whose work employs a wide range of media to explore themes of art history, individual and shared cultural identities, personal narratives, literature, philosophy, materiality, and critical history. After studying in the photography department of the Art Institute of Chicago,
- [MAY 2026 NEW-YORK AUCTIONS: Ultra-Contemporary Artists](https://intelart.io/2026/05/16/may-2026-new-york-auctions-ultra-contemporary-artists/) - MAY 2026 NEW-YORK AUCTIONS Ultra-Contemporary Artists Rashid Johnson Untitled Broken Crowd, 2021 Sotheby's New-York: 15 May 2026 Estimated: USD 800,000 - 1,200,000 USD 1,024,000 Rashid Johnson | Untitled Broken Crowd | Contemporary Day Auction | RASHID JOHNSON (b. 1977) Untitled Broken Crowd, 2021 Ceramic tile, mirror tile, spray enamel, branded red oak flooring, bronze,
- [Spring 2026 New-York Marquee Auctions (May 2026)](https://intelart.io/2026/04/12/spring-2026-new-york-marquee-auctions-may-2026/) - The Spring 2026 New York sales season delivered approximately $2.5 billion in combined sales across Christie's, Sotheby's and Phillips, with nearly 1,500 works sold out of 1,617 offered lots, resulting in an overall sell-through rate of 92.5%. While these figures are impressive in isolation, what is perhaps more interesting is the structure underlying them. The
- [George Condo Works on Paper](https://intelart.io/2026/02/01/george-condo-works-on-paper/) - To understand George Condo, one must begin with paper. Not as a preparatory surface, nor as a secondary medium, but as a site of intellectual velocity — a space where thought outruns decorum and figuration is liberated from coherence. Condo’s works on paper are not sketches in the traditional sense; they are autonomous arenas
- [MAY 2026 NEW-YORK AUCTIONS: George Condo](https://intelart.io/2026/05/05/may-2026-new-york-auctions-george-condo/) - MAY 2026 NEW-YORK AUCTIONS George Condo Auction Results #1. Figure on a Red Field, 2016 Property from an Ambassadorial collection Sotheby's New-York: 14 May 2026 Estimated: USD 2,000,000 - 3,000,000 USD 5,854,000 George Condo | Figure on a Red Field | The Now & Contemporary Evening GEORGE CONDO (b. 1957) Figure on a Red
- [Richard Prince Nurse Paintings](https://intelart.io/2026/05/01/richard-prince-nurse-paintings/) - Richard Prince’s Nurses: Desire, Fear, Appropriation, and the Mask The Nurse is historically typecast as an icon of goodness, a benevolent caregiver and healer. However the 20th century has played with that role and eroticized it, casting her as a different character: a lustful and naughty object of sexual desire. It is this striking
- [Richard Prince (American, b. 1949)](https://intelart.io/2022/12/13/richard-prince-american-b-1949/) - Richard Prince is one of the most provocative and influential figures in postwar and contemporary art. Emerging in the late 1970s and early 1980s as part of the Pictures Generation, he fundamentally challenged notions of authorship, originality, and image ownership. By rephotographing existing images and recontextualizing fragments of American visual culture, Prince constructed a body
- [MAY 2026 NEW-YORK AUCTIONS: Richard Prince](https://intelart.io/2026/05/04/may-2026-new-york-auctions-richard-prince/) - MAY 2026 NEW-YORK AUCTIONS Richard Prince Auction Results #1. Sexual Behavior of American Nurses, 2009-2011 Christie's New-York: 20 May 2026 Estimated: USD 4,000,000 - 6,000,000 USD 4,589,000 RICHARD PRINCE (B. 1949), Sexual Behavior of American Nurses | Christie's RICHARD PRINCE (B. 1949) Sexual Behavior of American Nurses, 2009-2011 Acrylic and inkjet on canvas 83-1/4 x
- [Fernando Botero Sculptures](https://intelart.io/2026/02/14/fernando-botero-sculptures/) - Botero first began experimenting with sculpture in 1972, eventually expanding his métier from wood and clay to bronze, the medium in which has best translated the pillowy volumes of his paintings into three dimensions. Since the early 1980s, his summer were dedicated to sculpture, working from a studio in Pietrasanta, a small town on
- [Fernando Botero Works on Paper](https://intelart.io/2026/02/03/fernando-botero-works-on-paper/) - Auction Market Overview WORK IN PROGRESS 2025 Auction Highlights Lots sold for more than USD 20,000 29 lots sold at auction in 2025 for a total turnover of USD 2,188,206. With 3 lots failing to sell, the sell-through rate is 91%. 2025 Top 3 Lots The highest price was achieved by an untitled drawing dated
- [Fernando Botero (Colombian,1932-2023)](https://intelart.io/2022/12/12/fernando-botero-recent-auction-results-2/) - Growing up with very humble means in Medellín, Colombia, Fernando Botero (Colombian, 1932-1923) enjoyed two passions as a child: art and bullfighting. At age 12, Botero enrolled in a local tauromaquia academy with hopes of one day becoming a bullfighter. After suffering a minor injury from the sport, Botero ended his brief bullfighting career. At
- [MAY 2026 NEW-YORK AUCTIONS: Fernando Botero](https://intelart.io/2026/05/03/may-2026-new-york-auctions-fernando-botero/) - MAY 2026 NEW-YORK AUCTIONS Fernando Botero Auction Results #1. Horse, 2008 Property from an Important Private Collection Christie's New-York: 21 May 2026 Estimated: USD 500,000 - 700,000 USD 1,778,000 FERNANDO BOTERO (1932-2023), Horse | Christie's FERNANDO BOTERO (1932-2023) Horse, 2008 Bronze 92.1 x 52.1 x 101.6 cm (36-1/4 x 20-1/2 x 40
- [Elizabeth Peyton (American, b. 1965)](https://intelart.io/2022/12/13/elizabeth-peyton/) - Elizabeth Peyton stands as one of the most influential painters of her generation, credited with reviving portraiture at a moment when the genre had largely fallen out of favor. Since the early 1990s, she has developed a body of work that is both deeply personal and culturally resonant, merging art history, celebrity culture, and emotional
- [MAY 2026 NEW-YORK AUCTION: Elizabeth Peyton](https://intelart.io/2026/05/03/may-2026-new-york-auction-elizabeth-peyton/) - MAY 2026 NEW-YORK AUCTIONS Elizabeth Peyton Auction Results #1. Earl's Court (Liam + Noel), 1996 Property from an Important Private Collection, New York Sotheby's New-York: 14 May 2026 Estimated: USD 1,500,000 - 2,000,000 USD 1,920,000 Elizabeth Peyton | Earl's Court (Liam + Noel) | The Now & ELIZABETH PEYTON (b. 1965) Earl's
- [Jean-Michel Basquiat Prints Upcoming Lots & Auction Results (2024-2026)](https://intelart.io/2023/10/25/jean-michel-basquiat-prints-most-recent-auction-results/) - This article shows the most recent auction results by chronological order even before those are incorporated within the various relevant articles from the catalogue. 2026 Upcoming Lots Lots Sold in 2026 4 June 2026 Phillips London Modern & Contemporary Editions: Evening Sale Modern & Contemporary Editions: Evening Sale
- [Jean-Michel Basquiat Works on Paper](https://intelart.io/2023/10/25/jean-michel-basquiat-auction-results-2019-2025/) - Jean Michel-Basquiat distinguished himself from his contemporaries by the amount of works on paper he executed, and the artistic achievements he realized with this medium. He treated drawing with the same importance as he treated painting, making each one a work of art in its own right. Basquiat was attracted to the immediacy of the
- [Museum Security (Broadway Meltdown), 1983](https://intelart.io/2022/07/23/museum-security-broadway-meltdown-1983/) - JEAN-MICHEL BASQUIAT Museum Security (Broadway Meltdown), 1983 Acrylic, oilstick and paper collage on canvas 84x84 inches (213.4 x 213.4 cm) Provenance Larry Gagosian Gallery, Los Angeles Kamran Diba, Paris (acquired from the above in 1983) Faggionato Fine Arts, London Lord Edward Spencer-Churchill, London Christie's London, 13 February 2013, lot 30 (consigned by the above) Acquired
- [Jean-Michel Basquiat (American, 1960-1988)](https://intelart.io/2022/12/13/jean-michel-basquiat-recent-auction-results-2/) - When asked to describe his art, Jean-Michel Basquiat responded with customary aplomb: “royalty, heroism, and the streets.” A high school dropout, Basquiat found his true calling hanging out in the streets and inserting himself in the bustling urban milieu, ultimately becoming an influential figure in New York City’s Downtown, especially the East Village club
- [MAY 2026 NEW-YORK AUCTIONS: Jean-Michel Basquiat](https://intelart.io/2026/05/01/may-2026-new-york-auctions-jean-michel-basquiat/) - MAY 2026 NEW-YORK AUCTIONS Jean-Michel Basquiat Auction Results #1. Museum Security (Broadway Meltdown), 1983 Property from a Distinguished Collection Sotheby's New-York: 14 May 2026 Estimate upon Request USD 52,717,500 Jean-Michel Basquiat | Museum Security (Broadway Meltdown) | The Now REPEAT SALE Christie’s London: 12 February 2013 Estimated: GBP 7,000,000 - 9,000,000
- [Man Reading Stendhal, July 1986 (from Home Made Prints)](https://intelart.io/2021/07/04/man-reading-stendhal-july-1986from-home-made-prints-1986-mcat-302/) - Man Reading Stendhal July 1986 from Home Made Prints Medium: Home-made print executed on an office color copy machine on Arches Text paper Year: 1986 Sheet: 13 7/8 x 8 1/2 inches (35.5 x 21.6 cm) Edition: 60 Publisher: The Artist Literature: Museum of Contemporary Art Tokyo (302) Signed, dated and numbered in pencil with
- [Still Life with Curtains (from Home Made Prints), 1986](https://intelart.io/2021/07/04/still-life-with-curtains-from-home-made-prints-1986-mcat-289/) - Still Life with Curtains, March 1986 from Homemade Prints Medium: Homemade print executed on an office color copy machine on Arches Text paper Year: 1986 Sheet: 8 1/2 x 11 inches (21.5 x 27.9 cm) Edition: 48 Publisher & Printer: The Artist Literature: Museum of Contemporary Art Tokyo (289) Signed, dated and numbered in pencil
- [MAY 2026 NEW-YORK AUCTIONS: David Hockney](https://intelart.io/2026/05/05/may-2026-new-york-auctions-david-hockney/) - MAY 2026 NEW-YORK AUCTIONS David Hockney Auction Results #1. The Valley, Mountains in Var (Near La Garde Freinet), 1970 Property from The Sheryl and Harvey White Trust Collection Sotheby's New-York: 14 May 2026 Estimated: USD 6,000,000 - 8,000,000 USD 6,586,000 David Hockney | The Valley, Mountains in Var (Near La Garde Freinet) DAVID
- [Roy Lichtenstein (American, 1923-1997)](https://intelart.io/2022/12/12/roy-lichtenstein-american-1923-1997-auction-market-overview-2/) - Roy Lichtenstein stands as one of the central figures of Pop Art and one of the most influential artists of the twentieth century. Through his distinctive visual language—characterized by bold outlines, Ben-Day dots, flat colors, and imagery drawn from popular media—Lichtenstein transformed the visual vocabulary of mass culture into one of the most recognizable
- [MAY 2026 NEW-YORK AUCTIONS: Roy Lichtenstein](https://intelart.io/2026/04/30/may-2026-new-york-marquee-auctions-roy-lichtenstein/) - MAY 2026 NEW-YORK AUCTIONS Roy Lichtenstein Auction Results 17 lots sold for a cumulative turnover of USD 86,498,600. With no lot failing to sell, the sell-through rate is 100%. #1. Anxious Girl, 1964 Christie's New-York: 18 May 2026 Estimated: USD 40,000,000 - 60,000,000 USD 46,060,000 ROY LICHTENSTEIN (1923-1997), Anxious Girl | Christie's ROY LICHTENSTEIN
- [Keith Haring (American, 1958-1990)](https://intelart.io/2022/12/13/keith-haring-recent-auction-results-2/) - Keith Haring began drawing in the New York subway during the early 1980s. Compulsively producing up to forty images a day, he sketched with chalk on the black surfaces left by vacant advertising spaces. Combining subversive humor derived from urban counterculture with more sophisticated elements drawn from his vast artistic culture (Haring often refers to
- [Untitled (Grace Jones Mask), 1987](https://intelart.io/2022/07/27/untitled-grace-jones-mask-1987/) - KEITH HARING Untitled (Grace Jones Mask), 1987 Enamel on aluminum 44-1/2 x 43-1/2 x 12-1/2 inches (113 x 110.5 x 31.8 cm) Signed and dated '© K. Haring 1987 ⨁' on the reverse Provenance Tony Shafrazi Gallery, New York Hokin Gallery Inc., Palm Beach Private Collection, New York Private Collection (acquired from the above in
- [Self-Portrait, 1985](https://intelart.io/2022/07/24/self-portrait-1985/) - KEITH HARING (1958 - 1990) Self-Portrait, 1985 Acrylic on canvas 48X48 inches (121.9 x 121.9 cm) Signed, titled, dated FEB. 4 - 85 and dedicated HAPPY BIRTHDAY - FOR KERMIT (on the overlap) Provenance Acquired directly from the artist in 1985 by the present owner Auction History Haring's House: Works from the Collection of
- [Untitled (June 1st a Milano), 1984](https://intelart.io/2022/07/24/untitled-june-1st-a-milano-1984/) - KEITH HARING (1958-1990) Untitled (June 1st a Milano), 1984 Acrylic and fluorescent acrylic on canvas 94-3/8 x 94-3/8 inches (239.7 x 239.7 cm) Signed, titled and dated 'K. HARING JUN 1 1984 A MILANO' (on the overlap) Provenance Galleria Salvatore Ala, Milan Skarstedt Gallery, New York Private collection, Miami Private collection, Europe Gladstone Gallery, New
- [MAY 2026 NEW-YORK AUCTIONS: Keith Haring](https://intelart.io/2026/05/04/may-2026-new-york-auctions-keith-haring/) - MAY 2026 NEW-YORK AUCTIONS Keith Haring Auction Results 25 lots sold for a total turnover of USD 17,703,940. This includes 20 lots from The Collection of Kermit Oswald, generating USD 9,854,240. With no lot failing to sell the sell-through rate is 100%. XXXXXXXXXX #1. Untitled (June 1st a Milano), 1984 Christie's New-York: 20
- [MAY 2026 NEW-YORK AUCTIONS: Gerhard Richter](https://intelart.io/2026/05/01/may-2026-new-york-auctions-gerhard-richter/) - MAY 2026 NEW-YORK AUCTIONS Gerhard Richter Auction Results 19 lots sold for a total turnover of USD 91,875,000. With no lot failing to sell, the sell-through rate is 100%. This includes 13 lots from The Private Collection of Marian Goodman, the artist long-standing gallerist, for a total of USD 80, 269,800, notably
- [Mark Rothko (American, 1903-1970)](https://intelart.io/2022/12/11/mark-rothko-american-1903-1970/) - Introduction Mark Rothko, (born in 1903 in Russia - died in 1970 in New-York) was an American painter whose works introduced contemplative introspection into the melodramatic post-World War II Abstract Expressionist school; his use of color as the sole means of expression led to the development of color field painting. In 1913, Rothko’s
- [MAY 2026 NEW-YORK AUCTIONS: Mark Rothko](https://intelart.io/2026/04/30/new-york-2026-spring-marquee-auctions-mark-rothko/) - MAY 2026 NEW-YORK AUCTIONS Mark Rothko Auction Results 6 lots sold for a total turnover of USD 231,729,000. With no lot failing to sell, the sell-through rate is 100%. No.15 (Two Greens and Red Stripe), a painting dated 1964, from The Collection of Agnes Gund, sold at Christie's on 18 May 2026 for USD
- [Andy Warhol Auction Results (2019-2026)](https://intelart.io/2025/01/25/andy-warhol-auction-results-2021-2024/) - Andy Warhol Auction Results From 2019 to 2026, the auction market for Andy Warhol has offered a rare laboratory for observing how icons behave under pressure: economic, cultural, and generational. This blog series distills that seven-year span into a clear, navigable body of evidence, focusing on paintings only, where scarcity, provenance, and connoisseurship collide most
- [MAY 2026 NEW-YORK AUCTIONS: Andy Warhol](https://intelart.io/2026/04/30/81569/) - MAY 2026 NEW-YORK AUCTIONS Andy Warhol Auction Results 33 lots sold for a total turnover of USD 135,873,280. With 3 lots failing to sell, the sell-through rate is 94.3%. The top lot for the week is Double Elvis [Ferus Type], a painting dated 1963, that sold at Christie's on 18 May 2026
- [MAY 2026 NEW-YORK AUCTIONS: Jean Dubuffet](https://intelart.io/2026/05/15/may-2026-new-york-auctions-jean-dubuffet/) - MAY 2026 NEW-YORK AUCTIONS Jean Dubuffet Barbe des Rites, 1959 Barbe des Rites, 1959 Phillips New-York: 19 May 2026 Estimated: USD 2,000,000 - 3,000,000 Jean Dubuffet Modern & Contemporary Art Evening Sale JEAN DUBUFFET Barbe des Rites, 1959 Oil on canvas 99.7 x 80.6 cm (39-1/4 x 31-3/4 inches) Signed and dated "J.
- [Yayoi Kusama Prints 2026 Upcoming Lots and Auction Results](https://intelart.io/2025/12/22/yayoi-kusama-prints-2026-upcoming-lots-and-auction-results/) - This article shows the most recent auction results for Yayoi Kusama Prints in reverse chronological order before those are incorporated within the various relevant articles from the catalogue. intelART constantly monitors a large number of auction houses worldwide. All auction results are checked one by one directly from the auction houses websites, and
- [MAY 2026 NEW-YORK AUCTIONS: KAWS](https://intelart.io/2026/05/10/may-2026-new-york-auctions-kaws/) - MAY 2026 NEW-YORK AUCTIONS KAWS UNTITLED (CHUM, HOUSTON STREET), 2000 UNTITLED (CHUM, HOUSTON STREET), 2000 Phillips New-York: 21 May 2026 Estimated: USD 250,000 - 350,000 KAWS Modern & Contemporary Art: Afternoon Session KAWS UNTITLED (CHUM, HOUSTON STREET), 2000 Acrylic on paper 69-3/4 x 48 inches (177.2 x 121.9 cm) Executed in 2000, UNTITLED (CHUM, HOUSTON STREET)
- [BANKSY Prints 2026 Upcoming Lots and Auction Results](https://intelart.io/2025/12/21/banksy-prints-2026-upcoming-lots-and-auction-results/) - This article shows the most recent auction results in reverse chronological order before those are incorporated within the various relevant articles from the catalogue. intelART constantly monitors a large number of auction houses worldwide. All auction results are checked one by one directly from the auction houses websites, and the actual visuals and
- [Javier Calleja Works on Paper](https://intelart.io/2026/04/26/javier-calleja-works-on-paper/) - A Precise Universe in Miniature The works on paper by Javier Calleja occupy a paradoxical position within contemporary art: modest in scale, disarmingly simple in appearance, yet conceptually rigorous and increasingly significant within the market. While his sculptures and large-scale paintings have propelled him to global recognition, it is on paper that Calleja’s language
- [Javier Calleja (Spanish, b. 1971)](https://intelart.io/2022/12/13/javier-calleja-recent-auction-results-2/) - Javier Calleja has emerged as one of the most distinctive European voices within contemporary figurative painting. Trained at the University of Granada, his practice developed at the intersection of traditional draftsmanship and a visual language deeply informed by illustration, comics, and popular culture. While his aesthetic may initially appear disarmingly simple, it is
- [Pop Shop IV & Quad IV, 1989](https://intelart.io/2021/07/29/pop-shop-iv-1989/) - Perhaps one of the most recognizable portfolios in the Pop Shop series, Pop Shop IV features almost all of Haring’s ‘icons’: the radiant child, the barking dog and the winged superman, all surrounded by joyous energy lines and depicted in the bold contrasting colors he became known for. This series is a tour de force of composition, displaying
- [Man Looking for His Glasses, April 1986 (from Home Made Prints)](https://intelart.io/2021/07/04/man-looking-for-his-glasses-april-1986-from-home-made-prints-mcat-297/) - Man Looking for His Glasses, April 1986 from Home Made Prints Medium: Home-made print executed on an office color copy machine on Arches Text paper Year: 1986 Sheet: 8 1/2 x 11 inches (21.5 x 28 cm) Edition: 50 Publisher: The Artist Literature: Museum of Contemporary Art Tokyo (297) Signed, dated and numbered in
- [The Juggler (from Home Made Prints), 1986](https://intelart.io/2021/07/04/the-juggler-from-home-made-prints-1986/) - The Juggler from Home Made Prints Medium: Home-made print in colors executed on an office copy machine on wove paper Year: 1986 Image: 12 7/8 x 7 3/4 inches (32.7 x 19.7 cm) Sheet: 14 x 8 1/2 inches (35.6 x 21.6 cm) Edition: 31 Publisher: The Artist Literature: not in Museum of Contemporary
- [Four Flowers in Still Life, 1990](https://intelart.io/2021/07/05/four-flowers-in-still-life-1990-mcat-322/) - Four Flowers in Still Life Medium: Lithograph in colors on Arches 88 paper Year: 1990 Image: 21x32 inches (53x81 cm) Sheet: 27x38 inches (68.6 x 96.5 cm) Edition: 50 Artist's Proofs: 12 AP (numbered in Roman numerals) Publisher: Tyler Graphics Ltd., Bedford, New York Literature: Museum of Contemporary Art Tokyo (322) Signed, dated and
- [Home-Made Prints, 1986](https://intelart.io/2023/05/10/home-made-prints-1986/) - David Hockney's Homemade Prints from 1986 are remarkable examples of how an artist can harness emerging technology to push the boundaries of traditional art forms. In total, Hockney created 33 prints in this series, all of which were made using a color copy machine—a highly unconventional approach at the time. WORK IN PROGRESS Introduction
- [Weather Series,1973](https://intelart.io/2021/06/29/david-hockney-the-weather-series-1973-2/) - The stylized depiction of weather conditions, especially rain, in Japanese art fascinated Hockney and in 1973 he began work on his own series of weather prints. In these large-scale lithographs, Hockney evokes the atmospheric effects of weather with visual ciphers and an inventive use of the medium. Introduction Before completing his Weather Series, Hockney travelled
- [Lithographs of Water, 1978-1980](https://intelart.io/2021/07/01/lithograph-of-water-made-of-lines-1980-2/) - The pool arrives first, unapologetically blue, like a rectangle of sky dropped into the desert and asked to behave. It holds that peculiar 1960s California optimism: the conviction that pleasure could be designed, poured in concrete, edged in white, and made permanent. Hockney lets it shimmer, not with realism but with sensation: the small, insistent
- [Pretty Tulips, 1969](https://intelart.io/2021/06/27/pretty-tulips-1969/) - Pretty Tulips Medium: Lithograph in colors on Crisbrook handmade paper Year: 1969 Sheet: 28 3/8 x 19 7/8 inches (72.1 x 50.5 cm) Edition: 200 Artist's Proofs: 30 AP Publisher: Petersburg Press, London Literature: Scottish Arts Council (115) Signed, dated, titled and numbered in pencil Since the 1960s, flowers have been a central theme
- [Hotel Acatlan (from Moving Focus), 1984-1985](https://intelart.io/2021/07/04/hotel-acatlan-1984-1985-2/) - David Hockney discovered the Hotel Romano Angeles in the small town of Acatlán, Hidalgo Province, Mexico, by accident after his car broke down on a trip from Mexico City to Oaxaca. Arranged around a courtyard with tropical plants and a well in the center, its rustic charm and vibrant colors immediately appealed to the artist
- [Moving Focus, 1984-1985](https://intelart.io/2023/05/10/moving-focus-1984-1985/) - David Hockney's Moving Focus series, created between 1984 and 1986, is widely regarded as his most ambitious and extensive series of prints. The series consists of twenty-nine lithographs that explore the concept of perspective in innovative ways, challenging traditional Western approaches to spatial representation. Hockney drew significant inspiration from Cubism and Chinese scroll paintings, both
- [Pool Made with Paper and Blue Ink for Book, 1980](https://intelart.io/2021/07/02/pool-made-with-paper-and-blue-ink-for-book-2/) - Swimming pools became a staple of Hockney’s oeuvre early on in his career. Flying into Los Angeles for the first time in 1963, Hockney looked out of the airplane window and was immediately captivated by the striking blues of the countless swimming pools scattered throughout the city below. Following a move to this ‘promised land’
- [David Hockney Prints 2025 Auction Results](https://intelart.io/2023/10/02/david-hockney-prints-2025-upcoming-lots-and-auction-results/) - DAVID HOCKNEY PRINTS 2025 AUCTION RESULTS PLEASE CLICK ON THE IMAGE OF ANY PRINT TO ACCESS ITS CATALOGUE ENTRY WITH NARRATIVE AND HISTORICAL AUCTION RESULTS 2025 Auction Statistics Turnover: USD 26,937,294 # Lots sold: 340 Lots # Lots unsold: 35 Lots Sell-Through Rate: 90.7% The strong increase in
- [Mick Jagger, 1975](https://intelart.io/2021/07/25/mick-jagger-1975/) - Andy Warhol’s Mick Jagger series creates a powerful statement about the commercialization of celebrity, evident also in his decision for Jagger to sign each of the prints, thus increasing their value and enhancing their cultural significance. Introduction Warhol met Jagger in 1963 during the Rolling Stones’ first tour to the United States, before the
- [Ingrid Bergman, 1983](https://intelart.io/2021/07/28/ingrid-bergman-1983/) - Andy Warhol created a series of three prints dedicated to Ingrid Bergman at the request of Galerie Börjeson, a Swedish gallery who later published the suite. The series, produced towards the end of Warhol’s life, showcases the artist’s enduring fascination with celebrity and the way in which fame could elevate a mere mortal to the
- [COW, 1966/1971/1976](https://intelart.io/2021/07/25/24547/) - As a series Warhol began early in his career, his Cow wallpapers serve as a preliminary declaration of the artist’s creative ethos: a subversion of the historical canon and an embrace of commercial art forms by rendering repetitive imagery in unnaturally vibrant hues. Introduction Warhol recalled the impetus for these prints, starting with a flippant conversation
- [Campbell's Soup II, 1969](https://intelart.io/2021/07/18/campbells-soup-i-1968/) - Andy Warhol engaged with art in a radically unembellished way, whilst simultaneously endowing modern art history with a newfound complexity. This surprising simplicity, unburdened by traditional understandings of ‘high art’ and instead informed directly by the pedestrian everyday, is perhaps best exemplified in the Campbell’s Soup screen-prints. Introduction As the most recognizable piece of Andy
- [Moonwalk, 1987](https://intelart.io/2021/07/30/moonwalk-1987/) - Andy Warhol’s Moonwalk depicts one of the most important moments of the 20th century. Using Neil Armstrong's photograph of Buzz Aldrin walking on the moon, Warhol, for the very first time, turns this historic event into a Pop Art masterpiece. Though one might expect this work to have been done at the time of the
- [Grace Kelly, 1984](https://intelart.io/2021/07/28/grace-kelly-1984-2/) - Grace Kelly Medium: Screenprint on Lenox Museum Board Year: 1984 Sheet: 40x32 inches (101.6 x 81.3 cm) Edition: 225 Artist's Proofs: 30 AP Printer's Proofs: 8 PP Hors Commerce: 2 HC Other: 50 numbered in Roman numerals Trial Proofs: 20 TP in unique color combination Printer: Rupert Jasen Smith, New-York Publisher: Institute of Contemporary Art,
- [Martha Graham, 1986](https://intelart.io/2021/07/30/martha-graham-1986/) - Introduction World-renowned dancer Martha Graham, an internationally recognized performer and choreographer revolutionized dance technique in the 20th century. She was described as the ‘Picasso of Dance,’ and Warhol’s representation of her serves to enhance her prominence in the history of the performing arts. Indeed, Warhol created three screen prints of the American contemporary dancer: Letter
- [Sunset, 1972](https://intelart.io/2021/07/22/sunset-1972/) - Published in 1972, Andy Warhol's Sunset series was commissioned by the architects Johnson & Burgee for their new Marquette Hotel in Minneapolis. This was just one of several projects between the firm's partner Philip Johnson and Warhol, Johnson being a long-term collector and friend of the artist. Introduction In contrast to the architecture's highly geometric and functional
- [Pop Shop I & Pop Shop Quad I, 1987](https://intelart.io/2021/07/27/pop-shop-i-1987/) - Released in 1987, Pop Shop I stands as one of Keith Haring’s most emblematic print portfolios: a direct extension of the philosophy that defined his practice. Issued one year after the opening of his first Pop Shop in downtown Manhattan, the series embodies his ambition to dissolve the boundary between high art and popular culture.
- [Surrealist Series, 1978](https://intelart.io/2022/12/18/surrealist-series-1978/) - Initiated in the mid-1970s, Roy Lichtenstein's Surrealist Series represents a novel and ambitious chapter within his artistic trajectory. This series, composed of various prints and canvases, exhibits Lichtenstein's departure from his famed comic-strip imagery, instead embracing dreamlike and fantastical elements. The series is characterized by the continued usage of Lichtenstein's trademark formal characteristics: the use of primary
- [American Indian Theme I-VI, 1980](https://intelart.io/2022/12/18/american-indian-theme-i-vi-1980-c-160-165-6-works/) - Growing up on the Upper West Side of Manhattan, Lichtenstein was a frequent visitor of the American Museum of Natural History. He showed particular interest in the Hall of Northwest Coast Indians from a young age. It wasn’t before the early 1950s, however, that he decided to expand on this fascination further, through his art.
- [...Huh?, 1976](https://intelart.io/2022/12/18/huh-1976-c-149/) - ...Huh? Medium: Screen-print in colors on Arches wove paper Year: 1976 Image: 39 5/8 x 27 7/8 inches (100.7 x 70.9 cm) Sheet: 41 1/2 x 29 5/8 inches (105.6 x 75.4 cm) Edition: 100 Artist's Proofs: 20 Publishers: Jerusalem Museum, Israel and Castelli Graphics and Multiples, Inc., New York Printer: Burston Graphics Centre, Jerusalem
- [Paintings Series, 1984](https://intelart.io/2022/12/19/two-paintings-dagwood-from-paintings-series-1984-c-207/) - From 1982 to 1985 Lichtenstein worked on a group of paintings that took “Paintings” as its subject. The “Paintings” prints continue that investigation, but with different implications in the concept of a “print”, versus a “painting”, of a painting. For previous Gemini G.E.L. projects, such as the Bull Profile series, Lichtenstein had completed drawings in
- [Haystack Series, 1969](https://intelart.io/2022/12/17/haystack-series-1969-c-65-70-74/) - By reimagining Monet's timeless masterpiece through the lens of contemporary mass production, Lichtenstein prompts us to reflect on the commodification of art and the ever-shifting landscape of cultural meaning. Through his inventive reinterpretation, Lichtenstein reaffirms the enduring relevance of Monet's legacy while simultaneously carving out his own place in the annals of art history.
- [Haystack, 1969](https://intelart.io/2022/12/17/haystack-1969-c-84/) - Haystack Medium: Screenprint on C. M. Fabriano –100/100 Cotone paper Year: 1969 Sheet: 19 x 26 inches (48.3 x 66 cm) Image: 14 3/8 x 17 3/16 inches (36.5 x 43.6 cm) Edition: 250 Publisher: Gabriele Mazzotta Editore, Milan Printer: Unknown Literature: Corlett 84, RLCR 1657 Haystack, 1969 (RLCR 1657) | Catalogue entry | Roy
- [Bull VII, 1973](https://intelart.io/2022/12/17/bull-vii-1973-c-122/) - Bull VII Medium: Lithograph, screen-print and line-cut printed in colors on Arjomari paper Year: 1973 Image: 24x32 inches (60.9 x 83.7 cm) Sheet: 27 x 34 7/8 inches (68.4 x 88.6 cm) Edition: 26 Artist's Proofs: 9 AP Publisher: Gemini G.E.L. Literature: Corlett 122, RLCR 2154 Bull VII, 1973 (RLCR 2154) | Catalogue entry
- [Reflections on Expressionist Painting, 1990](https://intelart.io/2022/12/29/reflections-on-expressionist-painting-1990-c-255/) - Reflections on Expressionist Painting from the Carnegie Hall 100th Anniversary portfolio Medium: Screen-print in encaustic wax and magna in colors on Saunders Waterford paper Year: 1990 Image: 57 7/8 x 37 7/8 inches (147 x 96.2 cm) Sheet: 59 1/4 x 39 3/8 inches (150.4 x 100 cm) Edition: 60 Artist's Proofs: 15 AP Publisher: Fine
- [Rain Forest (from Columbus, in search of a New Tomorrow), 1992](https://intelart.io/2022/12/30/rain-forest-from-columbus-in-search-of-a-new-tomorrow-1992-c-278/) - Rain Forest from Columbus - In Search of a New Tomorrow Medium: Screen-print in colors on Fabriano wove paper Year: 1992 Image: 25 5/8 x 21 3/8 inches (65.1 x 54.3 cm) Sheet: 29 7/8 x 22 3/4 inches (75.9 x 57.8 cm) Edition: 100 Artist's Proofs: 66 AP Printer & Publisher: Edition Domberger,
- [Seven Apple Woodcuts Series, 1982](https://intelart.io/2022/12/19/seven-apple-woodcut-series-1983-c-198-7-works/) - After his iconic paintings of comic-strip heroines, still lifes were probably the most important and extensive subject matter that occupied Roy Lichtenstein throughout his career. From some of his earliest paintings such as Black Flowers, 1961, to his Brushstroke Still Life series from 1997, Lichtenstein sought to re-invent one of the noblest of artistic genres for the Pop
- [Sunrise (steel), 1965](https://intelart.io/2022/12/15/sunrise-steel-1965/) - Sunrise from 7 Objects in a Box Medium: Baked enamel on steel multiple Year: 1966 Overall: 8 1/2 x 11 x 1 inches (21.6 x 27.9 x 2.5 cm) Edition: 75 Artist's Proofs: 25 AP Publisher: Tanglewood Press, Inc., New York Literature: Corlett p. 27 Signed in blue felt-tip pen on the reverse Although
- [Crak!, 1963-1964](https://intelart.io/2022/12/14/crak-1963-1964-c-ii-2a/) - Crak! Medium: Offset lithograph in colors on lightweight wove paper Year: 1963-1964 Image: 18 5/8 x 26 7/8 inches (47.5 x 68.3 cm) Sheet: 19 1/4 x 27 1/2 inches (48.9 x 69.9 cm) Edition: 300 Publisher: Leo Castelli Gallery, New-York Literature: Corlett II.2a, RLCR 812 CRAK!, 1963/1964 (RLCR 812) | Catalogue entry | Roy
- [Explosion (from Portfolio 9), 1967](https://intelart.io/2022/12/16/explosion-from-portfolio-9-1967-c-49/) - Explosion from Portfolio 9 Medium: Lithograph in colors on Rives BFK paper Year: 1967 Sheet: 22x17 inches (55.9 x 43.2 cm) Edition: 100 Artist's Proofs: 20 (numbered in Roman numerals), 10 unnumbered Publisher: Hollander Workshop, New York Literature: Corlett 49 Signed and numbered in pencil Irwin Hollander was a master lithographer who worked
- [Weston Super Mare, 2003](https://intelart.io/2021/07/31/weston-super-mare-2003/) - Weston Super Mare Medium: Screenprint in colors on wove paper Year: 2003 Sheet: 35x100 cm (13 3/4 x 39 inches) Edition: 750 (150 signed) Artist's Proofs: Lime Green: 18 signed AP Weston Super Mare features a senior citizen sitting on a bench, his hands folded across his lap, his cane resting next
- [Mao, 1972](https://intelart.io/2021/07/22/mao-1972/) - Possessing an uncanny lifeline to public consciousness at a particular moment in time, Andy Warhol's Mao tapped into the historic easing of relations between the United States and China in 1972. Richard Nixon's "ice-breaking" visit to the communist nation in February of that year, in what the President termed "the week that changed the world," amounted to
- [Hong-Kong Spring 2026 Auctions](https://intelart.io/2026/03/17/hong-kong-spring-2026-auctions/) - WORK IN PROGRESS Agenda 20th / 21st Century Evening Sale 27 March 2026 20th/21st Century Evening Sale 20th Century Day Sale 28 March 2026 20th Century Day Sale 21st Century Day Sale 28 March 2026 21st Century Day Sale Modern & Contemporary Evening Auction 29 March 2026 Modern & Contemporary Evening Auction | 2026
- [Mr.                                              (Japanese, b. 1969)](https://intelart.io/2022/12/13/mr-japanese-b-1969-auction-market-overview/) - Mr. stands as one of the most distinctive voices to emerge from the Japanese contemporary art scene in the late 1990s, operating at the intersection of fine art, anime culture, and social commentary. Closely associated with Takashi Murakami and the Superflat movement, Mr. has developed a visual language that appears deceptively playful yet reveals
- [Hernan Bas (American, b. 1978)](https://intelart.io/2022/12/15/hernan-bas-recent-auction-results-2/) - Hernan Bas (b. 1978, Miami) is one of the most distinctive figures to emerge from the resurgence of figurative painting in the early 2000s. Largely self-taught, Bas developed his practice outside traditional academic frameworks, cultivating a visual language that is both literary and highly stylized. He gained early institutional recognition in Miami, notably through
- [Gerhard Richter Abstraktes Bild](https://intelart.io/2026/01/04/gerhard-richter-abstraktes-bild/) - Born in Dresden in 1932, Gerhard Richter came of age in a rapidly shifting political and cultural landscape, first joining the Dresden Academy of Fine Arts in 1951 and later enrolling at the Dusseldorf Academy in 1961 alongside Sigmar Polke. Spanning almost six decades, Richter’s oeuvre continues to explore the relationships between color and
- [Pierre Soulages Outrenoirs / Beyond Black](https://intelart.io/2026/01/10/pierre-soulages-outrenoirs/) - Pierre Soulages decided to become a painter at the age of 17 when, standing under the cavernous ceiling of a medieval church, he observed rays of sunshine filtering through the high windows, carving up the gloom below. He has been revisiting that experience in his paintings ever since. Today, the abstract artist is considered to be
- [Pierre Soulages (French, 1919-2022)](https://intelart.io/2022/12/12/pierre-soulages-5-year-auction-summary-2/) - Pierre Soulages stands as one of the most singular figures in postwar abstraction, an artist who built an entire language from a single color. His work is not about black as absence, but as presence, a material capable of reflecting light, structuring space, and transforming perception. Through what he called outrenoir—literally “beyond black”—Soulages developed surfaces
- [Mirror Series, 1972](https://intelart.io/2022/12/17/mirror-4-from-mirror-series-1972-c-109-2/) - The Mirror series perfectly epitomizes the conflict between reality and illusion that underpins Lichtenstein’s entire oeuvre. First inspired by the ways in which advertisers represented windows and mirrors on commercial brochures and in storefront posters, Lichtenstein embarked on an examination of the semiotic systems enabling the mirror to operate as a vehicle for illusion and artifice. Introduction
- [Art Critic, 1996](https://intelart.io/2022/12/31/art-critic-1996-c-305/) - Art Critic Medium: Screenprint on 300-gram Somerset textured paper Year: 1996 Sheet: 26 x 19 1/8 inches (66 x 48.6 cm) Image: 19 3/4 x 13 5/16 inches (50.2 x 33.8 cm) Edition: 150 Artist's Proofs: 25 AP Publisher: The artist and The Brooklyn Academy of Music, New York Printer: Noblet Serigraphie Inc., New York
- [Brushstroke Figures Series, 1989](https://intelart.io/2022/12/27/brushstroke-figure-series-1989/) - In Brushstroke Figures, Roy Lichtenstein brings together a wide vocabulary of mark-making from diagonals, Ben-Day dots, hard-edged cartoon outlines, and seemingly realistic paintbrush strokes. Throughout the series, he orchestrates a continual shift between abstraction and representation. Returning to his earlier investigations into the nature of artmaking within the Pop Art movement, Lichtenstein distilled the act
- [Sweet Dreams Baby! (from 11 Pop Artists Portfolio), 1965](https://intelart.io/2022/12/15/sweet-dreams-baby-from-11-pop-artists-portfolio-1965/) - Sweet Dreams Baby! from 11 Pop Artists Portfolio, Volume III Medium: Screenprint in colors on smooth wove paper Year: 1965 Image: 35 3/4 x 25 3/4 inches (90.5 x 64.8 cm) Sheet: 37 3/4 x 27 3/4 inches (95.6 x 70.2 cm) Edition: 200 Artist's Proofs: 50 AP (numbered in Roman numerals) Publisher: Original Editions,
- [Shipboard Girl, 1965](https://intelart.io/2022/12/15/shipboard-girl-1965-c-ii-6/) - Shipboard Girl Medium: Offset lithograph printed in colors on textured wove paper Year: 1965 Image: 26 x 19 1/4 inches (66 x 48.7 cm) Sheet: 27 1/8 x 20 1/4 inches (69 x 51.5 cm) Edition: Unknown size Publisher: Leo Castelli Gallery, New-York Printer: Graphic Industries, Inc., New-York Literature: Corlett II.6 Signed in pencil
- [Crying Girl, 1963](https://intelart.io/2022/12/13/crying-girl-1963-c-ii-1/) - Crying Girl Medium: Offset lithograph in colors, on wove paper Year: 1963 Image: 17 1⁄4 x 23 1⁄4 inches (43.8 x 59 cm) Sheet: 18x24 inches (45.8 x 61 cm) Edition: Unknown size Publisher: Leo Castelli Gallery, New York Literature: Corlett II.1, RLCR 759 Crying Girl, 1963 (RLCR 759) | Catalogue entry | Roy
- [Wallpaper with Blue Floor Interior, 1992](https://intelart.io/2022/12/30/wallpaper-with-blue-floor-interior-1992-c-260/) - Wallpaper with Blue Floor Interior Medium: Screen-print in colors, on five rolled panels of Paper Technologies, Inc. Waterleaf paper Year: 1992 Overall (approximately): 102x150 inches (250.2 x 382 cm) Edition: 300 Artist's Proofs: 50 AP Printer: La Paloma, Los Angeles Publisher: Gemini G.E.L., Los Angeles Literature: Corlett 260, Gemini 1558, RLCR 4160 Wallpaper with Blue
- [KAWS Prints & Multiples](https://intelart.io/2026/04/19/kaws-prints-multiples/) - KAWS’s print and multiples practice occupies a central position within his broader oeuvre, functioning as a primary vehicle for the dissemination of his visual language. Unlike many artists for whom editions serve as secondary outputs, KAWS has developed a highly structured and intentional body of prints and objects that translate his universe—rooted in appropriation, character
- [The Prints Market Intelligence Dashboard](https://intelart.io/2025/11/02/the-prints-market-intelligence-dashboard/) - WORK IN PROGRESS Preamble In our Prints Catalogues, we have meticulously referenced all the prints/editions/multiples sold at auction for the past 5 to 10 years when necessary to understand value. Our Catalogues reference a comprehensive list of editions Presented in chronological order With a precise and accurate description Referencing rigorously all relevant Catalogue
- [Yayoi Kusama Prints](https://intelart.io/2026/04/19/yayoi-kusama-prints/) - Yayoi Kusama Prints and Multiples: A Reference Guide for Collectors PRELIMINARY DRAFT WORK IN PROGRESS Introduction Yayoi Kusama’s print market is not a secondary footnote to her painting and installation practice. It is one of the clearest ways to understand how her core visual language—nets, dots, pumpkins, flowers, mirrored repetition, and a strange alliance between
- [Bull Head Series, 1973](https://intelart.io/2022/12/17/bull-head-series-1973-c-123-125-3-works/) - Created in 1973, the Bull Head Series marks a particularly incisive moment in the print practice of Roy Lichtenstein, where the artist pushes reduction to its conceptual limit. Comprising three prints, the series is based on a strikingly simple premise: the progressive construction, and simultaneous deconstruction, of a bull’s head using the most elementary visual vocabulary.
- [Still Life with Red Jar, 1994](https://intelart.io/2022/12/30/still-life-with-red-jar-1994-c-291/) - Still Life with Red Jar Medium: Screenprint in colors, on Lanaquarelle watercolor paper Year: 1994 Image: 15 x 13 1/8 inches (38.1 x 33.3 cm) Sheet: 21 1/4 x 19 1/4 inches (53.9 x 48.8 cm) Edition: 250 Artist's Proofs: 50 AP Publisher: Gemini G.E.L., Los Angeles Printer: James Reid Literature: Corlett (291), Gemini
- [Interior Series, 1990](https://intelart.io/2022/12/29/living-room-from-interior-series-1990/) - Lichtenstein made his initial break from the canons of Abstract Expressionism with his choice of subject and source. Having worked as a commercial artist in the 1950s, he chose to depict common, every-day subjects from our popular culture, found in newspapers, comic books, and catalogues. The artist's sourcebooks are brimming with clippings that formed his
- [Nude Series, 1994](https://intelart.io/2022/12/30/roommates-from-nude-series-1994-c-282/) - Roy Lichtenstein’s Nudes Series was the final major series the artist produced before his death in 1997. The nine prints consider the traditional art historical genre of the female nude through the lens of Pop Art and mark Lichtenstein’s return to his iconic 1960s comic book style, consisting of Benday dot patterns, bright colors, and bold lines.
- [Landscapes Series, 1985](https://intelart.io/2022/12/20/sunshine-through-the-clouds-from-landscape-series-1985-c-216/) - A pioneer of Pop Art in the United States, the graphic qualities of Roy Lichtenstein’s art and the bold, primary colors he used helped define an aesthetic for the burgeoning movement in the 1960s. Famed for his comic-book motifs and his use of Ben-Day dots, Lichtenstein’s works are recognized for their mechanical appearance. In direct
- [Peace Through Chemistry, 1970](https://intelart.io/2022/12/17/peace-through-chemistry-1970-c-96-99-4-works/) - Lichtenstein explored the Peace Through Chemistry theme in paintings, prints, and sculpture nearly simultaneously. At Gemini G.E.L., beginning in February 1969, he produced four prints, plus one bronze relief. For the Gemini prints, Lichtenstein started with a single collage drawing, which he altered for each print in the series. Introduction Created in 1970,
- [Twenty Flowers, 2021](https://intelart.io/2021/07/21/7th-march-2021-more-flowers-on-a-table-2021/) - Introduction Since the 1960s, flowers have been a central theme of David Hockney’s work. From etchings to lithographs to iPad drawings, the humble vase of flowers has been under constant review by the British artist. A keen student of this art historical tradition, Hockney was initially drawn to Vincent Van Gogh’s sunflower painting’s from
- [Campbell's Soup I, 1968](https://intelart.io/2021/07/18/campbells-soup-i-1968-2-2/) - Andy Warhol engaged with art in a radically unembellished way, whilst simultaneously endowing modern art history with a newfound complexity. This surprising simplicity, unburdened by traditional understandings of ‘high art’ and instead informed directly by the pedestrian every day, is perhaps best exemplified in the Campbell’s Soup screen-prints. As the most recognizable piece of Andy
- [Yayoi Kusama Infinity Nets 10-Year Auction Summary](https://intelart.io/2022/12/12/infinity-nets-10-year-auction-summary-2/) - Yayoi Kusama exhibited her first Infinity Nets in New-York in 1959. Employing the minimal repeated gesture of a single touch of the brush, Kusama's revolutionary paintings responded critically to the emotionally and semiotically charged brushstrokes of Jackson Pollock and Willem de Kooning. Today, Infinity Nets are true delights for art collectors all over the world,
- [Get Out While You Can, 2004](https://intelart.io/2021/07/30/get-out-while-you-can-2004/) - Get Out While You Can Medium: Screen-print in colors on wove paper Year: 2004 Sheet: 50x35 cm (19 1/2 x 13 1/2 inches) Editions: 75 signed, 175 unsigned Some in Red, some in Pink Publisher: Pictures on Walls Get Out While You Can is part of the Placard Rat series, a trilogy of three
- [Because I'm Worthless, 2004](https://intelart.io/2021/07/30/because-im-worthless-2004/) - Because I'm Worthless Medium: Screen-print in colors on wove paper Year: 2004 Sheet: 50x35 cm (19 1/2 x 13 1/2 inches) Editions: 75 signed, 175 unsigned Some in Red, Some in Pink Publisher: Pictures on Walls Because I'm Worthless is part of a series of three prints known as the Placard Rats. The inspiration
- [Banksy Prints 2025 Auction Results](https://intelart.io/2024/12/29/banksy-prints-2025-upcoming-lots-and-auction-results/) - BANKSY PRINTS 2025 AUCTION RESULTS 2025 Auction Statistics Turnover: USD 7,189,835 # Lots sold: 199 Lots # Lots unsold: 58 Lots Sell-Through Rate: 77.4% 199 lots sold at auction in 2025 for a total turnover of USD 7,189,835. With 58 lots failing to sell, the sell-through rate is 77.4%.
- [Cowboys and Indians, 1986](https://intelart.io/2021/07/30/cowboys-and-indians-1986/) - Andy Warhol’s final major portfolio Cowboys and Indians is truly a tour de force. Showcasing the artist’s fascination with pop culture, his appreciation of Indigenous art, and his almost prophetic, insight into the depths of the American imaginary, Warhol’s Cowboys and Indians remains an extraordinary series in the later part of Warhol’s career. Introduction With vivid color
- [Northwest Coast Mask from Cowboys and Indians, 1986](https://intelart.io/2021/07/30/northwest-coast-mask-from-cowboys-and-indians-1986/) - Northwest Coast Mask from Cowboys and Indians Medium: Screenprint in colors on Lenox Museum Board Year: 1986 Sheet: 36x36 inches (91.4 x 91.4 cm) Edition: 250 Artist's Proofs: 50 AP Printer's Proofs: 15 PP Hors Commerce: 15 HC Other: 10 numbered in Roman numerals Trial Proofs: 36 TP in unique color combination (see Feldmann &
- [Teddy Roosevelt from Cowboys and Indians, 1986](https://intelart.io/2021/07/30/teddy-roosevelt-from-cowboys-and-indians-1986/) - Teddy Roosevelt from Cowboys and Indians Medium: Screenprint in colors on Lenox Museum Board Year: 1986 Sheet: 36x36 inches (91.4 x 91.4 cm) Edition: 250 Artist's Proofs: 50 AP Printer's Proofs: 15 PP Hors Commerce: 15 HC Other: 10 numbered in Roman numerals Trial Proofs: 36 TP in unique color combination (see Feldmann &
- [Myths, 1981](https://intelart.io/2021/07/27/myths-1981/) - The Myths portfolio succinctly exemplifies one of the central concepts underpinning Warhol’s practice: elevating everyday mass media imagery to the realm of fine art. Warhol’s celebration of popular culture was vital to the development and trajectory of contemporary art. In the Myths series Warhol documents brands, characters and symbols of American popular culture, creating images
- [Liz, 1964](https://intelart.io/2021/07/14/liz-1964/) - Liz Medium: Offset lithograph printed in colors on wove paper Year: 1964 Image: 22x22 inches (55.9 x 55.9 cm) Sheet: 23x23 inches (58.4 x 58.4 cm) Edition: Approximately 300 (unnumbered) Publisher: Leo Castelli, New-York Printer: Total Color, New-York Literature: Feldman & Schellmann II.7 Signed in black ball-point pen and dated Liz stands among
- [Blackglama (Judy Garland) from Ads, 1985](https://intelart.io/2021/07/29/blackglama-judy-garland-from-ads-1985/) - Blackglama (Judy Garland) from Ads Medium: Screenprint in colors on Lenox Museum Board Year: 1985 Sheet: 38x38 inches (96.5 x 96.5 cm) Edition: 190 Artist's Proofs: 30 AP Printer's Proofs: 5 PP Exhibitor's Proofs: 5 EP Hors Commerce: 10 HC Other: 10 numbered in Roman numerals Bon a Tirer: 1 BAT Trial Proofs: 30 TP,
- [Rebel without a Cause (James Dean) from Ads, 1985](https://intelart.io/2021/07/29/rebel-wihout-a-cause/) - Rebel without a Cause (James Dean) from Ads Medium: Screenprint in colors on Lenox Museum Board Year: 1985 Sheet: 38x38 inches (96.5 x 96.5 cm) Edition: 190 Artist's Proofs: 30 AP Printer's Proofs: 5 PP Exhibitor's Proofs: 5 EP Hors Commerce: 10 HC Other: 10 numbered in Roman numerals Bon a Tirer: 1 BAT Trial
- [Life Savers from Ads, 1985](https://intelart.io/2021/07/29/life-savers-ads-1985/) - Life Savers from Ads Medium: Screenprint in colors on Lenox Museum Board Year: 1985 Sheet: 38x38 inches (96.5 x 96.5 cm) Edition: 190 Artist's Proofs: 30 AP Printer's Proofs: 5 PP Exhibitor's Proofs: 5 EP Hors Commerce: 10 HC Other: 10 numbered in Roman numerals Bon a Tirer: 1 BAT Trial Proofs: 30 TP, each
- [Goethe, 1982](https://intelart.io/2021/07/27/goethe-1982/) - Warhol's portrait of Goethe stands as a vibrant testament to the Pop Art maestro's enduring fascination with icons and fame. During the 1980s, Warhol gradually shifted his focus away from depicting the celebrities of his contemporary society, redirecting his attention to historical figures. Introduction In his seminal work, Zur Farbenlehre, or Theory of Colors (1810), the
- [San Francisco Silverspot from Endangered Species, 1983](https://intelart.io/2021/07/28/san-francisco-silverspot-from-endangered-species-1983/) - San Francisco Silverspot from Endangered Species Medium: Screenprint in colors on Lenox Museum Board Year: 1983 Sheet: 38x38 inches (96.5 x 96.5 cm) Edition: 150 Artist's Proofs: 30 AP Printer's Proofs: 5 PP Exhibitor's Proofs: 5 EP Hors Commerce: 3 HC Bon a Tirer: 1 BAT Other: 10 numbered in Roman numerals intended for wildlife
- [African Elephant from Endangered Species, 1983](https://intelart.io/2021/07/28/african-elephant-from-endangered-species-1983/) - African Elephant from Endangered Species Medium: Screenprint in colors on Lenox Museum Board Year: 1983 Sheet: 38x38 inches (96.5 x 96.5 cm) Edition: 150 Artist's Proofs: 30 AP Printer's Proofs: 5 PP Exhibitor's Proofs: 5 EP Hors Commerce: 3 HC Bon a Tirer: 1 BAT Other: 10 numbered in Roman numerals intended for wildlife organizations
- [Banksy Prints](https://intelart.io/2026/04/15/banksy-prints/) - Banksy Prints Image, Structure, and the Construction of a Market WORK IN PROGRESS Introduction The Image as Strategy In the work of Banksy, printmaking is neither an accessory nor a derivative practice. It is a strategic extension of an oeuvre originally conceived in the street, where images exist in a state of permanent instability—subject
- [Yayoi Kusama Prints 2025 Auction Results](https://intelart.io/2023/10/22/yayoi-kusama-prints-2025-upcoming-lots-and-auction-results/) - Yayoi Kusama Prints & Multiples 2025 Auction Results Please note that most visuals from Japanese Auction Houses have a low definition due to Copyright Laws PLEASE CLICK ON ANY PICTURE BELOW TO NAVIGATE THE YAYOI KUSAMA CATALOGUE 2025 Auction Statistics Turnover: USD 7,126,371 # Lots sold: 216 Lots # Lots passed:
- [Keith Haring Prints 2025 Auction Results](https://intelart.io/2023/09/28/keith-haring-prints-2025-upcoming-lots-and-auction-results/) - KEITH HARING PRINTS 2025 AUCTION RESULTS SIMPLY CLICK ON ANY PICTURE BELOW TO NAVIGATE THE KEITH HARING CATALOGUE WITH DETAILED NARRATIVE AND HISTORICAL AUCTION RESULTS 2025 Auction Statistics Turnover: USD 7,529,420 # Lots sold: 149 Lots # Lots unsold: 14 Lots Sell-Through Rate: 91.4% 149 lots sold at auction in
- [Keith Haring Prints](https://intelart.io/2026/04/14/keith-haring-prints/) - Structure, Language, and Market Dynamics Few artists have aligned artistic intent, visual language, and market structure as coherently as Keith Haring. Emerging from the New York subway system in the early 1980s, Haring developed a graphic vocabulary that was not only instantly recognizable but inherently reproducible—making printmaking a natural extension of his practice rather
- [Yves Klein Multiples](https://intelart.io/2026/04/10/yves-klein-multiples/) - Yves Klein’s multiples occupy a singular position within postwar art. Far from being secondary objects derived from a primary practice, they are among the most precise articulations of his ambition: to dissolve the boundary between material object and immaterial experience. Klein did not merely invent a color; he constructed a system in which pigment, body,
- [Morons, 2006-2007](https://intelart.io/2021/07/28/morons-2006/) - Morons Medium: Screenprint in colors on Arches wove paper Year: 2006 Sheet: 56x76 cm (22x30 inches) Editions: Morons: 150 signed, 500 unsigned Morons (Sepia): 300 signed Morons (LA Edition): 500 unsigned (100 printed) Artist's Proofs: Morons (Grey VIP): 30 signed AP Publisher: Pictures on Walls Morons (Sepia), 2007 Edition: 300 signed Showing an auctioneer conducting
- [Trolleys, 2006-2007](https://intelart.io/2021/07/28/trolleys-2006/) - Trolleys aka Trolley Hunters Medium: Screenprint in colors on Arches wove paper Year: 2006 Sheet: 56x76 cm (22x30 inches) Editions: Trolleys: 150 signed, 500 unsigned Trolleys (LA Edition): 100 unsigned Trolleys (color): 750 signed Trolleys (Bethlehem edition): 28 signed Publisher: Pictures on Walls 'We can't do anything to change the world until capitalism crumbles.
- [The Oval Office, 1992](https://intelart.io/2022/12/30/the-oval-office-1992-c-277/) - The Oval Office presents one of the most recognizable spaces of American power through the precise and constructed language of Roy Lichtenstein. The iconic interior is flattened into bold contours, patterned surfaces, and controlled color fields, transforming a symbolic environment into a highly ordered image. Rather than conveying atmosphere or authority directly, Lichtenstein reduces the space
- [Brushstrokes, 1967](https://intelart.io/2022/12/16/brushstrokes-1967-c-45/) - Brushstrokes Medium: Screenprint on off-white wove paper Year: 1967 Image: 21 7/8 x 29 7/8 inches (55.5 x 75.9 cm) Sheet: 23 x 30 7/8 inches (58.5 x 78.4 cm) Edition: 300 Artist's Proofs: Unknown Publisher: Leo Castelli Gallery for the Pasadena Art Museum, California Literature: Corlett 45 Roy Lichtenstein Catalogue Raisonne: RLCR 1293 Brushstrokes,
- [I Love Liberty, 1982](https://intelart.io/2022/12/19/i-love-liberty-1982-c-192/) - I Love Liberty (1982) is one of Roy Lichtenstein’s most direct engagements with American iconography, presenting a tightly cropped and highly stylized image of the Statue of Liberty. Rendered through bold contours, flat color, and mechanical clarity, the work transforms a monumental symbol into a controlled and graphic composition. Rather than emphasizing scale or grandeur,
- [Expressionist Woodcut Series, 1980](https://intelart.io/2022/12/18/expressionist-woodcut-series-1980-c-172-178/) - The Expressionist Woodcut Series marked an important experiment in medium for Lichtenstein. By working in woodcut—a technique historically associated with rough-hewn, emotional imagery—he created a deliberate contrast with his own meticulous, controlled style. The clash between the traditionally handmade, textural quality of woodcuts and Lichtenstein’s clean, industrial aesthetic underscores his playful interrogation of artistic authenticity.
- [Seascape (II) (from Collection 65), 1965](https://intelart.io/2022/12/15/seascape-ii-1965/) - Seascape (II) from Collection 65 Medium: Screenprint in colors and die-cut collage on blue Rowlux Year: 1965 Overall: 13 1/8 x 24 3/4 x 3 9/16 inches (33.3 x 62.9 x 9 cm) Edition: 100 (of which at least 65 were realized) Publisher: Edition MAT/Galerie Der Speigel, Cologne Literature: Corlett 40 Roy Lichtenstein Catalogue Raisonne:
- [Moonscape (from 11 Pop Artists Volume 1), 1965](https://intelart.io/2022/12/15/moonscape-from-11-pop-artists-volume-1-1965-c-37/) - Moonscape From 11 Pop Artists, Volume I Medium: Screenprint in colors on blue Rowlux Year: 1965 Sheet: 19 7/8 x 24 inches (50.5 x 61 cm) Edition: 200 Artist's Proofs: 50 (numbered in Roman numerals) Publisher: Original Editions, New York Literature: Corlett 37 Signed, dated and numbered in pencil on the reverse Auction
- [Entablature Series, 1976](https://intelart.io/2022/12/18/entablature-i-x-1976-c-138/) - Inspired by the architecture of Lower Manhattan, and the grand, neo-classical facades of Wall Street’s buildings, Roy Lichtenstein’s Entablature series is named after the term describing the superstructure of moldings resting atop columns. First explored in two series of paintings executed from 1971-1976, this series of eleven prints marks the capstone of this thematic exploration. Moving beyond
- [Roy Lichtenstein Prints](https://intelart.io/2026/04/12/roy-lichtenstein-prints/) - Roy Lichtenstein’s prints occupy a distinct place in postwar art because they were never secondary to his practice. They were not decorative extensions of successful paintings, nor convenient reproductions of already familiar images. From the official Roy Lichtenstein Catalogue Raisonné to the Corlett print catalogue, the record makes clear that printmaking was a sustained and
- [Truck, 1985](https://intelart.io/2021/07/29/truck-1985/) - In June 1986, the German Federal Road Haulage Association (BDF) was to host the 20th World Congress of the International Road Transport Union (IRU) in Frankfurt am Main. It was for this occasion that the BDF commissioned Andy Warhol in 1985 to produce a set of screen-prints depicting a cargo truck. Introduction In June
- [Tattooed Woman Holding a Rose, circa 1955](https://intelart.io/2021/07/09/tattooed-woman-holding-a-rose-circa-1955/) - Tattooed Woman Holding a Rose Medium: Offset lithograph in orange on Plover Onion Skin paper Date: circa 1955 Sheet: 28 3/4 x 11 inches (73x28 cm) Edition: Unknown Literature: Not in Feldman & Schellmann This work is from the early part of Warhol's career, and was used as a calling card for his services
- [The Star from Myths, 1981](https://intelart.io/2021/07/27/star-myths-1981/) - The Star from Myths Medium: Screenprint in colors on Lenox Museum Board with diamond dust Year: 1981 Sheet: 38x38 inches (96.5 x 96.5 cm) Edition: 200 Artist's Proofs: 30 AP Printer's Proofs: 5 PP Exhibitor's Proofs: 5 EP Hors Commerce: 4 HC Trial Proofs: 30 TP in unique color combination, most with diamond dust (see
- [Santa Claus from Myths, 1981](https://intelart.io/2021/07/27/santa-claus-myths-1981-copy/) - Santa Claus from Myths Medium: Screenprint in colors on Lenox Museum Board with diamond dust Year: 1981 Sheet: 38x38 inches (96.5 x 96.5 cm) Edition: 200 Artist's Proofs: 30 AP Printer's Proofs: 5 PP Exhibitor's Proofs: 5 EP Hors Commerce: 1 HC Trial Proofs: 30 TP in unique color combination, most with diamond dust (see
- [Paramount from Ads, 1985](https://intelart.io/2021/07/29/paramount-1985/) - Paramount from Ads Medium: Screenprint in colors on Lenox Museum Board Year: 1985 Sheet: 38x38 inches (96.5 x 96.5 cm) Edition: 190 Artist's Proofs: 30 AP Printer's Proofs: 5 PP Exhibitor's Proofs: 5 EP Hors Commerce: 10 HC Other: 10 numbered in Roman numerals Bon a Tirer: 1 BAT Trial Proofs: 30 TP, each print
- [Volkswagen from Ads, 1985](https://intelart.io/2021/07/29/volkswagen-ads-1985/) - Volkswagen from Ads Medium: Screenprint in colors on Lenox Museum Board Year: 1985 Sheet: 38x38 inches (96.5 x 96.5 cm) Edition: 190 Artist's Proofs: 30 AP Printer's Proofs: 5 PP Exhibitor's Proofs: 5 EP Hors Commerce: 10 HC Other: 10 numbered in Roman numerals Bon a Tirer: 1 BAT Trial Proofs: 30 TP Each print
- [Brooklyn Bridge, 1983](https://intelart.io/2021/07/28/brooklyn-bridge-1983-fs-ii-290/) - Introduction Brooklyn Bridge was commissioned in 1983 by the Brooklyn Bridge Centennial Commission to commemorate the landmark's 100th anniversary. The work celebrates the bridge as a symbol of New York City's resilience and ambition. Warhol used an offset printing technique that is aesthetically different from many of his other works. The composition features two
- [Andy Warhol Prints](https://intelart.io/2026/04/10/andy-warhol-prints/) - PRELIMINARY DRAFT Andy Warhol’s prints are not an appendix to his practice. They are its engine. If painting gave him visibility, printmaking gave him scale, system, and permanence. It is through prints that Warhol constructed one of the most coherent, expansive, and liquid bodies of work in modern art. To understand Warhol as a printmaker
- [KAWS Prints & Multiples 2025 Auction Results](https://intelart.io/2025/02/16/kaws-prints-multiples-2025-upcoming-lots-and-recent-auction-results/) - KAWS PRINTS AND MULTIPLES 2025 AUCTION RESULTS 2025 Auction Statistics PRELIMINARY AUCTION RESULTS TOTAL: USD 991,178 # Lots sold: 93 Lots # Lots unsold: 20 Lots Sell-Through Rate: 82% 2025 Top Lots #1. UPS AND DOWNS, 2013 Phillips London: 23 January 2025 Estimated: GBP 30,000 - 50,000 GBP 44,450 / USD
- [Roy Lichtenstein Prints Auction Market Overview (2022/2025)](https://intelart.io/2023/06/29/roy-lichtenstein-prints-auction-market-overview-2/) - Roy Lichtenstein was a prolific printmaker throughout his career, and his prints played a substantial role in establishing printmaking as a significant art form in the 1960's. He produced an extensive number of prints for various causes and experimented many techniques. In this article, you will find an overview of auction results for Lichtenstein prints.
- [David Hockney Prints](https://intelart.io/2026/04/10/david-hockney-prints/) - Introduction David Hockney’s prints form one of the most sustained and intellectually ambitious bodies of graphic work in contemporary art. Across more than six decades, he has used printmaking not as a secondary medium, but as a primary field of investigation, a place where images can be constructed, tested, and redefined. His work is rooted
- [Yves Klein (French, 1928-1962)](https://intelart.io/2022/12/12/yves-klein-french-1928-1962/) - WORK IN PROGRESS Yves Klein’s work unfolds as a radical and coherent pursuit of the immaterial, where painting, sculpture, and performance become vehicles for something that exceeds form itself. Trained as a judo master and shaped by travels that exposed him to both discipline and metaphysical thought, Klein approached art not as representation, but
- [Edgar Plans (Spanish, b. 1977)](https://intelart.io/2022/12/15/edgar-plans-spanish-b-1977-auction-market-overview-2/) - Edgar Plans has established himself as one of the most distinctive voices in contemporary figurative painting, developing a practice that merges childlike imagery with complex social narratives. His work is immediately recognizable for its bold colors, simplified forms, and recurring characters—wide-eyed figures that oscillate between innocence and quiet tension. Operating at the intersection of
- [Turf War, 2003](https://intelart.io/2021/07/31/turf-war-2003/) - Turf War Medium: Screenprint in colors on wove paper Year: 2003 Sheet: 48x35 cm (18 7/8 x 13 5/8 inches) Edition: 750 (of which 150 signed) Publisher: Pictures on Walls A pivotal piece in Banksy’s provocative oeuvre, Turf War was the centerpiece of the artist’s bold eponymous second solo exhibition, which marked his breakthrough, taking
- [50 Cent Piece, 1982/2019](https://intelart.io/2021/07/19/50-cent-piece-1982-83-2020/) - 50 Cent Piece Medium: Screen-print in colors on wove paper Year: 1982/2019 Sheet: 29 x 39 1/2 inches (73.7 x 100.3 cm) Edition: 60 Artist's Proofs: 20 Publisher: Flatiron Editions, New-York Signed and dated in pencil by Lisane Basquiat and Jeanine Herivaux, the artist's sisters and administrators of the Estate of Jean-Michel Basquiat, with
- [Yayoi Kusama (Japanese, b. 1929)](https://intelart.io/2022/12/12/yayoi-kusama-japanese-b-1929/) - Yayoi Kusama is widely regarded as one of the most influential and recognizable artists of the postwar and contemporary period. Born in 1929 in Matsumoto, Japan, Kusama has developed an artistic universe unlike any other—one built upon repetition, pattern, immersive environments, and the dissolution of the individual within an infinite visual field. Across more than
- [Yayoi Kusama Infinity Nets](https://intelart.io/2024/08/23/yayoi-kusama-infinity-nets/) - With no definitive beginning or end to the composition, Infinity Nets are a dizzying journey into the infinite. The artist’s looping brush strokes ebb and flow across the canvas, creating a rising and falling effect like the ocean tide. The work is underpinned by an emotional intensity contained within the Kusama’s obsessive practice. In feats
- [GDP Flower Thrower, GDP Rat & GDP Crisis As Usual, 2019](https://intelart.io/2021/07/19/gdp-rat-2019/) - In October 2019, Banksy staged one of his most conceptually layered interventions through Gross Domestic Product, a temporary storefront in Croydon that functioned less as a commercial space than as a philosophical trap. Created in response to a legal challenge over the use of his name, the project allowed Banksy to assert trademark legitimacy while
- [GDP Banksy™ Welcome Mat, 2019](https://intelart.io/2026/04/06/banksy-welcome-mat-2019/) - Banksy™ Welcome Mat Medium: Hand-stitched welcome mat using the fabric from life vests abandoned on the beaches of the Mediterranean Year: 2019 Dimensions: 43x60 cm Edition: Limited edition of unknown size Comes with a GDP Label Banksy’s Welcome Mat stands among the most quietly devastating works produced within his 2019 Gross Domestic Product project. At
- [GDP Banksy x Escif Axe, 2019](https://intelart.io/2024/07/24/gdb-banksy-x-escif-axe-2019/) - Banksy x Escif Axe Medium: 3D multiple of PU resin with aluminum filler, stainless steel and plastic flowers Year: 2019 Dimensions: 78x23x4 cm Edition: 10 Publisher: Gross Domestic Product, London and The Artist, London Release Price: GBP 750 Banksy™ x Escif - Axe – GrossDomesticProduct Made in collaboration with Spanish artist Escif this hand made
- [GDP Banksy™ Cushions, 2019](https://intelart.io/2024/07/24/gdb-banksy-cushions-2019/) - Banksy™ Cushions Set of two cushions Medium: Spray paint on fabric, cushion Year: 2019 Dimensions: 41x41x11 cm (16 x 16 x 4 1/2 inches) Edition: 50, each unique Publisher: Gross Domestic Product, London and The Artist, London Release Price: GBP 150 the pair Banksy™ Cushions – GrossDomesticProduct "Are you fed up with soft furnishings trying
- [Flower Thrower Triptych, 2017](https://intelart.io/2022/07/17/flower-thrower-triptych-2017/) - BANKSY Flower Thrower Triptych, 2017 Spray paint on canvas in artist's frame, in three parts Left panel: 84.5 x 64.1 cm (33 1/4 x 25 1/4 inches) Center panel: 106.7 x 76.2 cm (42x30 inches) Right panel: 42.2 x 52.3 cm (16 5/8 x 20 5/8 inches Overall: 106.7 x 203.2 cm (42x80 inches) Signed
- [Flag, 2006-2007](https://intelart.io/2021/07/27/flag-2006-2007-3/) - Flag (Silver) Medium: Offset lithograph in black on silver metallic paper Year: 2006 Sheet: 50x70 cm (19 3/4 x 27 1/2 inches) Edition: 1,000 unsigned Flag (Silver on Formica): 20 signed Publisher: Pictures on Walls Numbered in ink on verso with the publisher's blindstamp Flag (Gold) Medium: Screen-print in black and gold on smooth
- [Bomb Middle England, 2003](https://intelart.io/2021/07/31/bomb-middle-england-2003/) - Bomb Middle England Medium: Screen-print in colors on wove paper Year: 2003 Sheet: 35x100 cm (13 5/8 x 39 inches) Edition: 500 (of which 50 signed) Artist's Proofs: 31 signed AP Publisher: Pictures on Walls Bomb Middle England shows three middle-aged ladies playing boules on a strip of grass created from two horizontal planes of
- [Golf Sale, 2003](https://intelart.io/2021/07/31/golf-sale-2003/) - Golf Sale Medium: Screenprint in black on wove paper Year: 2003 Sheet: 35x50 cm (13 5/8 x 19 1/2 inches) Edition: 750 (of which 150 signed) Publisher: Pictures on Walls, London Golf Sale is a reinterpretation of Jeff Widener’s iconic photograph taken in the aftermath of the Chinese military’s violent suppression of the 1989 Democracy
- [HMV, 2003](https://intelart.io/2021/07/31/hmv-2003/) - HMV aka His Master's Voice, Rocket Dog Medium: Screenprint in black on wove paper Year: 2003 Sheet: 35x50 cm (13 5/8 x 19 1/2 inches) Editions: 150 signed, 600 unsigned Publisher: Pictures on Walls "The small print that packs a powerful punch. It would say if this was the Argos catalogue." HMV, also known
- [No Ball Games, 2009](https://intelart.io/2021/07/25/no-ball-games-green-2009/) - No Ball Games Medium: Screenprint in colors on Arches wove paper Year: 2009 Sheet: 67x70 cm (26 3/8 x 27 1/2 inches) Editions: No Ball Games (Green): 250 signed No Ball Games (Grey): 250 signed Artist's Proofs: 28 AP each Publisher: Pictures on Walls, London Signed in Green/Grey crayon, lower right Numbered in pencil
- [Donut, 2009](https://intelart.io/2021/07/25/donut-strawberry-2009/) - Donut Medium: Screenprint in colors on Arches wove paper Year: 2009 Sheet: 56x76 cm (22x30 inches) Editions: Donut (Strawberry): 299 signed Donut (Chocolate): 299 signed Publisher: Pictures on Walls, London Donut features a donut covered in sprinkles atop an American police van, escorted by police officers on motorbikes. The blue and red flashing lights of the
- [Grannies, 2006](https://intelart.io/2021/07/28/grannies-2006-2/) - Grannies Medium: Screen-print in colors on Arches wove paper Year: 2006 Sheet: 56x76 cm (22x30 inches) Editions: 150 signed, 500 unsigned Hand-Finished Edition: 11 signed Publisher: Pictures on Walls 'They say youth is wasted on the young but sitting on your ass all day eating mints and watching telly seems wasted on the elderly.
- [Applause, 2006](https://intelart.io/2021/07/28/applause-2006-2/) - Applause Year: 2006 Medium: Screenprint in colors on Arches wove paper Size: 80x120 cm (31 1/2 x 47 1/4 inches) Editions: 150 signed, 500 unsigned Publisher: Pictures on Walls "Ladies and gentlemen, please put your hands together for a print named APPLAUSE. This is taken from a Banksy sketch that frankly is a good
- [Christ with Shopping Bags, 2004](https://intelart.io/2021/07/30/christ-with-shopping-bags-2004/) - Christ with Shopping Bags Medium: Screen-print in colors on wove paper Year: 2004 Sheet: 70x50 cm (27 1/2 x 19 3/4 inches) Edition: 82 signed Publisher: Pictures on Walls Christ with Shopping Bags, also known as CWSB, portrays the crucifixion of Jesus Christ, yet Banksy has removed the structure of the cross from the
- [I Fought The Law, 2004](https://intelart.io/2021/07/30/i-fought-the-law-2004/) - I Fought The Law Medium: Screenprint in colors on wove paper Year: 2004 Sheet: 70x70 cm (27 1/2 x 27 1/2 inches) Editions: 150 signed, 500 unsigned Artist's Proofs: Orange AP: 8 signed AP Pink AP: 8 signed AP Red AP: 8 signed AP Yellow AP: 8 signed AP Silver AP: Size Unknown Uncut AP:
- [Welcome To Hell, 2004](https://intelart.io/2021/07/30/welcome-to-hell-2004/) - Welcome To Hell Medium: Screenprint in colors on wove paper Year: 2004 Sheet: 50x35 cm (19 1/2 x 13 1/2 inches) Editions: 75 signed, 175 unsigned Some in Red, some in Pink Publisher: Pictures on Walls Welcome To Hell is part of the Placard Rat series, a trilogy of three screen prints released in
- [Gangsta Rat, 2004](https://intelart.io/2021/07/30/gangsta-rat-2004/) - Gangsta Rat Medium: Screenprint in colors on wove paper Year: 2004 Sheet: 50x30 cm (19 1/2 x 13 5/8 inches) Editions: 150 signed, 350 unsigned Colorways: 61x3 + 46+20+8 (all signed) Artist's Proofs: 61 (various colorways) Publisher: Pictures on Walls Colorways Blue, Orange, Grey: 61 signed each Pink: 46 signed Green: 20 signed Mint
- [Love Rat, 2004](https://intelart.io/2021/07/30/love-rat-2004/) - Love Rat Year: 2004 Medium: Screenprint in colors on wove paper Size: 50x35 cm (19 1/2 x 13 5/8 inches) Editions: 150 signed, 600 unsigned Publisher: Pictures on Walls “First in the Banksy rat pack series, a trademark virulent pest with a heavy romantic garnish. Ideal gift for a cheating spouse. What part of
- [Very Little Helps, 2008](https://intelart.io/2021/07/26/very-little-helps-2008-2/) - Very Little Helps Medium: Screenprint in colors on Arches wove paper Year: 2008 Sheet: 76x56 cm (30x22 inches) Edition: 299 signed Publisher: Pictures on Walls Very Little Helps, also known as Tesco Flag, or Tesco Kids, shows a group of children surrounding a flagpole. Instead of raising a flag, one of them is raising a
- [Stop and Search, 2007](https://intelart.io/2021/07/27/stop-and-search-2007-2/) - Stop and Search Medium: Screen-print in colors on Arches wove paper Year: 2007 Sheet: 76×56 cm (30×22 inches) Edition: 500 signed Publisher: Pictures on Walls, London “Banksy would doubtless have you believe this print is an ironic comment on the paranoid nature of our security-minded times. But seriously, how much is this guy
- [Soup Can, 2005](https://intelart.io/2021/07/29/soup-can-2005/) - Banksy’s Soup Cans are an extension of the artist’s notoriously sarcastic and ironic approach to art, and is consistent with Banksy’s anti-establishment, culture-critiquing style. The work is a pastiche of Andy Warhol’s 1960s Campbell’s Soup, an iconic emblem of twentieth-century American consumer culture, plucked from the supermarket shelf and placed on the pedestal of legitimized “high
- [Grin Reaper, 2005](https://intelart.io/2021/07/29/grin-reaper-2005-2/) - Grin Reaper Medium: Screenprint in colors on wove paper Year: 2005 Sheet: 70x44 cm (27 1/2 x 17 3/8 inches) Edition: 300 signed Publisher: Pictures on Walls 'Guaranteed to tell the time at least twice a day. That's twice.' Grin Reaper is amongst Banksy’s earliest known street art works. The graffiti appeared around the Old
- [CND Soldiers, 2005](https://intelart.io/2021/07/29/cnd-soldiers-2005-2/) - CND Soldiers Medium: Screen-print in colors on wove paper Year: 2005 Sheet: 70x50 cm (27 1/2 x 19 1/2 inches) Editions: 350 signed, 350 unsigned Publisher: Pictures on Walls CND Soldiers depicts two soldiers, crouching on the ground and scouting the landscape around them. One is holding a machine gun, the other a paintbrush with
- [Police Kids, 2005](https://intelart.io/2021/07/29/jack-and-jill-2005/) - Police Kids aka Jack & Jill Medium: Screen-print in colors on wove paper Year: 2005 Sheet: 50x70 cm (19 5/8 x 27 1/2 inches) Editions: 350 signed, 350 unsigned Artist's Proofs: 22 signed AP (Pink) Publisher: Pictures on Walls "A lot of parents will do anything for their children, except let them be themselves." Police
- [Queen Vic, 2003](https://intelart.io/2021/07/31/queen-vic-2003/) - Queen Vic Year: 2003 Medium: Screenprint in colors on wove paper Size: 70×50 cm (27 1/2 x 19 5/8 inches) Edition: 500 (50 signed) Publisher: Pictures on Walls, London “Show your friends and colleagues your admiration for Britain’s greatest ever living monarch with this deluxe lesbian watersports fetish tableau.” Queen Vic depicts the
- [Monkey Queen, 2003](https://intelart.io/2021/07/31/monkey-queen-2003/) - Monkey Queen Medium: Screenprint in colors on wove paper Year: 2003 Sheet: 50×35 cm (19 1/2 x 13 5/8 inches) Edition: 750 (of which 150 signed) Publisher: Pictures on Walls “Celebrate the fact the highest position in British society is not a reward for talent or hard work, but simply handed out with the accident
- [Napalm, 2004](https://intelart.io/2021/07/30/napalm-2004/) - Napalm Medium: Screenprint in colors on wove paper Year: 2004 Sheet: 50×70 cm (19 5/8 x 27 1/2 inches) Editions: 150 signed, 500 unsigned Artist's Proofs: 27 signed AP Colorways: Napalm (Rainbow AP): 27 signed AP Napalm (Orange AP): 27 signed AP Serpentine Edition: 50 signed, 29 signed AP Publisher: Pictures on Walls, London Napalm is probably
- [Pulp Fiction, 2004](https://intelart.io/2021/07/30/pulp-fiction-2004/) - Pulp Fiction Medium: Screenprint in colors on wove paper Year: 2004 Sheet: 50x70 cm (19 5/8 x 27 1/2 inches) Editions: 150 signed, 600 unsigned Publisher: Pictures on Walls "We are not sure if it's actually legal to call this print "Pulp Fiction", but I guess we'll find out soon enough." Pulp Fiction portrays Samuel
- [Girl with Balloon, 2004](https://intelart.io/2021/07/30/girl-with-balloon-2004/) - Girl with Balloon Medium: Screenprint in colors on wove paper Year: 2004 Sheet: 70x50 cm (27 1/2 x 19 5/8 inches) Editions: 600 unsigned, 150 signed Artist's Proofs: 88 signed AP (4 different colorways: Gold, Purple, Dark Pink, Pink) Publisher: Pictures on Walls Girl with Balloon Colorways Girl With Balloon is perhaps Banksy’s most notable
- [Banksquiat, 2019](https://intelart.io/2021/07/19/banksquiat-grey-2019/) - Banksquiat (Grey) & Banksquiat (Black) Medium: Screen-print on grey/black board Year: 2019 Sheet: 70x70 cm (27 1/2 x 27 1/2 inches) Editions: Banksquiat (Grey): 300 signed Banksquiat (Black): 300 signed Publisher: Banksy, Gross Domestic Product In this homage to Basquiat, Banksy offers a mirror to his own practice of appropriation as well as that
- [Flower Thrower (Triptych), 2019](https://intelart.io/2021/07/19/flower-thrower-triptych-2019/) - Flower Thrower (Triptych) Medium: Screenprint in colors on 1500 micron board Year: 2019 Size: Flower (74.8 x 55 cm), Thrower (91.8 x 61 cm), Hand (47 x 37.2 cm) Edition: 300 signed Publisher: Banksy, Gross Domestic Product Thrower presents a variation of one of Banksy’s most iconic visuals entitled Love Is In The Air
- [Laugh Now, 2003](https://intelart.io/2021/07/31/laugh-now-2003/) - Laugh Now Medium: Screenprint in colors on wove paper Year: 2003 Sheet: 70x50 cm (27 1/2 x 19 5/8 inches) Editions: 150 signed, 600 unsigned Artist's Proofs: 69 signed AP Publisher: Pictures on Walls Laugh Now portrays a forlorn monkey, wearing a sandwich board suggesting that he is oppressed or enslaved. Along with the
- [Toxic Mary, 2003](https://intelart.io/2021/07/31/toxic-mary/) - Toxic Mary Medium: Screenprint in colors on wove paper Year: 2003 Sheet: 70x50 cm (27 1/2 x 19 5/8 inches) Editions: 150 signed, 600 unsigned 3 Colorways: 44 signed each Publisher: Pictures on Walls, London "A poignant and insightful picture that powerfully critiques organized religion, and no-one wants to buy. Absolutely nobody." Toxic Mary
- [Happy Chopper, 2003](https://intelart.io/2021/07/31/happy-chopper-2003/) - Happy Chopper Medium: Screenprint in colors on wove paper Year: 2003 Sheet: 70x50 cm (27 1/2 x 19 5/8 inches) Edition: 750 (of which 150 signed) Artist's Proofs: 31 signed AP Publisher: Pictures on Walls, London “A 5-color deluxe print lovingly crafted on heavyweight cartridge paper. This beautiful image captures the magical moment
- [Flying Copper, 2003](https://intelart.io/2021/07/31/flying-copper-2003/) - Flying Copper Medium: Screenprint in colors on wove paper Year: 2003 Sheet: 100×70 cm (39 3/8 x 27 1/2 inches) Editions: 150 signed, 600 unsigned Artist's Proofs: Pink AP (63 signed), Pink Face AP (8 signed) Publisher: Pictures on Walls, London “The Greatest Crimes in the world are not committed by people breaking
- [Bomb Love, 2003](https://intelart.io/2021/07/31/bomb-love-bomb-hugger-4/) - Bomb Love aka Bomb Hugger Medium: Screenprint in colors on wove paper Year: 2003 Sheet: 70x50 cm (27 1/2 x 19 5/8 inches) Editions: 150 signed, 600 unsigned Artist's Proofs: 44 signed AP Publisher: Pictures on Walls “It takes a lot of guts to stand up anonymously in a western democracy and call for things
- [Takashi Murakami (Japanese,1962)](https://intelart.io/2022/12/13/takashi-murakami-auction-market-overview/) - Japanese artist and designer Takashi Murakami’s visual ecosystem is among the most recognizable. Murakami’s “Superflat” style is an unmistakable combination of anime, Nihonga painting, and pop art satire that animates their 2D paintings. In his Superflat world, smiling flowers, jellyfish eyes, and Murakami’s own alter ego, Mr. DOB, synergize fine and pop art references
- [Rude Copper, 2002](https://intelart.io/2021/08/01/rude-copper-2002/) - Rude Copper Medium: Screenprint on wove paper Year: 2002 Sheet: 59×42 cm (23 x 16 1/2 inches) Edition: 250 (of which 50 signed) Approximately 30 hand-finished with unique spray-painting (yellow or grey) “Some people become cops because they want to make the world a better place. Some people become vandals because they want to
- [Yayoi Kusama Pumpkin Paintings](https://intelart.io/2025/01/24/yayoi-kusama-pumpkin-paintings/) - One of the most recognizable icons in contemporary art today, Kusama’s pumpkin is deeply central to the artist’s psyche, and its origins within her art can be traced back to her most early years. Kusama recalls having consumed the vegetable endlessly to the point of nausea in her childhood years during and after the war;
- [Shara Hughes (American, b. 1981)](https://intelart.io/2022/12/15/shara-hughes-recent-auction-results-2/) - Shara Hughes has developed a distinctive and highly recognizable approach to painting, one that reimagines the tradition of landscape through a language of invention, intuition, and chromatic intensity. Based in Brooklyn, Hughes constructs environments that feel at once familiar and entirely imagined, spaces where trees, skies, horizons, and bodies of water emerge not from
- [Salman Toor (Pakistani, b. 1983)](https://intelart.io/2022/12/15/salman-toor-recent-auction-results-2/) - Listed among TIME magazine’s 2021 list of 100 emerging leaders shaping the future, Salman Toor has captured the attention of the art world as one of the most exciting figurative painters to emerge in recent years, constructing a body of work that is at once intimate, theatrical, and deeply attuned to the complexities of
- [Nicolas Party (Swiss, b. 1980)](https://intelart.io/2022/12/15/nicolas-party-recent-auction-results-2/) - Nicolas Party has established himself as one of the most distinctive voices in contemporary painting, known for his highly stylized compositions and his masterful use of pastel. His work, spanning portraits, landscapes, still lifes, and architectural motifs, revisits traditional genres through a contemporary lens, combining historical references with a strikingly synthetic visual language. Party’s paintings
- [Hilary Pecis (American, b. 1979)](https://intelart.io/2022/12/15/hilary-pecis-auction-market-overview/) - Hilary Pecis has emerged as one of the most distinctive voices in contemporary American painting, crafting a visual language that is at once exuberant, intimate, and rigorously composed. Based in Los Angeles, Pecis draws from the immediacy of her surroundings—her home, her travels, her visual memories—to produce paintings that transform the everyday into something
- [PARTNERS, 2011](https://intelart.io/2021/07/11/partners-2011/) - PARTNERS Medium: Painted cast vinyl Year: 2011 Dimensions: 19x16 cm (7-1/2 x 6-3/8 inches) Edition: 500, unnumbered Co-produced by Medicom Toy, Tokyo and OriginalFake, Tokyo Molded signature, date and manufacturer's mark to underside ‘© KAWS_11 Medicom Toy 2011 China’ With Partners, KAWS delivers one of his most quietly revealing works. At first glance, the
- [DISSECTED COMPANIONS, 2006](https://intelart.io/2021/07/06/kaws-originalfake-companion-2006/) - With the Dissected Companion, KAWS performs one of the most decisive conceptual shifts in his practice: he turns his most recognizable character inside out. Released in 2006, this figure does not simply reinterpret the Companion—it exposes it. What had previously functioned as a graphic icon rooted in pop culture becomes, here, a subject of inquiry,
- [SEPARATED, 2020](https://intelart.io/2021/07/20/separated-2020-2/) - Released in 2020, Separated Companion marks one of the most emotionally explicit evolutions of KAWS’ iconic Companion figure. While earlier iterations often balanced irony and detachment, this work abandons distance entirely, presenting a character overwhelmed, withdrawn, and unmistakably human in its vulnerability. Introduction The figure is seated on the ground, legs crossed, body folded inward.
- [CLEAN SLATE, 2014-2018](https://intelart.io/2021/07/14/clean-slate-2014/) - CLEAN SLATE is one of the most structurally narrative sculptures in KAWS’ practice, defined by the presence of three figures: one adult COMPANION holding two children simultaneously. This triadic construction is essential. The central figure stands upright, yet its posture is subtly compromised, leaning forward under accumulated weight rather than posed in balance. Introduction
- [CHOMPERS BE@RBRICK, 2003](https://intelart.io/2021/07/03/79814/) - The Chomper BE@RBRICK stands at the intersection of two of the most influential visual systems in contemporary collectible culture: KAWS’ Companions and Medicom Toy’s BE@RBRICK platform. By adapting his Chomper character to the standardized BE@RBRICK format, KAWS engages in a deliberate act of translation—embedding his own visual language within an existing structural template. The result
- [COMPANION (Five Years Later), 2004](https://intelart.io/2021/07/04/companion-five-years-later-2004/) - Released in 2004, Companion (Five Years Later) represents one of the earliest mature statements in KAWS’ sculptural practice. As its title suggests, the work revisits and refines the Companion figure roughly five years after its initial introduction, consolidating its visual language into a form that would become definitive. This edition marks a critical moment: the
- [ACCOMPLICE, 2002-2006-2010](https://intelart.io/2021/07/06/accomplice-2006/) - Introduced in 2002 by KAWS, Accomplice represents one of the most intelligent deviations from the artist’s foundational Companion figure. Rather than a simple variation, it functions as a conceptual expansion—introducing a new character that deepens the emotional and symbolic range of KAWS’ universe. Where Companion operates as a melancholic archetype, Accomplice is more ambiguous, more
- [PINOCCHIO (Karimoku), 2018](https://intelart.io/2021/07/18/pinocchio-karimoku-version-2018/) - Pinocchio (Karimoku Version) Medium: Wood Year: 2018 Dimensions: 39x19x18 cm (15-1/2 x 7-1/2 x 7 inches) Edition: 100 Artit's Proofs: 20 AP Produced by: MEDICOM TOY Signed and numbered to underside Incised manufacturer's mark to underside ‘© Disney Medicom Toy 2017 Japan カリモク’ Among KAWS’ most refined sculptural editions, Pinocchio (Karimoku Version)
- [THE MESSAGE, 2025](https://intelart.io/2021/07/25/the-message-2025/) - The Message Medium: Wood Year: 2025 Dimensions: 14 × 6-2/5 × 7 inches (35.6 x 16.3 x 17.8 cm) Edition: 100 Artist's Proofs: 20 AP With THE MESSAGE, KAWS introduces a rare and deliberate two-figure composition, staging an encounter between COMPANION and BFF that departs from his typically solitary figures. Executed in carved
- [COMPANION (Karimoku), 2011](https://intelart.io/2021/07/11/companion-karimoku-version-2011/) - Companion (Karimoku Version) Medium: Wood Year: 2011 Dimensions: 10 1/2 (H) x 5 (W) x 3 1/2 (D) inches (27x13x9 cm) Edition: 100 Co-published by OriginalFake and Karimoku, Tokyo Produced by Medicom Toy and OriginalFake, Tokyo Signed and numbered in ink to underside ‘KAWS../100’ Engraved manufacturer's mark to underside ‘カリモク OriginalFake’ A particularly
- [PASSING THROUGH, 2011-2013](https://intelart.io/2021/07/11/companion-passing-through-2011/) - Passing Through presents one of the most introspective iterations of the Companion figure by KAWS. The character is seated on a simple cubic base, its elbows resting on its knees, both hands covering its face. The familiar anatomical language of the Companion remains intact—the rounded head, the crossed-out eyes, the gloved hands—but here,
- [ASTRO BOY, 2012](https://intelart.io/2021/07/12/astro-boy-2012/) - Astro Boy belongs to the celebrated series in which KAWS reinterprets the iconic Japanese character Astro Boy, one of the most influential figures in the history of manga and Japanese popular culture. Through this work, KAWS continues his long-standing practice of appropriating globally recognized characters and subtly transforming them into emotionally complex contemporary icons.
- [HOLIDAY TAIPEI, 2019](https://intelart.io/2021/07/19/holiday-taipei-2019/) - KAWS HOLIDAY #2 Released in 2019 as part of the KAWS: Holiday project in Taipei, Holiday Taipei Companion translates one of the artist’s most ambitious public sculptures into an intimate, collectible format. Conceived to accompany the unveiling of a monumental 36-metre-long Companion installed at the Chiang Kai-shek Memorial Hall, the edition functions as both a
- [HOLIDAY KOREA, 2018](https://intelart.io/2021/07/18/holiday-korea-2018/) - KAWS HOLIDAY STOP 1: HOLIDAY KOREA Released in July 2018, the KAWS:HOLIDAY Korea Companion translates one of the artist’s most iconic sculptural gestures—the reclining figure—into an intimate, handheld format. Measuring approximately 8.5 inches, the figure presents the Companion stretched horizontally, arms extended, body relaxed, eyes closed beneath the signature X-marks. Unlike the standing or seated
- [HOLIDAY JAPAN, 2019](https://intelart.io/2021/07/19/holiday-japan-2019/) - Released in 2019 as part of the KAWS: Holiday project in Japan, Holiday Japan Companion translates one of the artist’s most poetic large-scale interventions into a compact, collectible form. The edition accompanies the installation of a monumental 40-metre-long reclining Companion presented at Fumotoppara Camping Ground, set against the iconic backdrop of Mount Fuji. Within the
- [HOLIDAY SINGAPORE, 2021](https://intelart.io/2021/07/21/holiday-singapore-2021/) - Released in 2021, Holiday Singapore Companion forms part of KAWS’ globally recognized Holiday series, translating a monumental public installation into a more intimate sculptural format. The edition follows the presentation of a 13-metre-long reclining Companion installed along Singapore’s Marina Bay, a work that significantly expanded the scale and emotional register of the artist’s practice. Rather
- [HOLIDAY CHANGBAI MOUNTAIN, 2022](https://intelart.io/2021/07/22/holiday-changbai-mountain-2022/) - Released in January 2022 as part of the KAWS: Holiday project in China, Holiday Changbai Mountain Companion translates one of the artist’s most striking environmental installations into a collectible format. The edition accompanies the presentation of a monumental seated Companion installed on the summit of the Changbai Mountain massif, unveiled during a temporary exhibition held
- [HOLIDAY SPACE, 2020](https://intelart.io/2021/07/20/holiday-space-companions-2020/) - KAWS: HOLIDAY #5 As the fifth destination in the global KAWS: HOLIDAY project, KAWS took a more conceptual turn, shifting from large-scale public installations to a stratospheric art experiment. In collaboration with AllRightsReserved, KAWS launched a Companion figure into near space using a weather balloon, documenting its journey beyond Earth’s atmosphere. To commemorate the event,
- [PLUSH BFF x Dior, 2019](https://intelart.io/2021/07/19/plush-bff-dior-black-pink-2018/) - Plush BFF x Dior (Black and Pink) Medium: Polyester plush in Dior denim and suit Year: 2019 Plush: 47x18x10 cm. (18-1/2 x 7-1/8 x 3-7/8 inches) Acrylic display case: 55 x 30 x 24.5 cm (21-5/8 x 11-3/4 x 9-5/8 inches) Edition: 500 Embroidered with the artist's name 'KAWS..' on the underside of each plush
- [CEREAL MONSTERS, 2023](https://intelart.io/2021/07/23/cereal-monsters-2023/) - COLLAB: KAWS x GENERAL MILLS In March 2024, KAWS revisited one of the most enduring strata of American pop culture—the General Mills Monster Cereal mascots—translating Count Chocula, Franken Berry, Boo Berry, and Frute Brute into a unified sculptural language. Each figure stands at approximately 11 inches and retains the instantly recognizable silhouettes of the original
- [KACHAMUKKU, 2022](https://intelart.io/2021/07/22/kachamukku-2022/) - With KACHAMUKKU, released in 2021-2022, KAWS ventures into one of his most culturally specific yet universally legible collaborations, merging the beloved Japanese television characters Gachapin and Mukku into a single, hybridized figure. Produced in a green/red version and a monochrome black edition, the sculpture was introduced in conjunction with the landmark exhibition KAWS TOKYO FIRST,
- [WHAT PARTY, 2020](https://intelart.io/2021/07/20/what-party2020/) - Released in 2020, the What Party Companion marks a subtle yet meaningful shift in KAWS’ sculptural language. Issued in conjunction with the debut of a monumental version exhibited at K11 Musea in Hong Kong and later at the Brooklyn Museum, the work extends the Companion into a more physically burdened, almost introspective form. At once
- [BLITZ, 2004](https://intelart.io/2021/07/04/blitz-2004/) - Released in 2004, BLITZ marks a decisive shift in KAWS’ sculptural language. Moving away from the anthropomorphic familiarity of the Companion, the figure adopts a compact, rocket-like silhouette—rounded, aerodynamic, and deliberately ambiguous. It stands somewhere between a character and an object, evoking mid-century toy design while resisting any clear narrative identity. Introduction The form is
- [BRONZE FIGURES, 2022](https://intelart.io/2021/07/22/bronze-figures-2022/) - In December 2022, AllRightsReserved marked its 20th anniversary by releasing a full set of twelve KAWS bronze sculptures through its DDT Store platform. Each piece reimagined a past design in cast bronze with a deep matte black finish, from HOLIDAY poses to smaller-scale Companion and BFF forms. The sculptures were engineered as “phygital” collectibles, arriving
- [BFF, 2017-2018](https://intelart.io/2021/07/17/bff-2017-2018/) - Few figures in KAWS’ sculptural universe have achieved the immediate emotional clarity, and market resonance, of the BFF. First introduced in 2016 as a monumental installation, the character was subsequently translated into highly sought-after vinyl editions, including the now-iconic 2017 open editions in black, blue, and pink. Introduction BFF marks a subtle but decisive evolution
- [TIME OFF, 2023](https://intelart.io/2021/07/23/time-off-2023-2/) - With Time Off, KAWS introduces a rare moment of suspension within the Companion universe—one in which the figure is no longer standing, supporting, or enduring, but simply resting. Released in 2023 in vivid pink, deep blue, and black colorways, the work departs from the upright logic of earlier compositions and instead adopts a reclining pose,
- [DISSECTED MILO, 2011](https://intelart.io/2021/07/11/dissected-milo-2011/) - Released in 2011, the KAWS x BAPE Dissected Baby Milo translates one of streetwear’s most recognizable mascots into KAWS’s now-iconic visual system. The figure, standing approximately 7.2 inches tall, presents Baby Milo bisected vertically: one half retains the smooth, innocent cartoon language of BAPE’s character, while the other reveals a stylized anatomical interior—muscles, organs, and
- [TWEETY, 2010](https://intelart.io/2021/07/10/tweety-2010/) - Released in 2010, the KAWS x Tweety figure marks one of Brian Donnelly’s most elegant appropriations of American pop iconography. Standing approximately 9¼ inches tall, the sculpture translates the unmistakable silhouette of Tweety Bird into KAWS’s visual language, preserving the character’s oversized head, rounded forms, and childlike proportions while subtly altering its emotional register. Introduction
- [BOUNTY HUNTER COMPANIONS, 1999](https://intelart.io/2021/06/30/bounty-hunter-companions-1999/) - Released in 1999, the original Companion produced with Bounty Hunter marks the foundational moment of KAWS’ sculptural practice. It is here that Brian Donnelly translates his two-dimensional visual language—developed through interventions on advertising and billboards—into a fully realized three-dimensional form. Often cited alongside early collaborations with realMad HECTIC, this figure does not simply introduce a
- [THE TWINS, 2006](https://intelart.io/2021/07/06/the-twins-2006/) - KAWS collaborated with Todd James in 2006 to produce The Twins, a vinyl figure set that combines graphic precision with an unexpected and deliberately stylized approach to femininity. The Twins occupies a singular position within KAWS’ early body of editioned sculptures. Produced in collaboration with Medicom Toy and distributed through KAWSONE, the work marks one
- [Pushead Companions, 2005](https://intelart.io/2021/07/05/pushead-companions-2005/) - The Pushead Companion series (2005) marks one of the most radical and conceptually charged mutations of the Companion figure within KAWS’ practice. Created in collaboration with Pushead, the series introduces a visceral, organic language into KAWS’ otherwise controlled and graphic universe, merging pop-cultural clarity with the raw aesthetics of punk, metal, and underground illustration. Introduction
- [KAWS FAMILY, 2023](https://intelart.io/2021/07/23/family-2023-2/) - Released between 2021 and 2022, KAWS Family represents a decisive evolution in KAWS’ sculptural practice, moving away from the isolated, iconic figure toward a structured, multi-character composition. The series unfolds across three colorways—Brown, Black, and Grey—each built on the same five-figure configuration, yet differentiated through carefully calibrated palettes. Each set brings together the artist’s three
- [COMPANIONS, 2016](https://intelart.io/2021/07/16/companions-2016/) - The Companion / Flayed Companion set, released in 2016, offers one of the most intellectually charged dualities within KAWS’ sculptural vocabulary. Presented as paired figures, the classic Companion—recognizable by its rounded forms, gloved hands, and “X” eyes—is juxtaposed with its anatomical counterpart: the Flayed Companion, whose body is dissected to reveal an intricate interior of
- [Warm Regards, 2008](https://intelart.io/2021/07/08/warm-regards-2008/) - Warm Regards Bar stands among KAWS’ most mischievous and conceptually sharp object-based editions. Conceived in 2008, the work takes the form of a melting ice cream bar—or more provocatively, an excrement-shaped confection—mounted on a stick, merging childish delight with a distinctly irreverent visual language. The surface is smooth, rounded, almost seductively polished, yet immediately disrupted
- [Nexus VII Wood Companion Be@rbrick 400%, 2007](https://intelart.io/2021/07/07/nexus-vii-wood-companion-berbrick/) - Nexus VII Wood Companion Be@rbrick 400% Medium: Wenge Year: 2007 Dimensions: 27x14x9 cm (10-3/4 x 5-1/2 x 3-1/2 inches) Edition: 400 Co-Produced by: Medicom Toy, Tokyo and OriginalFake, Tokyo Incised signature to reverse ‘© KAWS’ The Companion Be@rbrick (NEXUS VII Wood) created in 2007 represents a distinctive intersection between collectible design, contemporary sculpture, and
- [JOE KAWS SNOOPY, 2010](https://intelart.io/2021/07/10/joe-kaws-snoopy-2010/) - JOE KAWS SNOOPY Medium: Painted cast vinyl Year: 2010 Dimensions: 21x10x14 cm (8-1/4 x 3-3/4 x 5-1/2 inches) Edition: 500, unnumbered Co-produced by Medicom Toy, Tokyo and OriginalFake, Tokyo Stamped and impressed signature, date and manufacturer's mark to underside '@ 2010 PNTS - 2011 PNTS produced by Special Project Consulting Designed By KAWS Medicom Toy
- [BFF SEEING LAMP, 2018-2020](https://intelart.io/2021/07/18/seeing-2018/) - SEEING (Blue) (2018) represents a significant evolution in the practice of KAWS, marking a moment in which his sculptural language expands beyond collectible vinyl into the realm of hybrid art and design objects. Produced in an edition of 250 and published by AllRightsReserved Ltd., the work belongs to the broader Seeing/Watching series, yet distinguishes itself
- [COMPANION 2020](https://intelart.io/2021/07/20/companion-2020-2020/) - Released in 2020 to mark the 20th anniversary of the Companion, Companion 2020 stands as one of the most candid and introspective statements in KAWS’ practice. Rather than celebrating the longevity of his most iconic figure through elevation or monumentality, the artist presents it in a state of collapse—withdrawn, inert, and strikingly vulnerable. The work
- [Kenny Scharf (American, b. 1958)](https://intelart.io/2022/12/13/kenny-scharf-auction-market-overview-2/) - Kenny Scharf stands as one of the most distinctive figures to emerge from the New York downtown scene of the late 1970s and 1980s, where art, music, and street culture converged into a new visual language. Closely associated with Keith Haring and Jean-Michel Basquiat, Scharf developed a practice rooted in pop culture, science fiction,
- [Scott Kahn (American, b. 1946)](https://intelart.io/2022/12/13/scott-kahn-auction-market-overview/) - Scott Kahn occupies a singular position within contemporary American painting, developing a quiet, introspective body of work that resists both stylistic trends and market-driven narratives. Often described as a “painter’s painter,” Kahn has built a practice grounded in observation, memory, and emotional restraint. His landscapes—devoid of human presence yet charged with psychological depth—exist in
- [COMPANION, 2001](https://intelart.io/2021/07/01/companion-2001/) - COMPANION Medium: Bronze Year: 2001 Dimensions: 20x10x5 cm (7-7/8 x 3-7/8 x 1-7/8 inches) Edition: 5 Signed, dated and numbered on the underside Rendered in a miniature scale and executed in 2001, the present lot is one of the first versions of the artist’s trademark COMPANION figures to be made in bronze after the release of
- [BORN TO BEND, 2013](https://intelart.io/2021/07/13/born-to-bend-2013/) - Born to Bend (2013) marks a decisive moment in KAWS’ sculptural evolution, where the artist fully engages with the language, weight, and history of bronze. Produced in a highly limited edition, the work stands at the intersection of contemporary pop culture and traditional fine art—precisely the tension KAWS has consistently sought to explore and
- [TAKE, 2020](https://intelart.io/2021/07/20/take-2020/) - Released in 2020, TAKE extends KAWS’ exploration of relational dynamics introduced in works such as SHARE, but shifts the emotional register from ambiguity to something far more instinctive: protection. By pairing the BFF figure with a childlike Companion, KAWS constructs a scene that is immediately legible yet psychologically layered—one that resonates with themes of care,
- [SHARE, 2020](https://intelart.io/2021/07/20/share-2020/) - SHARE stands among the most narratively charged sculptural editions in KAWS’ oeuvre. First introduced in 2019 in the exhibition BLACKOUT at Skarstedt London, the work was later released as an edition in 2020, quickly establishing itself as a key moment in the evolution of the Companion figure. Here, KAWS moves beyond introspection toward interaction—introducing a
- [BLUSH COMPANIONS, 2016](https://intelart.io/2021/07/16/blush-companions-2016/) - Released in 2017 to coincide with KAWS’ major institutional exhibition Where The End Starts at the Modern Art Museum of Fort Worth, the Blush Companion and Flayed Companion represent a decisive moment in the artist’s practice—where emotional introspection and anatomical deconstruction converge. This paired release is particularly significant. It presents not only the external figure,
- [FOUR FOOT COMPANIONS, 2007](https://intelart.io/2021/07/07/four-foot-companion-black-2007/) - The Four Foot Companion occupies a pivotal position in KAWS’ sculptural trajectory, marking the transition from collectible-scale objects to works that assert a true physical presence. Released in 2007 in an edition of 100 per colorway, this series represents one of the earliest large-format vinyl manifestations of the Companion—an inflection point where the character
- [Distorted Companions (Robert Lazzarini), 2010](https://intelart.io/2021/07/10/distorted-companions-robert-lazzarini-2010/) - The 2010 collaboration between KAWS and Robert Lazzarini marks one of the most conceptually radical departures within the Companion lineage. At first glance, the figure remains identifiable, gloved hands, crossed-out eyes, rounded shoes, but its entire structure appears destabilized, as if pulled, twisted, or digitally corrupted. Introduction Consisting of three painted cast vinyl sculptures, each
- [Disney Pinocchio and Jiminy Cricket set, 2010](https://intelart.io/2021/07/10/disney-pinocchio-jimmy-cricket/) - Disney Pinocchio and Jiminy Cricket set Medium: Painted cast vinyl Year: 2010 Pinocchio: 27x12x11 cm (9-1/2 x 4-3/4 x 4-1/2 inches) Jimmy Cricket: 6x3x3 cm (2-3/8 x 1 x 1-1/4 inches) Edition: 500, unnumbered Co-Produced by Medicom Toy, Tokyo and OriginalFake, Tokyo Stamped signature and manufacturer's mark to underside of each figure '© Disney KAWS..
- [RESTING PLACE, 2013](https://intelart.io/2021/07/13/53118/) - With Resting Place, KAWS pushes the Companion into one of its most unsettling and conceptually layered territories. Released in 2013 in brown, grey, and black colorways, the work presents a seated figure whose body is partially opened, revealing an intricate interior anatomy—organs, musculature, and skeletal structures rendered with clinical precision. Introduction The figure sits on
- [KAWS Companion Universe](https://intelart.io/2021/07/24/kaws-companion-universe/) - Few figures in contemporary art have achieved the level of cultural saturation and formal coherence of the Companion. Developed by KAWS over more than two decades, the Companion is not a single sculpture but a continuously evolving system—a character that mutates, adapts, and reappears across formats, scales, and contexts, while maintaining an
- [THE PROMISE, 2021](https://intelart.io/2021/07/21/the-promise-2021/) - With The Promise, KAWS introduces one of the most explicit symbolic gestures within the Companion universe: the transmission of the world itself. Released in 2021 as an open edition in the now-familiar brown, grey, and black colorways, the work builds on earlier parent-child compositions while elevating their meaning to a global, almost allegorical scale. Introduction
- [ALONG THE WAY, 2019](https://intelart.io/2021/07/19/along-the-way-2019/) - With Along The Way, KAWS refines one of the most compelling dynamics within the Companion universe: the relationship between two figures, articulated here through a gesture of quiet, almost understated support. Released in 2019 in the now-classic triad of brown, grey, and black, the work exists both as a monumental sculpture and as an editioned
- [TOGETHER, 2017-2018](https://intelart.io/2021/07/17/together-2017/) - With Together, KAWS distills his visual language to one of its most direct, and disarmingly sincere, gestures: the embrace. Released in 2018 in three principal colorways (brown, grey, and black), the work departs from the solitary introspection of figures such as Companion or Small Lie, introducing instead a relational dynamic at the core of the
- [SMALL LIE, 2013-2017](https://intelart.io/2021/07/13/small-lie-2013/) - With Small Lie, KAWS introduces one of the most emotionally charged figures within his sculptural vocabulary. Released in 2017 in a series of vinyl editions—most notably in brown, grey, and black—the work departs from the relative neutrality of Companion and BFF, offering instead a posture of unmistakable vulnerability. Introduction The figure is immediately defined by
- [GONE, 2018-2019](https://intelart.io/2021/07/19/gone-2018-2019/) - Gone (2019) stands among the most emotionally charged and visually striking sculptural works by KAWS, marking a moment in which the artist fully embraces narrative, vulnerability, and psychological intensity within his practice. Released in multiple color variations, the work expands KAWS’s exploration of relationships and emotional states through a composition that departs from the
- [CHUM, 2002-2008-2009](https://intelart.io/2021/07/08/chum-2008-2009/) - First introduced in 2002 by KAWS, Chum stands as one of the most conceptually incisive characters within KAWS’ early sculptural vocabulary. While Companion and Accomplice operate within a language of emotional withdrawal and quiet introspection, Chum introduces something more complex: a direct appropriation and transformation of a globally recognizable cultural icon. Derived from the Michelin
- [Dissected Companion: Bearbrick (Brown, Black, Grey), 2010](https://intelart.io/2021/07/10/dissected-companion-bearbrick-1000-brown-black-grey-2010/) - This series belongs to one of the most iconic intersections in KAWS’ practice: the fusion of his COMPANION figure with the Be@rbrick format developed by Medicom Toy. The result is a hybrid object where two already recognizable systems—the COMPANION and the Be@rbrick—are overlaid and then structurally disrupted through the “Dissected” motif. Introduction Each sculpture
- [No Future Companion (Silver/Black) (Hajime Soramaya version), 2008](https://intelart.io/2021/07/08/no-future-companion-silver-2008/) - No Future Companion (2008) stands as one of the most significant early sculptural editions in the work of KAWS, marking a decisive moment in his transition from street interventions and graphic practice into the realm of collectible sculpture. Produced by Medicom Toy in an edition of 500, the work exists in two chrome variations, silver
- [Star Wars Stormtrooper Companion, 2008](https://intelart.io/2021/07/08/star-wars-stormtrooper-companion-2008-copy-2/) - Star Wars Stormtrooper Companion Medium: Painted cast vinyl, fabric Year: 2008 Dimensions: 25x12x8 cm (9-3/4 x 4-5/8 x 3 inches) Edition: 500, unnumbered Co-Produced by: Medicom Toy, Tokyo and OriginalFake, Tokyo Impressed signature, date and manufacturer's marks to the underside '©2008 Lucasfilm Ltd. & TM. All rights reserved. Designed by KAWS MEDICOM TOY 2008 CHINA'
- [Star Wars Boba Fett Companion, 2013](https://intelart.io/2021/07/13/star-wars-boba-fett-companion-2013/) - Star Wars Boba Fett Companion Medium: Painted cast vinyl Year: 2013 Dimensions: 25x13x8 cm (10 x 5 x 3-1/4 inches) Edition: 500, unnumbered Co-Produced by: Medicom Toy, Tokyo and OriginalFake, Tokyo Printed signature, date and manufacturer's mark to underside ‘©2013 Lucasfilm Ltd. & TM. All rights reserved. Designed by KAWS Medicom Toy 2013 China’ In
- [Better Knowing, 2023](https://intelart.io/2021/07/23/better-knowing-2023/) - The present sculpture belongs to one of KAWS’ most refined and conceptually resolved bodies of work: BETTER KNOWING. Here, the artist revisits his iconic COMPANION figure, not as a pop-cultural avatar standing upright and assertive, but as a withdrawn, introspective presence. The character is seated, head bowed, arms wrapped around one knee, an almost
- [2026 London Winter Auctions (March 2026)](https://intelart.io/2026/02/18/2026-london-winter-auctions-march-2026/) - Agenda Modern & Contemporary Evening Auction 4 March 2026 Modern & Contemporary Evening Auction | 2026 | Sotheby's GBP 130,962,024 / USD 174,952,168 53 Lots Sold Sell-Through Rate: 100% White Glove Sale XXXXXXXXXX The David Hockney Sale: The Arrival of Spring 5 March 2026 The David Hockney Sale: The Arrival of Spring
- [Genieve Figgis (Irish, b. 1972)](https://intelart.io/2022/12/13/genevieve-figgis-irish-b-1972/) - Born in 1972 in Dublin, Genieve Figgis has established herself as one of the most distinctive painters of her generation, reanimating the language of European portraiture through a radically fluid and destabilized approach. Largely self-directed in her artistic development, Figgis emerged relatively late on the international stage, gaining visibility through social media before being
- [Good Intentions, 2021](https://intelart.io/2021/07/21/good-intentions-2021/) - Good Intentions Medium: Walnut, in 2 parts Year: 2021 Figure 1: 40x18x15 cm (15-3/4 x 7 x 6 inches) Figure 2: 20x12x9 cm (7-7/8 x 4-3/4 x 3 1/2 inches Edition: 100 Artist's Proofs: 20 AP Manufacturer: Medicom Toy, Japan Publisher: Karimoku, Japan Signed and numbered to underside of left foot of larger figure
- [Jean Dubuffet (French, 1901-1985)](https://intelart.io/2022/12/11/jean-dubuffet/) - Jean Dubuffet stands as one of the most radical and influential figures of 20th-century art, fundamentally challenging traditional notions of beauty, culture, and artistic refinement. Rejecting the authority of academic art and established taste, he sought instead a raw, instinctive form of expression rooted in what he termed Art Brut—works created outside the boundaries
- [Eddie Martinez (American, b. 1977)](https://intelart.io/2022/12/15/eddie-martinez-recent-auction-results-2/) - Eddie Martinez has emerged as one of the most compelling painters of his generation, developing a practice that bridges gestural abstraction, figuration, and visual improvisation. His work is immediately recognizable for its raw energy, bold surfaces, and layered compositions, where cartoon-like forms, symbols, and painterly marks collide. Operating between spontaneity and structure, Martinez constructs paintings
- [Nola, 2008](https://intelart.io/2021/07/26/nola-2008/) - Nola Medium: Screenprint in colors on wove paper Year: 2008 Size: 76x56 cm (30x22 inches) Editions: Nola (White Rain): 289 signed Nola (Grey Rain): 63 signed Nola (Orange Rain): 32 signed Nola (Yellow Rain): 31 signed Artist's Proofs: 66 signed AP (6 different colorways) Publisher: Pictures on Walls, London Nola portrays a young girl in
- [Jeff Koons Multiples Highlights](https://intelart.io/2023/06/20/jeff-koons-multiples-highlights/) - Jeff Koons’ multiples occupy a singular position in the contemporary art market: instantly recognizable, meticulously produced, and relentlessly public. Born from a practice that embraces industrial fabrication and seriality without apology, these works were never conceived as secondary objects. On the contrary, Koons’ editions are central to his artistic and economic ecosystem. From the
- [Sean Scully Works on Paper](https://intelart.io/2026/03/18/sean-scully-works-on-paper/) - While Sean Scully is widely celebrated for his monumental paintings, his works on paper—particularly his pastels—occupy a central and deeply revealing position within his practice. These works distill the essence of his visual language into a more immediate, tactile, and intimate form. Through pastel on paper, Scully achieves a rare balance between structure
- [Kehinde Wiley (American, b. 1977)](https://intelart.io/2022/12/15/kehinde-wiley-american-b-1977-auction-market-overview/) - Kehinde Wiley has established himself as one of the most significant contemporary painters of his generation, known for his bold reconfiguration of classical portraiture through the lens of race, identity, and power. By appropriating the visual language of European Old Master painting and inserting contemporary Black subjects into positions historically reserved for aristocracy
- [Keith Haring Works on Paper](https://intelart.io/2026/03/16/keith-haring-works-on-paper/) - Keith Haring was, above all, a draftsman. While his murals, paintings, and editioned prints have become iconic images of the 1980s, drawing remained the foundation of his entire artistic practice. His original works on paper reveal the essential mechanics of his visual language: rapid execution, powerful contour lines, and a vocabulary of instantly recognizable symbols
- [Flowers, 1964](https://intelart.io/2021/07/14/flowers-fs-ii-6-1964/) - Flowers Medium: Offset lithograph printed in colors on thin wove paper Date: 1964 Image: 22x22 inches (55.8 x 55.8 cm) Sheet: 23 x 22 7/8 inches (58.4 x 58.2 cm) Edition: Approximately 300 Printer: Total Color Publisher: Leo Castelli Gallery, New York Literature: Feldman & Schellmann II.6 Signed and dated '65' in blue ballpoint
- [25 Cats Name(d) Sam and One Blue Pussy, c.1954](https://intelart.io/2021/07/08/25-cats-named-sam-and-one-blue-pussy-c-1954-fs-iv-52a-68a/) - In the 1950s, Andy Warhol explored basic printmaking for his self-published portfolios, books, and commercial illustrations. He reproduced his blotted-line ink drawings as offset lithographs, usually in one color and on white paper, sometimes with hand-colored elements. Warhol’s work in the 1950s was heavily influenced by Julia Warhola’s illustrative style and content. Inspired by his
- [Flash - November 22, 1963, 1968](https://intelart.io/2021/07/18/flash-november-22-1963-1968/) - Warhol's Flash Series features Teletypes ("news flashes") from the day of the Kennedy Assassination and images that explore how the event was covered by the media. Endlessly enthralled by celebrity, consumerism and advertising, Warhol depicts this event through the critical lens of news as commodity; even our most harrowing tragedies become banal and innocuous when made a headline and
- [Flowers, 1970](https://intelart.io/2021/07/20/flowers-1970-2/) - Instantly recognizable and indisputably iconic, Andy Warhol’s Flowers represent a defining moment of American Pop Art and post-war culture. At once naïve and ironic, exuberant and meditative, the four exaggeratedly simplified and starkly contrasted flowers embody all the compelling contradictions of a rapidly changing era where consumerism and mass-production flourished alongside counterculture idealism and artistic experiment.
- [Electric Chairs, 1971](https://intelart.io/2021/07/21/electric-chairs-1971-2/) - Combining seriality, repetition, and the mechanical modes of production for which he became so well-known, Electric Chair is a supreme illustration of the central preoccupations of Andy Warhol’s definitive brand of American Pop art. Introduction Bringing the bright, bold colors of Pop into an immediate and jarring tension with its grisly subject matter, this
- [Flowers (Hand-colored), 1974](https://intelart.io/2021/07/24/flowers-hand-colored-1974-fs-ii-110-119-10-works/) - In 1974, Warhol produced a suite of flower screenprints based on images of flowers found in a wallpaper catalog called "Interpretive Flower Designs. The Flowers (Hand Colored) portfolio was originally sold as a suite of ten prints and published by Peter M. Brant in collaboration with Castelli Graphics and Multiples Inc. in two variations. The
- [Ladies and Gentlemen, 1975](https://intelart.io/2021/07/25/ladies-and-gentlemen-1975/) - In 1975, art dealer Luciano Anselmino, for whom Warhol had previously completed an edition of his Man Ray portrait (Feldman & Shellmann II.148 and II.149), commissioned Warhol to produce a series on drag queens. Under Warhol's instruction, Bob Colacello went to The Gilded Grape, a club frequented by trans people and drag performers of color,
- [Skulls, 1976](https://intelart.io/2021/07/25/skulls-1976/) - On the 3rd of June 1968, Andy Warhol was shot and critically injured by Valerie Solanas, a marginal figure in the factory scene and the author of multiple separatist feminist manifestos. Following this, Warhol became consumed by death, veering away from his preoccupation with soup cans and Coke bottles. Introduction Throughout the 1970s –
- [Car Crash, circa 1978](https://intelart.io/2021/07/26/car-crash-circa-1978/) - Car Crash Medium: Screenprint in colors on Curtis Rag paper Year: circa 1978 Image: 20 7/8 x 36 3/8 inches (53 x 92.4 cm) Sheet: 35 x 44 7/8 inches (88.9 x 114 cm) Printer: Rupert Jasen Smith, New-York Literature: Feldman and Schellmann IIIA.9 Unpublished print. Based on an unidentified press photograph. Created at approximately
- [Marilyn Monroe (Marilyn), circa 1978](https://intelart.io/2021/07/26/marilyn-monroe-marilyn-circa-1978/) - Marilyn Monroe (Marilyn) Medium: Screenprint on HMP paper Year: circa 1978 Image: 18 1/4 x 14 inches (46.4 x 35.6 cm) Sheet: 31 1/8 x 23 1/4 inches (79.1 x 59.1 cm) Printer: Rupert Jasen Smith, New-York Literature: Feldman and Schellmann IIIA.3 Unpublished print Based on a publicity photograph by Gene Korman for the 1953
- [Campbell's Soup Can (Tomato), circa 1978](https://intelart.io/2021/07/26/campbells-soup-can-tomato-circa-1978/) - Campbell's Soup Can (Tomato) Medium: Screenprint on Mowhawk Superfine paper Year: circa 1978 Image: 29 5/8 x 17 1/4 inches (75.2 x 43.8 cm) Sheet: 45 1/8 x 35 1/8 inches (114.6 x 89.2 cm) Edition: A small number of impressions Printer: Rupert Jasen Smith, New-York Literature: Feldman and Schellmann IIIA.5 Unpublished print. Created at
- [Mao, Electric Chair, circa 1978](https://intelart.io/2021/07/26/mao-electric-chair-circa-1978/) - Mao, Electric Chair Medium: Screenprint on Saunders Waterford wove paper Year: circa 1978 Image: 10 x 12 1/2 inches (25.4 x 31.7 cm) Sheet: 20 7/8 x 15 1/4 inches (53 x 38.7 cm) Edition: A small number of impressions Printer: Rupert Jasen Smith, New-York Literature: Feldman and Schellmann IIIA.7 Unpublished print. Created at approximately
- [Shadows, 1979](https://intelart.io/2021/07/26/shadows-ii-1979-fs-iia-210-215-6-works/) - In 1979, Andy Warhol unveiled Shadows, a monumental and enigmatic body of work that marked a significant shift from his iconic imagery of the 1960s, such as the Campbell’s Soup Cans and Marilyn Monroe. With Shadows, Warhol moved toward abstraction, synthesizing elements of painting, film, photography, and screen printing in a profound exploration of form,
- [Space Fruit: Still Lifes, 1979](https://intelart.io/2021/07/26/space-fruit-still-lifes-1979/) - Throughout his career, Warhol worked with assistants and printers to create numerous print portfolios. In 1977 he met printer Rupert Jasen Smith who worked with him to create the series Space Fruit. These prints demonstrate Warhol’s experimentation with a centuries-old genre in painting—the still life. Still lifes by their very nature are choreographed compositions focusing on
- [Gems, 1978](https://intelart.io/2021/07/26/gems-fs-ii-186-189-1976/) - Gems The complete set of four screen-prints in colors Medium: Screen-print in colors on Strathmore Bristol paper Year: 1978 Sheet: 30x40 inches (76.2 x 101.6 cm) Edition: 20 Artist's Proofs: 5 Other: 1 PP, 2 PP numbered in Roman numerals Printer: Rupert Jasen Smith, New-York Publisher: Andy Warhol Enterprises, Inc., New York Literature: Feldman &
- [Grapes, 1979](https://intelart.io/2021/07/26/grapes-fs-ii-190-195-1979-6-works/) - In 1979, Andy Warhol created a series of prints which showcased repeated imagery of grapes. Unknown to many, each of the prints also shows a different grape variety, although they are uniformly referred to as “Grapes”. With this series, Warhol brings a new approach to the traditional genre of still life. In the past, artists
- [Beatles, 1980](https://intelart.io/2021/07/26/beatles-1980/) - Beatles Medium: Screenprint on Lenox Museum Board Year: 1980 Sheet: 32x40 inches (81.3 x 101.6 cm) Printer: Rupert Jasen Smith, New-York Literature: Feldman & Schellmann IIIB.5 Based on a photograph by Dezo Hoffmann, London, England Created for the jacket of the 1980 book The Beatles published by Rolling Stone Press Books/Times Books with an
- [Shoes, 1980](https://intelart.io/2021/07/26/diamond-dust-shoes-fs-ii-253-257-1980-5-works/) - Beautifully stylized and archetypal in their simplicity, Andy Warhol presents the nostalgia and timelessness of the stiletto in his larger-than-life composition. Arranged in a seemingly random but clearly staged way, each of Warhol's shoes possesses a distinct character in its color and positioning, but are, in fact, identical in their epitomizing of a classic sense
- [Ten Portraits of Jews of the Twentieth Century, 1980](https://intelart.io/2021/07/26/ten-portraits-of-jews-of-the-twentieth-century-1980/) - Ten Portraits of Jews of The Twentieth Century series was the idea of Warhol’s dealer, Ronald Feldman who, along with Susan Feldman, the art gallery director of the Jewish Community Centre of Greater Washington, came up with the list of ten names. The collection was first exhibited at the Jewish Museum of New York in
- [Kiku, 1983](https://intelart.io/2021/07/28/kiku-fs-ii-307-309-1983-3-works-2/) - Like Campbell’s Soup and Marilyn Monroe, flowers are a defining subject of Andy Warhol's Pop-oeuvre, with his Flowers paintings and prints serving as a revitalization of the so-called European genre painting resulting into some of the most iconic images of Post War. If the Flowers paintings and prints saw Warhol turn the Western flower painting genre on
- [Michael Jackson, 1984](https://intelart.io/2021/07/28/michael-jackson-1984/) - Michael Jackson Medium: Screenprint in colors on HMP paper Year: 1984 Sheet: 31 5/8 x 23 1/4 inches (80.3 x 59.1 cm) Printer: Rupert Jasen Smith, New-York Literature: Feldman & Schellmann IIIB.23 Warhol was commissioned by TIME Magazine to do a portrait of Michael Jackson for a cover on March 19, 1984. A near
- [Diana Vreeland Rampant (After Jacques Louis David, Napoleon at St. Bernard), 1984](https://intelart.io/2021/07/28/diana-vreeland-rampant-after-jacques-louis-david-napoleon-at-st-bernard-1984/) - Diana Vreeland Rampant (after Jacques Louis David, Napoleon at St. Bernard) Medium: Screenprint in colors on Somerset paper Year: 1984 Sheet: 38 1/8 x 25 inches (96.8 x 63.5 cm) Printer: Ruper Jasen Smith, New-York Literature: Feldman & Schellmann IIIB.25 Created for the article "bridled passion" by André Leon Tally in Vogue, December 1984, p.358 A major arbiter
- [The Scream (after Munch), 1984](https://intelart.io/2021/07/28/the-scream-after-munch-1984/) - The Scream (After Munch) Medium: Screen-print in colors on Lenox Museum Board Year: 1984 Sheet: 40x32 inches (101.6 x 81.3 cm) Edition: Small number of unique impressions The Scream, based on Edvard Munch's 1893-95 lithograph, commissioned as an edition print was never published Printer: Rupert Jasen Smith, New-York Literature: Feldman & Schellmann IIIA.58 Andy
- [Eva Mudocci (after Munch), 1984](https://intelart.io/2021/07/28/eva-mudocci-after-munch-1984/) - Eva Mudocci (After Munch) Medium: Screen-print in colors on Lenox Museum Board Year: 1984 Sheet: 40x32 inches (101.6 x 81.3 cm) Medium: Screen-print in colors on Arches Aquarelle paper Year: 1984 Sheet: 59 1/8 x 40 inches (150.2 x 101.6 cm) Edition: Small number of unique impressions Based on Edvard Munch's 1903 lithograph Eva Mudocci
- [Madonna and Self-Portrait with Skeleton's Arm (After Munch), 1984](https://intelart.io/2021/07/28/madonna-and-self-portrait-with-skeletons-arm-after-munch-1984/) - Madonna and Self-Portrait with Skeleton's Arm (After Munch) Medium: Screen-print in colors on Lenox Museum Board Year: 1984 Sheet: 32x40 inches (81.3 x 101.6 cm) Edition: Small number of unique impressions Based on Edvard Munch's 1895 lithographs Madonna and Self-Portrait with Skeleton's Arm Commissioned as an edition print was never published Printer: Rupert Jasen
- [Paolo Uccello, St. George and the Dragon, 1460 from Details of Renaissance Paintings, 1984](https://intelart.io/2021/07/28/details-of-renaissance-paintings-sandro-boticelli-birth-of-venus-1482-1984/) - Introduction In 1984, Andy Warhol turned his focus away from his ubiquitous silkscreens of everyday, commercial objects and portraits of Hollywood’s elite to focus his attention on the history of art itself through his series Details of Renaissance Paintings. In doing so, not only did Warhol pay homage to the Renaissance masters, but he
- [Leonardo da Vinci, The Annunciation, 1472 from Details of Renaissance Paintings, 1984](https://intelart.io/2021/07/28/leonardo-da-vinci-the-annunciation-1472-from-details-of-renaissance-paintings-1984/) - In 1984, Andy Warhol turned his focus away from his ubiquitous silkscreens of everyday, commercial objects and portraits of Hollywood’s elite to focus his attention on the history of art itself through his series Details of Renaissance Paintings. Introduction In doing so, not only did Warhol pay homage to the Renaissance masters, but
- [Polo Player, 1985](https://intelart.io/2021/07/29/polo-player-1985/) - Polo Player Medium: Screenprint with collage on colored graphic art paper Year: 1985 Sheet: 24x18 inches (61 x 45.7 cm) Printer: Rupert Jasen Smith, New-York Created for the cover of the tenth anniversary issue of Polo, May 1985 Literature: Feldman & Schellmann IIIB.43 (Commissioned projects) In 1985 Polo Magazine approached Andy Warhol to produce a
- [Absolut Vodka, 1985](https://intelart.io/2021/07/29/absolut-vodka-1985/) - Absolut Vodka Medium: Offset lithograph in colors on wove paper Year: 1985 Image: 41 3/4 x 34 1/8 inches (106 x 86.7 cm) Sheet: 45 1/4 x 37 1/4 inches (115.1 x 94.4 cm) Edition: Unnumbered edition of 100 signed Publisher: Carillon Importers, Ltd., New Jersey Literature: not in Feldman & Schellmann There are presumably
- [New Coke, 1985](https://intelart.io/2021/07/29/new-coke-1985-fs-iiib-44/) - New Coke Medium: Screen-print in colors on HMP paper Year: 1985 Sheet: 31 1/2 x 23 1/4 inches (80x59 cm) Printer: Rupert Jasen Smith, New-York Literature: Feldman & Schellmann III.B.44 This print was created for an unrealized June 1985 Time cover Auction Results Christie's New-York: 8 March 2023 Estimated: USD 20,000 - 30,000
- [Sandro Boticelli, Birth of Venus, 1482 from Details of Renaissance Paintings, 1984](https://intelart.io/2021/07/28/sandro-boticelli-birth-of-venus-1482-from-details-of-renaissance-paintings-1984/) - In 1984, Andy Warhol turned his focus away from his ubiquitous silkscreens of everyday, commercial objects and portraits of Hollywood’s elite to focus his attention on the history of art itself through his series Details of Renaissance Paintings. In doing so, not only did Warhol pay homage to the Renaissance masters, but he also placed
- [Saint Apollonia, 1984](https://intelart.io/2021/07/29/saint-apollonia-fs-ii-330-333-1984-4-works/) - Introduction Famed for his depictions of branded consumer goods and 20th century celebrities, in Saint Apollonia Warhol appropriates his subject matter from a 15th century painting attributed to Piero della Francesca. Originally conceived as an altarpiece, della Francesca’s painting commemorates the ecclesiastical tale of Saint Apollonia, who was captured by the Alexandrians during a siege circa
- [Cologne Cathedral, 1985](https://intelart.io/2021/07/29/cologne-cathedral-1985/) - Andy Warhol’s Cologne Cathedral series (1985) stands as one of the most architecturally reverent and spiritually charged works in the artist’s late career. Created as a set of four screenprints in dazzling variations of color, these prints depict the iconic Gothic twin-spired façade of the Cologne Cathedral (Kölner Dom), a UNESCO World Heritage Site and
- [Queen Beatrix of The Netherlands from Reigning Queens, 1985](https://intelart.io/2021/07/29/queen-beatrix-of-the-netherlands-from-reigning-queens-1985/) - Introduction In 1985, Andy Warhol embarked on his largest portfolio of screen-prints. Titled Reigning Queens, Warhol chose to focus his creative attention on the four female monarchs who were ruling in the world at the time, having assumed their respective thrones through birth right alone rather than marriage. These four figures included Queen
- [Queen Margrethe II of Denmark from Reigning Queens, 1985](https://intelart.io/2021/07/29/queen-margrethe-ii-of-denmark-from-reigning-queens-1985/) - In 1985, Andy Warhol embarked on his largest portfolio of screen-prints. Titled Reigning Queens, Warhol chose to focus his creative attention on the four female monarchs who were ruling in the world at the time, having assumed their respective thrones through birth right alone rather than marriage. These four figures included Queen Elizabeth II of
- [Queen Ntombi Twala of Swaziland from Reigning Queens, 1985](https://intelart.io/2021/07/29/queen-ntombi-twala-of-swaziland-from-reigning-queens-1985/) - In 1985, Andy Warhol embarked on his largest portfolio of screen-prints. Titled Reigning Queens, Warhol chose to focus his creative attention on the four female monarchs who were ruling in the world at the time, having assumed their respective thrones through birth right alone rather than marriage. These four figures included Queen Elizabeth II of
- [Wild Raspberries, 1959](https://intelart.io/2021/07/10/wild-raspberries-1959-fs-iv-126-143/) - In 1959, Andy Warhol together with his friend and interior decorator, Suzie Frankfurt set out to produce a limited-edition satirical cookbook for New York’s fashionable elite. Poking fun at the haute cuisine of the time, Warhol and Frankfurt came up with absurdly grandiose recipes including "Omelet Greta Garbo", "Gefilte of Fighting Fish" and "Seared Roebuck"
- [A Gold Book, 1957](https://intelart.io/2021/07/09/a-gold-book-1957/) - A Gold Book Bound book with 22 pages (including title page and two blank pages) Medium: (total of 19 Plates) Offset lithograph on gold paper: 13 Plates Offset lithograph and watercolor on paper: 4 Plates Offset lithograph on paper: 2 Plates Year: 1957 Sheet: 14 1/4 x 11 1/4 inches (36.2 x 28.6
- [In The Bottom of My Garden, 1956](https://intelart.io/2021/07/09/in-the-bottom-of-my-garden-1956/) - In the Bottom of My Garden Bound book with 22 pages (including two blank pages) Medium: Offset lithograph on wove paper, 18 with extensive hand-coloring in watercolor Year: circa 1956 Sheet: 8 1/2 x 11 inches (22.2 x 27.9 cm) Edition: Unknown size Literature: Feldman & Schellmann IV.86A-105A The lettering was done by Warhol's
- [Love is a Pink Cake, c.1953](https://intelart.io/2021/07/07/love-is-a-pink-cake-c-1953/) - Love is a Pink Cake The complete portfolio of 25 unbound sheets Medium: Offset lithograph on blue paper Year: circa 1953 Edition: unknown size Each: 11 x 8 1/2 inches (27.9 x 21.6 cm) Enclosed in a tracing vellum cover Publisher: The Artist Literature: Feldman & Schellmann IV.27-50 Created in collaboration with Andy Warhol's
- [A La Recherche du Shoe Perdu, c. 1955](https://intelart.io/2021/07/09/a-la-recherche-du-shoe-perdu-c-1955-fs-iv-69a-84a/) - A La Recherche du Shoe Perdu The Complete Portfolio of 16 colored lithographs Medium: Offset lithograph and watercolor on wove paper Year: circa 1955 Sheet: 9 3/4 x 13 3/4 inches (24.8 x 34.9 cm) Publisher: The Arttist Literature: Feldman & Schellmann IV.69A-84A Text by Ralph Pomeroy Lettering by Warhol's mother, Julia Warhola Before Marilyn and Moonwalk,
- [Keith and Julia, 1986](https://intelart.io/2022/07/26/keith-and-julia-1986/) - KEITH HARING Keith and Julia, 1986 Oil and acrylic on canvas 36-1/4 x 48-1/4 inches (92.1 x 122.6 cm) Signed, titled, inscribed and dated ""Keith + Julia" © K. Haring Sept. 27-86 ⊕ NYC" on the overlap Provenance Galerie Daniel Templon, Paris Private Collection, Paris (acquired in 1986) Private Collection, New York Private Collection, Europe
- [Cruella de Vil, 1984](https://intelart.io/2022/07/24/cruella-de-vil-1984/) - KEITH HARING Cruella de Vil, 1984 Acrylic on canvas 60x60 inches (152.4 x 152.4 cm) Signed, titled, dedicated and dated 'SEPT 18 1984. K. Haring © 84 "CRUELLA DEVILLE" FOR GLORIA - LOVE KEITH 88' on the overlap Painted on 18 September 1984 Provenance Tony Shafrazi Gallery, New York Collection of Princess Gloria von Thurn
- [Keith Haring Subway Drawings, 1980-1984](https://intelart.io/2022/07/24/keith-haring-subway-drawings/) - Executed between 1980 and 1985, Haring transformed the New York City subway stations into his canvas, scrawling his inventive visual vernacular across the Metropolitan Transit Authority’s black paper that was readily pasted over unpaid advertisements. Haring’s energetic mark-making brought life to thousands of panels, making the city itself vibrant for millions during their daily commutes.
- [Untitled, 1988](https://intelart.io/2022/07/28/untitled-1988-6/) - KEITH HARING (1958-1990) Untitled, 1988 Four elements--acrylic on canvas Each: 96x48 inches (243.8 x 121.9 cm) Overall: 96x192 inches (243.8 x 487.6 cm) Signed with the artist's initials and dated 'KH 88' (lower center of the fourth element) Numbered sequentially '1-4' (on the reverse of each element) Provenance Children's National Medical Center, Washington, D.C., acquired
- [Moses and the Burning Bush, 1985](https://intelart.io/2022/07/25/moses-and-the-burning-bush-1985/) - KEITH HARING (1958-1990) Moses and the Burning Bush, 1985 Acrylic on canvas with metal grommets 119-3/4 x 144-1/2 inches (304x366 cm) Signed, inscribed, titled and dated 'JULY 5 1985 "MOSES + THE BURNING BUSH" K. Haring NYC 85' (on the reverse) Auction History The Dennis Hopper Collection Christie's New-York: 11 November 2010 Estimated: USD
- [Untitled #4, 1988](https://intelart.io/2022/07/28/untitled-4-1988-2/) - KEITH HARING Untitled #4, 1988 Acrylic on canvas 60x60 inches (152.5 x 152.5 cm) Signed, dated and inscribed 'c K. Haring APRIL 1988 + NYC' (on the overlap) Provenance Michael Kohn Gallery, Los Angeles Auction History Christie's New-York: 9 November 2004 Estimated: USD 300,000 - 400,000 USD 511,500 Keith Haring (1958-1990) (christies.com) The Eighties
- [Sister Cities - For Tokyo, 1985](https://intelart.io/2022/07/25/sister-cities-for-tokyo-1985/) - KEITH HARING Sister Cities - For Tokyo, 1985 Acrylic on canvas 93-1/4 x 117-1/4 inches (236.9 x 297.8 cm) Signed twice, titled, dated Nov. 5, 1985 Variously inscribed in English and Japanese on the reverse Provenance The artist Tokyo City Hall, Japan (gift of the above in 1985) Christie's New York, November 13, 1998,
- [Untitled, 1988](https://intelart.io/2022/07/28/untitled-1988/) - KEITH HARING Untitled, 1988 Acrylic on vinyl tarpaulin with metal grommets 108 x 142.7 inches (274.3 x 362.6 cm) Signed and dated May 29 1988 NYC on the overlap Provenance Tony Shafrazi Gallery, New York Acquired by the present owner from the above in 1988 Auction History Sotheby's New-York: 11 November 2014 Estimated: USD 2,500,000 -
- [Untitled (Dancing Dogs), 1981](https://intelart.io/2022/07/21/78683/) - KEITH HARING Untitled (Dancing Dogs), 1981 Sumi ink and acrylic on paper mounted on canvas 108 x 191-1/2 inches (274.3 x 486.4 cm) Signed Provenance Estate of the Artist Jeffrey Deitch, Inc., New York Acquired by the present owner from the above in 2001 Auction History Sotheby's New-York: 14 May 2014 Estimated: USD 3,000,000 -
- [Rene Magritte (Belgian, 1898-1967)](https://intelart.io/2022/12/11/rene-magritte-belgian-1898-1967/) - René Magritte is one of the most celebrated figures of twentieth-century art and a central figure of the Surrealism movement. Born in 1898 in Lessines, Belgium, Magritte studied at the Académie Royale des Beaux-Arts before developing a distinctive artistic language that would challenge the relationship between images, objects, and reality itself.While many Surrealist artists
- [Andy Warhol Works on Paper](https://intelart.io/2020/12/24/andy-warhol-works-on-paper-auction-results-2021-2025/) - Any serious discussion of Andy Warhol’s original works on paper must begin by dismantling a persistent misconception: that drawing and works on paper were merely ancillary to his silkscreens. In reality, paper was Warhol’s first professional territory, the site where his visual language was forged long before repetition, factories, or mechanical coolness became part
- [Pablo Picasso Works on Paper](https://intelart.io/2026/03/11/pablo-picasso-works-on-paper/) - Works on paper occupy a central and indispensable place in the oeuvre of Pablo Picasso, one of the most influential artists of the twentieth century. Across a career spanning more than seven decades, Picasso produced thousands of drawings, sketches, gouaches, watercolors, and mixed-media works on paper. Far from being secondary or preparatory material, these works
- [Rene Magritte Works on Paper](https://intelart.io/2026/03/15/rene-magritte-works-on-paper/) - Unlike many modern artists for whom works on paper served primarily as preparatory sketches, Magritte’s drawings and gouaches often function as fully autonomous works of art. They reflect the same philosophical depth and conceptual clarity that characterize his larger paintings, but in a more immediate and spontaneous format. Because of their smaller scale and
- [Francis Bacon (British, 1909-1992)](https://intelart.io/2022/12/12/francis-bacon-british-auction-market-overview/) - Francis Bacon (1909 - 1992) was an Irish-born British figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures. Rejecting various classifications of his work, Bacon said he strove to
- [Caroline Walker (Scottish, b. 1982)](https://intelart.io/2022/12/15/caroline-walker-scottish-b-1982-auction-market-overview/) - Blurring the boundary between objectivity and lived experience, Walker highlights often overlooked jobs performed by women and the psychologically charged spaces they inhabit. “The subject of my paintings in its broadest sense is women’s experience, whether that is the imagined interior life of a glimpsed shop worker, a closely observed portrayal of my mother
- [Pumpkin MT, 1999 (ABE 257)](https://intelart.io/2022/07/29/pumpkin-mt-1999-257/) - Pumpkin MT Medium: Screenprint in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1999 Image: 44.3 x 36.6 cm (17.4 x 14.4 inches) Sheet: 59x50 cm (23.2 x 19.7 inches) Edition: 110 Artist's Proofs: 11 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Japan Literature: ABE 257 Yayoi Kusama Prints 1979-2017,
- [Fruits, 1997 (ABE 234)](https://intelart.io/2022/07/27/fruits-1997-abe-234/) - Fruits Medium: Lithograph in colors on Verin d'Arches paper [18 screens, 18 colors, 18 runs] Year: 1997 Image: 24x33 cm (9.4 x 13 inches) Sheet: 34 x 43.2 cm (13.4 x 17 inches) Edition: 125 Artist's Proofs: 30 AP Hors Commerce: 30 HC Trial's Proofs: 5 TP Printer: Art Estemps Publisher: Gallery Shimizu LTD,
- [Pumpkin (Yellow Y), 1992 (ABE 148)](https://intelart.io/2022/07/22/pumpkin-yellow-y-1992-abe-148/) - Pumpkin (Yellow Y) Year: 1992 Medium: Screenprint in colors on Verin d'Arches paper [2 screens, 2 colors, 2 runs] Image: 60.4 x 72.3 cm (23.8 x 28.5 inches) Sheet: 77 x 80.4 cm (27.8 x 33.1 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 4 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 148 Yayoi
- [Pumpkin, 1982 (ABE 5)](https://intelart.io/2022/07/12/pumpkin-1982-abe-5/) - Pumpkin Medium: Lithograph and screenprint on Verin d'Arches paper Lithograph [2 plates, 2 colors, 2 runs] Screenprint [1 screen, 1 color, 1 run] Year: 1982 Image: 52.2 x 45.7 cm (20.6 x 18 inches) Sheet: 64 x 54.5 cm (25.2 x 21.5 inches) Edition: 70 Printer: Shimo-oka Yoshiaki Literature: ABE 5 Yayoi Kusama Prints 1979-2007,
- [Pumpkin ST, 2001 (ABE 301)](https://intelart.io/2022/08/01/pumpkin-st-2001-abe-301/) - Pumpkin ST Medium: Screenprint in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 2001 Image: 25.5 x 22 cm (10 x 8.7 inches) Sheet: 38 x 32.5 cm (15 x 12.8 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 301 Yayoi Kusama
- [Flowers and Butterflies, 1989 (ABE 122)](https://intelart.io/2022/07/19/flowers-and-butterfliers-1989-abe-122/) - Flowers and Butterflies Medium: Screen-print in colors on Izumi paper [14 screens, 13 colors, 14 runs] Year: 1989 Image: 52.8 x 43.8 cm (20.8 x 17.2 inches) Sheet: 61 x 53.5 cm (24 x 21.1 inches) Edition: 100 Artist's Proofs: 8 AP Printer: Ishida Ryoichi, Tokyo Literature: ABE 122 Yayoi Kusama Prints 1979-2017, ABE
- [Star Wars Darth Vader Companion, 2007](https://intelart.io/2021/07/07/star-wars-darth-vader-companion-2007-copy/) - Star Wars Darth Vader Companion Medium: Painted cast vinyl, fabric Year: 2007 Dimensions: 26x30x13 cm (10-1/8 x 11-5/8 x 5-1/4 inches) Edition: 500 Co-Produced by: Medicom Toy, Tokyo and OriginalFake, Tokyo Impressed signature, date and manufacturer's marks to the underside '©2007 Lucasfilm Ltd. & TM. All rights reserved. Designed by KAWS MEDICOM TOY 2007 CHINA'
- [Barcode, 2004](https://intelart.io/2021/07/30/barcode-2004-2/) - Barcode Medium: Screenprint on cream wove paper Year: 2004 Size: 50x70 cm (19 3/4 x 27 1/2 inches) Editions: 150 signed, 600 unsigned Publisher: Pictures on Walls "A black print of a leopard on an off white unbleashed paper with spot varnish finish. Every bit as good as that sounds." Barcode, also known
- [The Perspective Lesson (from Moving Focus), 1984](https://intelart.io/2021/07/04/the-perspective-lesson-from-moving-focus-1984-mcat-265/) - The Perspective Lesson from Moving Focus Medium: Lithograph in colors on grey handmade HMP paper Year: 1984 Sheet: 29 3/4 x 22 inches (75.6 x 55.9 cm) Edition: 50 Artist's Proofs: 18 AP Publisher: Tyler Graphics Ltd., Mount Kisco, New York Literature: Tyler (284), Museum of Contemporary Art Tokyo (265) Signed, dated and numbered in
- [Ma Normandie (My Normandy), 2019-2020](https://intelart.io/2021/07/19/in-front-of-house-looking-north-2/) - David Hockney's new and recent paintings "Ma Normandie” were started in 2018 when the artist spent a couple of days in Normandy in the coastal town of Honfleur. From there, he went on to Bayeux to take a fresh look at Queen Mathilde’s tapestry and was fascinated by the graphic and narrative strength of this 11th-century masterpiece which reminded
- [Autour de la maison, été, 2019](https://intelart.io/2021/07/19/autour-maison-ete-2019/) - Autour de la maison, été Medium: Monumental inkjet print in colours on a single sheet of wove paper Year: 2019 Sheet: 31 1/2 x 472 3/8 inches (80cm x 12m) Edition: 15 Publisher: The Artist Signed, dated and numbered in pencil with the artist's blindstamp Among David Hockney’s late-career works, the monumental panoramic
- [Imperfect Paintings, 1986](https://intelart.io/2023/12/26/imperfect-paintings-1986/) - Roy Lichtenstein is widely known for his paintings based on material sourced from popular culture, creating prosaic images that are ironic in their tone. Created in 1986, Imperfect Paintings form part of an important late series in the artist's oeuvre, in which he extended his exploration of the reduction of form at a time when
- [Andy Warhol Flowers, 1964-1968](https://intelart.io/2022/07/21/andy-warhols-flowers-1964-1968/) - Andy Warhol's Flowers are most probably Pop Art’s most iconic bodies of work.... In the half century since its creation, Warhol’s Flowers have infiltrated global consciousness as an emblem of classic American Pop and a moniker of sorts for the notoriously fame-obsessed artist. During the summer of 1964, Warhol executed canvases portraying this composition in formats
- [Robert Indiana (American, 1928-2018)](https://intelart.io/2022/12/12/robert-indiana-american-1928-2018/) - WORK IN PROGRESS Born Robert Clark in New Castle, Indiana in 1928, the artist displayed an early sensibility to graphic signs and the formal language of advertising, later recalling his fascination with a Phillips 66 sign at the service station where his father worked. After moving to New York in 1954, Indiana declared himself
- [Celia Smoking, Celia, & Celia 8365 Melrose Avenue, 1973](https://intelart.io/2021/06/29/celia-smoking-1973/) - Introduction While at the Royal College of Art in London, Hockney’s friend and fellow artist R.B. Kitaj encouraged him to use items and people from everyday life as the subject of his work. Hockney turned to the people that were closest to him as his sitters: his friends and family. In 1961, Mo
- [Hans Christian Andersen, 1987](https://intelart.io/2021/07/30/hans-christian-andersen-fs-ii-398-401-1987-4-works/) - Andy Warhol created two series of four screen prints dedicated to Hans Christian Andersen. The series was conceived a year prior to his death, therefore it is possible the artist began reflecting on his own childhood during this time. Once again, the pop artist used pre-existing images, in this case the work of another artist,
- [Love Is In The Air, 2003](https://intelart.io/2021/07/31/love-is-in-the-air/) - Love Is In The Air Medium: Screenprint in colors on wove paper Year: 2003 Sheet: 50x70 cm (19 5/8 x 27 1/2 inches) Edition: 500 (50 signed) Artist's Proofs: 27 signed AP Publisher: Pictures on Walls "If you want to say something and have people listen, then you have to wear a mask" Love Is
- [The Global Art Market in 2025](https://intelart.io/2026/03/11/the-global-art-market-in-2025/) - The Global Art Market in 2025 Key Insights from the Artprice Global Art Market Report WORK IN PROGRESS According to the Artprice Global Art Market Report 2025, the international fine art auction market generated USD 11.11 billion in turnover in 2025, marking a moderate rebound after the sharp contraction recorded the previous year. More than
- [Spring 2025 New-York Marquee Auctions (May 2025)](https://intelart.io/2025/04/26/spring-2025-new-york-marquee-auctions/)
- [Small, Vertical & Horizontal Dogs, 1995](https://intelart.io/2021/07/06/horizontal-dogs-1995-2/) - In 1995, David Hockney produced a small group of prints dedicated to one of the most intimate subjects of his artistic life: his dachshunds. The three compositions, Vertical Dogs, Horizontal Dogs, and Small Dogs, depict the animals resting quietly on cushions, transforming simple domestic moments into vivid graphic compositions. Introduction Each print was
- [Two Vases In The Louvre, 1974](https://intelart.io/2021/06/30/two-vases-in-the-louvre-2/) - Two Vases In the Louvre Medium: Etching and aquatint in colors on Inveresk mould-made paper Year: 1974 Image: 29 1/4 x 29 1/4 inches (74.2 x 74.2 cm) Sheet: 39x36 inches (99 x 91.4 cm) Edition: 75 Artist's Proofs: 18 AP Publisher: Petersburg Press, New-York and London Printer: Maurice Payne, Kent Jones and Dany Levy
- [Untitled (577) (Two Robes), 2010](https://intelart.io/2021/07/10/two-robes-2010/) - Untitled (577) (Two Robes) Medium: iPad drawing printed in colors on wove paper Year: 2010 Image: 32x24 inches (81.4 x 61 cm) Sheet: 37x28 inches (94.2 x 71.2 cm) Edition: 25 Publisher: The Artist Signed and dated in pencil (lower right) Numbered in pencil (lower left) with the artist's blindstamp Two Robes is
- [Love Hurts, 2012](https://intelart.io/2021/07/24/love-hurts-2012-2/) - Love Hurts depicts a red heart-shaped mylar balloon against a light blue monochromatic background. Appearing to have escaped its owner, the balloon has clearly taken some damage - as evidenced by the the pair of bandages near the top right. Now the balloon is trapped within a barbed wire fence. "Love Hurts is obviously
- [Dumbo, 2014](https://intelart.io/2021/07/24/dumbo-2014-2/) - Dumbo is a very rare print that originally came from a film Banksy created as part of his New-York residency Better Out Than In. Rebel Rocket Attack, a short video released on Banksy's website, depicts Islamic militants using rocket launchers to bring down Dumbo, the iconic Disney elephant. After Dumbo has been shot out of
- [Paranoid Pictures, 2003](https://intelart.io/2024/07/13/paranoid-pictures-2003/) - BANKSY Paranoid Pictures, 2003 Spray paint on canvas 30.5 x 30.5 cm (12x12 inches) Tagged 'BANKSY' (on the turnover edge) Signed, numbered and dated '5⁄25 2003 BANKSY!' (on the stretcher) This work is number five from an edition of twenty five plus one artist's proof Provenance Lazarides Gallery, London Acquired from the above by the
- [Happy Choppers, 2006](https://intelart.io/2022/07/06/happy-choppers-2006/) - BANKSY Happy Choppers, 2006 Spray paint and emulsion on canvas 126.9 x 182.9 cm (49-7/8 x 72 inches) Stencilled 'BANKSY' lower right Signed, numbered and dated 'BANKSY 12/2/2006 1/3' on the overlap This work is number 1 from an edition of 3 Provenance Lazarides Gallery, London Marsha and Robin Williams Collection (acquired from the above
- [English Garden, 1965](https://intelart.io/2022/07/05/english-garden-1965/) - DAVID HOCKNEY (b. 1937) English Garden, 1965 Acrylic on canvas 48x48 inches (122x122 cm) Signed with the artist's initials (behind the lower stretcher) Titled and dated Boulder 65 (on the reverse) Provenance Kasmin Ltd., London Galleria dell'Ariete, Milan Private Collection, Europe (acquired from the above in 1966) Sotheby’s, London, 26 June 1997, lot 15 (consigned by
- [Santo 3, 1982](https://intelart.io/2022/07/22/santo-3-1982/) - JEAN-MICHEL BASQUIAT (1960-1988) Santo 3, 1982 Acrylic, oilstick, wax crayon and paper collage on canvas with exposed wood supports 36x36 inches (91.4 x 91.4 cm) Signed, titled and dated 'Jean-Michel Basquiat SANTO 3 82' (on the reverse) Provenance Gagosian Gallery, Los Angeles Acquired from the above by the present owner, 1982 Auction History Christie's New-York:
- [Self-Portrait, 1983](https://intelart.io/2022/07/23/self-portrait-1983/) - JEAN-MICHEL BASQUIAT Self-Portrait, 1983 Oil, acrylic, oilstick, graphite and pen on paper collage on wood with metal attachments, in 2 parts Left panel: 79-5/8 x 29-3/4 x 5-1/2 inches (202.2 x 75.6 x 14 cm) Right panel: 96-3/4 x 34 x 2 inches (245.7 x 86.4 x 5.1 cm) Provenance Matt Dike (acquired directly from
- [Four Big, 1982](https://intelart.io/2022/07/22/four-big-1982/) - JEAN-MICHEL BASQUIAT Four Big, 1982 Acrylic, oil stick and paper collage on three joined canvases Overall: 78x63 inches (198.1 x 160 cm) Signed, titled and dated '"FOUR BIG" BASQUIAT 82' (on the reverse of the central canvas) Provenance Galerie Bruno Bischofberger, Zurich Acquired from the above by the present owner Auction History Christie's London: 3
- [Apex, 1986](https://intelart.io/2022/07/26/apex-1986/) - JEAN-MICHEL BASQUIAT Apex, 1986 Acrylic, oil stick and Xerox collage on canvas 67.9 x 86 inches (172.5 x 218.6 cm) Signed, titled and dated 86 on the reverse Provenance Bruno Bischofberger, Zurich / Mary Boone Gallery, New York (acquired from the artist) Galerie Michael Werner, Cologne Christie’s, London, 30 June 1988, Lot 640 Private Collection,
- [Pyro, 1984](https://intelart.io/2022/07/24/pyro-1984/) - JEAN-MICHEL BASQUIAT Pyro, 1984 Acrylic, silkscreen ink and oil stick on canvas 86 1/4 x 68 inches (219x173 cm) Signed, titled and dated 1984 on the reverse Provenance Larry Gagosian Gallery, Los Angeles Marisa Del Re Gallery, New York James Goodman Gallery, New York Ira Young, Vancouver Michael Haas Collection, Berlin Sotheby’s, London, Contemporary Art From
- [Jean-Michel Basquiat Paintings Auction Results (2017-2025)](https://intelart.io/2026/01/23/jean-michel-basquiat-paintings-auction-results-2017-2025/) - Auction Market Overview 2025 Auction Highlights 12 lots sold at auction in 2025 for a total turnover of USD 136,288,809. With no lot failing to sell, the sell-through rate is 100%. One lot was withdrawn at Phillips in London on 17 October 2025. 2025 Top 3 Lots The highest price was
- [Thin in the Old, 1986](https://intelart.io/2022/07/26/thin-in-the-old-1986/) - JEAN-MICHEL BASQUIAT (1960 - 1988) Thin in the Old, 1986 Acrylic, oil and Xerox collage on panel 71-7/8 x 42-1/8 x 9-1/2 inches (182.5 x 107 x 24 cm) Signed, titled and dated 86 (on the reverse) Provenance Galerie Bruno Bischofberger, Zurich Akira Ikeda Gallery, Tokyo Kantor Gallery, Beverly Hills Sotheby's, New York, 18 November 1998,
- [Infinity Nets, 1960](https://intelart.io/2022/07/10/infinity-nets-1960/) - YAYOI KUSAMA (B. 1929) Infinity Nets, 1960 Oil on canvas 100.2 x 90.3 cm (39-1/2 x 35-1/4 inches) Signed, titled and dated 'Yayoi Kusama 1960 Infinity Nets' (on the reverse) Provenance Private Collection (acquired directly from the artist) Anon. sale. Sotheby's New York, 13 May 2004, lot 133 Peter Blum Gallery, New York Roger and
- [Andy Warhol Dollar Sign, 1981-1982](https://intelart.io/2022/08/01/dollar-sign-overview-1981-1982/) - There is perhaps no greater signifier of the American dream than the almighty dollar, and Andy Warhol’s Dollar Signs, painted in 1981 at the dawn of a troubled but financially lucrative decade, are as all-American as apple pie, not to mention Coca-Cola and Campbell’s Soup. Introduction In Dollar Sign, Warhol creates a seductive, dreamlike talisman that
- [Damien Hirst Butterfly Paintings](https://intelart.io/2026/01/10/damien-hirst-butterfly-paintings/) - Among the many bodies of work developed by Damien Hirst over the past three decades, the butterfly paintings occupy a particularly important place. Visually seductive yet conceptually unsettling, these works encapsulate many of the artist’s central concerns: the tension between beauty and violence, the relationship between life and death, and the human desire to
- [Damien Hirst Spot/Pharmaceutical Paintings](https://intelart.io/2026/01/08/damien-hirst-spot-pharmaceutical-paintings/) - Now spanning over a quarter of a century, Damien Hirst’s highly celebrated series of meticulously rendered Pharmaceutical Paintings have come to define the British artist’s prodigious output. Bridging the sense of order, primacy of the grid, and focus on scientific modes of categorization that we find in the Medicine Cabinets with the exuberant and joyful approach
- [Infinity Nets (SENN), 2011](https://intelart.io/2022/07/17/infinity-nets-senn-2011/) - Infinity Nets (SENN), 2011 Acrylic on canvas 130x130 cm (51.2x51.2 inches) Signed, titled and dated 'SENN INFINITY NETS YAYOI KUSAMA 2011' on the reverse Provenance Ota Fine Arts, Tokyo Gagosian Gallery, New York Acquired from the above by the present owner in 2011 Phillips London: 3 March 2022 GBP 1,293,000 / USD 1,722,392 Source: Phillips
- [Infinity Nets (GKT), 2015](https://intelart.io/2022/07/17/infinity-nets-gkt-2015/) - Infinity-Nets (GKT), 2015 Acrylic on canvas 145.5x112 cm (57.3x44.1 inches) Signed, titled and dated 'GKT YAYOI KUSAMA 2015 INFINITY-NETS' (on the reverse) Provenance Ota Fine Arts, Tokyo David Zwirner, New York Private Collection, United Kingdom Helwaser Gallery, New York Acquired from the above by the present owner in 2017 Christie’s London: 15 October
- [Infinity Nets (KGFZH), 2017](https://intelart.io/2022/07/17/infinity-nets-kgfzh-2017/) - Infinity-Nets (KGFZH), 2017 Acrylic on canvas 162x162 cm (63.7x63.7 inches) Signed, titled and dated 'YAYOI KUSAMA 2017 INFINITY-NETS KGFZH' (on the reverse) Provenance The Artist Victoria Miro Gallery, London Private collection, Switzerland Private collection, New York Acquired directly from the above by the present owner Christie’s Hong-Kong: 25 May 2022 HKD 19,550,000 / USD 2,503,272
- [Yayoi Kusama Top Lots at Auction](https://intelart.io/2021/07/29/yayoi-kusama-top-lots-at-auction/) - #1. INFINITY-NETS (OQABT), 2007 Est-Ouest Auctions Hong-Kong: 28 May 2023 Estimated: USD 10,000,000 - 12,000,000 USD 10,707,500 NEW AUCTION RECORD FOR THE ARTIST YAYOI KUSAMA INFINITY-NETS (OQABT), 2007 Acrylic on canvas 287.5 x 556.5 cm (113 1/8 x 219 1/8 inches) Signed, titled and dated on the reverse #2. Untitled (Nets), 1959 Phillips
- [Yayoi Kusama: A Cosmic Artist](https://intelart.io/2021/07/31/yayoi-kusama-summary-biography/) - Yayoi Kusama: A Cosmic Artist Introduction Yayoi Kusama, born in 1929, is a Japanese contemporary multi-disciplinary artist whose work include sculptures, installations, painting, performances, film, fashion, and poetry among other things. She is mostly associated with conceptual art, but also more widely linked to movements such as feminism, surrealism, and pop art. Kusama has been acknowledged
- [Yayoi Kusama (Infinity) Dots](https://intelart.io/2024/08/22/yayoi-kusama-infinity-dots/) - As an inverse variation of Kusama’s celebrated Infinity Net paintings, dots and nets are two interchangeable motifs adopted by the artist to negate her neurosis. “Our earth is only one polka-dot among a million stars in the cosmos. Polka-dots are a way to infinity. […] When we obliterate nature and our bodies with polka-dots, we become
- [Pumpkin, 1992](https://intelart.io/2022/06/22/pumpkin-1992/) - YAYOI KUSAMA Pumpkin, 1992 Acrylic on canvas 45.5 x 53 cm (17.9 x 20.9 inches) Signed in English, titled in Japanese and dated 1992 (on the reverse) Provenance Der-Horng Art Gallery, Taiwan Private Collection Sotheby's, Hong Kong, 3 April 2017, Lot 891 Acquired from the above sale by the present owner Sotheby's Hong-Kong: 18
- [Pumpkin, 1995](https://intelart.io/2022/06/25/pumpkin-1995/) - YAYOI KUSAMA Pumpkin, 1995 Acrylic on canvas 31.8 x 41 cm (12.5 x 16.1 inches) Signed and dated ‘Yayoi Kusama 1995’, titled in Japanese (on the reverse) Provenance Sakurado Fine Arts, Tokyo Private Collection Sotheby’s Hong Kong, 11 June 2015, lot 1011 Acquired at the above sale by the present owner Christie's Hong-Kong: 26
- [Pumpkin, 2000](https://intelart.io/2022/06/30/pumpkin-2000/) - YAYOI KUSAMA (B. 1929) Pumpkin, 2000 Acrylic on canvas 73 x 90.8 cm (28 3/4 x 35 3/4 inches) Titled in Japanese, signed and dated 'YAYOI KUSAMA 2000' (on the reverse) Provenance Ota Fine Arts, Tokyo Private collection, USA Acquired from the above by the present owner Christie's Hong-Kong: 28 May 2023 Estimated:
- [Pumpkin, 1998](https://intelart.io/2022/06/28/pumpkin-1998/) - YAYOI KUSAMA Pumpkin, 1998 Acrylic on canvas Signed and titled in English and dated 1998 on the reverse Provenance Jean Gallery, Seoul Mitsukoshi Department Store, Japan Acquired by the present owner from the above Sotheby's Hong-Kong: 30 September 2017 HKD 12,100,000 Source: Sotheby's (#1064) Kusama Yayoi (sothebys.com) Plump, feisty and bursting with
- [Pumpkin, 1991](https://intelart.io/2022/06/21/pumpkin-1991-2/) - YAYOI KUSAMA Pumpkin, 1991 Acrylic on canvas 72.7 x 60.6 cm (28.6 x 23.9 inches) Signed and dated ‘YAYOI KUSAMA 1991’; titled in Japanese (on the reverse) Provenance Whitestone Gallery Private Collection, Asia Christie's Hong-Kong: 1 December 2021 HKD 26,650,000 Source: Christie's YAYOI KUSAMA (B. 1929) (christies.com) Painted in 1991, Pumpkin presents one of
- [Pumpkin, 1991](https://intelart.io/2022/06/21/pumpkin-1991/) - YAYOI KUSAMA Pumpkin, 1991 Acrylic on canvas 72.6 x 90.5 cm (28.6 x 35.6 inches) Signed in English, titled in Japanese and dated 1991 on the reverse Provenance Fuji TV Gallery, Tokyo Christie's East, New York, 18 November 1997, Lot 210 Private Collection (acquired from the above sale) Acquired from the above by the present owner
- [Pumpkin, 1991](https://intelart.io/2022/06/21/pumpkin-1991-3/) - YAYOI KUSAMA Pumpkin, 1991 Acrylic on canvas 61 x 72.8 cm (24 x 28.6 inches) Signed in English, titled in Japanese and dated 1991 on the reverse Provenance Ota Fine Arts, Tokyo Acquired from the above by the present owner Sotheby's Hong-Kong: 7 October 2019 HKD 12,175,000 Source: Sotheby's (#602) YAYOI KUSAMA | Pumpkin (sothebys.com)
- [Pumpkin, 1990](https://intelart.io/2022/06/20/pumpkin-1990-2/) - YAYOI KUSAMA Pumpkin, 1990 Acrylic on canvas 72.5 x 60.5 cm (28.5 x 23.9 inches) Signed, titled and dated 1990 on the reverse Provenance Gallery Te, Tokyo Acquired from the above by the present owner Sotheby's Hong-Kong: 27 April 2022 HKD 30,625,000 Source: Sotheby's Yayoi Kusama 草間彌生 | Pumpkin 南瓜 | Contemporary Evening Auction |
- [Pumpkin, 1990](https://intelart.io/2022/06/20/pumpkin-1990/) - YAYOI KUSAMA Pumpkin, 1990 Acrylic and pencil on canvas 18x14 cm (7 x 5.5 inches) Signed, titled and dated 1990 on the reverse Provenance Umi Gallery, Tokyo Sotheby's, Olympia, 23 June 2005, Lot 644 Acquired from the above by the present owner Sotheby's London: 30 June 2022 GBP 478,800 Source: Sotheby's Pumpkin | Modern &
- [Pumpkin, 1989](https://intelart.io/2022/06/19/pumpkin-1989-5/) - YAYOI KUSAMA Pumpkin, 1989 Acrylic on canvas 38 x 45.5 cm (15 x 17.9 inches) Signed and dated ‘1989 Yayoi Kusama’ Titled in Japanese (on the reverse) Provenance Shinwa Auction Co., Ltd., Tokyo, 17 November 2007, lot 113 Acquired at the above sale by the present owner. Christie's Hong-Kong: 1 December 2021 HKD 11,290,000
- [Pumpkin, 1989](https://intelart.io/2022/06/19/pumpkin-1989/) - YAYOI KUSAMA Pumpkin, 1989 Acrylic on canvas 46x38 cm (18.1 x 15 inches) Signed and dated ‘yayoi kusama 1989’ Titled in Japanese (on the reverse) Provenance Private Collection, Japan Acquired from the above by the present owner in the 1990s Christie's Hong-Kong: 2 December 2020 HKD 15,250,000 Source: Christie's YAYOI KUSAMA (B. 1929) (christies.com)
- [Pumpkin, 1989](https://intelart.io/2022/06/19/pumpkin-1989-4/) - YAYOI KUSAMA Pumpkin, 1989 Acrylic on canvas 18.4 x 14.3 cm (7.2 x 5.6 inches) Signed, titled in Japanese and dated 'Yayoi Kusama 1989' (on the reverse) Provenance Private collection Anon. sale; Sotheby's Arcade, New York, 24 June 1998, lot 330 Acquired at the above sale by the present owner Christie's New-York: 12 May
- [Midnight Pumpkin, 1989](https://intelart.io/2022/06/19/midnight-pumpkin-1989/) - YAYOI KUSAMA Midnight Pumpkin, 1989 Acrylic on canvas 45.5 x 38 cm (17.9 x 15 inches) Signed and dated ‘Yayoi Kusama 1989', titled in Japanese (on the reverse) Provenance Private Collection, Asia Christie's Hong-Kong: 26 May 2018 HKD 6,100,000 Source: Christie's YAYOI KUSAMA (JAPAN, B. 1929) (christies.com) Cute, rotund, and always covered in
- [Pumpkin, 1989](https://intelart.io/2022/06/19/pumpkin-1989-3/) - YAYOI KUSAMA Pumpkin, 1989 Acrylic on canvas Signed in English, titled in Japanese and dated 1989 on the reverse Provenance Private Collection AJC Auction, Tokyo, 5 April 2008, lot 56 Acquired by the present owner from the above sale Sotheby's Hong-Kong: 5 October 2015 HKD 2,360,000 Source: Sotheby's (#830) Kusama Yayoi (sothebys.com)
- [Pumpkin, 1989](https://intelart.io/2022/06/19/pumpkin-1989-2/) - YAYOI KUSAMA Pumpkin, 1989 Acrylic and felt pen on canvas 53x46 cm (20.7 x 18.1 inches) Signed in English, titled in Japanese and dated 1989 on the reverse Signed in English on the stretcher Provenance Private Collection The Market Auction, Inc, 8 July 2010, lot 19 Private Collection United Asian Auctioneers, 28 May 2011, lot
- [Pumpkins, 1987](https://intelart.io/2022/06/17/pumpkins-1987/) - YAYOI KUSAMA Pumpkins, 1987 Acrylic on canvas 38.1 x 45.4 cm (15 x 17.9 inches) Signed, titled in Japanese and dated 'Yayoi Kusama 1987' (on the reverse) Provenance Private collection, Tokyo Private collection, Osaka Anon. sale; Christie's, South Kensington, 11 December 2008, lot 340 Acquired at the above sale by the present owner Christie's
- [Pumpkin, 1980](https://intelart.io/2022/06/10/pumpkin-1980/) - YAYOI KUSAMA Pumpkin, 1980 Acrylic, graphite and fabric collage on canvas 130.5 x 162.6cm (51.4 x 64 inches) Signed, titled in Japanese and dated 'YAYOI KUSAMA 1980' (on the reverse) Signed and dated 'Yayoi Kusama 1980' (on the stretcher) Provenance Fuji TV Gallery, Tokyo. Private Collection (acquired from the above). Anon. sale, Sotheby's New York,
- [Pumpkin A/ABC, 2012](https://intelart.io/2022/07/12/pumpkin-a-abc-2012/) - YAYOI KUSAMA Pumpkin A/ABC, 2012 Acrylic on canvas 145.4 x 145.4 cm (57.2 x 57.2 inches) Signed, titled and dated 'PUMPKIN YAYOI KUSAMA 2012 #A/ABC' (on the reverse) Provenance Gagosian Gallery, New York Private collection Acquired from the above by the present owner Christie's New-York: 10 May 2016 USD 1,145,000 Source: Christie's Yayoi Kusama
- [Yayoi Kusama Pumpkin Sculptures](https://intelart.io/2024/08/30/pumpkin-sculptures/) - Without doubt one of the most immediately recognizable motifs in contemporary art, the polka-dot covered pumpkin sits at the very heart of Japanese artist Yayoi Kusama’s incredible 70-year practice, appearing across her work in paintings, sculpture, and immersive installations. Profoundly personal, Kusama’s affinity with the misshapen gourd is rooted deeply in the artist’s biography and
- [PUMPKIN, 2017](https://intelart.io/2022/07/17/pumpkin-2017/) - YAYOI KUSAMA PUMPKIN, 2017 Fiberglass-reinforced plastic and urethane paint sculpture in two parts 215 (H) x 180 x 180 cm (84.6 x 70.9 x 70.9 inches) Signed and dated ‘YAYOI KUSAMA 2017’ (on the side) Provenance David Zwirner, New York Acquired from the above by the present owner Christie's Hong-Kong: 30 November 2021 HKD
- [Starry Pumpkin, 2017](https://intelart.io/2022/07/17/starry-pumpkin-2017/) - YAYOI KUSAMA Starry Pumpkin, 2017 Fiberglass-reinforced plastic and tile sculpture 183 (H) x 195 x 195 cm (72 x 76.7 x 76.7 inches) Signed, titled, dated and inscribed ‘Starry Pumpkin Yayoi Kusama 2017 PT 011’ (inside the sculpture) Provenance Ota Fine Arts, Tokyo, Japan Private Collection, Asia Whitestone Gallery, Tokyo, Japan Private Collection, Asia Kamel
- [A-PUMPKIN-SPW, 2014](https://intelart.io/2022/07/14/a-pumpkin-spw-2014/) - YAYOI KUSAMA A-PUMPKIN-SPW, 2014 Acrylic on canvas 112 x 145.5 cm (44.1 x 57.1 inches) Signed, titled and dated 'A-PUMPKIN-SPW YAYOI KUSAMA 2014' (on the reverse) Provenance Ota Fine Arts, Tokyo Private collection, Asia Acquired from the above by the present owner Christie's Hong-Kong: 1 December 2020 HKD 38,850,000 Source: Christie's Yayoi Kusama (B.
- [Starry Pumpkin Gold, 2014](https://intelart.io/2022/07/14/starry-pumpkin-gold-2014/) - YAYOI KUSAMA Starry Pumpkin Gold, 2014 Fiberglass-reinforced plastic and tile sculpture 185 (H) x 214 x 214 cm (72.9 x 84.2 x 84.2 inches) Signed, titled, dated and inscribed ‘Starry Pumpkin Gold Yayoi Kusama PT 001 GOLD 2014’ (inside the sculpture) Provenance Victoria Miro Gallery, London Private collection Acquired from the above by the present
- [Pumpkin Army, 2014](https://intelart.io/2022/07/14/pumpkin-army-2014/) - YAYOI KUSAMA Pumpkin Army, 2014 Acrylic on canvas 130.3 x 162 cm (51.2 x 63.7 inches) Signed, title and dated 2014 on the reverse Provenance Victoria Miro Gallery, London Acquired from the above by the present owner Sotheby's Hong-Kong: 9 July 2020 HKD 25,615,000 Source: Sotheby's (#1127) YAYOI KUSAMA | Pumpkin Army (sothebys.com)
- [Pumpkin (LPASG), 2013](https://intelart.io/2022/07/13/pumpkin-lpasg-2013/) - YAYOI KUSAMA Pumpkin (LPASG), 2013 Acrylic on canvas 130.3 x 130.3 cm (51.2 x 51.2 inches) Titled in Japanese; signed, titled and dated ‘PUMPKIN LPASG YAYOI KUSAMA 2013’ (on the reverse) Provenance Ota Fine Arts, Tokyo Private collection, Asia Acquired from the above by the present owner Christie's Hong-Kong: 30 November 2021 HKD 62,540,000
- [A-PUMPKIN SKLO, 2013](https://intelart.io/2022/07/13/a-pumpkin-sklo-2013/) - YAYOI KUSAMA A-PUMPKIN SKLO, 2013 Acrylic on canvas 130.3 x 162 cm (51.2 x 63.7 inches) signed, titled, and dated ‘YAYOI KUSAMA 2013 A-PUMPKIN SKLO’ and titled in Japanese (on the reverse) Provenance Ota Fine Arts, Singapore Acquired from the above by the present owner Christie's Hong-Kong: 23 May 2021 HKD 50,650,000 Source: Christie's
- [PUMPKIN [FBAN], 2013](https://intelart.io/2022/07/13/pumpkin-fban-2013/) - YAYOI KUSAMA (B. 1929) PUMPKIN [FBAN], 2013 Acrylic on canvas 130.3 x 161.5 cm (51 1/4 x 63 1/2 inches) Signed, titled and dated ‘FBAN PUMPKIN YAYOI KUSAMA 2013’ (on the reverse) Provenance Ota Fine Arts, Singapore Acquired from the above by the present owner Christie's Hong-Kong: 28 November 2023 Estimated: HKD 38,000,000
- [I Carry On Living with the Pumpkins, 2013](https://intelart.io/2022/07/13/i-carry-on-living-with-the-pumpkins-2013/) - YAYOI KUSAMA I Carry on Living with the Pumpkins, 2013 Aluminum, FRP and urethane paint 180x180x30 cm (70.9 x 70.9 x 11.7 inches) Signed and dated 2013 Provenance Private Collection Ravenel, Taipei, 4 June 2017, Lot 321 Private Collection Sotheby's, Hong Kong, 1 April 2019, Lot 1164 Acquired from the above sale by the present
- [Pumpkin (PLOE), 2013](https://intelart.io/2022/07/13/pumpkin-ploe-2013/) - YAYOI KUSAMA Pumpkin (PLOE), 2013 Acrylic on canvas 130.3 x 162 cm (51.4 x 63.4 inches) Signed and titled in English and dated 2013 on the reverse Provenance Ota Fine Arts, Tokyo Acquired from the above by the present owner Sotheby's Hong-Kong: 30 September 2018 HKD 33,720,000 Source: Sotheby's (#1055) KUSAMA YAYOI | Pumpkin
- [Pumpkin (GLMTS), 2012](https://intelart.io/2022/07/12/pumpkin-glmts-2012/) - YAYOI KUSAMA Pumpkin (GLMTS), 2012 Acrylic on canvas 129.5 x 161.9 cm (51 x 63.7 inches) Signed, titled and dated 2012 on the reverse Provenance Ota Fine Arts, Tokyo Acquired by the present owner from the above Sotheby's New-York: 15 May 2014 USD 785,000 Source: Sotheby's (#191) Yayoi Kusama (sothebys.com) Japanese artist Yayoi Kusama
- [Pumpkin AA, 2012](https://intelart.io/2022/07/12/pumpkin-aa-2012/) - YAYOI KUSAMA Pumpkin AA, 2012 Acrylic on canvas 145.5 x 145.5 cm (57.1 x 57.1 inches) Signed in English, titled in Japanese and English and dated 2012 on the reverse Provenance Hong Kong, Sotheby's S|2 Gallery Private Asian Collection Sotheby's Hong-Kong: 4 April 2015 HKD 11,120,000 Source: Sotheby's (#1067) Kusama Yayoi (sothebys.com) Kusama Yayoi’s name has
- [A-PUMPKIN-(CHA), 2011](https://intelart.io/2022/07/11/a-pumpkin-cha-2011/) - YAYOI KUSAMA A-PUMPKIN-(CHA), 2011 Acrylic on canvas 112 x 145.5 cm (44 x 57.2 inches) Signed, titled and dated 2011 on the reverse Provenance Ota Fine Arts Acquired from the above by the present owner Sotheby's Hong-Kong: 6 October 2020 HKD 29,2150,000 Source: Sotheby's YAYOI KUSAMA 草間彌生 | A-PUMPKIN-(CHA) 南瓜(CHA) | Contemporary Art Evening Sale
- [Pumpkin (TWPOT), 2010](https://intelart.io/2022/07/10/pumpkin-twpot-2010/) - YAYOI KUSAMA Pumpkin (TWPOT), 2010 Acrylic on canvas 130 x 162.5 cm (51.1 x 64 inches) Signed in English, titled and dated 2010 on the reverse Provenance Ota Fine Arts, Tokyo Acquired by the present owner from the above Sotheby's Hong-Kong: 1 April 2019 HKD 54,460,000 Source: Sotheby's (#1138) KUSAMA YAYOI | Pumpkin (TWPOT)
- [Pumpkin, 2009](https://intelart.io/2022/07/09/pumpkin-2009/) - YAYOI KUSAMA Pumpkin, 2009 Painted fiberglass reinforced plastic 122x129x129 cm (48 x 50.7 x 50.7 inches) Signed and dated 'YAYOI KUSAMA 2009' (on the side) Provenance Gagosian Gallery, New York. Acquired from the above by the present owner in 2009. Christie's London: 29 June 2021 GBP 2,662,500 Source: Christie's Yayoi Kusama (b. 1929)
- [Pumpkin [TOWSSO], 2006](https://intelart.io/2022/07/06/pumpkin-towsso-2006/) - YAYOI KUSAMA Pumpkin [TOWSSO], 2006 Acrylic on canvas 22.3 x 27.4 cm (8.7 x 10.7 inches) Signed, titled and dated 'YAYOI KUSAMA 2006 PUMPKIN TOWSSO' (on the reverse) Provenance Galleria Col, Osaka. Acquired from the above by the present owner circa 2007. Christie's London: 1 March 2022 GBP 831,600 Source: Christie's Pumpkin [TOWSSO] (christies.com)
- [Pumpkin (AAY), 2001](https://intelart.io/2022/07/01/pumpkin-aay-2001/) - YAYOI KUSAMA Pumpkin (AAY), 2001 Acrylic on canvas 16 x 22.7 cm (6.2 x 8.9 inches) Signed and dated ‘YAYOI KUSAMA 2001’ Titled in Japanese (on the reverse) Provenance Private Collection, Japan (acquired circa. 2001) Christie's Hong-Kong: 1 December 2021 HKD 3,875,000 Source: Christie's YAYOI KUSAMA (B. 1929) (christies.com)
- [Overview of Yayoi Kusama Prints & Multiples (1982-2010)](https://intelart.io/2023/12/02/overview-of-yayoi-kusama-prints/) - WORK IN PROGRESS Considered one of the world’s most influential artists, Yayoi Kusama’s work is collected and exhibited in prestigious museums and her work is highly appreciated by the public. In 2017, she opened her own museum in Tokyo, substantially contributing to her popularity. Yayoi Kusama was born in Matsumoto City, Japan in 1929. She
- [Yayoi Kusama Prints 2024 Auction Results](https://intelart.io/2023/10/22/yayoi-kusama-prints-most-recent-auction-results/) - This article shows 2024 auction results for Yayoi Kusama Prints in reverse chronological order. WORK IN PROGRESS 2024 Auction Results 1. Auction Statistics Turnover: USD 6,507,344 # Lots Sold: 189 # Lots unsold: 29 Sell-Through Rate: 86.7% 2. Top Lots #1. A Pumpkin (Kusama 360), 2010 SBI Art Auction: 24 May 2024
- [Yayoi Kusama Flowers](https://intelart.io/2023/05/10/yayoi-kusama-flowers/) - Yayoi Kusama's fascination with flowers is a recurring theme that has permeated her work throughout her long and illustrious career. For the artist, the representation of flowers is deeply symbolic, often intertwined with her personal experiences, cultural heritage, and broader artistic vision. Unpretentious and childlike, flowers likely speak to Kusama’s early memories of growing up
- [The Lemon Squash](https://intelart.io/2023/05/10/the-lemon-squash/) - Other than purely abstract works such as the ones from the Infinity Net series, Kusama also painted representational subject matters such as still-lifes, landscapes, and figures. Although pumpkins are among her most iconic subjects, the Lemon Squash is also one of her favorite objects to depict. The Lemon Squash, or the glass of lemonade with
- [Butterfly, Fish and Various Sea and Earth Creatures in Kusama's Prints](https://intelart.io/2023/05/10/butterflies-fish-and-various-creatures-in-kusamas-prints/) - Unpretentious and childlike, these organic objects likely speak to Kusama’s early memories of growing up in the rural provincial town of Matsumoto, and of formative visits to the botanical greenhouses and meadows of her grandparents’ plant nursery. A particularly beloved subject from the 1980s onwards, the butterfly possesses spiritual significance in Japanese culture. A symbol
- [Yayoi Kusama and Fashion: Shoe, Hat, Dress](https://intelart.io/2023/05/10/yayoi-kusama-hats/) - Yayoi Kusama, the renowned Japanese artist, has a deeply intricate relationship with women’s fashion, which plays a significant role in her artistic narrative. Throughout her work, Kusama frequently incorporates elements of fashion, such as hats, high heels, and dresses, using them as powerful symbols to explore themes of identity, femininity, and societal expectations. Kusama's use
- [Mt. Fuji of my heart speaks, 2015 (ABE 402)](https://intelart.io/2022/08/12/mt-fuji-of-my-heart-speaks-2015-abe-402/) - Mt. Fuji of my heart speaks Medium: Woodcut print on echizen kisuki hosho paper [7 plates / 15 runs] Year: 2015 Image: 43.5 x 29.5 cm (17.1 x 11.6 inches) Sheet: 51.2 x 36 cm (20.2 x 14.2 inches) Edition: 120 Woodcut curver: Niinomi Morichika, Kishi Chikura Printer: Kyoso Yoshio Publisher: The Adachi Woodcut
- [Mt. Fuji is the home of my heart, 2015 (ABE 401)](https://intelart.io/2022/08/12/mt-fuji-is-the-home-of-my-heart-2015-abe-401/) - Mt. Fuji is the home of my heart Medium: Woodcut print on echizen kisuki hosho paper [6 plates / 11 runs] Year: 2015 Image: 42 x 59.5 cm (16.5 x 23.4 inches) Sheet: 50.8 x 67.5 cm (20.2 x 14.2 inches) Edition: 120 Woodcut curver: Niinomi Morichika, Kishi Chikura Printer: Kyoso Yoshio Publisher: The Adachi
- [Mt Fuji in Seven Colors, 2015 (ABE 394-400)](https://intelart.io/2022/08/12/mt-fuji-in-seven-colors-2015-abe-394-400-7-works/) - Mt. Fuji in Seven Colors (富士は七色), is a set of seven distinct woodcut prints, each depicting Mount Fuji in a different vibrant color scheme. The series uses traditional Japanese woodcut (ukiyo-e) printmaking techniques. Introduction Each print from the series is an abstract mountain landscape that re-imagines Mount Fuji using Kusama's signature motifs. The majestic
- [MUSHROOMS TZXT, 2012 (ABE 393)](https://intelart.io/2022/08/09/mushrooms-tzxt-2012-abe-393/) - MUSHROOMS TZXT Medium: Etching on Chiffon paper, Moulin de Larroque with etching embossing [3 colors] Year: 2012 Image: 45 x 52.5 cm (17.7 x 20.7 inches) Sheet: 64 x 70.5 cm (25.2 x 27.8.8 inches) Edition: 30 Artist's Proofs: 10 AP Printer's Proofs: 5 PP Hors Commerce: 5 HC Printer: Les Ateliers Moret, Paris
- [Seeking The Soul, 2012 (ABE 388)](https://intelart.io/2022/08/09/seeking-the-soul-2012-abe-388/) - Seeking The Soul Medium: Silkscreen in colors on Chiffon paper, Moulin de Larroque with etching embossing [5 colors] Year: 2012 Image: 60.5 x 72.5 cm (23.8 x 28.5 inches) Sheet: 82 x 88.5 cm (32.3 x 34.8 inches) Edition: 30 Artist's Proofs: 10 AP Printer's Proofs: 5 PP Hors Commerce: 5 HC Printer: Les
- [PUMPKIN TWOTEOL, 2012 (ABE 383)](https://intelart.io/2022/08/09/pumpkin-twoteol-2012-abe-383/) - PUMPKIN TWOTEOL Medium: Silkscreen in colors on Chiffon paper, Moulin de Larroque with embossing [2 colors] Year: 2012 Image: 45.5 x 53 cm (17.7 x 21.1 inches) Sheet: 61.3 x 66.8 cm (24.1 x 26.3 inches) Edition: 30 Artist's Proofs: 10 AP Printer's Proofs: 5 PP Hors Commerce: 5 HC Printer: Les Ateliers Moret,
- [Beginning of Love, 2012 (ABE 381)](https://intelart.io/2022/08/09/beginning-of-love-2012-abe-381/) - Beginning of Love Medium: Etching on Chiffon paper, Moulin de Larroque [2 colors] Year: 2012 Image: 31.5 x 40 cm (12.4 x 15.7 inches) Sheet: 57.5 x 61.5 cm (22.6 x 24.2 inches) Edition: 30 Artist's Proofs: 10 AP Printer's Proofs: 5 PP Hors Commerce: 5 HC Printer: Les Ateliers Moret, Paris Literature: ABE
- [Profile, 2012 (ABE 379)](https://intelart.io/2022/08/09/profile-2012-abe-379/) - Profile Medium: Silkscreen with Etching embossing on Chiffon paper, Moulin de Larroque [3 colors] Year: 2012 Image: 45x52 cm (17.7 x 20.5 inches) Sheet: 62.5 x 67 cm (24.6 x 26.4 inches) Edition: 30 Artist's Proofs: 10 AP Printer's Proofs: 5 PP Hors Commerce: 5 HC Printer: Les Ateliers Moret, Paris [Etching], Logomotif [Silkscreen]
- [Girls AAA, 2011 (ABE 362)](https://intelart.io/2022/08/08/girls-aaa-2011-abe-362/) - Girls AAA Medium: Screenprint on BFK Rives paper [4 screens, 4 colors, 4 runs] Year: 2011 Image: 53x65 cm (20.9 x 25.6 inches) Sheet: 63.5 x 75 cm (25 x 29.5 inches) Edition: 30 Artist's Proofs: 10 AP Printer's Proofs: 5 PP Hors Commerce: 5 HC Printer: J. V Stepahois Publisher: LES EDITIONS d'FMR
- [Waiting for Spring, 2011 (ABE 365)](https://intelart.io/2022/08/08/52469/) - Waiting for Spring Medium: Etching and stencil on Moulin de la Roque paper [4 screens] Year: 2011 Image: 31.7 x 40.5 cm (12.5 x 15.9 inches) Sheet: 46 x 55,8 cm (18.8 x 22 inches) Edition: 30 Artist's Proofs: 10 AP Printer's Proofs: 5 PP Hors Commerce: 5 HC Printer: Les Ateliers Moret,
- [Shanghai Pumpkin, 2010 (ABE 360)](https://intelart.io/2022/08/07/shanghai-pumpkin-360-2010/) - Shanghai Pumpkin Medium: Screenprint in colors on Katita-shi paper with Lame [2 colors] Year: 2010 Image: 53.5 x 45 cm (21.1 x 17.7 inches) Sheet: 76x56 cm (30x22 inches) Edition: 200 Artist's Proofs: 32 AP Printer's Proofs: 4 PP Hors Commerce: 4 HC Printer: 360C GRAPHICS Publisher: NPO Art.Art Shanghai Expo Commemoration Prints Committee Literature:
- [PUMPKIN - BLUE, 2006 (ABE 359)](https://intelart.io/2022/08/06/pumpkin-blue-2006-abe-359-2/) - PUMPKIN - BLUE Medium: Etching with embossing on handmade Chiffon-paper [2 colors] Year: 2006 Image: 98x76 cm (38.6 x 29.9 inches) Sheet: 122x100 cm (48 x 39.4 inches) Edition: 8 Artist's Proofs: 4 AP Hors Commerce: 4 HC Publisher: FMR Limited, Osaka, Japan Printer: Les Ateliers Moret, Paris Literature: ABE 359 Yayoi Kusama Prints
- [PUMPKIN - GREEN, 2006 (ABE 358)](https://intelart.io/2022/08/06/pumpkin-green-2006-abe-358/) - PUMPKIN - GREEN Medium: Etching in green and black with embossing on handmade Chiffon-paper [2 colors] Year: 2006 Image: 98x76 cm (38.6 x 29.9 inches) Sheet: 122x100 cm (48 x 39.4 inches) Edition: 8 Artist's Proofs: 4 AP Hors Commerce: 4 HC Publisher: FMR Limited, Osaka, Japan Printer: Les Ateliers Moret, Paris Literature: ABE
- [PUMPKIN - BLACK, 2006 (ABE 357)](https://intelart.io/2022/08/06/pumpkin-black-357-2006/) - PUMPKIN - BLACK Medium: Etching with embossing on handmade Chiffon-paper [1 color] Year: 2006 Image: 98x76 cm (38.6 x 29.9 inches) Sheet: 122x100 cm (48 x 39.4 inches) Edition: 8 Artist's Proofs: 4 AP Hors Commerce: 4 HC Publisher: FMR Limited, Osaka, Japan Printer: Les Ateliers Moret, Paris Literature: ABE 357 Yayoi Kusama Prints
- [PUMPKIN - RED, 2006 (ABE 356)](https://intelart.io/2022/08/06/pumpkin-red-2006-356/) - PUMPKIN - RED Medium: Etching with embossing on handmade Chiffon-paper [1 color] Year: 2006 Image: 98x76 cm (38.6 x 29.9 inches) Sheet: 122x100 cm (48 x 39.4 inches) Edition: 8 Artist's Proofs: 4 AP Hors Commerce: 4 HC Publisher: FMR Limited, Osaka, Japan Printer: Les Ateliers Moret, Paris Literature: ABE 356 Yayoi Kusama Prints 1979-2007,
- [PUMPKIN - YELLOW, 2006 (ABE 355)](https://intelart.io/2022/08/06/pumpkin-yellow-2006-abe-355/) - PUMPKIN - YELLOW Medium: Etching in yellow and white with embossing on handmade Chiffon-paper [2 colors] Year: 2006 Image: 98x76 cm (38.6 x 29.9 inches) Sheet: 122x100 cm (48 x 39.4 inches) Edition: 8 Artist's Proofs: 4 AP Hors Commerce: 4 HC Publisher: FMR Limited, Osaka, Japan Printer: Les Ateliers Moret, Paris Literature: ABE
- [FLOWERS A/B/C, 2005 (ABE 343-345)](https://intelart.io/2022/08/05/flowers-a-b-c-2005-abe-343-345/) - Introduction FLOWERS A/B/C depict stylized still-life compositions of flowers, arranged in a flower pot, against a backdrop filled with Kusama's signature "infinity net" or dot patterns. The colors are vivid but tend towards more "naturalistic hues of red, green and yellow," presenting a more "playful simplicity" and "grounded" feel compared to her more
- [PUMPKIN, 2005 (ABE 352)](https://intelart.io/2022/08/05/pumpkin-2005-abe-352/) - PUMPKIN Medium: Screenprint in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 2005 Image: 14x20 cm (5.5 x 7.9 inches) Sheet: 21x27 cm (8.3 x 10.6 inches) Edition: 380 Artist's Proofs: 3 AP Printer's Proofs: 2 PP Hors Commerce: 15 HC Publisher: ABE PUBLISHING LTD, Tokyo Printer: Okabe Tokuzo, Tokyo
- [Flowers A/B/C, 2005 (ABE 346-348)](https://intelart.io/2022/08/05/flowers-a-2005-abe-349/) - Introduction Flowers A/B/C each feature a unique, highly stylized floral composition. The images are characterized by dense, intricate patterns that form the petals and leaves, set against a background also covered in fine net-patterns or polka dots. The compositions are vibrant and visually intense, designed to overwhelm the viewer with pattern and color. The
- [FLOWERS A/B/C, 2005 (ABE 349-351)](https://intelart.io/2022/08/05/flowers-a-b-c-2005-abe-349-351/) - FLOWERS A/B/C Medium: Screen-print in colors on Kakita-shi paper with Lame [5 screens, 4 colors, 6 runs] Lame [2 colors] Year: 2005 Image: 51x61 cm (20.1 x 24 inches) Sheet: 60.3 x 71.5 cm (23.7 x 28.1 inches) Edition: 50 Artist's Proofs: 5 AP Printer's Proofs: 6 PP / 4 PP Publisher: OKABE PRINT
- [Book To Read at Night A-E, 2004 (ABE 338-342)](https://intelart.io/2022/08/04/book-to-read-at-night-a-e-2004-abe-338-342-5-works/) - Book To Read at Night A-E The complete set of five screen-prints in colors Medium: Screen-print in colors on Verin d'Arches paper [4 screens, 3 colors, 4 runs] Year: 2004 Image: 16x23 cm (6.2 x 9 inches) Sheet: 24x31 cm (9.5 x 12.2 inches) Edition: 95 Artist's Proofs: 13 AP Printer's Proofs: 1 PP Hors
- [Morning Is Here A-E, 2004 (ABE 333-337)](https://intelart.io/2022/08/04/morning-is-here-a-e-abe-333-337/) - Introduction In Morning is Here A-E, Yayoi Kusama partners a mug embossed with the words “Love Forever 2004” overlayed with a field of monochromatic dots in five versions. “Love Forever” seems to be a phrase for which Kusama holds fondness. In 1998, The Museum of Modern Art and the Los Angeles County Museum of
- [A PUMPKIN GB-D, 2004 (ABE 332)](https://intelart.io/2022/08/04/a-pumpkin-gb-d-332-2004/) - A PUMPKIN GB-D Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 2004 Image: 24 x 28.5 cm (9.4 x 11.2 inches) Sheet: 33 x 38.5 cm (13 x 15.2 inches) Edition: 80 Artist's Proofs: 8 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 332 Yayoi
- [A PUMPKIN YB-D, 2004 (ABE 331)](https://intelart.io/2022/08/04/a-pumpkin-yb-d-2004/) - A PUMPKIN YB-D Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 2004 Image: 24 x 28.5 cm (9.4 x 11.2 inches) Sheet: 33 x 38.5 cm (13 x 15.2 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 331
- [A PUMPKIN BB-C, 2004 (ABE 330)](https://intelart.io/2022/08/04/a-pumpkin-bb-c-330-2004/) - A PUMPKIN BB-C Medium: Screenprint in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 2004 Image: 24 x 28.5 cm (9.4 x 11.2 inches) Sheet: 33 x 38.5 cm (13 x 15.2 inches) Edition: 80 Artist's Proofs: 8 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 330 Yayoi
- [A PUMPKIN YB-C, 2004 (ABE 329)](https://intelart.io/2022/08/04/a-pumpkin-yb-c-2004-abe-329/) - A PUMPKIN YB-C Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 2004 Image: 24 x 28.5 cm (9.4 x 11.2 inches) Sheet: 33 x 38.5 cm (13 x 15.2 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 329 Yayoi
- [A PUMPKIN RB-B, 2004 (ABE 328)](https://intelart.io/2022/08/04/a-pumpkin-rb-b-2004-abe-328/) - A PUMPKIN RB-B Medium: Screenprint in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 2004 Image: 24 x 28.5 cm (9.4 x 11.2 inches) Sheet: 33 x 38.5 cm (13 x 15.2 inches) Edition: 80 Artist's Proofs: 8 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 328 Yayoi
- [A PUMPKIN (RT), 2004 (ABE 316)](https://intelart.io/2022/08/04/a-pumpkin-rt-2004-316/) - A PUMPKIN (RT) Medium: Screen-print in colors on Verin d'Arches paper with Lame [2 screens, 2 colors, 3 runs] Year: 2004 Image: 33 x 27 cm (13 x 10.6 inches) Sheet: 45.5 x 38 cm (17.9 x 15 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature:
- [A PUMPKIN (BY), 2004 (ABE 319)](https://intelart.io/2022/08/04/a-pumpkin-by-2004-abe-319/) - A PUMPKIN (BY) Medium: Screenprint in colors on Verin d'Arches paper [2 screens, 2 colors, 3 runs], Lame Year: 2004 Image: 27 x 32.5 cm (10.6 x 12.8 inches) Sheet: 38.3 x 45.5 cm (15.1 x 17.9 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE
- [Dancing Pumpkin (YBL), 2004 (ABE 320)](https://intelart.io/2022/08/04/dancing-pumpkin-ybl-2004-abe-320/) - Dancing Pumpkin (YBL) Medium: Screenprint in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 2004 Image: 39.5 x 56.3 cm (15.6 x 22.2 inches) Sheet: 50 x 65.5 cm (19.7 x 25.8 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 320 Yayoi
- [Dancing Pumpkin (YOR), 2004 (ABE 321)](https://intelart.io/2022/08/04/dancing-pumpkin-yor-2004-abe-321/) - Dancing Pumpkin (YOR) Medium: Screenprint in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 2004 Image: 39.5 x 56.3 cm (15.6 x 22.2 inches) Sheet: 50x66 cm (19.7 x 26 inches) Edition: 80 Artist's Proofs: 8 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 321 Yayoi Kusama
- [Infinity Nets (YOR), 2004 (ABE 322)](https://intelart.io/2022/08/04/infinity-nets-yor-2004-322/) - Infinity Nets (YOR) Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 2004 Image: 43x35 cm (16.9 x 13.8 inches) Sheet: 55 x 45.5 cm (21.7 x 17.9 inches) Edition: 80 Artist's Proofs: 8 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 322 Yayoi Kusama
- [Infinity Nets (WR), 2004 (ABE 323)](https://intelart.io/2022/08/04/infinity-nets-wr-2004-323/) - Infinity Nets (WR) Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 2004 Image: 43 x 35 cm (16.9 x 13.8 inches) Sheet: 55 x 45.5 cm (21.7 x 17.9 inches) Edition: 40 Artist's Proofs: 4 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 323
- [Infinity Nets (YBL), 2004 (ABE 324)](https://intelart.io/2022/08/04/infinity-nets-ybl-2004-324/) - Infinity Nets (YBL) Medium: Screenprint in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 2004 Image: 43x35 cm (16.9 x 13.8 inches) Sheet: 55 x 45.5 cm (21.7 x 17.9 inches) Edition: 40 Artist's Proofs: 4 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 324 Yayoi Kusama
- [A PUMPKIN YB-A, 2004 (ABE 325)](https://intelart.io/2022/08/04/a-pumpkin-yb-a-2004-abe-325/) - A PUMPKIN YB-A Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 2004 Image: 24 x 28.5 cm (9.4 x 11.2 inches) Sheet: 33 x 38.5 cm (13 x 15.2 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 325 Yayoi
- [A PUMPKIN YOR-A, 2004 (ABE 326)](https://intelart.io/2022/08/04/a-pumpkin-yor-a-2004-abe-326/) - A PUMPKIN YOR-A Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 2004 Image: 24 x 28.5 cm (9.4 x 11.2 inches) Sheet: 33 x 38.5 cm (13 x 15.2 inches) Edition: 80 Artist's Proofs: 8 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 326
- [Night Flowers (A) (B), 2003 (ABE 314-315)](https://intelart.io/2022/08/03/night-flowers-a-b-2003-abe-314-315/) - Night Flowers (A) (B) Medium: Screen-print in colors on Kakita-shi paper Night Flowers (A) [23 screens, 24 colors, 24 runs] Night Flowers (B) [26 screens, 27 colors, 27 runs] Year: 2003 Image: 28 x 66.2 cm (11 x 26.1 inches) Sheet: 43x80 cm (16.9 x 31.5 inches) Edition: 120 Artist's Proofs: 12 AP
- [A PUMPKIN (BT), 2004 (ABE 318)](https://intelart.io/2022/08/04/a-pumpkin-bt-2004-abe-318/) - A PUMPKIN (BT) Medium: Screenprint in colors on Verin d'Arches paper [2 screens, 2 colors, 3 runs], Lame Year: 2004 Image: 33x27 cm (13 x 10.6 inches) Sheet: 45.5 x 38.3 cm (17.9 x 15.1 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 318 Yayoi
- [A PUMPKIN (RY), 2004 (ABE 317)](https://intelart.io/2022/08/04/a-pumpkin-ry-2004-abe-317/) - A PUMPKIN (RY) Medium: Screenprint in colors on Verin d'Arches paper with Lame [2 screens, 2 colors, 3 runs] Year: 2004 Image: 27 x 32.5 cm (10.6 x 12.8 inches) Sheet: 38 x 45.5 cm (15 x 17.9 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature:
- [A PUMPKIN (Y), 2003 (ABE 313)](https://intelart.io/2022/08/03/a-pumpkin-y-2003-abe-313/) - A PUMPKIN (Y) Medium: Screenprint in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 2003 Image: 27 x 32.5 cm (10.6 x 13.1 inches) Sheet: 38.5 x 45.5 cm (15.1 x 18 inches) Edition: 150 Artist's Proofs: 15 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 313 Yayoi
- [A PUMPKIN (T), 2003 (ABE 312)](https://intelart.io/2022/08/03/a-pumpkin-t-2003-abe-312/) - A PUMPKIN (T) Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 2003 Image: 33 x 27 cm (13 x 10.6 inches) Sheet: 45.5 x 38.3 cm (17.9 x 15.1 inches) Edition: 150 Artist's Proofs: 15 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 312 Yayoi
- [Dots Infinity, 2003 (ABE 311)](https://intelart.io/2022/08/03/dots-infinity-2003-abe-311/) - Dots Infinity Medium: Offset print on card Year: 2003 Sheet: 20x20 cm (7 7/8 x 7 7/8 inches) Edition: 20 Artist's Proofs: 5 Publisher: Artnetworx, Hannover Literature: ABE 311 Yayoi Kusama Prints 1979-2017, ABE PUBLISHING LTD, Number 311, Illustrated page 180 Signed, numbered and dated on the reverse Auction Results Christie's online: 5
- [Flowers, 2002 (ABE 309)](https://intelart.io/2022/08/02/flowers-2002-abe-309/) - Flowers Medium: Lithograph in colors on BFK Rives paper [32 plates, 32 colors, 32 runs] Year: 2002 Image: 51.6 x 36.2 cm (20.3 x 14.3 inches) Sheet: 75x55 cm (29.5 x 21.7 inches) Edition: 50 Artist's Proofs: 5 AP Printer's Proofs: 2 PP Hors Commerce: 15 HC Publisher: Print house OM Printer: Ozaki Masashi,
- [Pumpkin SY, 2001 (ABE 302)](https://intelart.io/2022/08/01/pumpkin-sy-2001-abe-302/) - Pumpkin SY Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 2001 Image: 22 x 25.5 cm (8.7 x 10 inches) Sheet: 32.5 x 38 cm (12.8 x 15 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 302 Yayoi Kusama
- [Pumpkin 2000 (Yellow/Red/Green), 2000 (ABE 298-300)](https://intelart.io/2022/08/01/pumpkin-2000-green-2000-300/) - Introduction Pumpkin 2000 epitomizes Kusama’s aesthetic practice: the flattened forms rendered in bright, unmixed pigment convey a decorative naivety which harks back to the childhood experiences that she draws on in her creative process. This is combined with the intricacy of the delicately placed dots through which she builds the form of her pumpkins,
- [Infinity Nets, 2000 (ABE 297)](https://intelart.io/2022/08/01/infinity-nets-2000-abe-297/) - Infinity Nets Medium: Embossed screen-print on Verin d'Arches paper [1 plate] Year: 2000 Image: 51.5 x 37 cm (20.2 x 14.5 inches) Sheet: 59x45 cm (23.2 x 17.7 inches) Edition: 100 Artist's Proofs: 22 AP Hors Commerce: 5 HC Publisher: FMR Trading Limited, Hirakata Printer: Atelier Creanog, France Literature: ABE 297 Yayoi Kusama
- [Pumpkin MY, 1999 (ABE 258)](https://intelart.io/2022/07/29/pumpkin-my-1999-abe-258/) - Pumpkin MY Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1999 Image: 36.5 x 44.2 cm (14.4 x 17.4 inches) Sheet: 50x59 cm (19.7 x 23.2 inches) Edition: 110 Artist's Proofs: 11 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Japan Literature: ABE 258 Yayoi Kusama Prints 1979-2017,
- [Town, 1999 (ABE 256)](https://intelart.io/2022/07/29/town-1999-abe-256/) - Town Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1999 Image: 47.8 x 59.6 cm (18.8 x 23.5 inches) Sheet: 56.5 x 76 cm (22.2 x 29.9 inches) Edition: 60 Artist's Proofs: 6 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Japan Literature: ABE 256 Yayoi Kusama
- [Pumpkin, 1998 (Cast bronze multiple)](https://intelart.io/2022/07/28/pumpkin-1998-cast-bronze-multiple/) - Pumpkin Medium: Cast bronze multiple with patina Year: 1998 Size: 27.9 x 27.9 x 25.4 cm (11x11x10 inches) Edition: 100 Incised with signature, date and stamp numbered on the underside With the Fonderie Monnaie De Paris stamp Cast in bronze, Kusama’s Pumpkin multiple from 1998 is the perfect marriage of Yayoi Kusama's unique artistic
- [Pumpkins (Yellow, Red, Green), 1998](https://intelart.io/2022/07/28/pumpkins-1998-yellow-red-green/) - Pumpkins (Yellow, Red, Green) The complete set of three cast resin and ceramic multiples Medium: Cast resin and ceramic painted in color Year: 1998 Size: 8.3 x 8.9 x 8.9 cm (3 1/4 x 3 1/2 x 3 1/2 inches) Edition: 30 Signed and numbered in black ink on the underside Further signed, titled
- [The Flowering Shinano Road, 1999 (ABE 249)](https://intelart.io/2022/07/29/the-flowering-shinano-road-1999-abe-249/) - The Flowering Shinano Road Medium: Screen-print in colors on Verin d'Arches paper [23 screens, 23 colors, 23 runs] Year: 1999 Image: 59.7 x 47.7 cm (23.5 x 18.8 inches) Sheet: 76 x 56.8 cm (29.9 x 22.3 inches) Edition: 100 Artist's Proofs: 10 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Japan Literature: ABE
- [Fireflies, 1999 (ABE 250)](https://intelart.io/2022/07/29/fireflies-1999-abe-250/) - Fireflies Medium: Screen-print in colors on Verin d'Arches paper [14 screens, 14 colors, 14 runs] Year: 1999 Image: 59.7 x 47.7 cm (23.5 x 18.8 inches) Sheet: 76.3 x 56.8 cm (30 x 22.3 inches) Edition: 100 Artist's Proofs: 10 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Japan Literature: ABE 250 Yayoi Kusama
- [Wave Crest, 1999 (ABE 251)](https://intelart.io/2022/07/29/wave-crest-1999-abe-251/) - Wave Crest Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1999 Image: 59.7 x 47.8 cm (23.5 x 18.8 inches) Sheet: 76 x 56.5 cm (29.9 x 22.2 inches) Edition: 60 Artist's Proofs: 6 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Japan Literature: ABE 251 Yayoi Kusama
- [High Heels (1)-(4), 1999 (ABE 259-262)](https://intelart.io/2022/07/29/high-heels-1-4-1999-abe-259-262/) - High Heels are a recurring motif in Yayoi Kusama's artistic output, including in prints, paintings, and sculptures. Those instantly recognized heels are the testimony of the artist's involvement in the fashion world, she has been collaborating with Louis Vuitton for many years for example, but they also celebrate the joy of self-expression and liberty. Indeed,
- [Lemon Squash (1)-(5), 1999 (ABE 263-267)](https://intelart.io/2022/07/29/lemon-squash-1-5-1999-abe-263-267-5-works/) - Lemon Squash (1)-(5) consists of five vibrant screenprints that reimagine the traditional still-life genre using the artist's iconic motifs of polka dots and "infinity nets". The series transforms a simple, everyday beverage into a visually stimulating exploration of Kusama's key themes: obsession, infinity, and the celebration of life. Introduction Lemon Squash (1)-(5) each depict
- [Flowers (1)-(5), 1999 (ABE 268-272)](https://intelart.io/2022/07/29/flowers-1-5-1999-abe-268-272-5-works/) - Yayoi Kusama's art features numerous flowers, that the artist depicts with numerous different colors, mostly within her iconic infinity nets background. Flowers carry a strong symbolism of metamorphosis linked to seasonal changes in Japan. Flowers (1)-(5) Medium: Screenprint in colors on Kakita-shi paper with Lame [4 screens, 4 colors, 5 runs] Year: 1999 Image:
- [Fruit Basket (1)-(5), 1999 (ABE 273-277)](https://intelart.io/2022/07/29/fruit-basket-1-5-1999-abe-273-277-5-works/) - Introduction The Fruit Basket portfolio presents a combination of two signature forms for Yayoi Kusama: nets and dots. With the love for pumpkins and fruits, those prints project the artist’s essence on a small but intimate scale. Utilizing an intricate geometric arrangement that sets as the background, Fruit Basket further advocates Kusama’s strong understanding
- [Pumpkin R, 1999 (ABE 278)](https://intelart.io/2022/07/29/pumpkin-r-1999-abe-278/) - Pumpkin R Medium: Screen-print in colors and lamé on Kakita-shi paper [2 screens, 2 colors, 5 runs] Year: 1999 Image: 47.8 x 59.9 cm (18.8 x 23.6 inches) Sheet: 60x76 cm (23.6 x 29.9 inches) Edition: 60 Artist's Proofs: 6 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 278 Yayoi Kusama
- [Pumpkin P, 1999 (ABE 279)](https://intelart.io/2022/07/29/pumpkin-p-1999-abe-279/) - Pumpkin P Medium: Screen-print in colors and lamé on Kakita-shi paper [2 screens, 2 colors, 5 runs] Year: 1999 Image: 47.8 x 59.9 cm (18.8 x 23.6 inches) Sheet: 60x76 cm (23.6 x 29.9 inches) Edition: 60 Artist's Proofs: 6 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 279 Yayoi Kusama
- [Pumpkin B, 1999 (ABE 280)](https://intelart.io/2022/08/01/pumpkin-b-1999-abe-280/) - Pumpkin B Medium: Screen-print in colors and lamé on Kakita-shi paper [2 screens, 2 colors, 5 runs] Year: 1999 Image: 47.8 x 59.9 cm (18.8 x 23.6 inches) Sheet: 60x76 cm (23.6 x 29.9 inches) Edition: 60 Artist's Proofs: 6 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 280 Yayoi Kusama
- [Pumpkin G, 1999 (ABE 281)](https://intelart.io/2022/08/01/pumpkin-g-1999-281/) - Pumpkin G Medium: Screen-print in colors and lamé on Kakita-shi paper [2 screens, 2 colors, 5 runs] Year: 1999 Image: 47.8 x 59.9 cm (18.8 x 23.6 inches) Sheet: 60x76 cm (23.6 x 29.9 inches) Edition: 60 Artist's Proofs: 6 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 281 Yayoi Kusama
- [Amour Pour Toujours, 2000 (ABE 282-291)](https://intelart.io/2022/08/01/portfolio-amour-pour-toujours-2000-abe-282-291-10-works/) - Amour Pour Toujours (French for "Love Forever"), is a comprehensive collection of screenprints that captures Yayoi Kusama's signature motifs in a vibrant and accessible format. The complete portfolio of 10 prints was published by FMR Trading Limited in Osaka, Japan, in an edition of 60. Introduction Published as a portfolio in 2000, Amour Pour Toujours
- [Lemon Squash, 2000 (ABE 292)](https://intelart.io/2022/08/01/lemon-squash-2000-abe-292/) - Lemon Squash Medium: Screen-print in colors on Nishinouchi-gami paper [6 screens, 5 colors, 6 runs] Year: 2000 Image: 27x21 cm (10.6 x 8.3 inches) Sheet: 31.8 x 25.5 cm (12.5 x 10 inches) Edition: 35 Artist's Proofs: 5 AP Printer's Proofs: 1 PP Hors Commerce: 4 HC Printer: Ishida Ryoichi, Tokyo Publisher: TOKI-NO-WASUREMONO, Tokyo
- [Infinity Nets, 2000 (ABE 293)](https://intelart.io/2022/08/01/infinity-nets-2000-abe-293/) - Infinity Nets Medium: Screen-print in colors on mirror film [1 screen, 2 colors, 3 runs] Year: 2000 Image: 27x21 cm (10.6 x 8.3 inches) Sheet: 31.8 x 25.5 cm (12.5 x 10 inches) Edition: 35 Artist's Proofs: 5 AP Other: 1 Printer's Proofs (PP), 4 Hors Commerce (HC) Printer: Ishida Ryoichi, Tokyo Publisher: TOKI-NO-WASUREMONO,
- [Pumpkin, 2000 (ABE 294)](https://intelart.io/2022/08/01/pumpkin-2000-abe-294/) - Pumpkin Medium: Screenprint in colors on Verin d'Arches paper [3 screen, 3 colors, 4 runs] Year: 2000 Image: 27x21 cm (10.6 x 8.3 inches) Sheet: 31.8 x 25.5 cm (12.5 x 10 inches) Edition: 135 Artist's Proofs: 15 AP Printer's Proofs: 1 PP Hors Commerce: 9 HC Printer: Ishida Ryoichi, Tokyo Publisher: TOKI-NO-WASUREMONO, Tokyo
- [Pumpkin (GSQ), 1998 (ABE 243)](https://intelart.io/2022/07/28/pumpkin-gsq-1998-abe-243/) - Pumpkin (GSQ) Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1998 Image: 30x30 cm (11.8 x 11.8 inches) Sheet: 39.5 x 38 cm (15.6 x 15 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 243 Yayoi Kusama Prints
- [Madder-colored Cloud, 1997 (ABE 237)](https://intelart.io/2022/07/27/madder-colored-cloud-237-1997/) - Madder-colored Cloud Year: 1997 Medium: Screen-print in colors on Verin d'Arches paper [17 screens, 17 colors, 17 runs] Image: 51.4 x 36.2 cm (20.2 x 14.3 inches) Sheet: 65.5 x 50 cm (25.8 x 19.7 inches) Edition: 100 Artist's Proofs: 10 AP Printer's Proofs: 5 PP Literature: ABE 237 Yayoi Kusama Prints 1979-2017, ABE
- [Waves (2), 1998 (ABE 239)](https://intelart.io/2022/07/28/waves-2-1998-abe-239/) - Waves (2) Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1998 Image: 47.8 x 59.7 cm (18.8 x 23.5 inches) Sheet: 56.5 x 70.8 cm (22.3 x 27.9 inches) Edition: 60 Artist's Proofs: 3 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Japan Literature: ABE 239
- [Pumpkin (YSQ), 1998 (ABE 240)](https://intelart.io/2022/07/28/pumpkin-ysq-1998-abe-240/) - Pumpkin (YSQ) Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1998 Image: 30x30 cm (11.8 x 11.8 inches) Sheet: 39.5 x 38 cm (15.6 x 15 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 240 Yayoi Kusama Prints
- [Pumpkin (RSQ), 1998 (ABE 242)](https://intelart.io/2022/07/28/pumpkin-rsq-1998-abe-242/) - Pumpkin (RSQ) Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1998 Image: 30x30 cm (11.8 x 11.8 inches) Sheet: 39.5 x 38 cm (15.6 x 15 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 242 Yayoi Kusama Prints
- [Pumpkin (BSQ), 1998 (ABE 244)](https://intelart.io/2022/07/28/pumpkin-bsq-1998/) - Pumpkin (BSQ) Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1998 Image: 30x30 cm (11.8 x 11.8 inches) Sheet: 39.5 x 38 cm (15.6 x 15 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 244 Yayoi Kusama Prints
- [Flowers, 1997 (ABE 235)](https://intelart.io/2022/07/27/flowers-1997-abe-235/) - Flowers Medium: Lithograph in colors on Verin d'Arches paper [18 plates, 18 colors, 18 runs] Year: 1997 Image: 33x24 cm (13 x 9.4 inches) Sheet: 43.2 x 34 cm (17 x 13.4 inches) Edition: 125 Artist's Proofs: 30 AP Hors Commerce: 30 HC Trial's Proofs: 5 TP Printer: Art Estemps Publisher: Gallery Shimizu LTD,
- [Pumpkin (RY), 1996 (ABE 233)](https://intelart.io/2022/07/26/pumpkin-ry-1996-abe-233/) - Pumpkin (RY) Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1996 Image: 22.8 x 29.8 cm (9 x 11.7 inches) Sheet: 32.5 x 40 cm (12.8 x 15.7 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo Literature: ABE 233 ABE Publishing
- [Pumpkin (GY), 1996 (ABE 232)](https://intelart.io/2022/07/26/pumpkin-gy-1996-abe-232/) - Pumpkin (GY) Medium: Screenprint in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1996 Image: 22.8 x 29.8 cm (9 x 11.7 inches) Sheet: 32.5 x 40 cm (12.8 x 15.7 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 232 ABE Publishing
- [Pumpkin (YY), 1996 (ABE 231)](https://intelart.io/2022/07/26/pumpkin-yy-1996-abe-231/) - Pumpkin (YY) Medium: Screenprint in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1996 Image: 22.8 x 29.8 cm (9 x 11.7 inches) Sheet: 32.5 x 40 cm (12.8 x 15.7 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 231 ABE
- [Pumpkin (RT), 1996 (ABE 230)](https://intelart.io/2022/07/26/pumpkin-rt-1996-abe-230/) - Pumpkin (RT) Medium: Screenprint in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1996 Image: 29.8 x 22.8 cm (11.7 x 9 inches) Sheet: 40 x 32.5 cm (15.7 x 12.8 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 230 ABE Publishing
- [Pumpkin (GT), 1996 (ABE 229)](https://intelart.io/2022/07/26/pumpkin-gt-1996-abe-229/) - Pumpkin (GT) Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1996 Image: 29.8 x 22.8 cm (11.7 x 9 inches) Sheet: 40 x 32.5 cm (15.7 x 12.8 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 229 ABE
- [Pumpkin, 1995 (Bronze cast multiple)](https://intelart.io/2022/07/25/52813/) - Pumpkin Medium: Bronze sculpture Year: 1995 Dimensions: 6 x 6.8 x 6.5 cm (2 3/8 x 2 5/8 x 2 1/2 inches) Edition: 30 Signed in English and dated on the underside Certificate of authenticity with an artist's seal issued by Kura Gallery, Tokyo In 1993, Yayoi Kusama became the first woman artist
- [Pumpkin (YT), 1996 (ABE 228)](https://intelart.io/2022/07/26/pumpkin-yt-1996-abe-228/) - Pumpkin (YT) Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1996 Image: 29.8 x 22.8 cm (11.7 x 9 inches) Sheet: 40 x 32.5 cm (15.7 x 12.8 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 228 ABE Publishing
- [Hat, 1988-1994 (Bronze cast multiple)](https://intelart.io/2022/07/25/hat-1988-1994-bronze-cast-multiple/) - Hat Medium: Bronze sculpture Year: 1988-1994 Conceived in 1988, cast in 1994 Dimensions: 25 (H) x 26.5 x 13 cm (10 x 13 x 10 1/2 inches) Edition: 30 Artist's Proofs: 1 AP Dated, signed, editioned and stamped with the foundry mark (on the underside) This bronze sculpture, conceived in 1988 and cast in
- [Pumpkin Army, 1994 (ABE 202)](https://intelart.io/2022/07/24/pumpkin-army-1994/) - Pumpkin Army Medium: Etching on Verin d'Arches paper [1 plate, 1 color, 1 run] Year: 1994 Image: 29.5 x 45.2 cm (11.6 x 17.7 inches) Sheet: 45.5 x 63 cm (17.9 x 24.7 inches) Edition: 75 Artist's Proofs: 10 AP Printer's Proofs: 2 PP Hors Commerce: 1 HC Printer: Kimura Kihachi, Tokyo Publisher: Kimura Kihachi,
- [Pumpkin, 1994 (ABE 201)](https://intelart.io/2022/07/24/pumpkin-1994-abe-201/) - Pumpkin Medium: Etching on Verin d'Arches paper [1 plate, 1 color, 1 run] Year: 1994 Image: 29.5 x 45.2 cm (11.6 x 17.7 inches) Sheet: 45.5 x 63 cm (17.9 x 24.7 inches) Edition: 75 Artist's Proofs: 11 AP Printer's Proofs: 2 PP Hors Commerce: 1 HC Printer: Kimura Kihachi, Tokyo Publisher: Kimura Kihachi, Tokyo
- [Infinity Nets (A-B), 1994 (ABE 198)](https://intelart.io/2022/07/24/infinity-nets-a-b-1994-abe-198/) - Infinity Nets (A-B) Medium: Etching on Verin d'Arches paper [1 plate, 1 color, 1 run] Year: 1994 Image: 45.2 x 29.5 cm (17.8 x 11.6 inches) Sheet: 63 x 45.5 cm (24.8 x 17.9 inches) Edition: 50 Artist's Proofs: 8 AP Other: 2 Printer's Proof (PP), 1 Hors Commerce (HC) Printer: Kimura Kihachi, Tokyo
- [Pumpkin No.1, 1988-1994 (Bronze cast multiple)](https://intelart.io/2022/07/24/pumpkin-no-1-1998-bronze-cast-multiple/) - Pumpkin No.1 Medium: Painted bronze sculpture Year: 1988 Casted in 1993 Dimensions: 12.5 x 15.5 x 15.5 cm (4 7/8 x 6 1/8 x 6 1/8 inches) Edition: 30 Incised with the artist's name in English, stamped with artist's seal, dated, cast dated and numbered on the underside Pumpkin No.1, completed in 1988, is
- [Yellow Colored Pumpkin, 1994 (ABE 190)](https://intelart.io/2022/07/24/yellow-colored-pumpkin/) - Yellow Colored Pumpkin Medium: Screenprint in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1994 Image: 45.5 x 52.5 cm (17.9 x 20.7 inches) Sheet: 55 x 63.5 cm (21.7 x 25 inches) Edition: 98 Artist's Proofs: 9 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 190 Yayoi
- [Red Colored Pumpkin, 1994 (ABE 189)](https://intelart.io/2022/07/24/red-colored-pumpkin/) - Red Colored Pumpkin Medium: Screenprint in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1994 Image: 45.5 x 52.5 cm (17.9 x 20.7 inches) Sheet: 55 x 63.5 cm (21.7 x 25 inches) Edition: 98 Artist's Proofs: 9 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 189 Yayoi
- [Dancing Pumpkin, 1993 (ABE 185)](https://intelart.io/2022/07/23/dancing-pumpkin-1993-185/) - Dancing Pumpkin Medium: Screenprint in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1993 Image: 50 x 72.6 cm (19.7 x 28.6 inches) Sheet: 61x83 cm (24 x 32.7 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 185 Yayoi Kusama Prints 1979-2017,
- [Three Pumpkins, 1993 (ABE 186)](https://intelart.io/2022/07/23/three-pumpkins-186-1993/) - Three Pumpkins Medium: Screenprint in colors on Verin d'Arches paper [2 screens, 2 colors, 3 runs] Year: 1993 Image: 24.2 x 33 cm (9.5 x 13 inches) Sheet: 33.5 x 43 cm (13.2 x 16.9 inches) Edition: 160 Artist's Proofs: 16 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 186 Yayoi Kusama
- [Flower Basket, 1993 (ABE 187)](https://intelart.io/2022/07/23/flower-basket-1993-abe-187/) - Flower Basket Medium: Screen-print in colors on Verin d'Arches paper [5 screens, 5 colors, 6 runs] Year: 1993 Image: 21.9 x 27.2 cm (8.6 x 10.7 inches) Sheet: 31.5 x 39 cm (12.4 x 15.4 inches) Edition: 160 Artist's Proofs: 16 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 187 Yayoi Kusama
- [Napping Pumpkin, 1993 (ABE 184)](https://intelart.io/2022/07/23/napping-pumpkin-184-1993/) - Napping Pumpkin Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1993 Image: 53.5 x 65.5 cm (21.1 x 25.8 inches) Sheet: 62 x 75.8 cm (24.4 x 29.8 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 184
- [Pumpkin God, 1993 (ABE 183)](https://intelart.io/2022/07/23/pumpkin-god-1993-abe-183/) - Pumpkin God Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1993 Image: 65.5 x 53.5 cm (25.8 x 21.1 inches) Sheet: 76 x 62.5 cm (29.9 x 24.5 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 183 Yayoi
- [Thinking Pumpkin, 1993 (ABE 182)](https://intelart.io/2022/07/23/thinking-pumpkin-1993-abe-182/) - Thinking Pumpkin Medium: Screenprint in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1993 Image: 65.5 x 53.5 cm (25.8 x 21.1 inches) Sheet: 75.8 x 62.3 cm (29.8 x 24.5 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 182 Yayoi
- [Flowers, 1993 (ABE 181)](https://intelart.io/2022/07/23/flowers-1993-abe-181/) - Flowers Medium: Screen-print in colors on Verin d'Arches paper [2 screens, 2 colors, 3 runs] Year: 1993 Image: 27.3 x 22 cm (10.7 x 8.7 inches) Sheet: 39 x 31.5 cm (15.4 x 12.4 inches) Edition: 160 Artist's Proofs: 16 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 181 Yayoi Kusama Prints
- [Flower XL, 1993 (ABE 180)](https://intelart.io/2022/07/23/flower-xl-1993-abe-180/) - Flower XL Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1993 Image: 60.6 x 72.7 cm (23.9 x 28.6 inches) Sheet: 71x84 cm (28 x 33.1 inches) Edition: 90 Artist's Proofs: 9 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 180 Yayoi Kusama Prints 1979-2017,
- [Flowers PX, 1993 (ABE 179)](https://intelart.io/2022/07/23/flowers-px-1993-abe-179/) - Flowers PX Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1993 Image: 72.7 x 60.6 cm (28.6 x 23.9 inches) Sheet: 84x71 cm (33.1 x 28 inches) Edition: 90 Artist's Proofs: 9 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 179 Yayoi Kusama Prints
- [Flowers QE, 1993 (ABE 178)](https://intelart.io/2022/07/23/flowers-qe-1993-abe-178/) - Flowers QE Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1993 Image: 72.7 x 60.6 cm (28.6 x 23.9 inches) Sheet: 84x71 cm (33.1 x 28 inches) Edition: 90 Artist's Proofs: 9 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 178 Yayoi Kusama Prints
- [Flowers FW, 1993 (ABE 177)](https://intelart.io/2022/07/23/flowers-fw-1993-abe-177/) - Flowers FW Medium: Screenprint in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1993 Image: 72.7 x 60.6 cm (28.6 x 23.9 inches) Sheet: 84x71 cm (33.1 x 28 inches) Edition: 90 Artist's Proofs: 9 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 177 Yayoi Kusama Prints 1979-2017,
- [Flowers BH, 1993 (ABE 176)](https://intelart.io/2022/07/23/flowers-bh-1993-abe-176/) - Flowers BH Medium: Screen-print on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1993 Image: 72.7 x 60.6 cm (28.6 x 23.9 inches) Sheet: 84x71 cm (33.1 x 28 inches) Edition: 90 Artist's Proofs: 9 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 176 Yayoi Kusama Prints 1979-2017, ABE
- [Flowers AZ, 1993 (ABE 175)](https://intelart.io/2022/07/23/flowers-az-1993-abe-175/) - Flowers AZ Medium: Screen-print on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1993 Image: 72.7 x 60.6 cm (28.6 x 23.9 inches) Sheet: 84x71 cm (33.1 x 28 inches) Edition: 90 Artist's Proofs: 9 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 175 Yayoi Kusama Prints 1979-2017, ABE
- [Rain In the Evening Glow, 1992 (ABE 171)](https://intelart.io/2022/07/22/rain-in-the-evening-glow-171-1992/) - Rain In the Evening Glow Year: 1992 Medium: Screen-print in colors on Verin d'Arches paper [9 screens, 9 colors, 10 runs] Size: 52.8 x 45.5 cm (10.8 x 17.9 inches) Edition: 75 Artist's Proofs: 12 AP Printer: Ichida Ryoichi, Japan Literature: ABE #171 Yayoi Kusama Prints 1979-2017, ABE PUBLISHING LTD, Number 171, illustrated page 107
- [River Wave, 1993 (ABE 172)](https://intelart.io/2022/07/23/river-wave-172-1993/) - River Wave Year: 1993 Medium: Etching on Arches paper with full margins [1 plate, 1 color, 1 run] Image: 27.5 x 21.9 cm (10.8 x 8.6 inches) Sheet: 49x38 cm (19.3 x 15 inches) Edition: 50 Printer's Proofs: 2 PP Printer: Kimura Kihachi, Tokyo Literature: ABE 172 Yayoi Kusama Prints 1979-2017, ABE PUBLISHING LTD, Number
- [Lemon Squash (I) (II), 1992 (ABE 169-170)](https://intelart.io/2022/07/22/lemon-squash-i-1992-abe-169/) - Lemon Squash (I) (II) Year: 1992 Medium: Lithograph in colors on Verin d'Arches paper [2 plates, 2 colors, 2 runs] Image: 28.4 x 23 cm (11.2 x 9.1 inches) Sheet: 44.6 x 31.7 cm (17.6 x 12.5 inches) Edition: 50 Printer's Proofs: 2 PP Hors Commerce: 2 HC Printer: Kimura Kihachi, Tokyo Literature: ABE 169
- [Vase (1)-(3), 1992 (ABE 166-168)](https://intelart.io/2022/07/22/vase-1-3-1992-abe-166-168/) - Vase (1)-(3) Medium: Lithograph in colors on Verin d'Arches paper [2 plates, 2 colors, 2 runs] Image: 28.4 x 23 cm (11.2 x 9.1 inches) Sheet: 44.6 x 31.7 cm (17.6 x 12.5 inches) Edition: 50 Printer's Proofs: 2 PP Hors Commerce: 2 HC Printer: Kimura Kihachi, Tokyo Literature: ABE 166-168 Yayoi Kusama Prints 1979-2017,
- [Flower (1)-(3), 1992 (ABE 163-165)](https://intelart.io/2022/07/22/flower-1-3-1992-abe-163-165/) - Flower (1)-(3) Medium: Lithograph in colors on Verin d'Arches paper [2 plates, 2 colors, 2 runs] Image: 28.4 x 23 cm (11.2 x 9.1 inches) Sheet: 44.6 x 31.7 cm (17.6 x 12.5 inches) Edition: 50 Printer's Proofs: 2 PP Hors Commerce: 2 HC Printer: Kimura Kihachi, Tokyo Literature: ABE 163-165 Yayoi Kusama Prints
- [Three Flowers (I)-(III), 1992 (ABE 160-162)](https://intelart.io/2022/07/22/three-flowers-i-iii-1992-abe-160-162/) - Three Flowers (I)-(III) Medium: Lithograph in colors on Verin d'Arches paper [2 plates, 2 colors, 2 runs] Year: 1992 Image: 28.4 x 23 cm (11.2 x 9.1 inches) Sheet: 44.6 x 31.7 cm (17.6 x 12.5 inches) Edition: 50 Printer's Proofs: 2 PP Hors Commerce: 2 HC Printer: Kimura Kihachi, Tokyo Literature: ABE 160-162
- [Pumpkin, Lemon Squash, Weeds, 1992 (ABE 157-159)](https://intelart.io/2022/07/22/pumpkin-lemon-squash-weeds-1992-abe-157-159/) - Pumpkin, Lemon Squash, Weeds from Specially Bound Edition YAYOI KUSAMA: PRINT WORKS Pumpkin Medium: Screen-print in colors on Verin d'Arches paper [2 screens, 2 colors, 2 runs] Lemon Squash Medium: Lithograph in colors on Verin d'Arches paper [2 plates, 2 colors, 2 runs] Weeds Medium: Etching Verin d'Arches paper [2 plates, 2 colors,
- [Pumpkin (OG), 1992 (ABE 156)](https://intelart.io/2022/07/22/pumpkin-og-1992-156/) - Pumpkin (OG) Medium: Screenprint in colors on Verin d'Arches paper [10 screens, 9 colors, 10 runs] Year: 1992 Image: 38 x 45.7 cm (15x18 inches) Sheet: 49.5 x 57 cm (19.5 x 22.4 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 4 PP Publisher: Orient Gallery, Tokyo Printer: Okabe Tokuzo, Tokyo Literature: ABE 156
- [Pumpkin (S), 1992 (ABE 155)](https://intelart.io/2022/07/22/pumpkin-s-1992-abe-155/) - Pumpkin (S) Medium: Screenprint in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1992 Image: 17.9 x 14 cm (7 x 5.5 inches) Sheet: 37.5 x 28 cm (14.8 x 11 inches) Edition: 150 Artist's Proofs: 15 AP Printer's Proofs: 4 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 155 Yayoi Kusama
- [Red Pumpkin, 1992 (ABE 154)](https://intelart.io/2022/07/22/red-pumpkin-1992-154/) - Red Pumpkin Medium: Screenprint in colors on Verin d'Arches paper [2 screens, 2 colors, 2 runs] Year: 1992 Image: 72.3 x 60.5 cm (28.5 x 23.8 inches) Sheet: 84x71 cm (33.1 x 27.9 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 4 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 154 Yayoi Kusama Prints 1979-2017,
- [Pumpkin (Y), 1992 (ABE 153)](https://intelart.io/2022/07/22/pumpkin-y-1992-abe-153/) - Pumpkin (Y) Medium: Screenprint in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1992 Image: 15.6 x 22.5 cm (6.1 x 8.9 inches) Sheet: 28 x 37.3 cm (11 x 14.7 inches) Edition: 150 Artist's Proofs: 15 AP Printer's Proofs: 4 PP Hors Commerce: 1 HC Printer: Okabe Tokuzo, Tokyo
- [Pumpkin (R), 1992 (ABE 152)](https://intelart.io/2022/07/22/pumpkin-r-1992-abe-152/) - Pumpkin (R) Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1992 Image: 15.6 x 22.5 cm (6.1 x 8.9 inches) Sheet: 28 x 37.3 cm (11 x 14.7 inches) Edition: 150 Artist's Proofs: 15 AP Printer's Proofs: 4 PP Hors Commerce: 1 HC Printer: Okabe Tokuzo, Tokyo
- [Pumpkin (G), 1992 (ABE 151)](https://intelart.io/2022/07/22/pumpkin-g-151-1992-2/) - Pumpkin G Medium: Screenprint in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1992 Image: 15.6 x 22.5 cm (6.1 x 8.9 inches) Sheet: 28 x 37.3 cm (11 x 14.7 inches) Edition: 150 Artist's Proofs: 15 AP Printer's Proofs: 4 PP Hors Commerce: 1 HC Printer: Okabe Tokuzo, Tokyo Literature:
- [Pumpkin (White Y), 1992 (ABE 150)](https://intelart.io/2022/07/22/pumpkin-white-y-1992-abe-150/) - Pumpkin (White Y) Medium: Screen-print in colors on Verin d'Arches paper [2 screens, 2 colors, 2 runs] Year: 1992 Image: 60.4 x 72.3 cm (23.8 x 28.5 inches) Sheet: 70.8 x 84 cm (27.9 x 33.1 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 4 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 150
- [Pumpkin (White T), 1992 (ABE 149)](https://intelart.io/2022/07/22/pumpkin-white-t-1992-149/) - Pumpkin (White T) Medium: Screenprint in colors on Verin d'Arches paper [2 screens, 2 colors, 2 runs] Year: 1992 Image: 72.3 x 60.4 cm (28.5 x 23.8 inches) Sheet: 83.5 x 70.5 cm (32.9 x 27.8 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 4 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 149
- [Pumpkin (Yellow T), 1992 (ABE 147)](https://intelart.io/2022/07/22/pumpkin-yellow-t-1992-abe-147/) - Pumpkin (Yellow T) Medium: Screen-print in colors on Verin d'Arches paper [2 screens, 2 colors, 2 runs] Year: 1992 Image: 72.3 x 60.4 cm (28.5 x 23.8 inches) Sheet: 84x71 cm (33.1 x 28 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 4 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 147 Yayoi Kusama Prints
- [Pumpkin, 1991 (ABE 146)](https://intelart.io/2022/07/21/pumpkin-1991-abe-146/) - Pumpkin Medium: Screenprint in colors on Verin d'Arches paper [6 screens, 5 colors, 6 runs] Year: 1991 Each Image: 21x16 cm (8.3 x 6.3 inches) Sheet: 28x59 cm (11 x 23.2 inches) Edition: 250 Artist's Proofs: 25 AP Printer's Proofs: 4 PP Publisher: Kuwabara Pumpkin, Tokyo Printer: Okabe Tokuzo, Tokyo Literature: ABE 146 Yayoi Kusama
- [Ashtray, 1990 (ABE 145)](https://intelart.io/2022/07/20/ashtray-1990-abe-145/) - Ashtray Medium: Screen-print in colors on Izumi paper [15 screens, 14 colors, 15 runs] Year: 1990 Image: 45 x 53.5 cm (17.7 x 21.1 inches) Sheet: 53.8 x 63 cm (21.2 x 24.8 inches) Edition: 100 Artist's Proofs: 10 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 145 Yayoi Kusama Prints 1979-2017,
- [Pumpkin (2), 1990 (ABE 144)](https://intelart.io/2022/07/20/pumpkin-2-1990-144/) - Pumpkin (2) Medium: Screenprint in colors on Izumi paper [3 screens, 2 colors, 3 runs] Year: 1990 Image: 52.5 x 45.4 cm (20.7 x 17.9 inches) Sheet: 63x53 cm (24.8 x 20.9 inches) Edition: 150 Artist's Proofs: 15 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Japan Literature: ABE 144 Yayoi Kusama Prints 1979-2017,
- [Pumpkin (A), 1990 (ABE 143)](https://intelart.io/2022/07/20/pumpkin-a-1990-abe-143/) - Pumpkin (A) Medium: Screenprint in colors on Izumi paper [7 screens, 7 colors, 7 runs] Year: 1990 Image: 45 x 53.5 cm (17.7 x 21.1 inches) Sheet: 54 x 62.8 cm (21.3 x 24.7 inches) Edition: 100 Artist's Proofs: 10 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 143 Yayoi Kusama
- [Pumpkin, 1990 (ABE 142)](https://intelart.io/2022/07/20/pumpkin-1990-abe-142/) - Pumpkin Medium: Screen-print in colors on Izumi paper [9 screens, 9 colors, 9 runs] Year: 1990 Image: 53.5 x 45 cm (21.1 x 17.7 inches) Sheet: 62.8 x 54 cm (24.7 x 21.3 inches) Edition: 100 Artist's Proofs: 10 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 142 Yayoi Kusama Prints
- [The Yangtze River, 1990 (ABE 141)](https://intelart.io/2022/07/20/the-yangtze-river-1990-abe-141/) - The Yangtze River Medium: Screen-print in colors on Izumi paper [13 screens, 13 colors, 14 runs] Year: 1990 Image: 45 x 53.5 cm (17.7 x 21.1 inches) Sheet: 54 x 62.8 cm (21.3 x 24.7 inches) Edition: 100 Artist's Proofs: 10 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 141 Yayoi
- [Seahorses, 1989 (ABE 128)](https://intelart.io/2022/07/19/seahorses-1989-abe-128/) - Seahorses Medium: Screen-print in colors on Izumi paper [16 screens, 15 colors, 16 runs] Year: 1989 Image: 53 x 45.2 cm (20.9 x 17.8 inches) Sheet: 61 x 53.5 cm (24 x 21.1 inches) Edition: 100 Artist's Proofs: 10 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 128 Yayoi Kusama Prints
- [Summer Flowers, 1990 (ABE 140)](https://intelart.io/2022/07/20/summer-flowers-1990-abe-140/) - Summer Flowers Medium: Screenprint in colors on Izumi paper [21 screens, 20 colors, 21 runs] Year: 1990 Image: 45.2 x 52.8 cm (17.8 x 19.8 inches) Sheet: 53.5 x 61 cm (21.2 x 24 inches) Edition: 100 Artist's Proofs: 8 AP Printer: Ishida Ryoichi, Tokyo Literature: ABE 140 Yayoi Kusama Prints 1979-2017, ABE PUBLISHING LTD,
- [Goldfish, 1990 (ABE 139)](https://intelart.io/2022/07/20/goldfish-1990-abe-139/) - Goldfish Medium: Screen-print in colors on Izumi paper [17 screens, 16 colors, 17 runs] Year: 1990 Image: 45 x 53.6 cm (17.7 x 21.1 inches) Sheet: 54x63 cm (21.3 x 24.8 inches) Edition: 100 Artist's Proofs: 10 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 139 Yayoi Kusama Prints 1979-2017, ABE
- [Toadstools, 1990 (ABE 138)](https://intelart.io/2022/07/20/toadstools-1990-abe-138/) - Toadstools Medium: Screen-print in colors on Izumi paper [21 screens, 20 colors, 21 runs] Year: 1990 Image: 45.4 x 52.8 cm (17.8 x 19.9 inches) Sheet: 53.5 x 61 cm (21.1 x 24 inches) Edition: 100 Artist's Proofs: 8 AP Printer: Ishida Ryoichi, Tokyo Literature: ABE 138 Yayoi Kusama Prints 1979-2017, ABE PUBLISHING LTD,
- [YAYOI KUSAMA Street, 1989 (ABE 137)](https://intelart.io/2022/07/19/yayoi-kusama-street-1989-abe-137/) - YAYOI KUSAMA Street Medium: Screen-print in colors on Izumi paper [19 screens, 18 colors, 19 runs] Year: 1989 Image: 45.4 x 37.5 cm (17.9 x 14.8 inches) Sheet: 53 x 45.3 cm (20.9 x 17.8 inches) Edition: 100 Artist's Proofs: 10 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 137 Yayoi Kusama
- [Sea, 1989 (ABE 136)](https://intelart.io/2022/07/19/sea-1989-abe-136/) - Sea Medium: Screenprint in colors on Izumi paper [10 screens, 9 colors, 10 runs] Year: 1989 Image: 45 x 52.7 cm (17.8 x 20.8 inches) Sheet: 53.5 x 61 cm (21.1 x 24 inches) Edition: 100 Artist's Proofs: 10 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 136 Yayoi Kusama Prints 1979-2017,
- [Depth of the Sea, 1989 (ABE 135)](https://intelart.io/2022/07/19/depths-of-the-sea-1989-abe-135/) - Depth of the Sea Medium: Screen-print in colors on Izumi paper [9 screens, 8 colors, 9 runs] Year: 1989 Image: 45.5 x 53 cm (17.9 x 20.9 inches) Sheet: 53.5 x 61 cm (21.1 x 24 inches) Edition: 100 Artist's Proofs: 10 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 135
- [Butterflies, 1989 (ABE 134)](https://intelart.io/2022/07/19/butterflies-1989-abe-134/) - Butterflies Medium: Screenprint in colors on Izumi paper [17 screens, 18 colors, 19 runs] Year: 1989 Image: 45 x 52.5 cm (17.7 x 20.6 inches) Sheet: 53.5 x 61 cm (21.1 x 24 inches) Edition: 100 Artist's Proofs: 10 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 134 Yayoi Kusama Prints 1979-2017,
- [Lizard, 1989 (ABE 133)](https://intelart.io/2022/07/19/lizard-1989-abe-133/) - Lizard Medium: Screen-print in colors on Izumi paper [21 screens, 22 colors, 23 runs] Year: 1989 Image: 45 x 52.7 cm (17.7 x 20.7 inches) Sheet: 53.5 x 61 cm (21.1 x 24 inches) Edition: 100 Artist's Proofs: 10 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 133 Yayoi Kusama Prints 1979-2017,
- [Black Lizards, 1989 (ABE 132)](https://intelart.io/2022/07/19/black-lizards-1989-abe-132/) - Black Lizards Medium: Screenprint in colors on Izumi paper [10 screens, 9 colors, 10 runs] Year: 1989 Image: 45.5 x 53 cm (17.9 x 20.9 inches) Sheet: 53.5 x 61 cm (21.1 x 24 inches) Edition: 100 Artist's Proofs: 10 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 132 Yayoi Kusama Prints
- [Hello !, 1989 (ABE 131)](https://intelart.io/2022/07/19/hello-1989-abe-131/) - Hello ! Medium: Screen-print in colors on Izumi paper [17 screens, 16 colors, 17 runs] Year: 1989 Image: 45.4 x 52.8 cm (17.9 x 20.8 inches) Sheet: 53.5 x 61 cm (21.1 x 24 inches) Edition: 100 Artist's Proofs: 8 AP Printer's Proofs: 3 PP Printer: Ishida Ryoichi, Tokyo Literature: ABE 131 Yayoi Kusama Prints
- [Sunflowers, 1989 (ABE 126)](https://intelart.io/2022/07/19/sunflowers-1989-abe-126/) - Sunflowers Medium: Screenprint in colors on Izumi paper [11 screens, 10 colors, 11 runs] Year: 1989 Image: 52.8 x 45.4 cm (20.8 x 17.9 inches) Sheet: 53.5 x 61 cm (24 x 21.1 inches) Edition: 100 Artist's Proofs: 8 AP Printer: Ishida Ryoichi, Tokyo Literature: ABE 126 Yayoi Kusama Prints 1979-2017, ABE PUBLISHING LTD, Number
- [Snail, 1989 (ABE 127)](https://intelart.io/2022/07/19/snail-1989-abe-127/) - Snail Medium: Screen-print in colors on Izumi paper [11 screens, 10 colors, 11 runs] Year: 1989 Image: 45.4 x 52.8 cm (17.9 x 20.8 inches) Sheet: 53.5 x 61 cm (21.1 x 24 inches) Edition: 100 Artist's Proofs: 8 AP Printer: Ishida Ryoichi, Tokyo Literature: ABE 127 Yayoi Kusama Prints 1979-2017, ABE PUBLISHING LTD, Number
- [Lunar Eclipse, 1989 (ABE 130)](https://intelart.io/2022/07/19/lunar-eclipse-1989-abe-130/) - Lunar Eclipse Medium: Screen-print in colors on Izumi paper [12 screens, 11 colors, 12 runs] Year: 1989 Image: 45.4 x 52.8 cm (17.9 x 20.8 inches) Sheet: 53.5 x 61 cm (21.1 x 24 inches) Edition: 100 Artist's Proofs: 8 AP Printer: Ishida Ryoichi, Tokyo Literature: ABE 130 Yayoi Kusama Prints 1979-2017, ABE PUBLISHING
- [Shellfish, 1989 (ABE 124)](https://intelart.io/2022/07/19/shellfish-1989-abe-124/) - Shellfish Medium: Screenprint in colors on Izumi paper [19 screens, 18 colors, 19 runs] Year: 1989 Image: 45.4 x 52.8 cm (17.8 x 20.9 inches) Sheet: 53.5 x 61 cm (21.1 x 24 inches) Edition: 100 Artist's Proofs: 8 AP Printer: Ishida Ryoichi, Tokyo Literature: ABE 124 Yayoi Kusama Prints 1979-2017, ABE PUBLISHING LTD,
- [City, 1989 (ABE 125)](https://intelart.io/2022/07/19/52342/) - City Medium: Screenprint in colors on Izumi paper [15 screens, 14 colors, 15 runs] Year: 1989 Image: 45.5 x 53 cm (17.8 x 20.9 inches) Sheet: 53.5 x 61 cm (21.1 x 24 inches) Edition: 100 Artist's Proofs: 10 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 125 Yayoi Kusama Prints
- [Night, 1989 (ABE 123)](https://intelart.io/2022/07/19/night-1989-abe-123/) - Night Medium: Screenprint in colors on Izumi paper [14 screens, 13 colors, 14 runs] Year: 1989 Image: 45.4 x 52.8 cm (17.8 x 20.9 inches) Sheet: 53.5 x 61 cm (21.1 x 24 inches) Edition: 100 Artist's Proofs: 8 AP Printer: Ishida Ryoichi, Tokyo Literature: ABE 123 Yayoi Kusama Prints 1979-2017, ABE PUBLISHING LTD, Number
- [Flower Garden, 1989 (ABE 121)](https://intelart.io/2022/07/19/flower-garden-1989-abe-121/) - Flower Garden Medium: Screenprint in colors on Izumi paper [17 screens, 19 colors, 20 runs] Year: 1989 Image: 45.3 x 52.5 cm (17.8 x 20.8 inches) Sheet: 53.5 x 61 cm (21.1 x 24 inches) Edition: 100 Artist's Proofs: 10 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 121 Yayoi Kusama Prints
- [Dawn, 1989 (ABE 120)](https://intelart.io/2022/07/19/dawn-1989-abe-120/) - Dawn Medium: Screenprint in colors on Izumi paper [14 screens, 13 colors, 14 runs] Year: 1989 Image: 52.8 x 45.4 cm (20.8 x 17.9 inches) Sheet: 61 x 53.5 cm (24 x 21.1 inches) Edition: 100 Artist's Proofs: 8 AP Printer's Proofs: 3 PP Printer: Ishida Ryoichi, Tokyo Literature: ABE 120 Yayoi Kusama Prints 1979-2017,
- [Infinity Nets, 1986 (ABE 95)](https://intelart.io/2022/07/16/infinity-nets-1986-abe-95/) - Infinity Nets Medium: Screenprint in colors on Hakou-shi paper [2 screens, 2 colors] Year: 1986 Image: 28x32 cm (11 x 12.6 inches) Sheet: 51.5 x 36.4 cm (20.3 x 14.3 inches) Edition: 100 Artist's Proofs: 10 AP Printer: Matsumura Hiroshi, Tokyo Literature: ABE 95 Yayoi Kusama Prints 1979-2017, ABE PUBLISHING LTD, Number 95,
- [Pumpkin, 1988 (ABE 115)](https://intelart.io/2022/07/18/pumpkin-1988-abe-115/) - Pumpkin Medium: Screen-print in colors on Verin d'Arches paper [6 screens, 5 colors, 6 runs] Year: 1988 Image: 90.8 x 67.5 cm (35.7 x 26.6 inches) Sheet: 103 x 79.3 cm (40.6 x 31.2 inches) Edition: 50 Artist's Proofs: 5 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 115 Yayoi Kusama
- [Butterfly, 1988 (ABE 119)](https://intelart.io/2022/07/18/butterfly-1988-abe-119/) - Butterfly Medium: Screen-print in colors on Verin d'Arches paper [6 screens, 5 colors, 6 runs] Year: 1988 Image: 67.8 x 78.7 cm (26.7 x 31 inches) Sheet: 79.5 x 93.5 cm (31.3 x 36.8 inches) Edition: 50 Artist's Proofs: 5 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 119 Yayoi Kusama Prints
- [Lemon Squash, 1988 (ABE 117)](https://intelart.io/2022/07/18/lemon-squash-1988-abe-117/) - Lemon Squash Medium: Screenprint on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 1988 Image: 84.8 x 68 cm (33.4 x 26.8 inches) Sheet: 97.5 x 79.3 cm (38.4 x 31.2 inches) Edition: 50 Artist's Proofs: 5 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 117 Yayoi Kusama Prints
- [Coffee Cup, 1988 (ABE 116)](https://intelart.io/2022/07/18/coffee-cup-1988-abe-116/) - Coffee Cup Medium: Screenprint in colors on Verin d'Arches paper [5 screens, 4 colors, 5 runs] Year: 1988 Image: 91 x 67.3 cm (35.8 x 26.5 inches) Sheet: 103.7 x 79 cm (40.8 x 31.1 inches) Edition: 50 Artist's Proofs: 5 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 116 Yayoi
- [Dots Infinity, 1986 (ABE 94)](https://intelart.io/2022/07/16/dots-infinity-1986-abe-94/) - Dots Infinity Medium: Screen-print in colors on Hakou-shi paper [2 screens, 2 colors] Year: 1986 Image: 28x32 cm (11 x 12.6 inches) Sheet: 51.5 x 36.4 cm (20.3 x 14.3 inches) Edition: 100 Artist's Proofs: 10 AP Printer: Matsumura Hiroshi, Tokyo Literature: ABE 94 Yayoi Kusama Prints 1979-2017, ABE PUBLISHING LTD, Number 94, Illustrated
- [Pumpkin, 1986 (ABE 93)](https://intelart.io/2022/07/16/pumpkin-1986-abe-93/) - Pumpkin Medium: Screen-print in colors on Mishima paper [2 screens, 2 colors, 3 runs] Year: 1986 Image: 90.2 x 72.2 cm (35.5 x 28.4 inches) Sheet: 96 x 75.5 cm (37.8 x 29.7 inches) Edition: 75 Artist's Proofs: 10 AP Printer: Ichida Ryoichi, Tokyo Literature: ABE 93 Yayoi Kusama Prints 1979-2017, ABE PUBLISHING LTD,
- [Tulips, 1986 (ABE 92)](https://intelart.io/2022/07/16/tulips-1986-abe-92/) - Tulips Medium: Screen-print in colors on Izumi paper [7 screens, 7 colors, 7 runs] Year: 1986 Image: 53.5 x 46 cm (21.1 x 18.1 inches) Sheet: 62x54 cm (24.4 x 21.3 inches) Edition: 75 Artist's Proofs: 8 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 92 Yayoi Kusama Prints 1979-2017, ABE
- [Watermelon, 1986 (ABE 91)](https://intelart.io/2022/07/16/watermelon-1986-abe-91/) - Watermelon Medium: Screen-print in colors on Izumi paper [8 screens, 8 colors, 8 runs] Year: 1986 Image: 46 x 53.5 cm (18.1 x 21.1 inches) Sheet: 54 x 61.5 cm (21.3 x 24.2 inches) Edition: 75 Artist's Proofs: 8 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 91 Yayoi Kusama Prints
- [Hat, 1986 (ABE 89)](https://intelart.io/2022/07/16/hat-1986-abe-89/) - Hat Medium: Screen-print in colors on Izumi paper Year: 1986 [6 screens, 6 colors, 6 runs] Image: 46 x 53.5 cm (18.1 x 21.1 inches) Sheet: 54 x 61.8 cm (21.3 x 24.3 inches) Edition: 75 Artist's Proofs: 8 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 89 Yayoi Kusama Prints
- [Fish, 1986 (ABE 88)](https://intelart.io/2022/07/16/fish-1986-abe-88/) - Fish Medium: Screen-print in colors on Izumi paper Year: 1986 [6 screens, 6 colors, 6 runs] Image: 46 x 53.5 cm (18.1 x 21.1 inches) Sheet: 54 x 61.8 cm (21.3 x 24.3 inches) Edition: 75 Artist's Proofs: 8 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 88 Yayoi Kusama Prints
- [FLOWERS (2), 1985 (ABE 87)](https://intelart.io/2022/07/15/flowers-2-1987-abe-87/) - Flowers (2) Medium: Screenprint in colors on Izumi paper [6 screens, 6 colors, 6 runs] Year: 1985 Image: 45.2 x 52.6 cm (17.8 x 20.7 inches) Sheet: 53.3 x 61.3 cm (21 x 24.1 inches) Edition: 100 Artist's Proofs: 10 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 87 Yayoi Kusama
- [FLOWERS (1), 1985 (ABE 86)](https://intelart.io/2022/07/15/flowers-1-1985-abe-86/) - FLOWERS (1) Medium: Screen-print in colors on Izumi paper [6 screens, 6 colors, 6 runs] Year: 1985 Image: 45.2 x 52.6 cm (17.8 x 20.7 inches) Sheet: 53.3 x 61 cm (21 x 24 inches) Edition: 100 Artist's Proofs: 10 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 86 Yayoi Kusama
- [DANDELIONS, 1985 (ABE 85)](https://intelart.io/2022/07/15/dandelions-1985-abe-85/) - DANDELIONS Medium: Screenprint in colors on Izumi paper [7 screens, 7 colors, 7 runs] Year: 1985 Image: 45.2 x 52.6 cm (17.8 x 20.8 inches) Sheet: 53.5 x 61 cm (21.2 x 24 inches) Edition: 100 Artist's Proofs: 10 AP Printer's Proofs: 3 Printer: Okabe Tokuzo, Tokyo Literature: ABE 85 ABE Publishing Ltd., Yayoi Kusama:
- [FLOWERS, 1985 (ABE 84)](https://intelart.io/2022/07/15/flowers-1985-abe-84/) - FLOWERS Medium: Screenprint in colors on Verin d'Arches paper [6 screens, 5 colors, 6 runs] Year: 1985 Image: 45.5 x 53 cm (17.9 x 20.9 inches) Sheet: 53.5 x 60.8 cm (21.1 x 23.9 inches) Edition: 100 Artist's Proofs: 10 AP Printer: Ishida Ryoichi, Tokyo Literature: ABE 84 ABE Publishing Ltd., Yayoi Kusama: Prints 1979-2017,
- [FLOWERS, 1985 (ABE 83)](https://intelart.io/2022/07/15/flowers-1985-abe-83/) - FLOWERS Medium: Screen-print in colors on Verin d'Arches paper [9 screens, 8 colors, 9 runs] Year: 1985 Image: 45.5 x 53 cm (17.9 x 20.9 inches) Sheet: 53.3 x 60.8 cm (21 x 23.9 inches) Edition: 100 Artist's Proofs: 10 AP Printer: Ishida Ryoichi, Tokyo Literature: ABE 83 ABE Publishing Ltd., Yayoi Kusama: Prints
- [BUTTERFLY, 1985 (ABE 82)](https://intelart.io/2022/07/15/butterfly-1985-abe-81-82-2-works/) - BUTTERFLY Year: 1985 Medium: Screen-print in colors on Verin d'Arches paper [7 screens, 6 colors, 7 runs] Image: 45.5 x 53 cm (17.9 x 20.9 inches) Sheet: 53.2 x 60.8 cm (20 x 23.9 inches) Edition: 100 Artist's Proofs: 10 AP Printer: Ishida Ryoichi, Tokyo Literature: ABE 82 ABE Publishing Ltd., Yayoi Kusama: Prints
- [BUTTERFLY, 1985 (ABE 81)](https://intelart.io/2022/07/15/butterfly-1985-abe-81/) - BUTTERFLY Year: 1985 Medium: Screen-print in colors on Verin d'Arches paper [6 screens, 5 colors, 6 runs] Image: 45.5 x 53 cm (17.9 x 20.9 inches) Sheet: 53 x 60.8 cm (19.9 x 23.9 inches) Edition: 100 Artist's Proofs: 10 AP Printer: Ishida Ryoichi, Tokyo Literature: ABE 81 ABE Publishing Ltd., Yayoi Kusama: Prints 1979-2017,
- [Handbag, 1985 (ABE 80)](https://intelart.io/2022/07/15/handbag-1985-abe-80/) - Handbag Medium: Screen-print in colors on Izumi paper [4 screens, 4 colors, 4 runs] Year: 1985 Image: 45.2 x 52.6 cm (17.8 x 20.7 inches) Sheet: 53.3 x 61 cm (19.8 x 23.8 inches) Edition: 100 Artist's Proofs: 10 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 80 ABE Publishing Ltd.,
- [COFFEE CUP, 1985 (ABE 79)](https://intelart.io/2022/07/15/coffee-cup-1985-abe-79/) - COFFEE CUP Year: 1985 Medium: Screenprint in colors on Izumi paper [7 screens, 7 colors, 7 runs] Year: 1985 Image: 52.8 x 45.2 cm (20.8 x 17.8 inches) Sheet: 61 x 53.3 cm (23.8 x 19.8 inches) Edition: 100 Artist's Proofs: 10 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 79
- [Shoes, 1985 (ABE 78)](https://intelart.io/2022/07/15/shoes-1985-abe-78/) - Shoes Medium: Screen-print in colors on Izumi paper [7 screens, 6 colors, 2 runs] Year: 1985 Image: 45.5 x 53 cm (17.9 x 20.8 inches) Sheet: 53.5 x 60.5 cm (19.9 x 23.6 inches) Edition: 100 Artist's Proofs: 10 AP Printer: Ishida Ryoichi, Tokyo Literature: ABE 78 ABE Publishing Ltd., Yayoi Kusama: Prints 1979-2017,
- [FLOWERS, 1985 (ABE 77)](https://intelart.io/2022/07/15/flowers-1985-abe-77/) - FLOWERS Medium: Screenprint on Mishima paper with Lame [2 screens, 2 colors, 2 runs] Year: 1985 Image: 53 x 45.5 cm (20.9 x 17.9 inches) Sheet: 61 x 53.5 cm (24 x 21.1 inches) Edition: 100 Artist's Proofs: 10 AP Printer: Ishida Ryoichi, Tokyo Literature: ABE 77 Auction Results SBI Art
- [Pumpkin Army '85 (Black), 1985 (ABE 75)](https://intelart.io/2022/07/15/pumpkin-army-85-black-1985-abe-75/) - Pumpkin Army '85 (Black) Year: 1985 Medium: Etching on BFK Rives Grey paper [1 plate, 1 color, 1 run] Image: 27.8 x 42.4 cm (10.9 x 16.7 inches) Sheet: 46x63 cm (18.1 x 24.8 inches) Edition: 50 Artist's Proofs: 3 AP Printer's Proofs: 2 PP Printer: Kimura Kihachi, Tokyo The image was proofed in
- [Infinity Nets, 1984 (ABE 47)](https://intelart.io/2022/07/14/infinity-nets-1984-abe-47/) - Infinity Nets Medium: Lithograph in colors on Verin d'Arches paper [2 plates, 2 colors, 2 runs] Year: 1984 Image: 40.5 x 31 cm (16 x 12.2 inches) Sheet: 56.5 x 43 cm (22.2 x 16.9 inches) Edition: 30 Artist's Proofs: 3 AP Printer's Proof: 1 PP Printer: Kimura Kihachi, Tokyo Literature: ABE 47 ABE
- [Infinity Nets, 1984 (ABE 46)](https://intelart.io/2022/07/14/infinity-nets-1984-abe-46/) - Infinity Nets Medium: Lithograph in colors on Verin d'Arches paper [2 plates, 2 colors, 2 runs] Year: 1984 Image: 31 x 40.6 cm (12.2 x 16 inches) Sheet: 43.5 x 56.5 cm (17 x 22.2 inches) Edition: 30 Artist's Proofs: 3 AP Printer's Proof: 1 PP Printer: Kimura Kihachi, Tokyo Literature: ABE 46 ABE
- [Shoes, 1984 (ABE 43-45)](https://intelart.io/2022/07/14/shoes-1984-abe-43-45/) - Shoes Medium: Lithograph in colors on Verin d'Arches paper [2 plates, 2 colors, 2 runs] Year: 1984 Image: 31.2 x 40.7 cm (12.3 x 16 inches) Sheet: 43 x 56.5 cm (16.9 x 22.2 inches) Edition: 30 Artist's Proofs: 3 AP Printer's Proof: 1 PP Printer: Kimura Kihachi, Tokyo Literature: ABE 43-45 ABE Publishing
- [Pumpkin, 1984 (ABE 39-42)](https://intelart.io/2022/07/14/pumpkin-1984-abe-42/) - Pumpkin Medium: Lithograph in colors on Verin d'Arches paper [2 plates, 2 colors, 2 runs] Year: 1984 Image: 31.2 x 40.7 cm (12.3 x 16 inches) Sheet: 43 x 56.5 cm (16.9 x 22.2 inches) Edition: 30 Artist's Proofs: 3 AP Printer's Proof: 1 PP Printer: Kimura Kihachi, Tokyo Literature: ABE 39-42 ABE Publishing
- [Hat, 1984 (ABE 35-38)](https://intelart.io/2022/07/14/hat-1984-abe-38/) - Hat [4 Lithographs] Year: 1984 Medium: Lithograph in colors on Verin d'Arches paper [2 plates, 2 colors, 2 runs] Image: 31.2 x 40.7 cm (12.3 x 16 inches) Sheet: 43 x 56.5 cm (16.9 x 22.2 inches) Edition: 30 Artist's Proofs: 3 AP Other: 1 EA, 1 PP Printer: Kimura Kihachi, Tokyo Literature:
- [Flowers, 1984 (ABE 34)](https://intelart.io/2022/07/14/flowers-1984-abe-34/) - Flowers Medium: Screen-print in colors on Verin d'Arches paper [6 screens, 5 colors, 6 runs] Year: 1984 Image: 53 x 45.5 cm (20.9 x 17.9 inches) Sheet: 61 x 53.5 cm (24 x 21.1 inches) Edition: 100 Artist's Proofs: 10 AP Printer: Ishida Ryoichi, Tokyo Literature: ABE 34 ABE Publishing Ltd., Yayoi Kusama: Prints
- [Lemon Juice, 1984 (ABE 33)](https://intelart.io/2022/07/14/lemon-squash-1984-abe-33/) - Lemon Juice Medium: Screen-print in colors on Verin d'Arches paper [8 screens, 7 colors, 8 runs] Year: 1984 Image: 53 x 45.5 cm (20.9 x 17.9 inches) Sheet: 61 x 53.5 cm (24 x 21.1 inches) Edition: 100 Printer: Ishida Ryoichi, Tokyo Literature: ABE 33 ABE Publishing Ltd., Yayoi Kusama: Prints 1979-2017, Tokyo, 2017, Number
- [Fruits, 1984 (ABE 32)](https://intelart.io/2022/07/14/fruits-1984-abe-32/) - Fruits Medium: Screenprint in colors on Verin d'Arches paper [6 screens, 5 colors, 6 runs] Year: 1984 Image: 45.4 x 53 cm (17.9 x 20.9 inches) Sheet: 53.5 x 61 cm (21.1 x 24 inches) Edition: 100 Artist's Proofs: 10 AP Printer: Ishida Ryoichi, Tokyo Literature: ABE 32 ABE Publishing Ltd., Yayoi Kusama: Prints 1979-2017,
- [Goldfish Bowl, 1984 (ABE 31)](https://intelart.io/2022/07/14/goldfish-bowl-1984-abe-31/) - Goldfish Bowl Medium: Screenprint in colors on Verin d'Arches paper [6 screens, 5 colors, 6 runs] Year: 1984 Image: 45.5 x 53 cm (17.9 x 20.9 inches) Sheet: 53.5 x 64 cm (21.1 x 24 inches) Edition: 100 Artist's Proofs: 10 AP Printer: Ishida Ryoichi, Tokyo Literature: ABE 31 ABE Publishing Ltd., Yayoi Kusama:
- [Shoes, 1984 (ABE 30)](https://intelart.io/2022/07/14/shoes-1984-abe-30/) - Shoes Medium: Screenprint in colors on Verin d'Arches paper [6 screens, 5 colors, 6 runs] Year: 1984 Image: 45.5 x 53 cm (17.9 x 20.9 inches) Sheet: 53.5 x 61 cm (21.1 x 24 inches) Edition: 100 Artist's Proofs: 10 AP Printer: Ishida Ryoichi, Tokyo Literature: ABE 30 ABE Publishing Ltd., Yayoi Kusama: Prints
- [Infinity Nets, 1983 (ABE 26)](https://intelart.io/2022/07/13/infinity-nets-1983-abe-26/) - Infinity Nets Medium: Screen-print in colors on Peche Soleil paper [2 screens, 2 colors, 2 runs] Year: 1983 Image: 52.5 x 45 cm (20.7 x 17.7 inches) Sheet: 64 x 55.5 cm (25.2 x 21.9 inches) Edition: 100 Artist's Proofs: 10 AP Printer's Proof: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 26 Yayoi Kusama
- [Pumpkin, 1983 (ABE 25)](https://intelart.io/2022/07/13/pumpkin-1983-abe-25/) - Pumpkin Medium: Screenprint in colors on Peche Soleil paper [2 screens, 2 colors, 2 runs] Year: 1983 Image: 58.7 x 48.5 cm (23.1 x 19.1 inches) Sheet: 69 x 55.2 cm (27.2 x 21.7 inches) Edition: 75 Artist's Proofs: 8 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 25 ABE Publishing Ltd.,
- [Mt. Fuji, 1983 (ABE 24)](https://intelart.io/2022/07/13/mt-fuji-abe-24-1983/) - Mt. Fuji Medium: Screenprint in colors on Peche Soleil paper [2 screens, 2 colors, 2 runs] Year: 1983 Image: 49x60 cm (19.3 x 23.6 inches) Sheet: 55x69 cm (21.7 x 27.2 inches) Edition: 75 Artist's Proofs: 8 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 24 ABE Publishing Ltd., Yayoi Kusama: Prints
- [Hat, 1983 (ABE 21)](https://intelart.io/2022/07/13/hat-1983-abe-21/) - Hat Medium: Screen-print in colors on Peche Soleil paper [2 screens, 2 colors, 2 runs] Year: 1983 Image: 45 x 52.5 cm (17.7 x 20.7 inches) Sheet: 55.5 x 64.3 cm (21.9 x 25.3 inches) Edition: 100 Artist's Proofs: 10 AP Printer's Proofs: 3 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 21 ABE Publishing
- [Hat-S, 1982 (ABE 19)](https://intelart.io/2022/07/12/hat-s-1982-abe-19/) - Hat-S Medium: Screen-print on Verin d'Arches paper [2 screens, 2 colors, 2 runs] Year: 1982 Image: 27 x 32.2 cm (10.6 x 12.7 inches) Sheet: 33x40 cm (13 x 15.7 inches) Edition: 50 Artist's Proofs: 5 AP Printer's Proofs: 3 PP Publisher: Gendai-Hanga Center, Tokyo Printer: Students of the Art School (BIGAKKOU) supervised by
- [Butterfly, 1982 (ABE 18)](https://intelart.io/2022/07/12/butterfly-18-1982/) - Butterfly Medium: Screen-print in colors on Verin d'Arches paper [2 screens, 2 colors, 2 runs] Year: 1982 Size: 26.8 x 32.1 cm (10.6 x 12.6 inches) Edition: 50 Artist's Proofs: 5 AP Printer's Proofs: 3 PP Publisher: Gendai-Hanga Center, Tokyo Printer: Students of the Art School (BIGAKKOU) supervised by Okabe Tokuzo Literature: ABE 18
- [Pumpkin, 1982 (ABE 16)](https://intelart.io/2022/07/12/pumpkin-1982-abe-16/) - Pumpkin Medium: Screenprint on Verin d'Arches paper [2 screens, 2 colors, 2 runs] Year: 1982 Image: 68.6 x 55 cm (27 x 21.7 inches) Sheet: 86x63 cm (33.9 x 24.8 inches) Edition: 50 Artist's Proofs: 5 AP Printer's Proofs: 3 PP Printer: Students of the Art School (BIGAKKOU) supervised by Okabe Tokuzo, Tokyo Literature:
- [Infinity Nets 1963, 1982 (ABE 15)](https://intelart.io/2022/07/12/infinity-nets-1963-1982-abe-15/) - Infinity Nets 1963 Medium: Screen-print in colors on Verin d'Arches paper [2 screens, 2 colors, 2 runs] Year: 1982 Image: 32x27 cm (12.6 x 10.6 inches) Sheet: 40x33 cm (15.7 x 13 inches) Edition: 50 Artist's Proofs: 5 AP Printer's Proof: 3 PP Publisher: Gendai-Hanga Center, Tokyo Printer: Students of The Art School
- [Infinity Nets 1958, 1982 (ABE 14)](https://intelart.io/2022/07/12/infinity-nets-1958-1982-abe-14/) - Infinity Nets 1958 Medium: Screen-print in colors on Verin d'Arches paper [2 screens, 2 colors, 2 runs] Year: 1982 Image: 27 x 31.5 cm (10.6 x 12.4 inches) Sheet: 33x40 cm (13 x 15.7 inches) Edition: 50 Artist's Proofs: 5 AP Printer's Proof: 3 PP Publisher: Gendai-Hanga Center, Tokyo Printer: Students of The Art School
- [New York, 1982 (ABE 11)](https://intelart.io/2022/07/12/new-york-1982-abe-11/) - New York Medium: Lithograph with collage on Verin d'Arches paper [3 plates, 3 colors, 3 runs] Year: 1982 Image: 15.5 x 22.5 cm (6.1 x 8.9 inches) Sheet: 27.8 x 34.8 cm (10.9 x 13.7 inches) Edition: 100 Artist's Proofs: 3 AP Printer's Proof: 3 PP Publisher: BOX Gallery, Nagoya Printer: Shimo-oka Yoshiaki Literature:
- [Hat, 1982 (ABE 13)](https://intelart.io/2022/07/12/hat-1982-abe-14/) - Hat Medium: Lithograph with collage on Verin d'Arches paper [5 plates, 5 colors, 5 runs] Year: 1982 Image: 15.5 x 22.5 cm (6 1/8 x 8 7/8 inches) Sheet: 27 x 33.5 cm (10 5/8 x 13 1/8 inches) Edition: 100 Artist's Proofs: 3 AP Printer's Proof: 3 PP Publisher: BOX Gallery, Nagoya Printer: Shimo-oka
- [Flower, 1982 (ABE 10)](https://intelart.io/2022/07/12/flower-1982-abe-10/) - Flower Medium: Lithograph with collage on Verin d'Arches paper [3 plates, 3 colors, 3 runs] Year: 1982 Image: 22.3 x 15.5 cm (8.8 x 6.1 inches) Sheet: 35.5 x 27.5 cm (14 x 10.8 inches) Edition: 100 Artist's Proofs: 3 AP Printer's Proof: 3 PP Publisher: BOX Gallery, Nagoya Printer: Shimo-oka Yoshiaki Literature: ABE
- [Self-Portrait, 1982 (ABE 9)](https://intelart.io/2022/07/12/self-portrait-1982-abe-9/) - Self-Portrait Medium: Lithograph with collage on Verin d'Arches paper [4 plates, 4 colors, 4 runs] Year: 1982 Image: 22.5 x 15.5 cm (8.9 x 6.1 inches) Sheet: 35.5 x 27.5 cm (14 x 10.8 inches) Edition: 100 Artist's Proofs: 3 AP Printer's Proof: 3 PP Publisher: BOX Gallery, Nagoya Printer: Shimo-oka Yoshiaki Literature: ABE 9
- [Dress, 1982 (ABE 8)](https://intelart.io/2022/07/12/dress-1982-abe-8/) - Dress Medium: Lithograph and screenprint on Verin d'Arches paper Lithograph [4 plates, 4 colors, 4 runs] Screenprint [1 screen, 1 color, 1 run] Year: 1982 Image: 53 x 45.6 cm (20.9 x 18 inches) Sheet: 66x56 cm (26x22 inches) Edition: 70 Artist's Proofs: 1 AP Printer: Shimo-oka Yoshiaki Literature: ABE 8 Yayoi Kusama Prints
- [Pumpkin, 1982 (ABE 6)](https://intelart.io/2022/07/12/pumpkin-1982-abe-6/) - Pumpkin Medium: Lithograph on Verin d'Arches paper with collage [2 plates, 2 colors, 2 runs] Year: 1982 Image: 15.6 x 22.6 cm (6.1 x 8.9 inches) Sheet: 27 x 33.5 cm (10.6 x 13.2 inches) Edition: 100 Artist's Proofs: 3 AP Printer's Proofs: 3 PP Printer: Shimo-oka Yoshiaki Publisher: BOX Gallery, Nagoya Literature: ABE
- [Pumpkin, 1982 (ABE 4)](https://intelart.io/2022/07/12/pumpkin-1982-abe-4/) - Pumpkin Medium: Collage on lithograph laid on BFK Rives paper [2 plates, 2 colors, 2 runs] Year: 1982 Image: 57.7 x 47.7 cm (22.7 x 18.8 inches) Sheet: 65.5 x 51 cm (25.8 x 20.1 inches) Edition: 75 Artist's Proofs: 1 AP Printer's Proof: 1 PP Publisher: BOX Gallery, Nagoya Printer: Shimo-oka Yoshiaki Literature: ABE
- [Hat left behind in the field, 1981 (ABE 3)](https://intelart.io/2022/07/11/hat-left-behind-in-the-field-1981-abe-3/) - Hat left behind in the field Medium: Screenprint on Hakou-shi paper [12 screens, 12 colors, 12 runs] Year: 1981 Image: 41 x 51.8 cm (16.1 x 20.4 inches) Sheet: 50.5 x 65 cm (19.9 x 25.6 inches) Edition: 100 Artist's Proofs: 10 AP Printer: Ishida Ryoichi Literature: ABE 3 Yayoi Kusama Prints 1979-2007, ABE PUBLISHING
- [Going to the field with shoes on, 1979 (ABE 1)](https://intelart.io/2022/07/10/going-to-the-field-with-shoes-on-1979-abe-1/) - Going to the field with shoes on Medium: Screenprint on Hakou-shi paper [6 screens, 6 colors, 6 runs] Year: 1979 Image: 50.5 x 65 cm (19.9 x 25.6 inches) Sheet: 54.5 x 69 cm (21.5 x 27.2 inches) Edition: 100 Artist's Proofs: 10 AP Printer: Ishida Ryoichi Literature: ABE 1 Yayoi Kusama Prints 1979-2007,
- [Artistic Coverage](https://intelart.io/2023/07/19/moonstar-market-intelligence-artistic-coverage/) - WORK IN PROGRESS intelART covers a diverse group of artists who are highly sought after by art collectors globally. All the most recent auction results are constantly updated within each Auction Market Overview, containing all auction results since 1/1/2021. Number of Artists Covered: 60 Number of Referenced Artworks: 4,000 ULTRA CONTEMPORARY ART 23 Artists /
- [Content Overview](https://intelart.io/2023/07/23/moonstar-market-intilligence-the-products/) - Welcome to Intelart.io, your refined gateway to a new dimension of understanding auction results. Here, we transform the intricate world of art market data into a clear, engaging experience. We curate each auction result with care, placing it in context so you can appreciate the artist’s work in a whole new light. Think of it
- [Membership Benefits](https://intelart.io/2023/07/27/moonstar-market-intelligence-the-memberships/) - Introducing a revolutionary platform designed to address the burgeoning demands within the dynamic art market landscape, intelART is poised to transform the way stakeholders engage with and navigate the intricacies of the art world. Manifesto The art market produces prices IntelArt produces understanding Every year, tens of thousands of works pass through auction
- [No. 2, 1959](https://intelart.io/2022/07/09/no-2-1959/) - No. 2, 1959 Oil on canvas 182.9x274.3 cm (71.7x108 inches) Signed, titled and dated 'YAYOI KUSAMA 1959 No. 2' (on the reverse) Provenance Donald Judd, New York Paula Cooper Gallery, New York Acquired from the above by the present owner Christie's New-York: 11 November 2008 USD 5,792,000 Source: Christie's Yayoi Kusama (b. 1929) (christies.com)
- [No. D, 1959](https://intelart.io/2022/07/09/no-d-1959/) - No. D, 1959 Oil on canvas 89.8x72.4 cm (35.4x28.2 inches) Signed, titled and dated 'KUSAMA 1959 NO. D' (on the reverse) Provenance Acquired from the artist Donald Judd, New York Christie’s New-York: 9 May 2006 USD 912,000 Source: Christie's Yayoi Kusama (b. 1929) (christies.com) Donald Judd was such an important force in contemporary sculpture
- [Interminable Net #3, 1959](https://intelart.io/2022/07/09/interminable-net-3-1959/) - INTERMINABLE NET #3, 1959 Oil on canvas 133.4x124.5 (52.5x49 inches) Signed, titled and dated 1959 on the reverse Provenance JFK University Collection, Orinda, California Acquired by the present owner in 1990 Sotheby’s New-York: 12 May 2015 USD 5,850,000 The years between 1958 and 1962 were a brief but intense period of production for the
- [The Pacific Ocean, 1959](https://intelart.io/2022/07/09/the-pacific-ocean-1959/) - The Pacific Ocean, 1959 Oil and mixed media on canvas 46.4x35.6 cm (18.3x14 inches) Signed lower left; signed, titled, and dated 1959 on the reverse Provenance Beatrice Perry, New York (acquired directly from the artist in 1959) Thence by descent to the present owner Sotheby’s New-York: 16 May 2019 USD 3,500,000 Source: Sotheby's (#30)
- [Infinity Nets, 1962](https://intelart.io/2022/07/12/infinity-nets-1962/) - Infinity Nets, 1962 Oil on canvas 132.1x132.1 cm (52x52 inches) Provenance Private collection, New York (directly acquired from the artist in 1962) Christie’s New York, 11 November 2004, lot 121 Private collection, acquired from the above sale Christie’s Paris: 11 December 2007 EUR 372,250 / USD 546,310 Source: Christie's YAYOI KUSAMA (NEE EN 1929) (christies.com)
- [Hudson River, 1960](https://intelart.io/2022/07/10/hudson-river-1960/) - Hudson River, 1960 Oil on canvas 71.7x60.3 cm (28.2x23.7 inches) Signed, titled and dated 1960 (on the reverse) Provenance Collection of the Artist, New York Collection of Dr Teruo Hirose, New York (acquired directly from the artist in October 1960) Thence by descent to the present owner Bonhams New-York: 12 May 2021 USD 3,990,312
- [Lake Michigan, 1960](https://intelart.io/2022/07/10/lake-michigan-1960/) - Lake Michigan, 1960 Oil on canvas 64.8x80 cm (25.5x31.5 inches) Signed, titled and dated 1960 on the reverse Provenance Private Collection (acquired in 1960) Private Collection (thence by descent) Acquired by the present owner from the above Sotheby’s New-York: 18 May 2017 USD 5,300,000 Source: Sotheby's (#2) Yayoi Kusama (sothebys.com) Painted in 1960, Yayoi Kusama’s
- [Mississippi River, 1960](https://intelart.io/2022/07/10/mississippi-river-1960/) - Mississippi River, 1960 Oil on canvas 60.3x71.7 cm (23.7x28.2 inches) Signed, titled and dated 1960 (on the reverse) Provenance Collection of the Artist, New York Collection of Dr Teruo Hirose, New York (acquired directly from the artist in October 1960) Thence by descent to the present owner Bonhams New-York: 12 May 2021 USD
- [No. F.C.H., 1960](https://intelart.io/2022/07/10/no-f-c-h-1960/) - No. F.C.H., 1960 Oil on canvas 76.2x66 cm (30x26 inches) Titled, dated and signed ' No. F. C. H. 1960 YAYOI KUSAMA' (on the reverse) Provenance Paula Cooper Gallery, New York, USA Private Collection, New York, USA Senior and Shopmaker Gallery, New York, USA Acquired from the above, thence by decent to current owner
- [Nets Blue, 1960](https://intelart.io/2022/07/10/nets-blue-1960/) - YAYOI KUSAMA Nets Blue, 1960 Oil on board 51.8x41.9 cm (20.4x16.5 inches) Signed, titled, inscribed and dated ‘KUSAMA 1960 NETS BLUE’ (on the reverse) Provenance Private Collection, Pennsylvania Robert Miller Gallery, New York Private Collection (acquired from the above in 2008) Christie’s, Hong Kong, May 27, 2017, lot 1 Acquired at the above sale by
- [Red Nets No. 19, 1960](https://intelart.io/2022/07/10/red-nets-no-19-1960/) - Red Nets No. 19, 1960 Oil on canvas 76.2x60.9 cm (30x24 inches) Signed, titled and dated '1960 YAYOI KUSAMA RED NETS NO. 19' (on the reverse) Provenance Private collection, New York, acquired from the artist by the present owner, circa 1960s Christie’s New-York: 18 September 2012 USD 1,022,500 Source: Christie's Yayoi Kusama (b.
- [Red-Nets No. 2.A.3., 1960](https://intelart.io/2022/07/10/red-nets-no-2-a-3-1960/) - Red-Nets No. 2.A.3., 1960 Oil on canvas 71.1x55.9 cm (28.2x22 inches) Signed and titled in English and dated 1960 on the reverse Provenance Private Collection, New York (acquired directly from the artist circa 1965) Private Collection, New York (thence by descent to the owner from the above) Sotheby's, New York, 10 May 2011, lot 57
- [No. AA2, 1960](https://intelart.io/2022/07/10/no-aa2-1960/) - No. AA2, 1960 Oil on canvas 60.8x72.4 (24x28.5 inches) Signed, titled and dated ‘1960 YAYOI KUSAMA NO. AA2’ (on the reverse) Provenance Acquired directly from the artist Thence by descent to the present owner Private Collection, USA Christie’s Hong-Kong: 26 November 2016 HKD 10,960,000 / USD 1,322,846 Source: Christie's YAYOI KUSAMA (JAPAN, B.
- [Nets-No.2 Yellow, 1960](https://intelart.io/2022/07/10/nets-no-2-yellow-1960/) - Net-No.2 Yellow, 1960 Oil on fiberboard 96.5x71 cm (38x28 inches) Signed and titled in English and dated 1960 on the reverse Provenance Paula Cooper Gallery, New York Acquired by the present owner from the above Sotheby’s Hong-Kong: 2 April 2017 HKD 25,300,000 / USD 3,255,652 Source: Sotheby's (#1039) Kusama Yayoi (sothebys.com) Dated from 1960,
- [White No. 28, 1960](https://intelart.io/2022/07/10/white-no-28-1960/) - YAYOI KUSAMA (b. 1929) White No. 28, 1960 Oil on canvas 147.6 x 111.1 cm (58 1/8 x 43 3/4 inches) Signed and dated 'YAYOI KUSAMA 1960' (lower left) Signed again, titled and dated again 'YAYOI KUSAMA 1960 WHITE.NO.28' (on the reverse) Signed again, inscribed indistinctly and dated again 'COLLECTION, N.Y.C 1960 YAYOI KUSAMA' (on
- [No. GA White, 1960](https://intelart.io/2022/07/10/no-ga-white-1960/) - No. G.A. White, 1960 Oil on canvas 128.3x130.8 cm (50.5x51.5 inches) Signed, titled and dated '1960 NO. G.A. WHITE YAYOI KUSAMA' (on the reverse) Provenance Gres Gallery, Washington D.C. Acquired from the above by the present owner, 1960 Christie’s New-York: 10 May 2010 USD 3,330,500 Source: Christie's Yayoi Kusama (b. 1929) (christies.com) Painted in
- [No. Red. Q., 1960](https://intelart.io/2022/07/10/no-red-q-1960/) - No. Red. Q., 1960 Oil on canvas 110x157 cm (41.2x61.7 inches) Signed, titled and dated 'YAYOI KUSAMA NO. RED. Q. 1960' (on the reverse) Provenance Grace Borgenicht Gallery, New York Private collection, New York, 1961 Anon. sale; Sotheby's New York, 18 November 1998, lot 299 D'Amelio Terras, New York Acquired from the above by the
- [No. O.A., 1960](https://intelart.io/2022/07/10/no-o-a-1960/) - No. O.A., 1960 Oil on canvas 60.9x72 cm (24x28.4 inches) Signed, titled and dated '1960 No. O.A. YAYOI KUSAMA' (on the reverse) Provenance Acquired directly from the artist, circa 1960 Christie’s New-York: 11 November 2015 USD 1,025,000 Source: Christie's Yayoi Kusama (b. 1929) (christies.com)
- [NO. RED B, 1960](https://intelart.io/2022/07/10/no-red-b-1960/) - YAYOI KUSAMA NO. RED B, 1960 Oil on canvas 175.5x132.8 (36x30 inches) Signed and titled in English and dated 1960 on the reverse Provenance Gres Gallery, Washington, D.C. Ellen Mckinley Collection, Connecticut, acquired from the above in 1960 Robert Miller Gallery, New York Private Collection D'Amelio Gallery, New York Acquired by the present owner from the above in
- [Untitled, 1960](https://intelart.io/2022/07/10/untitled-1960/) - Untitled, circa 1960 Oil on canvas 102x142.2 cm (40.2x56 inches) Provenance Acquired directly from the artist and thence by descent to the present owner Private Collection, USA Christie’s Hong-Kong: 25 November 2017 HKD 33,700,000 / USD 4,316,307 Source: Christie's YAYOI KUSAMA (JAPAN, B. 1929) (christies.com) The visual elements of Untitled are succinct, painted arcs
- [INFINITY NETS (G.E.R), 1999](https://intelart.io/2022/08/19/infinity-nets-g-e-r-1999/) - INFINITY NETS (G.E.R), 1999 Acrylic on canvas (in three parts) 194.3x389.9 cm (76.5x153.5 inches) Signed, titled, dated 1999 and numbered on the reverse of each canvas Provenance Ota Fine Arts, Tokyo Acquired by the present owner from the above in March 2006 Sotheby’s New-York: 20 June 2020 USD 3,620,000 Expanding outward in a delicate lattice
- [Infinity Nets (OQ1), 2000](https://intelart.io/2022/08/30/infinity-nets-oq1-2000/) - Infinity-Nets (OQ1), 2000 Acrylic on canvas 100x80.3 cm (39.4x31.6 inches) Signed, titled, numbered and dated 'INFINITY-NETS (OQ1) YAYOI KUSAMA 2000’ (on the reverse) Provenance Acquired from the artist Private collection, Tokyo Christie’s New-York: 16 May 2007 USD 102,000 Source: Christie's Yayoi Kusama (b. 1929) (christies.com)
- [Infinity Nets (T.W.A), 2000](https://intelart.io/2022/08/30/infinity-nets-twa-2000/) - Infinity Nets (T.W.A), 2000 Acrylic on canvas 193.7 x 259.1 cm (76.2 x 102 inches) Signed, titled and dated 'Yayoi Kusama 2000 Infinity Nets (T.W.A)' (on the reverse) Provenance OTA Fine Arts, Tokyo Private collection Anon. sale; Phillips de Pury & Company, New York, 12 November 2009, lot 9 Private collection, France (acquired at the
- [Infinity Nets (OQ6), 2000](https://intelart.io/2022/08/30/infinity-nets-oq6-2000/) - Infinity-Nets (OQ6), 2000 Acrylic on canvas 72.7x60.6 cm (28.6x23.9 inches) Signed, titled, numbered and dated 'INFINITY-NETS (OQ6) YAYOI KUSAMA 2000' (on the reverse) Provenance Acquired from the artist Private collection, Tokyo Christie’s New-York: 16 May 2007 USD 84,000 Source: Christie's Yayoi Kusama (b. 1929) (christies.com)
- [Infinity Nets (XAZ), 1999](https://intelart.io/2022/08/19/infinity-nets-xaz-1999/) - INFINITY NETS (XAZ), 1999 Acrylic on canvas 75.6x90.8 cm (29.8x35.7 inches) Signed, titled and dated 1999 on the reverse Provenance Private Collection, Japan (acquired directly from the artist) Sotheby's, New York, 10 November 2005, Lot 178 Private Collection, Denver (acquired from the above sale) Acquired from the above by the present owner Sotheby’s New-York: 18 November
- [Infinity Nets (APQ), 1999](https://intelart.io/2022/08/19/infinity-nets-apq-1999/) - Infinity Nets (APQ), 1999 Acrylic on canvas 100x80.5 cm (39.4x31.7 inches) Signed, titled and dated 'YAYOI KUSAMA 1999 "Infinity Nets (APQ)"' on the reverse Provenance Private Collection Sotheby's, New York, 6 October 2005, lot 109 Acquired at the above sale by the present owner Phillips London: 5 October 2018 GBP 465,000 / USD 609,356 Source:
- [Infinity Nets (A-B X), 1999](https://intelart.io/2022/08/19/infinity-nets-a-b-x-1999/) - Infinity-Nets (A-B X), 1999 Oil on canvas 42.2x31.1 cm (16.6x12.2 inches) Signed, titled and dated 1999 on the reverse Provenance Galleria Orler, Favaro Veneto Acquired directly from the above by the present owner Sotheby’s London: 16 October 2015 GBP 106,250 / USD 164,016 Source: Sotheby's (#109) Yayoi Kusama (sothebys.com)
- [Venus Nets (R) and Statue of Venus Obliterated by Infinity Nets (R), 1998](https://intelart.io/2022/08/18/venus-nets-r-and-statue-of-venus-obliterated-by-infinity-nets-r-1998/) - VENUS NETS (R) AND STATUE OF VENUS OBLITERATED BY INFINITY NETS (R), 1998 Acrylic on canvas and fiberglass, in two parts Painting: 227.3x145.4 cm (89.5x57.2 inches) Signed, titled and dated 1998 on the reverse Statue: 215.9x68.6x60 cm (85x27x23.6 inches) Signed, titled and dated 1998 Provenance Acquired directly from the artist Komagane Kogen Art Museum, Nagano Sotheby's, Hong
- [Statue of Venus Obliterated by Infinity Nets, 1998](https://intelart.io/2022/08/18/statue-of-venus-obliterated-by-infinity-nets-1998-2/) - Statue of Venus Obliterated by Infinity Nets, 1998 Acrylic on fiberglass and canvas Statue: 214.6 x 68.5 x 78.7 cm (84.5x27x31 inches) Painting: 227.3 x 146 cm (89.5x57.5 inches) Statue: signed, titled, dated and numbered 5/10 Painting: signed, titled and dated (on the reverse) This work is number five from an edition of ten. Each
- [Statue of Venus Obliterated by Infinity Nets, 1998](https://intelart.io/2022/08/18/statue-of-venus-obliterated-by-infinity-nets-1998/) - Statue of Venus Obliterated by Infinity Nets, 1998 Acrylic on fiberglass and canvas Statue: 214.6 x 68.5 x 78.7 cm (84.5x27x31 inches) Painting: 227.3 x 146 cm (89.5x57.5 inches) Statue: signed, titled, dated and numbered 6/10 (on the lower edge) Painting: signed, titled and dated (on the reverse) This work is number six from an
- [Statue of Venus Obliterated by Infinity Nets, 1998](https://intelart.io/2022/08/18/statue-of-venus-obliterated-by-infinity-nets-1998-3/) - Statue of Venus Obliterated by Infinity Nets, 1998 Acrylic on canvas and fiberglass 214.6 x 68.5 x 78.8 cm. (84 1/2 x 27 x 31 in.) Edition 4/9 Christie’s Hong-Kong: 23 November 2013 HKD 4,600,000 / USD 593,336 Source: Christie's Yayoi Kusama (B. 1929) (christies.com) Statue of Venus Obliterated by Infinity Nets is an
- [Nets Infinity, 1998](https://intelart.io/2022/08/18/nets-infinity-1998/) - Nets Infinity, 1998 Acrylic with gold pigment and metallic paint on canvas 117x91 cm (46.1x35.8 inches) Signed, titled and dated ‘Yayoi Kusama 1998 Nets Infinity’ (on the reverse) Provenance Robert Miller Gallery, New York Lars Bohman Gallery, Stockholm Private Collection, Sweden Acquired from the above by the present owner Christie’s Hong-Kong: 26 May 2018
- [Nets 27, 1998](https://intelart.io/2022/08/18/nets-27-1998/) - Nets 27, 1998 Acrylic on canvas 45.7x53 cm (18x20.9 inches) Signed, titled and dated 'Kusama Yayoi 1998 Nets 27' (on the reverse) Provenance Robert Miller Gallery, New York Acquired from the above by the present owner, 1998 Christie’s New-York: 11 May 2011 USD 92,500 Source: Christie's Yayoi Kusama (b. 1929) (christies.com)
- [The Sea in the Evening Glow (B) Facing the Imminent Death, 1990](https://intelart.io/2022/08/10/the-sea-in-the-evening-glow-b-facing-the-imminent-death-1990/) - YAYOI KUSAMA (b. 1929) The Sea in the Evening Glow (B) Facing the Imminent Death, 1990 Acrylic on canvas 161.5 x 130.5 cm (63 5/8 x 51 3/8 inches) Signed, titled in Japanese and dated 1990 (on the reverse) Provenance Fuji TV Gallery, Tokyo Private Collection, Japan Sotheby’s, New York, 18 November 1998, lot 303 (consigned
- [Infinity Nets Q.N.I, 1989](https://intelart.io/2022/08/09/infinity-nets-q-n-i-1989/) - Infinity Nets Q.N.I, 1989 Acrylic on canvas 162x130 (63.7x51.2 inches) Signed 'Yayoi Kusama' in English; dated '1989’ Titled 'Infinity Nets Q. N. I' in English (on the reverse) Provenance Private Collection, Asia Christie’s Hong-Kong: 27 November 2015 HKD 7,000,000 / USD 903,144 Source: Christie's YAYOI KUSAMA (JAPANESE, B. 1929) (christies.com) In the
- [Infinity Nets S.S.Z.1961, 1979](https://intelart.io/2022/07/29/infinity-nets-s-s-z-1961-1979/) - Infinity Nets S.S.Z. 1961, 1979 Acrylic on canvas 90.8x71.1 cm (35.7x28 inches) Signed, titled and dated 'Yayoi Kusama Infinity Nets S.S.Z. 1961' (on the stretcher) Provenance SCAI The Bathhouse, Tokyo Acquired from the above by the present owner Christie’s New-York: 15 May 2013 Estimated USD 500,000 – 800,000 Source: Christie's https://www.christies.com/lot/lot-5681278 In
- [Untitled, 1972](https://intelart.io/2022/07/22/untitled-1972/) - UNTITLED, 1972 Oil on canvas 106.7x91.8 cm (42x36.1 inches) Signed in English and dated 1972 on the reverse, framed Provenance Beatrice Perry Collection (acquired directly from the artist in 1972) Paula Cooper Gallery, New York Private Collection Christie's, New York, 11 May 2011, lot 64 Acquired by the present owner from the above sale Sotheby’s
- [Untitled, 1970](https://intelart.io/2022/07/20/untitled-1970/) - Untitled, 1970 Acrylic on board 78.3x82.3 cm (30.9x32.4 inches) Signed and dated 'YAYOI KUSAMA 1970' (on the reverse) Provenance Jan Maarten Reinink Collection (acquired directly from the artist) Thence by descent to the present owner. Christie’s London: 7 March 2017 GBP 509,000 / USD 618,469 Source: Christie's Yayoi Kusama (b. 1929) (christies.com)
- [Accreations I, 1967](https://intelart.io/2022/07/17/accreations-i-1967/) - Accreations I, 1967 Oil on canvas 80x70.5 cm (31.5x27.8 inches) Signed, titled and dated 'KUSAMA 67 ACCREATIONS I' (on the stretcher) Provenance Galerie Orez, The Hague Galerie Ornis, The Hague Private Collection, The Netherlands Anon. sale, Christie’s New York, 4 June 1998, lot 245 Acquired at the above sale by the present owner Christie’s
- [Infinity Nets (TOWZ), 2005](https://intelart.io/2022/09/05/infinity-nets-towz-2005/) - Infinity-Nets [TOWZ], 2005 Acrylic on canvas 91.1x116.8 cm (35.9x46 inches) Signed, titled and dated 'INFINITY-NETS Yayoi Kusama 2005 TOWZ' (on the reverse) Provenance Anthony Meier Fine Arts, Los Angeles Acquired from the above by the present owner, 2006 Christie’s New-York: 18 May 2018 USD 1,812,500 Source: Christie's Yayoi Kusama (b. 1929) (christies.com)
- [Infinity Nets (SSOWH), 2006](https://intelart.io/2022/09/06/infinity-nets-ssowh-2006/) - Infinity-Nets (SSOWH), 2006 Acrylic on canvas 100x100 cm (39.4x39.4 inches) Signed, titled and dated 2006 (on the reverse) Provenance The Market Auction, Tokyo, 14 June 2018, lot 35 Acquired by the current owner from the above sale Sotheby’s Paris: 4 December 2012 EUR 312,750 / USD 409,037 Source: Sotheby's (#24) Yayoi Kusama (sothebys.com)
- [Infinity Nets (KWOPH), 2006](https://intelart.io/2022/09/06/infinity-nets-kwoph-2006/) - Infinity-Nets (KWOPH), 2006 Acrylic on canvas 100x100 cm (39.3x39.3 inches) Signed, titled and dated 2006 in English and Japanese on the reverse Provenance Moma Contemporary, Fukoka (Acquired directly from the artist) Private Collection, Tokyo Sotheby's New-York: 15 May 2008 USD 277,000 Source: Sotheby's (#259) Yayoi Kusama (sothebys.com)
- [Infinity Nets (TWGZ), 2005](https://intelart.io/2022/09/05/infinity-nets-twgz-2005/) - Infinity Nets TWGZ, 2005 Acrylic on canvas 100x100 cm (39.4x 39.4 inches) Signed, titled and dated 'yayoi Kusama 2005 INFINITY-NETS TWGZ' (on the reverse) Provenance Ota Fine Arts, Tokyo Acquired from the above by the present owner Christie's New-York: 5 March 2015 USD 509,000 Source: Christie's Yayoi Kusama (b. 1929) (christies.com) From a
- [Infinity Nets (Quadriptych), 2005](https://intelart.io/2022/09/05/infinity-nets-quadriptych-2005/) - Infinity Nets (quadriptych), 2005 Acrylic on canvas Each 194x130 cm (76.4x51.2 inches) Signed and titled in English and dated 2005 on the reverse Provenance Moma Contemporary, Fukuoka Private Collection, Asia Sotheby's, New York, 13 May, 2009, lot 151 Sotheby’s Hong-Kong: 5 October 2013 HKD 10,840,000 / USD 1,397,898 Source: Sotheby's (#51) Yayoi Kusama (sothebys.com) Presenting
- [Infinity Nets, 2005](https://intelart.io/2022/09/05/infinity-nets-2005/) - Infinity Nets, 2005 Acrylic on canvas 193.3x193 cm (76.2x76 inches) Signed, titled and dated 'Yayoi Kusama 2005 INFINITY NETS' (on the reverse) Provenance Robert Miller Gallery, New York Acquired from the above by the present owner Christie’s New-York: 12 November 2013 USD 755,000 Source: Christie's Yayoi Kusama (b. 1929) (christies.com)
- [Infinity Nets (OZTTE), 2005](https://intelart.io/2022/09/05/infinity-nets-oztte-2005/) - Infinity Nets (OZTTE), 2005 Acrylic on canvas 100x100 cm (39.4x39.4 inches) Signed, titled, and dated ‘YAYOI KUSAMA 2005 "INFINITY NETS" OZTTE’ (on the reverse) Provenance OTA Fine Arts, Tokyo Acquired from the above by the present owner in 2005 Christie’s Paris: 7 June 2018 EUR 835,500 / USD 987,238 Source: Christie's YAYOI KUSAMA
- [Infinity Nets, 2004](https://intelart.io/2022/09/04/infinity-nets-2004/) - Infinity-Nets, 2004 Acrylic on canvas 130.2x130.2 (51.2x51.2 inches) Signed, titled and dated 2004 on the reverse Provenance Robert Miller Gallery, New York Acquired from the above by the present owner in 2004 Sotheby’s New-York: 18 November 2016 USD 744,500 Source: Sotheby's (#167) Yayoi Kusama (sothebys.com)
- [Infinity Nets [A.BB], 2004](https://intelart.io/2022/09/04/infinity-nets-a-bb-2004/) - Infinity Nets [A.BB], 2004 Acrylic on canvas 116.8x91.4 cm (46x36 inches) Signed, titled and dated 'Infinity Nets Yayoi Kusama 2004 A.BB' (on the reverse) Provenance Anthony Meier Fine Arts, San Francisco Acquired from the above by the present owner Christie’s New-York: 15 November 2018 USD 792,500 Source: Christie's Yayoi Kusama (b. 1929) (christies.com)
- [Nets Obsession, 2004](https://intelart.io/2022/09/04/nets-obsession-2004/) - Nets Obsession, 2004 Acrylic on canvas 162.3x162.3 cm (63.9x63.9 inches) Signed, titled and dated ‘Yayoi Kusama 2004 “NETS OBSESSION”’ on the reverse Provenance Robert Miller Gallery, New York Acquired from the above by the present owner in 2004 Phillips Hong-Kong: 8 June 2021 HKD 25,660,000 / USD 3,306,743 Source: Phillips Yayoi Kusama - 20th
- [Infinity Nets (OPRT), 2004](https://intelart.io/2022/09/04/infinity-nets-oprt-2004/) - INFINITY-NETS (OPRT), 2004 Acrylic on canvas 193x193 cm (75.9x75.9 inches) Signed, titled and dated '"OPRT" Yayoi Kusama 2004 "INFINITY NETS"' on the reverse Provenance Robert Miller Gallery, New York Collection of Ginny Williams, Denver Christie's, New York, 12 May 2010, lot 226 Private Collection, USA Phillips, New York, 8 November 2015, lot 1 Acquired
- [Infinity Nets (2BD), 2004](https://intelart.io/2022/09/04/infinity-nets-2bd-2004/) - Infinity Nets (2BD), 2004 Acrylic on canvas 116.7x91 cm (45.9x35.8 inches) Signed and titled in English and dated 2004 on the reverse Provenance Fuji Television Gallery, Tokyo Cellar Gallery, Tokyo Private Asian Collection Acquired by the present owner from the above Sotheby’s Hong-Kong: 5 April 2015 HKD 2,240,000 / USD 288,950 Source: Sotheby's (#832) Kusama Yayoi
- [Nets Infinity (OPQA), 2004](https://intelart.io/2022/09/04/nets-infinity-opqa-2004/) - YAYOI KUSAMA (B. 1929) Nets-Infinity (OPQA), 2004 Acrylic on canvas 130.3x97.2 cm (51.4x38.2 inches) Signed, titled in English and Japanese and dated 2004 (on the reverse) Provenance Ota Fine Arts, Japan Alan Koppel Gallery, Chicago Private collection, 2007 Anon. sale; Sotheby's, New York, 15 May 2014, lot 218 Private collection, Switzerland Acquired from the above
- [NETS-OBSESSION [OPR], 2003](https://intelart.io/2022/09/03/nets-obsession-opr-2003/) - NETS-OBSESSION [OPR], 2003 Acrylic on canvas 194x259 cm (76.4x102 inches) Signed, titled and dated 2003 on the reverse Provenance Hiromi Yoshii Gallery, Tokyo Private Collection, Tokyo Sotheby's, New York, 15 November 2006, Lot 225 Acquired from the above sale by the present owner Sotheby’s New-York: 17 May 2018 USD 2,535,000 Source: Sotheby's (#421) Yayoi Kusama
- [Infinity Nets (B.A.Y.), 2001](https://intelart.io/2022/09/01/infinity-nets-b-a-y-2001/) - Infinity Nets (B.A.Y.), 2001 Acrylic on canvas 100x100 cm (39.4x39.4 inches) Signed, titled and dated 2001 (on the reverse) Provenance Roslyn Oxley9 Gallery, Sidney Ota Fine Arts, Tokyo Acquired by the present owner from the above Sotheby’s New-York: 10 November 2011 USD 278,500 Source: Sotheby's (#180) Yayoi Kusama (sothebys.com)
- [Infinity Nets, 2001](https://intelart.io/2022/09/01/infinity-nets-2001/) - INFINITY NETS, 2001 Acrylic on canvas 130.1x162 cm (51.2x63.8 inches) Signed and titled in English and dated 2001 on the reverse Provenance Pièce Unique, Paris (acquired directly from the artist) Private collection, Paris (acquired from the above in 2001) Duhamel Fine Art, Paris Acquired by the present owner from the above Sotheby’s Hong-Kong: 30 September
- [Infinity Nets, 2000](https://intelart.io/2022/08/30/infinity-nets-2000/) - Infinity Nets, 2000 Acrylic on canvas 91.4x73.6 cm (36x29 inches) Signed, titled and dated 'INFINITY NETS 2000 YAYOI KUSAMA' (on the reverse) Provenance Anon. sale; Sotheby's, New York, 26 February 2007, lot 185 Acquired at the above sale by the present owner Christie’s New-York: 11 May 2011 USD 122,500 Source: Christie's Yayoi Kusama (b.
- [Infinity Nets (0902F), 2000](https://intelart.io/2022/08/30/infinity-nets-0902f-2000/) - Infinity Nets (0902F), 2000 Acrylic on canvas 72.7x60.7 cm (28.6x23.9 inches) Signed, titled and dated 2000 (on the reverse) Provenance Ota Fine Arts, Tokyo Studio Guenzani, Milan Acquired from the above by the present owner in 2005 Christie’s London: 11 October 2012 GBP 91,250 / USD 146,680 Source: Christie's Yayoi Kusama (b. 1929) (christies.com)
- [Infinity Nets (TOWWH), 2007](https://intelart.io/2022/09/07/infinity-nets-towwh-2007/) - Infinity-Nets (TOWWH), 2007 Acrylic on canvas 193.7x193.7 cm (76.2x76.2 inches) Signed, titled and dated 2007 on the reverse Provenance OTA Fine Arts, Tokyo Victoria Miro Gallery, London Acquired by the present owner from the above Sotheby's New-York: 13 May 2010 USD 494,500 Source: Sotheby's (#231) Yayoi Kusama (sothebys.com)
- [Infinity Nets (FCPR), 2007](https://intelart.io/2022/09/07/infinity-nets-fcpr-2007/) - Infinity-Nets (FCPR), 2007 Acrylic on canvas 162x130.5 cm (63.7x51.4 inches) Signed twice, titled and dated 2007 on the reverse Provenance Galerie Piéce Unique, Paris Acquired from the above by the present owner in 2007 Sotheby’s London: 8 March 2017 GBP 818,750 / USD 994,835 Source: Sotheby's (#21) Yayoi Kusama (sothebys.com) Executed in 2007, Infinity Nets
- [Infinity Nets CPW, 2007](https://intelart.io/2022/09/07/infinity-nets-cpw-2007/) - Infinity Nets CPW, 2007 Acrylic on canvas 162x162 cm (63.7x63.7 inches) signed, titled in English and Japanese and dated 'CPW YAYOI KUSAMA 2007 INFINITY-NETS' (on the reverse) Christie’s London: 11 February 2011 GBP 169,250 Source: Christie's Yayoi Kusama (b. 1929) (christies.com)
- [Infinity Nets I.N. PQR, 2007](https://intelart.io/2022/09/07/infinity-nets-i-n-pqr-2007/) - Infinity Nets I. N. PQR, 2007 Acrylic on canvas 145.8x145.8 cm (57.4x57.4 inches) Signed, titled, dated and inscribed in Japanese (on the reverse) Provenance Galerie Piece Unique, Paris Acquired from the above by the present owner Christie’s London: 1 July 2014 GBP 290,500 / USD 498,626 Source: Christie's Yayoi Kusama (B. 1929) (christies.com)
- [Infinity Nets (FUMW), 2007](https://intelart.io/2022/09/07/infinity-nets-fumw-2007/) - INFINITY-NETS (FUMW), 2007 Acrylic on canvas 161.9x130.1 cm (63.7x51.2 inches) Signed twice, titled and dated 'YAYOI KUSAMA Yayoi Kusama INFINITY-NETS FUMW 2007' (on the reverse) Provenance Barbara Mathes Gallery, New York Acquired from the above by the present owner Christie’s Hong-Kong: 27 May 2017 HKD 10,260,000 / USD 1,316,583 Source: Christie's YAYOI KUSAMA (JAPAN,
- [Infinity Nets (QASTW), 2007](https://intelart.io/2022/09/07/infinity-nets-qastw-2007/) - Infinity-Nets (QASTW), 2007 Acrylic on canvas 194.4x194.4 cm (76.7x76.7 inches) Signed, titled twice and dated 2007 (on the reverse) Provenance Private Collection, Tokyo Acquired by the present owner from the above Sotheby’s New-York: 10 May 2011 USD 434,500 Source: Sotheby's (#204) Yayoi Kusama (sothebys.com)
- [White Nets, 2007](https://intelart.io/2022/09/07/white-nets-2007/) - White Nets, 2007 Acrylic on canvas 161.9x161.9 cm (63.7x63.7 inches) Signed, titled and dated 2007 on the reverse Provenance OTA Fine Arts, Tokyo Private Collection, Geneva Sotheby's, London, February 5, 2009, lot 8 Acquired by the present owner from the above sale Sotheby’s New-York: 15 May 2013 USD 581,000 Source: Sotheby's (#178) Yayoi Kusama (sothebys.com)
- [Infinity Nets (TWOWQ), 2006](https://intelart.io/2022/09/06/infinity-nets-twowq-2006/) - Infinity Nets (TWOWQ), 2006 Acrylic on canvas 194x194 cm (76.4x76.4 inches) Signed, titled and dated 2006 on the reverse Provenance Robert Miller Gallery, New York Acquired from the above by the present owner in 2006 Sotheby’s New-York: 16 May 2016 USD 850,000 Source: Sotheby's (#179) Yayoi Kusama (sothebys.com) Evident in the expansive
- [Infinity Nets (QOZXS), 2006](https://intelart.io/2022/09/06/infinity-nets-qozxs-2006/) - Infinity Nets QOZXS, 2006 Acrylic on canvas 208.2x204.4 cm (82x80.5 inches) Signed, titled and dated 'Yayoi Kusama 2006 INFINITY NETS QOZXS' (on the reverse) Provenance Robert Miller Gallery, New-York Acquired from the above by the present owner Christie’s New-York: 14 May 2009 USD 170,500 Source: Christie's Yayoi Kusama (b. 1929) (christies.com)
- [Infinity Nets (QPOW), 2006](https://intelart.io/2022/09/06/infinity-nets-qpow-2006/) - YAYOI KUSAMA Infinity Nets (QPOW), 2006 Acrylic on canvas 91.1x72.7 cm (35.9x28.6 inches) Signed, titled in English and Japanese and dated 2006 (on the reverse) Provenance MOMA Contemporary, Fukuoka Art Consultancy Limited, London Private Collection Christie's, New York, 27 September 2019, Lot 106 Acquired from the above sale by the present owner Auction History Sotheby's
- [Infinity Nets (T.OWE), 2006](https://intelart.io/2022/09/06/infinity-nets-t-owe-2006/) - INFINITY-NETS (T.OWE), 2006 Acrylic on canvas 162.6x162.6 cm (64x64 inches) Signed, titled in English and Japanese and dated 'Yayoi Kusama 2006 INFINITY-NETS T.OWE' (on the reverse) Provenance Anthony Meier Fine Arts, San Francisco, USA Acquired from the above by the present owner Christie’s Hong-Kong: 24 May 2021 HKD 20,650,000 / USD 2,659,334 Source:
- [Infinity Nets (OBBXT), 2006](https://intelart.io/2022/09/06/infinity-nets-obbxt-2006/) - Infinity Nets (OBBXT), 2006 Acrylic on canvas 100x100 cm (39.4x39.4 inches) Signed in English, titled in Japanese and English and dated 2006 on the reverse Provenance Private Collection Japan The Market Auction, 21 February 2008, lot 142 Acquired by the present owner from the above sale Sotheby’s Hong-Kong: 2 April 2017 HKD 5,860,000 / USD
- [Infinity Nets (W WHOTX), 2006](https://intelart.io/2022/09/06/infinity-nets-w-whotx-2006/) - Infinity Nets (W WHOTX), 2006 Metallic gold paint and acrylic on canvas 194.5x193.5 cm (76.2x76 inches) Signed, titled and dated 'YAYOI KUSAMA 2006 INFINITY-NETS W WHOTX' (on the reverse) Provenance Robert Miller Gallery, New York Christie’s London: 30 June 2009 GBP 157,250 / USD 259,060 Source: Christie's Yayoi Kusama (b. 1929) (christies.com)
- [Infinity Nets (TWHOQ), 2006](https://intelart.io/2022/09/06/infinity-nets-twhoq-2006/) - YAYOI KUSAMA Infinity Net (TWHOQ), 2006 Acrylic on canvas, in three parts Each 194x130.3 cm (76.4x51.2 inches) Overall 194x390.9 cm (76.4x153.9 inches) Signed, titled and dated 'Yayoi Kusama 2006 INFINITY NETS TWHOQ' (on the reverse) Provenance Private Collection, Asia Acquired from the above by the previous owner circa 2013-2015 Christie’s Hong Kong, 25 May
- [Infinity Nets (TXOB), 2006](https://intelart.io/2022/09/06/infinity-nets-txob-2006/) - Infinity-Nets (TXOB), 2006 Acrylic on canvas 100x100 (39.4x39.4 inches) Signed, titled and dated 2006 on the reverse Provenance OTA Fine Arts, Tokyo Acquired by the present owner from the above Sotheby’s New-York: 13 May 2015 USD 1,150,000 Source: Sotheby's (#203) Yayoi Kusama (sothebys.com)
- [Infinity Nets WHXLOTLO, 2006](https://intelart.io/2022/09/06/infinity-nets-whxlotlo-2006/) - Infinity Nets WHXOTLO, 2006 Acrylic on canvas 200x1000 cm (78.7x393.7 inches) Signed 'Yayoi Kusama' in English; dated '2006'; titled 'INFINITY-NETS WHXOTLO' (on the reverse) Christie’s Hong-Kong: 21 November 2014 HKD 18,040,000 / USD 2,325,351 Source: Christie's YAYOI KUSAMA (B.1929) (christies.com) At 10 meters long, Infinity Nets WHXOTLO is the largest painting by Yayoi Kusama
- [White Nets (HWTOQ), 2006](https://intelart.io/2022/09/06/white-nets-hwtoq-2006/) - WHITE NETS (HWTOQ), 2006 Acrylic on canvas 161.9x161.9 cm (63.7x63.7 inches) Signed, titled and dated 2006 on the reverse Provenance Ota Fine Arts, Tokyo Anthony Meier Fine Arts, San Francisco Christie's, New York, 14 May 2009, Lot 144 Acquired from the above sale by the present owner Sotheby’s New-York: 15 November 2019 USD
- [Infinity Nets OQWWS, 2006](https://intelart.io/2022/09/06/infinity-nets-oqwws-2006/) - Infinity Nets OQWWS, 2006 Acrylic on canvas 91.3x70 cm (63.9x63.9 inches) Signed in English, titled in Japanese and English and dated 2009 on the reverse Provenance Ota Fine Arts, Tokyo Acquired by the present owner from the above Christie’s London: 11 February 2016 GBP 626,500 / USD 905,346 Source: Christie's Yayoi Kusama (b. 1929) (christies.com)
- [Infinity-Nets (OXTERAL), 2008](https://intelart.io/2022/09/08/infinity-nets-oxteral-2008/) - YAYOI KUSAMA (B.1929) Infinity-Nets (OXTERAL), 2008 Acrylic on canvas 160.3 x 130.2 cm. (63 x 51 3/4 inches) Signed and dated ‘YAYOI KUSAMA 2008' Titled in English 'INFINITY-NETS OXTERAL' and Japanese (on the reverse) Provenance Ota Fine Art, Tokyo Acquired from the above by the present owner Auction History Christie's Hong-Kong: 30 November 2022 Estimated:
- [Infinity Nets (SSOWTN), 2008](https://intelart.io/2022/09/08/infinity-nets-ssowtn-2008/) - Infinity Nets (SSOWTN), 2008 Acrylic on canvas 130.2x130.2 cm (51.2x51.2 inches) Signed, titled in English and Japanese and dated 2008 on the reverse Provenance Ota Fine Arts, Tokyo Gagosian Gallery, New York Acquired by the present owner from the above Sotheby’s New-York: 14 November 2013 USD 509,000 Source: Sotheby's (#201) Yayoi Kusama (sothebys.com)
- [Infinity Nets (OPRZT), 2008](https://intelart.io/2022/09/08/infinity-nets-oprzt-2008/) - YAYOI KUSAMA (b. 1929) Infinity-Nets-OPRZT, 2008 Acrylic on canvas 194.3 x 259 cm (76 1/2 x 102 inches) Signed twice, titled and dated 2008 on the reverse Provenance Victoria Miro Gallery, London Acquired from the above by the present owner in 2008 Auction History Sotheby's London: 29 June 2021 Estimated: GBP 1,200,000 - 1,800,000 GBP 2,193,000 /
- [Infinity Nets (OQRWHN), 2008](https://intelart.io/2022/09/08/infinity-nets-oqrwhn-2008/) - Infinity-Nets (OQRWHN), 2008 Acrylic on canvas 194x194 cm (76.4x76.4 inches) Titled in Japanese, signed ‘Yayoi Kusama INFINITY-NETS (OQRWHN) 2008’ (on the reverse) Provenance Ota Fine Arts, Tokyo, Japan Gallery Hyundai, Seoul, Korea Private Collection, Europe Christie’s Hong-Kong: 22 November 2019 HKD 10,925,000 / USD 1,396,184 Source: Christie's YAYOI KUSAMA (B. 1929) (christies.com)
- [Infinity Nets (OQPZO), 2008](https://intelart.io/2022/09/08/infinity-nets-oqpzo-2008/) - INFINITY-NETS (OQPZO), 2008 Acrylic on canvas 100x100 cm (39.4x39.4 inches) Signed and titled ‘YAYOI KUSAMA INFINITY-NETS (OQPZO)’ Titled in Japanese, dated ‘2008’ (on the reverse) Provenance Victoria Miro Gallery, London, United Kingdom Acquired from the above by the present owner Christie’s Hong-Kong: 26 May 2019 HKD 4,325,000 / USD 551,081 Source: Christie's YAYOI
- [Infinity-Nets (OQABT), 2007](https://intelart.io/2022/09/07/infinity-nets-oqabt-2007/) - YAYOI KUSAMA Infinity - Nets (OQABT), 2007 Acrylic on canvas 304x540 cm (119 5/8 x 212 5/8 inches) Provenance Victoria Miro Gallery, London Acquired directly from the above by the present owner Sotheby's London: 25 June 2009 Estimated: GBP 300,000 - 400,000 GBP 337,250 (#24) Yayoi Kusama (sothebys.com) One of the highlights of Yayoi
- [Infinity Nets (OPQR), 2007](https://intelart.io/2022/09/07/infinity-nets-opqr-2007-2/) - Infinity Nets OPQR, 2007 Acrylic on canvas 259.1x194 cm (102x76.4 inches) Provenance Gagosian Gallery, New York Phillips, New York, Contemporary Art Evening, 10 May 2012, lot 22 Acquired at the above sale by the present owner Phillips London: 9 February 2016 GBP 746,500 / USD 1,082,197 Source: Phillips Yayoi Kusama - 20th Century & Contem...
- [Infinity-Nets (OPQR), 2007](https://intelart.io/2022/09/07/infinity-nets-opqr-2007/) - YAYOI KUSAMA Infinity-Nets (OPQR), 2007 Acrylic on canvas 91x73 cm (35.8x28.7 inches) Signed, titled and dated ‘Yayoi Kusama 2007 INFINITY-NETS OPQR’ (on the reverse) Provenance Victoria Miro, London Acquired from the above by the present owner in 2007 Auction History Christie’s London: 15 October 2021 Estimated: GBP 700,000 - 1,000,000 GBP 1,702,500 / USD
- [Infinity Nets (OPYTSDB Gold), 2007](https://intelart.io/2022/09/07/infinity-nets-opytsdb-gold-2007/) - Infinity-Nets OPYTSDB (Gold), 2007 Acrylic on canvas 200x200 cm (78.7x78.7 inches) Signed, titled and dated 2007 on the reverse Provenance Robert Miller Gallery, New York Leanne Hull Fine Art, La Jolla Acquired from the above by the present owner in February 2007 Sotheby’s New-York: 18 November 2016 USD 1,452,500 Source: Sotheby's (#141) Yayoi Kusama (sothebys.com)
- [Infinity Nets (TSSXPZ), 2007](https://intelart.io/2022/09/07/infinity-nets-tssxpz-2007/) - Infinity-Nets [TSSXPZ], 2007 Acrylic on canvas 160x130.3 cm (63x51.2 inches) Signed twice, titled and dated 2007 on the reverse Provenance Private Collection, Tokyo Sotheby’s New-York: 12 November 2015 USD 1,690,000 Source: Sotheby's (#122) Yayoi Kusama (sothebys.com) Infinity-Nets [TSSXPZ] is an example of Yayoi Kusama’s most personal and renowned body of work. Painted in 2007, this work
- [Infinity Nets (RRRTOW), 2007](https://intelart.io/2022/09/07/infinity-nets-rrrtow-2007/) - Infinity Nets (RRRTOW), 2007 Acrylic on canvas 194x130 cm (76.4x51.2 inches) Signed, titled and dated 2007 on the reverse Provenance MOMA Contemporary, Fukuoka Private Collection, Tokyo Sotheby’s New-York: 13 May 2009 USD 182,500 Source: Sotheby's (#144) Yayoi Kusama (sothebys.com)
- [Infinity Nets (OTWHON), 2014](https://intelart.io/2022/09/14/infinity-nets-otwhon-2014/) - Infinity Nets [OTWHON], 2014 Acrylic on canvas 144.8x144.8 cm (57x57 inches) Signed, titled and dated 'INFINITY-NETS YAYOI KUSAMA 2014 OTWHON' (on the reverse) Provenance Ota Fine Arts, Tokyo David Zwirner, New York Private Collection, New York Casterline Goodman Gallery, Aspen Private Collection, Ohio Private Collection Christie’s Hong-Kong: 1 December 2021 HKD 19,450,000 /
- [Infinity Nets (WFTO), 2014](https://intelart.io/2022/09/14/infinity-nets-wfto-2014/) - Infinity Nets [WFTO], 2016 Acrylic on canvas 130.3x130.3 cm (51.2x51.2 inches) Signed, titled and dated 2016 on the reverse Provenance Ota Fine Arts, Tokyo Acquired from the above by the present owner in 2016 Sotheby’s New-York: 17 May 2018 Estimated USD 450,000 – 650,0000 Source: Sotheby's (#462) Yayoi Kusama (sothebys.com)
- [Infinity Nets (GMBKA), 2013](https://intelart.io/2022/09/13/infinity-nets-gmbka-2013/) - YAYOI KUSAMA INFINITY-NETS (GMBKA), 2013 Acrylic on canvas 162x131 cm (63.8x51.6 inches) Signed, titled and dated '"GMBKA INFINITY-NETS" YAYOI KUSAMA 2013' on the reverse Provenance David Zwirner, New York Private Collection, USA (acquired from the above in 2013) Phillips, Hong Kong, 24 November 2019, lot 28 Acquired at the above sale by the present
- [Infinity Nets (PEAA), 2013](https://intelart.io/2022/09/13/infinity-nets-peaa-2013/) - INFINITY-NETS [PEEA], 2013 Acrylic on canvas 100x100 cm (39.4x39.4 inches) Signed, titled and dated 2013 on the reverse Provenance Ota Fine Arts, Tokyo Private Collection, California Sotheby’s New-York: 19 May 2017 USD 852,500 Source: Sotheby's (#410) Yayoi Kusama (sothebys.com)
- [Infinity Nets (YASOP), 2013](https://intelart.io/2022/09/13/infinity-nets-yasop-2013/) - INFINITY-NETS [YASOP], 2013 Acrylic on canvas 194x194 cm (76.4x76.4 inches) Signed, titled in English and Japanese and dated 2013 on the reverse Provenance Victoria Miro Gallery, London Acquired from the above by the present owner in 2013 Sotheby’s New-York: 19 May 2017 USD 1,932,500 Source: Sotheby's (#408) Yayoi Kusama (sothebys.com) Yayoi Kusama remains
- [Infinity Nets (BCO), 2013](https://intelart.io/2022/09/13/infinity-nets-bco-2013/) - Infinity-Nets (BCO), 2013 Acrylic on canvas 130.2x194.3 cm (51.2x76.5 inches) Signed, titled and dated 'BCO INFINITY-NETS 2013 YAYOI KUSAMA' (on the reverse) Provenance Ota Fine Arts, Tokyo Victoria Miro Gallery, London Private collection, London Anon. sale; K-Auction, Seoul, 18 October 2017, lot 111 Acquired at the above sale by the present owner Christie’s
- [Infinity Nets by Black, 2013](https://intelart.io/2022/09/13/infinity-nets-by-black-2013/) - Infinity-Nets by Black, 2013 Oil on canvas 130.3x162.6 (51.2x64 inches) Signed, titled and dated 2013 on the reverse Provenance Victoria Miro, London Acquired by the present owner from the above in 2013 Sotheby’s New-York: 12 November 2015 USD 730,000 Source: Sotheby's (#185) Yayoi Kusama (sothebys.com)
- [Infinity Nets (NOLM), 2013](https://intelart.io/2022/09/13/infinity-nets-nolm-2013/) - INFINITY-NETS (NOLM), 2013 Acrylic on canvas 162x130.3 cm (63.7x51.2 inches) Signed, titled and dated 2013 on the reverse Provenance Ota Fine Arts Acquired from the above by the present owner Sotheby’s Hong-Kong: 6 October 2020 HKD 29,215,000 / USD 1,271,629 Source: Sotheby's YAYOI KUSAMA 草間彌生 | INFINITY-NETS (NOLM) 無限網 (NOLM) | Contemporary Art
- [Infinity Nets (TWQPA), 2012](https://intelart.io/2022/09/12/infinity-nets-twqpa-2012/) - INFINITY-NETS (TWQPA), 2012 Acrylic on canvas 162x130.3 cm (63.8x51.3 inches) Titled, signed and dated 2012 (on the reverse) Provenance SCAI the Bathhouse, Tokyo, Japan Acquired from the above by the present owner Private Collection, Europe Christie’s Hong-Kong: 24 November 2018 HKD 9,700,000 / USD 1,239,759 Source: Christie's YAYOI KUSAMA (JAPAN, B. 1929) (christies.com)
- [Infinity Nets (OPARJH), 2012](https://intelart.io/2022/09/12/infinity-nets-oparjh-2012/) - Infinity Nets (OPARHJ), 2012 Acrylic on canvas 130.5x130.5cm (51.4x51.4 inches) Signed, titled and dated 'YAYOI KUSAMA "OPARHJ INFINITY-NETS" 2012' on the reverse. Provenance Ota Fine Arts, Tokyo Phillips London: 14 October 2015 GBP 530,500 / USD 819,178
- [Infinity Nets (SENN), 2011](https://intelart.io/2022/09/11/infinity-nets-senn-2011-2/) - YAYOI KUSAMA Infinity Nets (SENN), 2011 Acrylic on canvas 130x130 cm (51.1 x 51.1 inches) Signed, titled and dated 'SENN INFINITY NETS YAYOI KUSAMA 2011' (on the reverse) Provenance Ota Fine Arts, Tokyo Gagosian Gallery, New York Acquired from the above by the present owner in 2011 Phillips London: 3 March 2022 GBP 1,293,000
- [Infinity Nets (OZEH), 2011](https://intelart.io/2022/09/11/infinity-nets-ozeh-2011/) - Infinity Nets (OZEH), 2011 Acrylic on canvas 194x259.1 cm (76.4x102 inches) Signed, titled and dated "OZEH INFINITY NETS YAYOI KUSAMA 2011" on the reverse Provenance OTA FINE ARTS, Tokyo Gagosian Gallery, New York Acquired from the above by the present owner Phillips New-York: 16 November 2016 USD 1,810,000 Yayoi Kusama’s Infinity Nets OZEH is
- [Infinity-Nets (RAZX), 2011](https://intelart.io/2022/09/11/infinity-nets-razx-2011/) - YAYOI KUSAMA (b. 1929) Infinity-Nets (RAZX), 2011 Acrylic on canvas 162x162 cm (63 3/4 x 63 3/4 inches) Signed, titled in English and Japanese and dated 2011 on the reverse Provenance Ota Fine Arts, Tokyo Acquired from the above by the present owner Auction History Sotheby's Hong-Kong: 5 October 2023 Estimated: HKD 20,000,000 - 30,000,000 HKD
- [Infinity Nets (QOTP), 2010](https://intelart.io/2022/09/10/infinity-nets-qotp-2010/) - YAYOI KUSAMA Infinity-Nets (QOTP), 2010 Acrylic on canvas 194x259 cm (76 ⅜ x 102 inches) Signed Yayoi Kusama, titled Infinity-Nets QOTP and dated 2010 (on the reverse) Provenance Victoria Miro, London Acquired from the above by the present owner in 2011 Auction History Sotheby's London: 14 October 2022 Estimated: GBP 1,800,000 - 2,500,000 GBP 3,423,000 / USD 3,837,444 Infinity-Nets (QOTP)
- [Infinity Nets (MTTI), 2010](https://intelart.io/2022/09/10/infinity-nets-mtti-2010/) - INFINITY-NETS (MTTI), 2010 Acrylic on canvas 130.3x130.3 cm (51.4x51.4 inches) Signed in English, titled and dated 2010 on the reverse Provenance Rosenfeld Gallery, New York Acquired by the present owner from the above Sotheby’s Hong-Kong: 1 April 2019 HKD 5,215,000 / USD 664,365 Source: Sotheby's (#1163) KUSAMA YAYOI | INFINITY-NETS (MTTI) (sothebys.com) The enigmatic
- [Infinity Nets (JAATO), 2009](https://intelart.io/2022/09/09/infinity-nets-jaato-2009/) - Infinity-Nets (JAATO), 2009 Acrylic on canvas 162.2x162.2 cm (63.9x63.9 inches) Signed in English, titled in Japanese and English and dated 2009 on the reverse Provenance Ota Fine Arts, Tokyo Acquired by the present owner from the above Sotheby’s Hong-Kong: 3 April 2016 HKD 5,840,000 / USD 753,043 Source: Sotheby's (#1060) Kusama Yayoi (sothebys.com)
- [Infinity Nets (KSUZL), 2017](https://intelart.io/2022/09/17/infinity-nets-ksuzl-2017/) - INFINITY-NETS (KSUZL), 2017 Acrylic on canvas 161.9x130.5 cm (63.7x51.3 inches) Signed, titled and dated 'YAYOI KUSAMA 2017 INFINITY-NETS KSUZL' on the reverse Provenance OTA Fine Arts, Singapore David Zwirner, New York Acquired from the above by the present owner in 2017 Phillips London: 12 February 2020 GBP 525,000 / USD 685,199 Source: Phillips
- [Infinity Nets (KYKEY), 2017](https://intelart.io/2022/09/17/infinity-nets-kykey-2017/) - YAYOI KUSAMA Infinity-Nets (KYKEY), 2017 Acrylic on canvas 162x162 cm (62.7x62.7 inches) Signed Yayoi Kusama, titled Infinity-Nets KYKEY and dated 2017 (on the verso) Provenance David Zwirner, New York Acquired from the above by the present owner Auction History Sotheby’s London: 2 March 2022 Estimated: GBP 1,500,000 - 2,000,000 GBP 2,273,500 / USD 3,030,570 Infinity-Nets (KYKEY) | Modern &
- [Infinity Nets (KGSZH), 2017](https://intelart.io/2022/09/17/infinity-nets-kgszh-2017/) - YAYOI KUSAMA Infinity-Nets (KGFZH), 2017 Acrylic on canvas 162x162 cm (63.7 x 63.7 inches) Signed, titled and dated 'YAYOI KUSAMA 2017 INFINITY-NETS KGFZH' (on the reverse) Provenance The Artist Victoria Miro Gallery, London Private collection, Switzerland Private collection, New York Acquired directly from the above by the present owner Auction History Christie's Hong-Kong: 26 May
- [Infinity Nets (BRST), 2016](https://intelart.io/2022/09/16/infinity-nets-brst-2016/) - Infinity Nets [BRST], 2016 Acrylic on canvas 145.5x112 cm (57.2x44 inches) Signed, titled and dated 'INFINITY-NETS BRST YAYOI KUSAMA 2016' (on the reverse) Provenance Ota Fine Arts, Tokyo Private collection, Asia Acquired from the above by the present owner Christie’s New-York: 13 November 2019 USD 1,455,000 Source: Christie's Yayoi Kusama (b. 1929) (christies.com)
- [Infinity Nets (WKG), 2015](https://intelart.io/2022/09/15/infinity-nets-wkg-2015/) - YAYOI KUSAMA (b. 1929) Infinity Nets (WKG), 2015 Acrylic on canvas 145.5 x 145.5 cm (57 1/4 x 57 1/4 inches) Signed, titled and dated 2015 (on the reverse) Provenance David Zwirner, New York Acquired from the above by the present owner Sotheby's London: 6 March 2024 Estimated: GBP 1,500,000 - 2,000,000 GBP 1,621,000 /
- [GOLD-INFINITY-NETS, 2015](https://intelart.io/2022/09/15/gold-infinity-nets-2015/) - YAYOI KUSAMA GOLD-INFINITY-NETS, 2015 Acrylic on canvas 145.5 x 145.5 cm (57 1/4 x 57 1/4 inches) Signed, titled and dated on reverse Provenance Ota Fine Arts, Tokyo Acquired directly by present important private Asian collector from the above China Guardian Hong-Kong : 9 October 2022 Estimated: HKD 12,000,000 - 22,000,000 HKD 48,630,000 / USD
- [Infinity Nets (HIWO), 2015](https://intelart.io/2022/09/15/infinity-nets-hiwo-2015/) - Infinity Nets (HIWO), 2015 Acrylic on canvas 194x194 cm (76.4x76.4 inches) Signed, titled and dated ‘HIWO INFINITY-NETS YAYOI KUSAMA 2015’ (on the reverse) Provenance Ota Fine Arts, Tokyo Private collection, Europe Acquired from the above by the present owner Christie’s New-York: 16 November 2016 USD 1,567,500 Source: Christie's Yayoi Kusama (b. 1929) (christies.com)
- [Gold-Sky-Nets, 2015](https://intelart.io/2022/09/15/gold-sky-nets-2015/) - YAYOI KUSAMA Gold-Sky-Nets, 2015 Acrylic on canvas 112x145.5 cm (41.1x57.3 inches) Signed, titled and dated 2015 on the reverse Provenance Ota Fine Arts, Japan Private Collection, Asia Acquired from the above Sotheby's Hong-Kong, 19 April 2021 Acquired from the above Auction History Seoul Auction: 26 October 2021 Estimated: 1,700,000,000 - 3,000,000,000 KRW 3,650,000,000 / USD 3,125,309 (HAMMER) KRW
- [Silver Nets (EOKI), 2015](https://intelart.io/2022/09/15/silver-nets-eoki-2015/) - Silver Nets (EOKI), 2015 Acrylic on canvas 162.2x130.5 cm (63.9x51.4 inches) Signed, titled and dated ‘EOKI SILVER NETS YAYOI KUSAMA 2011’ on the reverse Provenance Ota Fine Arts, Tokyo Gagosian Gallery, New York Acquired from the above by the present owner in 2011 Phillips London: 15 October 2021 GBP 1,837,500 / USD 2,527,858
- [Infinity Nets (BSGK), 2015](https://intelart.io/2022/09/15/infinity-nets-bsgk-2015/) - Infinity Nets (BSGK), 2015 Acrylic on canvas 162x162 cm (63.7x63.7 inches) Titled, signed and dated '"INFINITY NETS (BSGK)" YAYOI KUSAMA 2015’ Provenance OTA Fine Arts, Tokyo Acquired from the above by the present owner Phillips London: 8 March 2017 GBP 605,000 / USD 735,115 Source: Phillips Yayoi Kusama - 20th Century & Contempor...
- [Infinity Nets (POWTY), 2014](https://intelart.io/2022/09/14/infinity-nets-powty-2014/) - Infinity-Nets (POWTY), 2014 Acrylic on canvas 145.5x145.5 cm (57.2x57.2 inches) Signed and titled in English and dated 2014 on the reverse Provenance Victoria Miro Gallery, London Acquired from the above by the present owner Sotheby’s Hong-Kong: 1 October 2018 HKD 6,120,000 / USD 781,798 Source: Sotheby's (#1088) KUSAMA YAYOI | Infinity-Nets (POWTY) (sothebys.com) A
- [Infinity Nets (HOAWD), 2014](https://intelart.io/2022/09/14/infinity-nets-hoawd-2014/) - Infinity Nets (HOAWD), 2014 Acrylic on canvas 97.2x130.2 cm (38.2x51.2 inches) Titled, signed and dated '"HOAWD INFINITY-NETS" YAYOI KUSAMA 2014' on the reverse Provenance Ota Fine Arts, Tokyo Private Collection, Canada Acquired from the above by the present owner Phillips Hong-Kong: 27 May 2018 Estimated HKD 4,500,000 – 6,500,000
- [KAWS Giant Companions](https://intelart.io/2021/07/28/kaws-together-2017/) - KAWS GIANT COMPANIONS “Companion is a figure in the world now, and it’s not all great out there,” KAWS has explained. “Even though I use a comic language, my figures are not always reflecting the idealistic cartoon view that I grew up on…Companion is more real in dealing with contemporary human circumstances. I
- [Kaws, The Kimpsons Series, 2003-2005](https://intelart.io/2021/07/29/kaws-the-kimpsons-series/) - Kaws The Kimpsons Series Commissioned by NIGO® in 2004 and created at a critical juncture of the artist's career, the KIMPSONS works were the first formal paintings on canvas created by KAWS. Painted by hand with Chromacolour paint, a unique acrylic pigment primarily used by animators, these KIMPSONS paintings manifest as
- [Kaws Top Lots at Auction](https://intelart.io/2021/07/30/kaws-top-lots-at-auction/) - Kaws Top Lots at Auction #1. The Kaws Album Sotheby's Hong-Kong, 1 April 2019 USD 14,773,492 Released in 1967, The Beatles’ era-defining Sgt. Pepper album was lauded by critics for its bridging of popular music, high art and contemporary counterculture. THE KAWS ALBUM follows in its legendary footsteps in its bold
- [KAWS and the Rise of Consumer Culture](https://intelart.io/2021/07/31/about-kaws/) - KAWS The Rise of Consumer Culture For twenty-five years, Brooklyn-based artist KAWS (Brian Donnelly, American, born 1974) has bridged the worlds of art, popular culture, and commerce. Adapting the rules of cultural production and consumption in the twenty-first century, his practice both critiques and participates in consumer culture. Continuing in the tradition of
- [Love Poems, 2014](https://intelart.io/2024/04/11/love-poems-2014/) - Love Poems The complete set of six photogravure etchings Medium: Photo-gravure etchings with lithographic overlay in colors on Arches paper Year: 2014 Image: 60.6 x 60.6 cm (23 7/8 x 23 7/8 inches) Sheet: 78x76 cm (30 3/4 x 29 7/8 inches) Edition: 55 Artist's Proofs: 15 AP Publisher: The Paragon Press Love Poems
- [ASTRO BOY, 2003](https://intelart.io/2021/07/03/astro-boy-2003/) - KAWS ASTRO BOY, 2003 Sotheby's Hong-Kong: 20 April 2021 Estimated: HKD 1,500,000 - 2,500,000 HKD 3,150,000 / USD 405,845 KAWS | KAWS ASTRO BOY | Contemporary Art Day Sale | 2021 | Sotheby's KAWS (b. 1974) KAWS ASTRO BOY, 2003 Hand Painted Resin 19 x 11 3/4 x 4 3/4 inches (48x30x12 cm)
- [Seeing, 2020](https://intelart.io/2021/07/20/seeing-2020/) - Seeing Medium: alloy, ceramic, LED light and mixed media Year: 2020 Dimensions: 15 1/4 (H) x 8 1/4 (W) x 11 (D) inches (39x21x28 cm) Edition: 150 Publisher: AllRightsReserved Ltd., Hong Kong Impressed title and number to underside of foot Signed and dated to underside of foot Auction Results LA Modern: 26
- [FINAL DAYS, 2014-2017](https://intelart.io/2021/07/17/final-days-2017/) - “COMPANION is a figure in the world now, and it’s not all great out there. Even though I use a comic language, my figures are not always reflecting the idealistic cartoon view that I grew up on…COMPANION is more real in dealing with contemporary human circumstances. I think when I’m making work it also often
- [AT THIS TIME, 2013-2016](https://intelart.io/2021/07/16/at-this-time-2016/) - AT THIS TIME Medium: Afromosia wood Year: 2013 Dimensions: 98 1/2 x 45 7/8 x 36 1/2 inches (250x116x93 cm) Edition: 3 Artist's Proofs: 2 AT THIS TIME Medium: wood (black) Year: 2013 Dimensions: 104 x 44 x 39 3/8 inches (264.2 x 11.8 x 100 cm) Edition: 3 Artist's Proofs: 2 AP Towering
- [COMPANION, 2010](https://intelart.io/2021/07/10/companion-2010/) - COMPANION Medium: Fiberglass and black rubberized paint Year: 2010 Dimensions: 244 x 122 x 91.4 cm Edition: 3 Artist's Proofs: 1 AP Strikingly iconic and monumental in scale, COMPANION ranks amongst the most emblematic figures within KAWS’ pervasive visual lexicon. In recent years, Brooklyn-based KAWS (Brian Donnelly) has not only earned his position
- [Four Foot Dissected Companions, 2009](https://intelart.io/2021/07/09/four-foot-dissected-companion-black-2009/) - “Signaling the direction of his work with gargantuan publicly installed sculptures, KAWS Four Foot Companions are prodigious. Released over a number of years, the set of six began with the brown version. Because they were released individually over time, it has proven to be a very challenging feat to assemble the whole set in a collection.
- [A PUMPKIN YB-B, 2004 (ABE 327)](https://intelart.io/2022/08/04/a-pumpkin-yb-b-2004-abe-327/) - A PUMPKIN YB-B Medium: Screen-print in colors on Verin d'Arches paper [3 screens, 2 colors, 3 runs] Year: 2004 Image: 24 x 28.5 cm (9.4 x 11.2 inches) Sheet: 33 x 38.5 cm (13 x 15.2 inches) Edition: 120 Artist's Proofs: 12 AP Printer's Proofs: 5 PP Printer: Okabe Tokuzo, Tokyo Literature: ABE 327 Yayoi
- [Flower Bloomed in My Heart, 2011 (ABE 372)](https://intelart.io/2022/08/08/flower-bloomed-in-my-heart-2011-abe-372/) - Flower Bloomed in My Heart Medium: Silkscreen in colors on Chiffon paper, Moulin de Larroque with embossing [7 colors] Year: 2011 Image: 45.5 x 38 cm (17.7 x 15 inches) Sheet: 58.5 x 56.5 cm (23 x 22.2 inches) Edition: 30 Artist's Proofs: 10 AP Printer's Proofs: 5 PP Hors Commerce: 5 HC Printer:
- [Butterflies' Nest, 2011 (ABE 371)](https://intelart.io/2022/08/08/butterflies-nest-2011-abe-371/) - Butterflies' Nest Medium: Silkscreen in colors on Chiffon paper, Moulin de Larroque with etching embossing [4 colors] Year: 2011 Image: 37.8 x 45.3 cm (14.9 x 17.8 inches) Sheet: 55x59 cm (21.7 x 23.2 inches) Edition: 30 Artist's Proofs: 10 AP Printer's Proofs: 5 PP Hors Commerce: 5 HC Printer: Les Ateliers Moret, Paris
- [Buried in a Flower Garden, 2011 (ABE 370)](https://intelart.io/2022/08/08/buried-in-a-flower-garden-2011-abe-370/) - Buried in a Flower Garden Medium: Silkscreen in colors on Chiffon paper, Moulin de Larroque with etching embossing [4 colors] Year: 2011 Image: 37.8 x 45.3 cm (14.9 x 17.8 inches) Sheet: 55x59 cm (21.7 x 23.2 inches) Edition: 30 Artist's Proofs: 10 AP Printer's Proofs: 5 PP Hors Commerce: 5 HC Printer: Les
- [Women Wishing for Peace, 2011 (ABE 369)](https://intelart.io/2022/08/08/women-wishing-for-peace-2011-abe-369/) - Women Wishing for Peace Medium: Silkscreen in colors on Chiffon paper, Moulin de Larroque with Etching embossing [4 colors] Year: 2011 Image: 45.3 x 52.7 cm (17.8 x 20.7 inches) Sheet: 60x69 cm (23.6 x 27.2 inches) Edition: 30 Artist's Proofs: 10 AP Printer's Proofs: 5 PP Hors Commerce: 5 HC Printer: Les Ateliers
- [Stanley Whitney (American, b. 1946)](https://intelart.io/2022/12/13/stanley-whitney-recent-auction-results-2/) - Whitney was born in Philadelphia in 1946 and studied at the Kansas City Art Institute before moving to New York City in 1968. He graduated with an MFA from Yale School of Art in 1972, but found himself at odds with the politically and theoretically oriented contemporary scene of the 1970s and 1980s, confronting the
- [Liu Ye (b. 1964, Chinese)](https://intelart.io/2022/12/13/liu-ye-b-1964-chinese-auction-market-overview/) - Whimsical and theatrical are words that come to mind when approaching Liu Ye’s bewildering yet charming oeuvre. Born in 1964, Liu Ye grew up in an artistic family: his father wrote children’s fairy tales and his mother was a language teacher. During the Cultural Revolution his parents hid all their books, which Liu Ye found
- [Louise Bonnet (Swiss, b. 1970)](https://intelart.io/2022/12/13/louis-bonnet-auction-market-overview/) - The figures that populate Louise Bonnet’s paintings and works on paper walk a line between beauty and ugliness, between absurdist, knockabout comedy and extreme psychological and physiological tension. Inhabiting sparse, eerie landscapes and boxed in by the edges of the canvas or the page, they act out dramas of profound discomfort that plumb the depths
- [ISOLATION TOWER, 2016](https://intelart.io/2021/07/16/isolation-tower-2016/) - ISOLATION TOWER Medium: Screenprint on Saunders Waterford 425gm HP Hi-white paper Year: 2016 Size: 60x43 inches (152.4 x 109.2 cm) Edition: 50 Artist's Proofs: 20 AP Publisher: Pace Prints, New York Each signed, dated, and numbered in pencil ISOLATION TOWER reimagines the Peanuts character Snoopy as a collage of various KAWS figures, marked by
- [MAN'S BEST FRIEND, 2016](https://intelart.io/2021/07/16/mans-best-friend-2016/) - Man's Best Friend The complete set of 10 screen-prints in black and white Medium: Screen-print in black and white on Saunders Waterford High White paper Year: 2016 Size: 35x23 inches (88.9 x 58.4 cm) Edition: 100 Artist's Proofs: 20 Publisher: Pace Editions Inc., New-York Each signed, dated and numbered in pencil Man’s Best
- [YOU SHOULD KNOW I KNOW, 2015](https://intelart.io/2021/07/15/you-should-know-i-know-2015/) - YOU SHOULD KNOW I KNOW Medium: Screenprint in colors on Saunders Waterford High White paper Year: 2015 Sheet: 37x32 inches (94.5 x 81.1 cm) Edition: 250 Artist's Proofs: 50 AP Publisher: Pace Editions Inc., New-York Signed, dated and numbered in pencil Made in 2015, this striking screen print by celebrated street artist KAWS is
- [NO ONE'S HOME, STAY STEADY, & THE THINGS THAT COMFORT, 2015](https://intelart.io/2021/07/15/no-ones-home-stay-steady-and-the-things-that-comfort-2015/) - In this bold triptych KAWS pays homage to everyone’s favorite cartoon dog, Snoopy – originally from the Peanuts series by Charles Schulz. Here the beloved character is shown in three different poses, his figure an instantly recognizable silhouette that is filled in with an assemblage of body parts, sketches and bands of color as if
- [NO REPLY, 2015](https://intelart.io/2021/07/15/no-reply-2015/) - Introduction After his graduation from the School of Visual Arts in New York, KAWS started his creative career working for Jumbo Pictures as an animator, painting backgrounds for Disney’s animated series. While thriving in this artistic environment, the artist chased creative liberty and the freedom to produce his own work. Like his predecessors
- [PRESENTING THE PAST, 2014](https://intelart.io/2021/07/14/presenting-the-past-2014-2/) - PRESENTING THE PAST Medium: Screenprint in colors on Saunders Waterford High White paper Year: 2014 Sheet: 32x32 inches (81x81 cm) Edition: 250 Artist's Proofs: 50 AP Publisher: Kawsone, New-York Each signed, dated and numbered in pencil This large-format, square composition features a dynamic arrangement of KAWS's signature cartoon-inspired characters, which are hybrid figures that
- [BLAME GAME, 2014](https://intelart.io/2021/07/14/blame-game-2014-2/) - BLAME GAME The complete set of ten screenprints in colors Medium: Screenprints in colors on Saunders Waterford High White paper Year: 2014 Sheet: 35x23 inches (88.8 x 58.4 cm) Edition: 100 Artist's Proofs: 20 AP Publisher: Pace Prints, New-York Auction Results Christie's New-York: 7 October 2020 Estimated: USD 70,000 - 100,000
- [UPS AND DOWNS, 2013](https://intelart.io/2021/07/13/ups-and-downs-2013-2/) - UPS AND DOWNS The complete set of 10 screen-prints in colors Medium: Screen-print in colors on Saunders Waterford High White paper Year: 2013 Sheet: 35x23 inches (88.9 x 58.4 cm) Edition: 80 Artist's Proofs: 20 AP Printer's Proofs: 4 PP Publisher: The Artist, New-York Each signed, dated and numbered in pencil UPS AND
- [PAPER SMILE, 2012](https://intelart.io/2021/07/12/paper-smile-2012-2/) - PAPER SMILE Medium: Screenprint in colors on Saunders Waterford paper Year: 2012 Sheet: 25 x 20 1/8 inches (63.6 x 51 cm) Edition: 100 Publisher: The High Museum of Art, Atlanta, to support the exhibition Down Time Signed, dated and numbered in pencil Auction Results Heritage Auctions: 19 November 2024 Estimated: USD
- [KAWSBOB, 2011](https://intelart.io/2021/07/11/kawsbob-2011/) - The KAWSBOB prints feature screen-printed, close-up portraits of the cartoon character SpongeBob SquarePants. KAWS subverts the original character's persona by replacing its eyes with his signature "X" motif, blurring the lines between "high" art and pop culture and critiquing consumerism. Introduction The series originated in 2008 when music producer Pharrell Williams commissioned KAWS for The KAWSBOB prints feature screen-printed, close-up portraits of the cartoon character SpongeBob SquarePants. KAWS subverts the original character's persona by replacing its eyes with his signature "X" motif, blurring the lines between "high" art and pop culture and critiquing consumerism. Introduction The series originated in 2008 when music producer Pharrell Williams commissioned KAWS for
- [DISSECTED COMPANIONS, 2006](https://intelart.io/2021/07/06/dissected-companion-black-and-grey-2006/) - DISSECTED COMPANION (BLACK); (GREY); and (BROWN) The complete set of three screenprints in colors Medium: Screenprint in colors with partial glaze on heavy wove paper Year: 2006 Sheet: 20x20 inches (50.8 x 50.8 cm) Edition: 100 Artist's Proofs: 15 AP Printer's Proofs: 3 PP Publisher: KAWSONE, Brooklyn Signed, dated and numbered in black ink, pencil
- [Untitled, 2006](https://intelart.io/2021/07/06/untitled-2006/) - Untitled Medium: Screenprint with diamond dust Year: 2006 Sheet: 20x20 inches (50.5 x 50.5 cm) Edition: 50 Signed, dated and numbered in pencil on lower edge Auction Results Christie's Hong-Kong: 12 November 2024 Estimated: HKD 60,000 - 120,000 HKD 119,700 / USD 15,395 KAWS (B. 1974) Untitled, 2006 Diamond dust on screenprint Editioned, signed
- [WARM REGARDS, 2005](https://intelart.io/2021/07/05/warm-regards-2005/) - WARM REGARDS Medium: Hand letterpress in colors on wove paper Year: 2005 Sheet: 20x16 inches (50.8 x 40.6 cm) Edition: 200 Publisher: Iconoclast, New York On the occasion of their 2004-2009 exhibition, Beautiful Losers: Contemporary Art and Street Culture Signed, dated and numbered in yellow pencil Auction Results Heritage Auctions: 19 November 2024
- [CHUM VS ASTROBOY; COMPANION VS ASTROBOY; COMPANION VS PIKACHU, 2002](https://intelart.io/2021/07/02/chum-vs-astroboy-companion-vs-astroboy-companion-vs-pikachu-2002/) - CHUM VS ASTROBOY; COMPANION VS ASTROBOY; COMPANION VS PIKACHU The complete set of three screenprints Medium: Screenprint on wove paper Year: 2002 Sheet: 35 3/8 x 25 inches (90 x 63.5 cm) Edition: 50 Publisher: Elms Lesters, London Signed, dated and numbered on the lower right 1. CHUM VS ASTROBOY 3. COMPANION VS PIKACHU Auction
- [Kate Moss, White Gloves, 2001](https://intelart.io/2021/07/01/kate-moss-white-gloves-2001/) - Kate Moss, White Gloves Medium: Screenprint in colors on Arches 88 paper Year: 2001 Sheet: 17x28 inches (43.2 x 71.1 cm) Edition: 50 Printer's Proofs: 5 PP Publisher: Kawsone, New-York Signed, numbered and dated in pencil along lower edge Kate Moss, White Gloves features a black and white image of the English supermodel
- [COMPANION (Pink/Grey), 2001](https://intelart.io/2021/07/01/companion-pink-grey-2001/) - COMPANION (Pink/Grey) Medium: screen-print on paper Year: 2001 Sheet: 17x9 inches (43x23 cm) Edition: 50 Artist's Proofs: 5 AP Signed, dated and numbered in pencil Companion (Pink) Companion (Grey) Auction Results Companion (Grey) SBI Art Auction: 25 January 2025 Estimated: JPY 400,000 - 700,000 JPY 655,500 / USD 4,200 KAWS COMPANION (Grey),
- [Running Chum, 2000](https://intelart.io/2021/07/01/running-chum-2000/) - Running Chum The complete set of three screenprints Medium: Screen-print on Arches 88 wove paper Year: 2000 Sheet: 28 x 22 3/8 inches (71x57 cm) Edition: 50 1. Running Chum #1 2. RUNNING CHUM #2 3. Running Chum #3 Auction Results 1. Running Chum #1 SBI Art Auction: 26 May 2023 Estimated:
- [Supermodel #1, 1999](https://intelart.io/2021/06/30/supermodel-1-1999/) - Supermodel #1 Medium: Screenprint in colors on Rives BFK wove paper Year: 1999 Sheet: 28 1/2 x 21 inches (72.3 x 53.5 cm) Edition: 50 Artist's Proofs: 9 AP Color's Proofs: 3 CP Publisher: Kawsone, New-York Supermodel #1 depicts an image of a glamorous model, originally from a Moschino advertisement, rendered in a white and
- [Supermodel #2, 1999](https://intelart.io/2021/06/30/supermodel-2-1999/) - Supermodel #2 Medium: Screenprint in colors on Rives BFK wove paper Year: 1999 Sheet: 28 1/2 x 21 inches (72.3 x 53.5 cm) Edition: 50 Publisher: Kawsone, New-York Release Price: $500 Supermodel #2 features a head and shoulders shot of a model (believed to be Christy Turlington in a Calvin Klein ad) rendered primarily in
- [JALOUSE, 2007](https://intelart.io/2007/07/17/jalouse-2007/) - JALOUSE Medium: Offset lithograph in colors on wove paper Year: 2007 Dimensions: 68 3/4 x 46 1/2 inches (174.7 x 118.2 cm) Edition: Unknown size This work is a poster of the cover artwork that the artist created for Jalouse Magazine September issue of the same year. Auction Results Phillips New-York: 24 October
- [KAWS Prints & Multiples 2024 Auction Results](https://intelart.io/2023/11/29/kaws-prints-most-recent-auction-results/) - This article shows the most recent auction results for KAWS Prints & Editions by chronological order even before those are incorporated within the various relevant articles from the catalogue. Top Lots Sold in 2024 #1. 4FT Companion (Brown), 2007 Heritage Auctions: 19 November 2024 Estimated: USD 40,000 - 50,000 USD 58,750 KAWS
- [TIME OFF, 2023](https://intelart.io/2021/07/23/time-off-2023/) - TIME OFF Medium: Screen-print in colors on Stonehenge grey paper Year: 2023 Sheet: 16x21 inches (40.6 x 53.3 cm) Edition: 500 Artist's Proofs: 100 Publisher: Brand X Editions and KAWSONE, New-York Each signed, dated, and numbered in pencil Auction Results Heritage Auctions: 1 October 2025 USD 3,750 KAWS (b. 1974) Time Off, 2023 Screenprint
- [Family, 2023](https://intelart.io/2021/07/23/family-2023/) - Family Medium: Screen-print in colors on Stonehenge grey paper Year: 2023 Sheet: 29x26 inches (73.7 x 66 cm) Edition: 500 Artist's Proofs: 100 AP Publisher: Brand X Editions and KAWSONE, New-York Each signed, dated, and numbered in pencil Family is a limited edition silkscreen print featuring four of the artist's iconic characters arranged as
- [SHELTER, 2023](https://intelart.io/2021/07/23/shelter-2023/) - SHELTER Medium: Screen-print in colors on Stonehenge grey paper Year: 2023 Sheet: 20x16 inches (50.8 x 40.6 cm) Edition: 500 Artist's Proofs: 100 Publisher: Brand X Editions and KAWSONE, New-York Each signed, dated, and numbered in pencil Auction Results Heritage Auctions: 1 October 2025 USD 5,000 KAWS (b. 1974) Shelter, 2023 Screenprint in colors
- [CLEAN SLATE, 2022](https://intelart.io/2021/07/22/clean-slate-2022/) - CLEAN SLATE Medium: Screenprint on Colorplan Dark Grey Year: 2022 Sheet: 30x24 inches (76x61 cm) Edition: 100 Artist's Proofs: 25 AP Publishers: Brand X Editions, KawsOne, New York Signed, titled and numbered in pencil Auction Results SBI Art Auction: 12 September 2025 Estimated: JPY 400,000 - 700,000 JPY 483,000 / USD 3,280 KAWS
- [The Promise, 2022](https://intelart.io/2021/07/22/promise-2022/) - The Promise Medium: Screenprint in colors on Stonehenge grey paper Year: 2022 Sheet: 20x16 inches (50.8 x 40.6 cm) Edition: 500 Artist's Proofs: 100 AP Printer's Proofs: 15 PP Publisher: KAWSONE, New-York Each signed, dated, and numbered in pencil The Promise is a significant art installation by KAWS that features two Companion figures symbolically
- [SHARE, 2021](https://intelart.io/2021/07/21/share-2021/) - SHARE Medium: Screen-print in colors on Stonehenge grey paper Year: 2021 Sheet: 20x16 inches (50.8 x 40.6 cm) Edition: 500 Artist's Proofs: 100 Publisher: The Serpentine Galleries, London and KAWSONE, New-York Each signed, dated, and numbered in pencil Auction Results SBI Art Auction: 12 September 2025 Estimated: JPY 300,000 - 500,000 JPY 690,000
- [SEPARATED, 2020](https://intelart.io/2021/07/20/separated-2020/) - SEPARATED Medium: Screen-print in colors on Stonehenge Steel Grey paper Year: 2020 Sheet: 20x16 inches (50.8 x 40.6 cm) Edition: 250 Artist's Proofs: 50 Publisher: Kawsone, Brooklyn, New-York Each signed, dated, and numbered in pencil Auction Results SBI Art Auction: 25 January 2025 Estimated: JPY 700,000 - 1,300,000 JPY 954,500 / USD 6,115
- [SNOOPY RUNNING, 2020](https://intelart.io/2021/07/20/snoopy-running-2020/) - SNOOPY RUNNING Medium: Screenprint in colors on wove paper with die-cut edges Year: 2020 Sheet: 9x10 inches (22.9 x 25.4 cm) Edition: 25 Signed, numbered, and dated in pencil across feet Auction Results Heritage Auctions: 5 April 2023 USD 9,375 KAWS Snoopy Running, 2020 Screenprint in colors on wove paper with die-cut edges
- [WHAT PARTY, 2020](https://intelart.io/2021/07/20/what-party-2020/) - WHAT PARTY feature KAWS' signature Companion figure in a deflated, hunched posture, symbolizing themes of isolation and exhaustion. The 2020 prints were released in a set of seven color variations to accompany the artist's 2021 Brooklyn Museum retrospective, KAWS: WHAT PARTY. The prints' legacy is their exploration of contemporary identity and KAWS's continuing ability to
- [URGE, 2020](https://intelart.io/2021/07/20/urge/) - URGE The complete set of ten screen-prints in colors Medium: Screen-print in colors on Saunders Waterford High White paper Year: 2020 Sheet: 17x13 inches (43.2 x 32.4 cm) Image: 11.4 x 8.6 inches (28.8 x 22.1 cm) Edition: 250 Artist's Proofs: 50 AP Publisher: Kawsone, Brooklyn Each signed, dated, and numbered in pencil "In
- [TENSION, 2019](https://intelart.io/2021/07/19/tension/) - TENSION The complete set of 10 screen-prints in colors Medium: Screen-print in colors on Saunders Waterford High White paper Year: 2019 Sheet: 35x23 inches (88.9 x 58.4 cm) Edition: 100 Artist's Proofs: 20 AP Publisher: National Gallery of Victoria, Melbourne, Australia Each signed, dated and numbered in pencil TENSION #1 TENSION #2 TENSION
- [COMPANIONSHIP IN THE AGE OF LONELINESS, 2019](https://intelart.io/2021/07/19/companionship-in-the-age-of-loneliness-2019/) - COMPANIONSHIP IN THE AGE OF LONELINESS Medium: Screenprint on Arches Aquarelle paper Year: 2019 Image: 11x11 inches (28x28 cm) Sheet: 15 1/4 x 12 inches (38.6 x 30.2 cm) Edition: 750 Publisher: The National Gallery of Victoria, Melbourne For the exhibition KAWS: Companionship in the Age of Loneliness, unframed. Contained in a grey Wibalin
- [UNTITLED (ALONE AGAIN), 2019](https://intelart.io/2021/07/19/untitled-alone-again-2019/) - UNTITLED (ALONE AGAIN) Medium: Screenprint in colors on heavy wove paper Year: 2019 Sheet: 10x8 inches (25.4 x 20.2 cm) Edition: unknown Publisher: The Museum of Contemporary Art Detroit (MOCAD) Signed and dated in red pencil on the front, titled (printed) on the reverse Auction Results Phillips London: 15 September 2022 Estimated: GBP
- [LOST TIME, ALONE AGAIN, FAR FAR DOWN, 2018](https://intelart.io/2021/07/18/lost-time-alone-again-far-far-down/) - LOST TIME, ALONE AGAIN, FAR FAR DOWN The complete set of 3 screenprints in colors Medium: Screenprint in colors on Saunders Waterford paper Year: 2018 Sheet: 32x53 inches (81.3 x 135.2 cm) Edition: 100 Artist's Proofs: 20 AP Publisher: Pace Editions, Inc., New-York Each signed, dated and numbered in pencil LOST TIME ALONE AGAIN
- [THE NEWS, 2017](https://intelart.io/2021/07/17/the-news/) - Introduction THE NEWS is a series of nine circular screen prints (tondos), published by Pace Prints. The series is a vibrant exploration of pop culture and media saturation, rendered through KAWS's signature visual language. By the time of this release in 2017, KAWS (born Brian Donnelly) was a globally recognized artist with a
- [PIRANHAS WHEN YOU'RE SLEEPING, 2017](https://intelart.io/2021/07/17/piranhas-when-youre-sleeping-2017/) - PIRANHAS WHEN YOU'RE SLEEPING Medium: Screenprint on Saunders Waterford 425gm HP Hi-white paper Year: 2017 Sheet: 60x46 inches (151.5 x 115.6 cm) Edition: 50 Artist's Proofs: 20 AP Publisher: Pace Editions Inc., New York Each signed, dated, and numbered in pencil PIRANHAS WHEN YOU'RE SLEEPING depicts a dolphin filled with vibrant, abstracted cartoon
- [ANKLE BRACELET, 2017](https://intelart.io/2021/07/17/ankle-bracelet-2017/) - ANKLE BRACELET Medium: Screen-print on Saunders Waterford 425gm HP Hi-white paper Year: 2017 Sheet: 58x58 inches (147x147 cm) Edition: 50 Artist's Proofs: 20 Publisher: Pace Editions Inc., New York Signed, dated, and numbered in pencil Auction Results Heritage Auctions: 31 March 2022 USD 47,500 KAWS Ankle Bracelet, 2017 Silkscreen in colors on paper Signed,
- [Jean-Michel Basquiat Works on Paper](https://intelart.io/2023/10/25/jean-michel-basquiat-works-on-paper/) - Top Lots at Auction The highest price ever paid at auction for a work on paper created by Jean-Michel Basquiat is USD 22,950,000, a price achieved by Untitled, a drawing dated 1982, sold at Christie's in New-York on 21 November 2024. Unlike the Top 10 in the paintings category, most of the auction
- [Jean-Michel Basquiat: L'Enfant Terrible who became icon of Western 20th Century Art](https://intelart.io/2021/07/31/jean-michel-basquiat-summary-biography/) - Jean-Michel Basquiat L'Enfant Terrible who Became the Icon of Western 20th Century Art Jean-Michel Basquiat (1960-1988) is now widely regarded as one of the most influential artists of the 20th century. He rose to success during the 1980s as part of the Neo-Expressionism movement. Although his life was tragically cut short, Jean-Michel Basquiat's
- [Jean-Michel Basquiat Top Lots at Auction](https://intelart.io/2023/10/26/jean-michel-basquiat-top-lots-at-auction/) - The years 1981 to 1984 were a brief period of intense artistic output that cemented Jean-Michel Basquiat’s place within the canon of art history. Initially working under the moniker SAMO, Basquiat, a friend of artist Keith Haring and actress Patti Astor, became an integral member of the social circle around the Mudd Club, the night
- [Untitled, 1981](https://intelart.io/2022/07/21/untitled-1981-3/) - JEAN-MICHEL BASQUIAT Untitled, 1981 Oilstick, acrylic and spray enamel on canvas 78x68 inches (198.1 x 172.7 cm) Provenance Anina Nosei Gallery, New York Private collection, New York Anon. sale; Christie's, New York, 9 November 1988, lot 79 Bruce R. Lewin Fine Art, New York Acquired from the above by the present owner Christie's New-York:
- [Untitled, 1981](https://intelart.io/2022/07/21/untitled-1981-2/) - JEAN-MICHEL BASQUIAT Untitled, 1981 Acrylic, oilstick and spray paint on canvas 78.5 x 72 inches (199.5 x 182.9 cm) Provenance Annina Nosei Gallery, New York (acquired directly from the artist) Eugene and Barbara Schwartz, New York (acquired from the above in 1981) Gifted to the Israel Museum by the above in 1985 Sotheby's New-York:
- [La Hara, 1981](https://intelart.io/2022/07/21/la-hara-1981/) - JEAN-MICHEL BASQUIAT La Hara, 1981 Acrylic and oilstick on wood panel 72 x 47.7 inches (182.9 x 121.3 cm) Signed, inscribed, titled and dated 'JEAN MICHEL BASQUIAT N.Y.C. 81 "LA HARA"' (on the reverse) Provenance Annina Nosei Gallery, New York Private collection, New York Anon. sale; Sotheby's, New York, 05 October 1989, lot 264 Didier
- [The Field Next to the Other Road, 1981](https://intelart.io/2022/07/21/the-field-next-to-the-other-road-1981/) - JEAN-MICHEL BASQUIAT The Field Next to the Other Road, 1981 Acrylic, enamel spray paint, oilstick, metallic paint and ink on canvas 87x158 inches (220.9 x 401.3 cm) Signed and inscribed 'Jean-Michel Basquiat modena' (on the reverse) Provenance Galería Milena Ugolini, Rome, acquired directly from the artist Janice Hope, Minneapolis Acquired from the above by the
- [Untitled, 1981](https://intelart.io/2022/07/21/untitled-1981/) - JEAN-MICHEL BASQUIAT Untitled, 1981 Acrylic, oilstick and metallic spray enamel on canvas 68x103 inches (172.7 x 261.6 cm) Provenance Annina Nosei Gallery, New York Acquired from the above by the present owner, 1982 Christie's New-York: 12 May 2014 USD 34,885,000 Source: Christie's Jean-Michel Basquiat (1960-1988) (christies.com) Out of a coarsely hewn landscape of raw,
- [Untitled, 1981](https://intelart.io/2022/07/20/untitled-1981-5/) - JEAN-MICHEL BASQUIAT Untitled, 1980-81 Acrylic, oil, oilstick, ink, wax crayon and paper collage on metal 36 x 41.5 inches (91.4 x 105.4 cm) Provenance Diego Cortez, New York. Acquired from the above by the present owner in 1982. Christie's London: 3 October 2018 GBP 1,688,750 Source: Christie's Jean-Michel Basquiat (1960-1988) (christies.com) Painted in
- [Portrait of A-One A.K.A. King, 1982](https://intelart.io/2022/07/22/portrait-of-a-one-a-k-a-king-1982/) - JEAN-MICHEL BASQUIAT Portrait of A-One A.K.A. King, 1982 Acrylic, oilstick and marker on canvas mounted on tied wood supports 72 x 72.4 inches (182.9 x 183.8 cm) signed, titled and dated ""PORTRAIT OF A ONE A.K.A. KINGS" Jean Michel Basquiat SEPT 1982" on the reverse Provenance Bonlow Gallery, New York Private Collection Sotheby’s, New York,
- [Untitled (One Eyed Man or Xerox Face), 1982](https://intelart.io/2022/07/22/untitled-one-eyed-man-or-xerox-face-1982/) - JEAN-MICHEL BASQUIAT Untitled (One Eyed Man or Xerox Face), 1982 Acrylic, spray paint, oilstick and Xerox collage on panel 72x48 inches (182.9 x 121.9 cm) Signed, dated and inscribed ‘JEAN MICHEL BASQUIAT NYC 82’ (on the reverse) Provenance: Annina Nosei Gallery, New York Private Colletion, USA Sotheby’s New York, 5 November 1987, Lot 209 Galerie
- [Furious Man, 1982](https://intelart.io/2022/07/22/furious-man-1982/) - JEAN-MICHEL BASQUIAT Furious Man, 1982 Oilstick, acrylic, wax crayon and ink on paper 30x22 inches (76.2 x 55.8 cm) Painted in 1982. Provenance Annina Nosei Gallery, New York Private collection, Beverly Hills Anon. sale; Christie's, New York, 8 May 1990, lot 220 Private collection, Coconut Grove Anon. sale; Sotheby's, New York, 15 May 2001, lot
- [Versus Medici, 1982](https://intelart.io/2022/07/22/versus-medici/) - JEAN-MICHEL BASQUIAT Versus Medici, 1982 Acrylic, oilstick and paper collage on three joined canvases 84 ¼ x 54 ¼ inches (214 x 137.8 cm) Signed, titled and dated OCT. 1982 on the reverse Provenance Larry Gagosian Gallery, New York Stéphane Janssen (acquired from the above in October 1982) Acquired by the present owner from the
- [Warrior, 1982](https://intelart.io/2022/07/22/warrior-1982/) - Warrior, 1982 Acrylic, oilstick, and spray-paint on wood panel 72x48 inches (183x122 cm) Signed and dated 'Jean-Michel Basquiat 1982' on the reverse Provenance Galerie Enrico Navarra, Paris Mugrabi Collection, New York Hamiltons Gallery, London Anon. sale; Sotheby's, New York, 9 November 2005, lot 42 Private collection, Milan Anon. sale; Sotheby's, London, 21 June 2007, lot 28
- [Untitled (Pollo Frito), 1982](https://intelart.io/2022/07/22/untitled-pollo-frito-1982/) - JEAN-MICHEL BASQUIAT Untitled (Pollo Frito), 1982 Acrylic, oil, and enamel on canvas, in two parts 60 x 120.5 inches (152.4 x 306.1 cm) Signed and dated 82 on the reverse of the right panel Signed and inscribed NYC on the reverse of the left panel Provenance Annina Nosei Gallery, New York Fay Gold, Atlanta (acquired
- [Hannibal, 1982](https://intelart.io/2022/07/22/hannibal-1982/) - JEAN-MICHEL BASQUIAT Hannibal, 1982 Acrylic, oilstick and paper collage on canvas mounted on tied wooden supports 60x60 inches (152.4 x 152.4 cm) Provenance Private Collection (acquired from the artist) Christie's, New York, 5 May 1993, Lot 172 (consigned by the above) Private Collection, New York Private Collection (acquired from the above in 2003) Sotheby's
- [Untitled, 1981](https://intelart.io/2022/07/21/untitled-1981-7/) - JEAN-MICHEL BASQUIAT Untitled, 1981 Acrylic, oilstick and xerox on wood 48x30 inches (122 x 76.2 cm) Signed, inscribed and dated 'NYC 81 Jean-Michel Basquiat' on the reverse Provenance Stavros Merjos, Los Angeles Neal Meltzer Fine Art, New York Phillips, New York, 16 May 2013, lot 22 Acquired at the above sale by the present owner
- [Untitled, 1981](https://intelart.io/2022/07/21/untitled-1981-6/) - JEAN-MICHEL BASQUIAT Untitled, 1981 Acrylic, spray paint, oilstick and Xerox collage on canvas 48x60 inches (122.6 x 152.4 cm) Signed NAEJBASMICHIQUT and dated 81 (on the overturn edge) Provenance Gracie Mansion Gallery, New York Private Collection, New York Drouot - C. Charbonneaux Paris, 15 June 1988, lot 39 Private Collection, Europe (acquired from the above) Christie's London, 9
- [World Crown, 1981](https://intelart.io/2022/07/21/world-crown-1981/) - JEAN-MICHEL BASQUIAT World Crown, 1981 Acrylic, oilstick and spray paint on canvas 48x56 inches (121.9 x 142.2 cm) Signed and dated 81 on the overturned edge Provenance Gracie Mansion Gallery, New York Acquired by the present owner from the above in 1981 Sotheby's New-York: 12 May 2015 USD 11,450,000 Source: Sotheby's (#27) Jean-Michel Basquiat (sothebys.com) In
- [The Ring, 1981](https://intelart.io/2022/07/21/the-ring-1981/) - JEAN-MICHEL BASQUIAT The Ring, 1981 Acrylic and oilstick on canvas 60x48 inches (152.4 x 121.9 cm) Signed, partially titled and dated “Jean Michel Basquiat “RING” 1981” on the reverse Provenance Rosa Esman Gallery, New York Private Collection, East Coast (acquired from the above in November 1982) Christie’s, Los Angeles, June 9, 1999, lot 196 Estate
- [New-York, New-York, 1981](https://intelart.io/2022/07/21/new-york-new-york-1981/) - JEAN-MICHEL BASQUIAT New York, New York, 1981 Acrylic, oilstick, spray paint, silver spray paint and paper collage on canvas 50.5 x 89 inches (128.4 x 226.2 cm) Signed SAMO© and dated New York 1981 on the reverse Provenance Emilio Mazzoli Gallery, Modena Acquired from the above by the present owner in 1981 Sotheby's London: 26 June
- [Untitled, 1981](https://intelart.io/2022/07/21/untitled-1981-9/) - JEAN-MICHEL BASQUIAT (1960-1988) Untitled, 1981 Acrylic and oilstick on canvas 50x119 inches (127 x 302.3 cm) Signed and dated 'Jean-Michel Basquiat 1981' (on the reverse) Provenance Diego Cortez, New York, acquired directly from the artist Galerie Bruno Bischofberger, Zürich Private collection, Switzerland Anon. sale; Christie's, New York, 10 November 2004, lot 48 Private collection, Asia
- [Future Sciences Versus the Man, 1982](https://intelart.io/2022/07/21/future-sciences-versus-the-man-1982/) - JEAN-MICHEL BASQUIAT (1960-1988) Future Sciences Versus the Man, 1982 Acrylic, oilstick and paper collage on canvas with tied wood supports 60x60 inches (152.5 x 152.5 cm) Signed, titled and dated ‘“FUTURE SCIENCES VERSUS THE MAN” JEAN MICHEL BASQUIAT 1982’ (on the reverse) Provenance Larry Gagosian Gallery, Los Angeles John Seed Collection, Los Angeles Larry Gagosian
- [Untitled, 1981](https://intelart.io/2022/07/21/untitled-1981-10/) - JEAN-MICHEL BASQUIAT (1960 - 1988) Untitled, 1981 Acrylic, oilstick and paper collage on paper 59x56 inches (149.9 x 142.2 cm) Provenance Annina Nosei Gallery, New York Private Collection, New York Acquired from the above in 1992 by the present owner Auction History Sotheby's New-York: 13 May 2024 Estimated: USD 7,000,000 - 10,000,000 USD 8,492,400 Untitled
- [Untitled (Julius Caesar on Gold), 1981](https://intelart.io/2022/07/21/untitled-julius-caesar-on-gold-1981/) - JEAN-MICHEL BASQUIAT Untitled (Julius Caesar on Gold), 1981 Gold paint, acrylic and oilstick on canvas 50x50 inches (127x127 cm) Signed and dated NY, 81 on the reverse Provenance Annina Nosei Gallery, New York Cohen Gallery, New York Acquired by the present owner from the above in February 1999 Sotheby's New-York: 13 May 2013 USD 6,885,000 Source:
- [Red Kings, 1981](https://intelart.io/2022/07/21/red-kings-1981/) - JEAN-MICHEL BASQUIAT (1960 - 1988) Red Kings, 1981 Acrylic on wood and glass 32x37 inches (81.3 x 94 cm) Signed, dated 1981 and inscribed NYC (on the reverse) Provenance Stephen and Lilly Lack, New York (acquired from the artist directly in 1981) Private Collection, New York (by 1999) Acquired from the above in May 2008 by the present owner
- [Orange Sports Figure, 1982](https://intelart.io/2022/07/22/orange-sports-figure-1982/) - JEAN-MICHEL BASQUIAT Orange Sports Figure, 1982 Acrylic, oilstick and spray paint on canvas 60x48 inches (152.4 x 121.9 cm) Signed and dated NYC ‘82 in invisible ink Provenance Private Collection, Los Angeles Sale: Sotheby's, New York, Contemporary Art, 7 May 1992, Lot 145 Private Collection, Europe Sale: Sotheby’s, London, Contemporary Art Evening Sale, 15 February 2012, Lot
- [Portrait of the Artist as a Young Derelict, 1982](https://intelart.io/2022/07/22/portrait-of-the-artist-as-a-young-derelict-1982/) - JEAN-MICHEL BASQUIAT (1960 - 1988) Portrait of the Artist as a Young Derelict, 1982 Oil, oil stick, and acrylic on wood and metal 80x82 inches (203.2 x 208.3 cm) Signed, titled and dated 1982 (on the reverse of the left panel) Provenance Fun Gallery, New York Galerie Jacques Mostini, Paris Acquired from the above by the
- [The Italian Version of Popeye has no Pork in his Diet, 1982](https://intelart.io/2022/07/22/the-italian-version-of-popeye-has-no-pork-in-his-diet-1982/) - JEAN-MICHEL BASQUIAT (1960-1988) The Italian Version of Popeye has no Pork in his Diet, 1982 Acrylic, oilstick and paper collage on canvas mounted on tied wood supports 60x60 inches (152.4 x 152.4 cm) Signed, titled and dated (on the reverse) Provenance Larry Gagosian Gallery, New York, 1982 Sidney Janis Gallery, New York, 1983 Annina Nosei
- [Cabra, 1982](https://intelart.io/2022/07/22/cabra-1982/) - JEAN-MICHEL BASQUIAT Cabra, 1982 Acrylic and oilstick on canvas 60.2 x 60.2 inches (153x153 cm) Signed, titled and dated 81-82 on the reverse Provenance Collection of Tony Shafrazi, New York Acquired by the present owner from the above in 1993 Sotheby's New-York: 16 November 2017 USD 10,953,500 Source: Sotheby's (#32) Jean-Michel Basquiat (sothebys.com) Executed in the
- [Untitled (ELMAR), 1982](https://intelart.io/2022/07/22/untitled-elmar-1982/) - JEAN-MICHEL BASQUIAT Untitled (ELMAR), 1982 Acrylic, oilstick, spray paint and Xerox collage on canvas 68 x 93 1/8 inches (172.7 x 236.5 cm) Signed "Jean-Michel Basquiat" on the reverse Provenance Annina Nosei Gallery, New York Elaine Dannheisser (acquired from the above) Francesco Pellizzi, New York (acquired from the above via Annina Nosei Gallery in 1984)
- [Untitled (Head), 1982](https://intelart.io/2022/07/22/head-1982/) - JEAN-MICHEL BASQUIAT Untitled, 1982 Acrylic, spray paint and oilstick on canvas 72.1 x 68.1 inches (183.2 x 173 cm) Signed, inscribed NYC and dated 82 on the reverse Provenance Annina Nosei Gallery, New York Phoebe Chason, New York (acquired from the above in January 1982) Alexander F. Milliken, New York (acquired from the above by June 1982) Christie’s,
- [Red Skull, 1982](https://intelart.io/2022/07/22/red-skull-1982/) - JEAN-MICHEL BASQUIAT Red Skull, 1982 Acrylic, oilstick and paper collage on canvas 60x60 inches (152.4 x 152.4 cm) Provenance Annina Nosei Gallery, New York. Private Collection, Netherlands. Galerie Jérôme de Noirmont, Paris. Private Collection, Zurich. Private Collection, United Kingdom. Haunch of Venison, London. Acquired by the present owner in 2009. Christie's London: 5 October
- [Multiflavors, 1982](https://intelart.io/2022/07/22/multiflavors-1982/) - JEAN-MICHEL BASQUIAT Multiflavors, 1982 Acrylic and oilstick on canvas with tied wood supports 60.5 x 61 inches (153.7 x 154.5 cm) Signed and titled '"MULTIFLAVOR" [sic] Jean-Michel Basquiat' (on the reverse) Provenance Galerie Bruno Bischofberger, Zurich. Jan Eric Lowenadler, Stockholm. Anon. sale, Sotheby’s New York, 5 May 1987, lot 262. Private Collection. Anon. sale,
- [Red Man One, 1982](https://intelart.io/2022/07/22/red-man-one-1982/) - JEAN-MICHEL BASQUIAT Red Man One, 1982 Acrylic, oilstick and paper collage laid down on canvas and mounted on wood supports 76 x 47.7 inches (193.4 x 121.3 cm) Signed, titled and dated Sept 1982 on the reverse Provenance Gagosian Gallery, Los Angeles Stéphane Janssen, Phoenix, Arizona Acquired by the present owner from the above Sotheby's
- [Dustheads, 1982](https://intelart.io/2022/07/22/dustheads-1982/) - JEAN-MICHEL BASQUIAT Dustheads, 1982 Acrylic, oilstick, spray enamel and metallic paint on canvas 72x84 inches (182.8 x 213.3 cm) Signed, titled and dated 'DUSTHEADS Jean-Michel Basquiat 82' (on the reverse) Provenance Annina Nosei Gallery, New York Private collection, New York Tony Shafrazi Gallery, New York Acquired from the above by the present owner, 1996
- [Untitled (Electric Chair), 1982](https://intelart.io/2022/07/22/untitled-electric-chair-1982/) - JEAN-MICHEL BASQUIAT Untitled (Electric Chair), 1982 Acrylic, gold spray paint and oilstick on canvas 66 x 96.2 inches (167.6 x 244.5 cm) Signed and dated NYC 82 on the reverse Provenance Annina Nosei Gallery, New York Acquired from the above in 1981 Sotheby's New-York: 14 November 2007 USD 11,801,000 Source: Sotheby's (#16) Jean-Michel Basquiat (sothebys.com)
- [Untitled (Yellow Tar and Feathers), 1982](https://intelart.io/2022/07/22/untitled-yellow-tar-and-feathers-1982/) - JEAN-MICHEL BASQUIAT Untitled (Yellow Tar and Feathers), 1982 Acrylic, oilstick, crayon, paper collage and feathers on joined wood panels 96.5 x 90.2 inches (245.1 x 229.2 cm) Provenance Larry Gagosian Gallery, Los Angeles Acquired by the present owner from the above in 1982 Sotheby's New-York: 13 November 2013 USD 25,925,000 Source: Sotheby's (#10) Jean-Michel
- [Untitled (The Black Athlete), 1982](https://intelart.io/2022/07/22/untitled-the-black-athlete-1982/) - JEAN-MICHEL BASQUIAT Untitled (The Black Athlete), 1982 Oil and oilstick on canvas 71.5 x 60 inches (181.8 x 152.5 cm) Signed, dated 82 and inscribed NYC on the reverse Provenance Annina Nosei Gallery, New York Private Collection Sale: Phillips de Pury & Company, New York, Contemporary Art (Part I), 11 November 2004, Lot 26 Van de Weghe Fine Art,
- [Santo 4, 1982](https://intelart.io/2022/07/22/santo-4-1982/) - JEAN-MICHEL BASQUIAT Santo 4, 1982 Acrylic, oilstick and paper collage on canvas mounted on tied wood supports 36x36 inches (91.4 x 91.4 cm) Signed, titled and dated 82 on the reverse Provenance Baron John J. Goossens, Belgium Acquired by the present owner from the above in 2003 Sotheby's New-York: 18 May 2017 USD 4,062,500 Source:
- [Both Poles, 1982](https://intelart.io/2022/07/22/both-poles-1982/) - JEAN-MICHEL BASQUIAT Both Poles, 1982 Acrylic, oilstick and paper collage on paper mounted on canvas with tied wood supports 72.5 x 72.2 inches (184.2 x 183.5 cm) Signed, titled and dated '"BOTH POLES" Jean-Michel Basquiat 1982' (on the reverse) Provenance Larry Gagosian Gallery, Los Angeles. Acquired from the above by the present owner in 1982.
- [Profit I, 1982](https://intelart.io/2022/07/22/profit-i-1982/) - JEAN-MICHEL BASQUIAT Profit I, 1982 Acrylic and spray paint on canvas 86.5 x 157.5 inches (220x400 cm) Provenance Annina Nosei Gallery, New York Galerie Bruno Bischofberger, Zurich, May 1982 Acquired from the above by the present owner Christie's New-York: 13 May 2002 USD 5,509,500 Source: Christie's Jean-Michel Basquiat (1960-1988) (christies.com) Profit I is generally
- [Three Delegates, 1982](https://intelart.io/2022/07/22/three-delegates-1982/) - JEAN-MICHEL BASQUIAT Three Delegates, 1982 Acrylic, oilstick and collage on canvas 60x60 inches (152.4 x 152.4 cm) Signed, titled and dated ‘3 DELEGATES J Michel Basquiat 1982’ (on the reverse) Provenance Bonlow Gallery, New York. Jan Eric Lowenadler, New York/Stockholm. Acquired from the above by the present owner in 1986. Christie's London: 2 February
- [Donut Revenge, 1982](https://intelart.io/2022/07/22/donut-revenge-1982/) - JEAN-MICHEL BASQUIAT Donut Revenge, 1982 Acrylic, oilsticks, and paper collage on canvas 95.7 x 71.7 inches (243.2 x 182.2 cm) Signed, titled and dated '"DONUT REVENGE" Jean Michel Basquiat 1982' (on the reverse) Provenance Annina Nosei Gallery, New York Christie’s New York, 6 November 1985, lot 72 Marlborough Gallery, New York Christie's, New York, 13
- [Untitled, 1982](https://intelart.io/2022/07/22/untitled-1982-15/) - JEAN-MICHEL BASQUIAT Untitled, 1982 Acrylic and oilstick on wood panel 72x48 inches (182.8 x 121.9 cm) Provenance Annina Nosei Gallery, New York Galerie Bruno Bischofberger, Zurich Fredrik Roos Collection, Sweden His sale; Christie's, London, 2 July 1992, lot 13 Private collection, New York Tony Shafrazi Gallery, New York Acquired from the above by the present
- [Untitled, 1982](https://intelart.io/2022/07/22/untitled-1982-2/) - JEAN-MICHEL BASQUIAT Untitled, 1982 Acrylic and oilstick on panel, in two parts 72x96 inches (182.8 x 244 cm) Signed and dated 'JEAN-MICHEL 82' (on the reverse of the left panel) Signed and dated 'JEAN-MICHEL BASQUIAT 1982' (on the reverse of the right panel) Provenance Annina Nosei Gallery, New York. Alexandra May, Dallas. Anon. sale,
- [Untitled (The Arm), 1982](https://intelart.io/2022/07/22/untitled-the-arm-1982/) - JEAN-MICHEL BASQUIAT (1960 - 1988) Untitled (The Arm), 1982 Acrylic, oilstick and ink on quilted fabric mounted on wood supports 66 5/8 x 60 inches (169.2 x 152.4 cm) Partially titled (on the wooden support) Provenance Estate of the artist Private Collection, New York Acquired from the above in 2021 by the present owner
- [Baby Boom, 1982](https://intelart.io/2022/07/22/baby-boom-1982/) - JEAN-MICHEL BASQUIAT (1960-1988) Baby Boom, 1982 Acrylic, oilstick and paper collage on canvas mounted on tied wood supports 49x84 inches (125 x 213.5 cm) Signed, titled and dated ‘‘Baby Boom’ Jean-Michel Basquiat Aug. 1982’’ (on the reverse) Provenance Galerie Bruno Bischofberger, Zurich Akira Ikeda Gallery, Tokyo Galerie Enrico Navarra, Paris Private collection, New York Anon.
- [Sugar Ray Robinson, 1982](https://intelart.io/2022/07/22/sugar-ray-robinson-1982/) - JEAN-MICHEL BASQUIAT (1960-1988) Sugar Ray Robinson, 1982 Acrylic and oilstick on canvas 59 7/8 x 48 1/4 inches (152.1 x 122.6 cm) Signed and dated 'Jean-Michel Basquiat 1982' (on the reverse) Provenance Annina Nosei Gallery, New York Galerie Delta, Rotterdam Nico Delaive, Amsterdam, 1986 Anon. sale; Christie's, New York, 13 November 2007, lot 26 Private
- [Dos Cabezas, 1982](https://intelart.io/2022/07/22/dos-cabezas-1982/) - JEAN-MICHEL BASQUIAT Dos Cabezas, 1982 Acrylic and oilstick on canvas with wood supports 59.7 x 60.5 inches (151.8 x 153.7 cm) Signed, titled and dated '"DOS CABEZAS" Jean Michel Basquiat 1982' (on the reverse) Provenance Andy Warhol, New York His sale; Sotheby's, New York, 2 May 1988, lot 3371 Mr. & Mrs. Thomas E. Worrell,
- [Self-Portrait as a Heel (Part Two), 1982](https://intelart.io/2022/07/22/self-portrait-as-a-heel-part-two-1982/) - Self-Portrait as a Heel (Part Two), 1982 JEAN-MICHEL BASQUIAT (1960 - 1988) Self-Portrait as a Heel (Part Two), 1982 Acrylic and oilstick on canvas 96 x 61 1/2 inches (243.8 x 156.2 cm) Signed, titled, dated 1982 and variously inscribed (on the reverse) Provenance Larry Gagosian Gallery, Los Angeles Stéphane Janssen, Belgium (acquired by 1985) Christie's
- [Untitled, 1982](https://intelart.io/2022/07/22/untitled-1982/) - Untitled, 1982 Acrylic and spray paint on canvas 94.2 x 197.2 inches (239.4 x 501 cm) Signed, inscribed and dated "JEAN MICHEL BASQUIAT MODENA 1982." on the reverse Provenance Annina Nosei Gallery, New York Akira Ikeda Gallery, Nagoya (acquired from the above in 1985) Tsurukame Corporation, Japan Akira Ikeda Gallery, Nagoya Enrico Navarra Gallery,
- [Bronze, 1982](https://intelart.io/2022/07/22/bronze-1982/) - JEAN-MICHEL BASQUIAT Bronze, 1982 Acrylic, gold paint and oil stick on canvas, mounted on wooden supports 60x60 inches (152.5 x 152.5 cm) Signed, titled and dated OCT 82 on the reverse Provenance Tony Shafrazi Gallery, New York Private Collection Yvon Lambert Gallery, Paris Acquired from the above by the present owner in 1996 Sotheby's London:
- [Untitled (Red Warrior), 1982](https://intelart.io/2022/07/22/untitled-red-warrior-1982/) - Untitled (Red Warrior), 1982 Acrylic and oil stick on linen 77x78 inches (195.6 x 198 cm) Signed and dated 82 on the reverse Provenance Larry Gagosian, Los Angeles Private Collection, USA Fred Hoffman Gallery, New York Vrej Baghoomian, New York Acquired from the above by the present owner Sotheby's Hong-Kong: 9 October 2021 HKD 162,926,000 /
- [Crown Hotel (Mona Lisa Black Background), 1982](https://intelart.io/2022/07/22/crown-hotel-mona-lisa-black-background-1982/) - JEAN-MICHEL BASQUIAT Crown Hotel (Mona Lisa Black Background), 1982 Acrylic and paper collage on canvas 48 5/8 x 85 inches (124x216 cm) Signed, titled and dated on reverse Provenance Galerie Bruno Bischofberger, Zurich Asher Edelman, New York Mary Boone Gallery, New York Acquired in May 1999 by the current owner Auction History Sotheby's Paris: 6
- [Mecca, 1982](https://intelart.io/2022/07/22/mecca-1982/) - JEAN-MICHEL BASQUIAT Mecca, 1982 Acrylic and oilstick on canvas mounted on wood supports 70 x 68.9 inches (177.8 x 172.4 cm) Signed, titled and dated 1982 on the reverse Provenance Gagosian Gallery, Los Angeles Acquired by the present owner from the above in 1982 Sotheby's New-York: 13 November 2013 USD 4,477,000 Source: Sotheby's (#54) Jean-Michel Basquiat
- [Untitled, 1982](https://intelart.io/2022/07/22/untitled-1982-9/) - JEAN-MICHEL BASQUIAT Untitled, 1982 Acrylic, oil, oilstick and spray paint on canvas 72x48 inches (182.9 x 121.9 cm) Signed, inscribed and dated "NYC 82 Jean Michel Basquiat" on the reverse Provenance Annina Nosei Gallery, New York Larry Gagosian, Los Angeles Private Collection, New York (acquired from the above in 1982) Christie’s, London, June 24, 2004,
- [Untitled (Venus 2000 B.C.), 1982](https://intelart.io/2022/07/22/untitled-venus-2000-b-c-1982/) - JEAN-MICHEL BASQUIAT Untitled (Venus 2000 B.C.), 1982 Acrylic and oilstick on canvas mounted on tied wood supports 60.2 x 59.2 inches (153 x 150.5 cm) Provenance Acquired from the artist by the present owner Phillips New-York: 18 May 2017 USD 2,590,000 Source: Phillips Jean-Michel Basquiat - 20th Century & Con... Lot 5 May 2017
- [Untitled, 1982](https://intelart.io/2022/07/22/untitled-1982-8/) - JEAN-MICHEL BASQUIAT Untitled, 1982 Acrylic and oilstick on canvas 68.9 x 80.7 inches (175x205 cm) Signed and dated 'Jean Michel Basquiat 1982' (on the reverse) Provenance Lillian Heidenberg Gallery, New York Galerie Louis Carré & Cie, Paris Acquired from the above by the present owner Christie's New-York: 7 November 2005 USD 2,480,000 Source: Christie's
- [The Guilt of Gold Teeth, 1982](https://intelart.io/2022/07/22/the-guilt-of-gold-teeth-1982/) - JEAN-MICHEL BASQUIAT The Guilt of Gold Teeth, 1982 Acrylic, spray paint and oilstick on canvas 94.5 x 165.9 inches (240 x 421.3 cm) Titled ‘“THE GUILT OF GOLD TEETH”’ (lower left) Signed, inscribed and dated ‘MODENA / JEAN MICHEL BASQUIAT 1982’ (lower right) Signed, titled, inscribed and dated again ‘"THE GUILT OF GOLD TEETH" Jean-Michel
- [Red Rabbit, 1982](https://intelart.io/2022/07/22/red-rabbit-1982/) - JEAN-MICHEL BASQUIAT Red Rabbit, 1982 Acrylic and oilstick on canvas 64x69 inches (162.6 x 175.3 cm) Signed, titled and dated '“RED RABBIT” Jean-Michel Basquiat 1982' (on the reverse) Provenance Annina Nosei Gallery, New York Private collection Anon. sale; Sotheby’s, New York, 11 November 1988, lot 390 Private collection Anon. sale; Sotheby’s, New York, 14 November
- [Do Not Revenge, 1982](https://intelart.io/2022/07/22/do-not-revenge-1982/) - JEAN-MICHEL BASQUIAT Do Not Revenge, 1982 Acrylic and oilstick on canvas 52x84 inches (132 x 213.3 cm) Signed and dated 'Jean Michel Basquiat 1982' (on the reverse) Provenance Annina Nosei Gallery, New York Private collection, Sweden Scharf Fine Art, New York Private collection, Paris By descent from the above to the present owner Christie's
- [Palm Springs Jump, 1982](https://intelart.io/2022/07/22/palm-springs-jump-1982/) - JEAN-MICHEL BASQUIAT Palm Springs Jump, 1982 Acrylic, oilstick and gold paint on canvas 72x84 inches (183 x 213.5 cm) Signed, titled and dated '"PALM SPRINGS JUMP" JeanMichelB 1982' (on the reverse) Provenance Annina Nosei Gallery, New York (#2020). Acquired from the above by the present owner in 1982. Christie's London: 5 February 2008 GBP
- [Il Duce, 1982](https://intelart.io/2022/07/22/il-duce-1982/) - JEAN-MICHEL BASQUIAT Il Duce, 1982 Acrylic, oilstick on canvas 60x60 inches (152.4 x 152.4 cm) Signed, titled, inscribed and dated ‘Jean-Michel Basquiat NYC 82 “IL DUCE”’ (on the reverse) Provenance Galerie Bruno Bischofberger, Zürich (acquired directly from the artist) Private collection, USA Acquired from the above by the present owner in 2017 Christie's Shanghai:
- [Native Carrying Some Guns, Bibles, Amorites on Safari, 1982](https://intelart.io/2022/07/22/native-carrying-some-guns-bibles-amorites-on-safari-1982/) - JEAN-MICHEL BASQUIAT Native Carrying Some Guns, Bibles, Amorites on Safari, 1982 Acrylic and oil stick on canvas on wood supports 72 1/8 x 71 3/4 inches (183.2 x 182.2 cm) Signed, titled, dedicated and dated '"NATIVE CARRYING GUNS + BIBLES AMORITES ON SAFARI" Jean-Michel Basquiat 1982 to Glenn O'Brien' on the reverse Provenance Glenn O’
- [Air Power, 1984](https://intelart.io/2022/07/24/air-power-1984/) - JEAN-MICHEL BASQUIAT Air Power, 1984 Acrylic and oilstick on canvas 66 x 66.2 inches (167.5 x 153 cm) Signed, titled and dated 1984 on the reverse Provenance Mary Boone Gallery, New York Larry Gagosian Gallery, Los Angeles Ellen Kern Fine Art, New York (acquired from the above in 1984) Christie’s New York, May 6, 1987, lot
- [El Gran Espectaculo (The Nile), 1983](https://intelart.io/2022/07/23/el-gran-espectaculo-the-nile-1983/) - JEAN-MICHEL BASQUIAT (1960-1988) El Gran Espectaculo (The Nile), 1983 Acrylic and oilstick on canvas mounted on wooden supports, in three parts Overall: 68x141 inches (172.7 x 358 cm.) Titled ‘EL GRAN ESPECTACULO’ (upper center) Signed, titled and dated '“THE NILE” 1983 Jean-Michel Basquiat' (on the reverse) Provenance Annina Nosei Gallery, New York Enrico Navarra, Paris
- [Action Comics One, 1983](https://intelart.io/2022/07/23/action-comics-one-1983/) - JEAN-MICHEL BASQUIAT (1960 - 1988) Action Comics One, 1983 Acrylic, colored pencil and oilstick on canvas 66 1/8 x 60 1/4 inches (168x153 cm) Signed, titled and dated Nov. 1983 (on the reverse) Provenance Ira Young, Vancouver Private Collection, New York Christie's New York, 4 November 1987, lot 304 (consigned by the above) Private Collection Perrin-Royère-Lajeunesse
- [Untitled, 1983](https://intelart.io/2022/07/23/untitled-1983-8/) - JEAN-MICHEL BASQUIAT Untitled, 1983 Acrylic and oilstick on canvas, in 3 parts Overall: 244x191 cm (96 x 71.2 inches) Provenance Private Collection, London Galerie Bruno Bischofberger, Zurich Acquired from the above by the present owner in 1997 Sotheby's London: 28 June 2017 GBP 6,492,500 Source: Sotheby's (#8) Jean-Michel Basquiat (sothebys.com) Recalling the sequential progression of
- [Untitled (Pecho/Oreja), 1983](https://intelart.io/2022/07/23/untitled-pecho-oreja-1983/) - JEAN-MICHEL BASQUIAT Untitled (Pecho/Oreja), 1982-83 Acrylic, oil stick and paper collage on canvas 72x72 inches (183x183 cm) Provenance Robert Miller Gallery, New York The Collection of U2 Sale: Sotheby's, London, Contemporary Art Evening Auction, 1 July 2008, Lot 48 Acquired directly from the above by the present owner Sotheby's London: 12 February 2013 GBP 6,817,250 Source: Sotheby's
- [Onion Gum, 1983](https://intelart.io/2022/07/23/onion-gum-1983/) - JEAN-MICHEL BASQUIAT Onion Gum, 1983 Acrylic and oilstick on canvas 78x80 inches (198.1 x 203.2 cm) Titled on the reverse Provenance Mary Boone, New York/ Bruno Bischofberger, Zurich Galerie Bruno Bischofberger, Zurich Acquired by the present owner from the above Sotheby's New-York: 13 November 2012 USD 7,362,500 Source: Sotheby's (#42) Jean-Michel Basquiat (sothebys.com) Painted in
- [Blue Heads, 1983](https://intelart.io/2022/07/23/blue-heads-1983/) - JEAN-MICHEL BASQUIAT (1960-1988) Blue Heads, 1983 Acrylic and oilstick on canvas 72x117 inches (182.8 x 297.1 cm) Provenance Galerie Bruno Bischofberger, Zurich Mary Boone Gallery, New York Private collection, Geneva, 1983 Anon. sale; Sotheby's, New York, 18 November 1999, lot 95 The Mugrabi Collection, New York Anon. sale; Phillips de Pury, New York, 13 May
- [Untitled (Stardust), 1983](https://intelart.io/2022/07/23/untitled-stardust-1983/) - JEAN-MICHEL BASQUIAT Untitled (Stardust), 1983 Acrylic and oilstick on canvas 84x52 inches (213.5 x 132 cm) Provenance Acquired by the present owner from the artist by descent Sotheby's New-York: 12 May 2010 USD 7,250,500 Source: Sotheby's (#52) Jean-Michel Basquiat (sothebys.com)
- [Flash in Naples, 1983](https://intelart.io/2022/07/23/flash-in-naples-1983/) - JEAN-MICHEL BASQUIAT Flash in Naples, 1983 Acrylic, oil and oilstick on canvas 66 x 60.1 inches (167.6 x 152.7 cm) Signed, titled and dated '"FLASH IN NAPLES" NOV 1983 Jean Michel Basquiat' (on the reverse) Provenance Estate of the artist Their sale; Sotheby's, New York, 12 May, 2010, lot 39 Private collection Anon. sale; Sotheby’s,
- [Untitled (Bracco di Ferro), 1983](https://intelart.io/2022/07/23/untitled-bracco-di-ferro-1983/) - JEAN-MICHEL BASQUIAT Untitled (Bracco di Ferro), 1983 Acrylic and oilstick on canvas with wood supports 72x72 inches (182.9 x 182.9 cm) Provenance Gagosian Gallery, Los Angeles Craig Baumgarten, Los Angeles Private collection, acquired from the above, 1987 Anon. sale, Sotheby's, New York, 15 May 2007, lot 73 Acquired at the above sale by the present
- [Flesh and Spirit, 1983](https://intelart.io/2022/07/23/flesh-and-spirit-1983/) - JEAN-MICHEL BASQUIAT Flesh and Spirit, 1982-1983 Oil stick, gesso, acrylic and paper on canvas, on two panels Each: 72.5 x 145 inches (184.2 x 368.3 cm) Overall: 145x145 inches (368.3 x 368.3 cm) Provenance Tony Shafrazi Gallery, New York Dolores Ormandy Neumann, New York (acquired from the above in January 1983) Thence by descent to the
- [Just Come Suit, 1983](https://intelart.io/2022/07/23/just-come-suit-1983/) - JEAN-MICHEL BASQUIAT Just Come Suit, 1983 Acrylic, oilstick and coloured Xerox collage on canvas 40.5 x 79.1 inches (103x201 cm) Signed, titled and dated 1983 on the reverse Provenance Mary Boone Gallery, New York Galerie Bruno Bischofberger, Zurich Private Collection Christie’s, London, 22 April 1998, Lot 13 Private Collection, France Acquired from the above by the
- [In This Case, 1983](https://intelart.io/2022/07/23/in-this-case-1982/) - JEAN MICHEL BASQUIAT In This Case, 1983 Acrylic and oilstick on canvas 77 7/8 x 73 3/4 inches (197.8 x 187.3 cm) Signed, titled and dated '"IN THIS CASE" 1983 Jean Michel Basquiat' (on the reverse) Provenance Galerie Bruno Bischofberger, Zürich Galerie Daniel Templon, Paris Private collection, Europe Anon. sale; Sotheby’s, New York, 12 November
- [Orange Joy, 1984](https://intelart.io/2022/07/24/orange-joy-1984/) - JEAN-MICHEL BASQUIAT (1960-1988) Orange Joy, 1984 Acrylic and oilstick on canvas 78 1/2 x 62 3/8 inches (198.6 x 158.6 cm) Signed, titled and dated 'Jean-Michel Basquiat ORANGE JOY 84' (on the reverse) Provenance Acquired directly from the artist by the late owner, circa 1985 Christie's New-York: 9 November 2023 Estimated: USD 4,000,000 - 6,o00,000 USD
- [Farina, 1984](https://intelart.io/2022/07/24/farina-1984/) - JEAN-MICHEL BASQUIAT (1960-1988) Farina Acrylic and oilstick on canvas 86x68 inches (218.4 x 172.7 cm) Signed, titled and dated '1984 "FARINA" Jean-Michel Basquiat' (on the reverse) Provenance Galerie Bischofberger, Zürich Acquired from the above by the present owner, 1993 Christie's New-York: 17 November 2022 Estimated: USD 8,000,000 - 10,000,000 Source: Christie's JEAN-MICHEL BASQUIAT (1960-1988)
- [Flexible, 1984](https://intelart.io/2022/07/24/flexible-1984/) - Flexible, 1984 Acrylic and oilstick on wood 102 x 75 inches (259.1 x 190.5 cm) Signed with the artist's initials Titled and dated ""FLEXIBLE" JMB 1984" on the reverse Provenance Acquired from the artist by the present owner Phillips New-York, 17 May 2018 Estimate on Request USD 45,315,000 Jean-Michel Basquiat - 20th Century & Con...
- [Water Worshipper, 1984](https://intelart.io/2022/07/24/water-worshipper-1984/) - JEAN-MICHEL BASQUIAT Water-Worshipper, 1984 Acrylic, oilstick, silkscreen ink and metal 82.5 x 107.9 x 4 inches 209.6 x 274 x 10.2 cm Signed, titled and dated 1984 on the reverse Provenance Mary Boone Gallery, New York Christie's, New York, 4 May 1988, Lot 247 Private Collection Galerie Beaubourg, Paris Private Collection, France Sotheby's, Paris, 7 December
- [Untitled (Soap), 1984](https://intelart.io/2022/07/24/untitled-soap-1984/) - JEAN-MICHEL BASQUIAT Untitled (Soap), 1983-84 Acrylic, oilstick, metallic paint and Xerox collage on canvas 66x60 inches (167.6 x 152.4 cm) Provenance Robert Miller Gallery, New York Galerie Bernard Cats, Brussels Private collection, Belgium Acquired from the above by the present owner Christie's New-York: 10 May 2021 USD 13,984,000 Source: Christie's JEAN-MICHEL BASQUIAT (1960-1988) (christies.com)
- [Untitled, 1984](https://intelart.io/2022/07/24/untitled-1984-3/) - JEAN-MICHEL BASQUIAT Untitled, 1984 Acrylic on canvas 72x48 inches (183.3 x 122.3 cm) Provenance Mary Boone Gallery, New York / Galerie Bruno Bischofberger, Zurich. Private Collection. Anon. sale, Sotheby’s London, 22 June 2007, lot 343. Private Collection, Europe. Anon. sale, Christie’s London, 18 October 2013, lot 29. Duhamel Fine Art, Paris. Private Collection, Europe. Anon.
- [Untitled (The Door), 1984](https://intelart.io/2022/07/24/untitled-the-door-1984/) - JEAN-MICHEL BASQUIAT Untitled (The Door), 1984 Acrylic, oil and Xerox collage on wooden door 81.5 x 33.2 inches (207 x 84.5 cm) Signed with the artist's initials and dated "JMB '84" on the reverse Provenance Raymond and Patsy Nasher, Dallas (acquired directly from the artist in 1985; titled as Rubber) Stellan Holm, New York Private Collection
- [Ancient Scientist, 1984](https://intelart.io/2022/07/24/ancient-scientist-1984/) - JEAN-MICHEL BASQUIAT Ancient Scientist, 1984 Acrylic, oilstick, Xerox and paper collage on canvas 66x61 inches (167.7 x 154 cm) Signed with the artist's initials, titled and dated 'JMB "ANCIENT SCIENTIST" 1984' (on the reverse) Provenance Gagosian Gallery, Los Angeles Private Collection, Chicago Marianne Boesky Gallery, New York Private Collection, Arizona Sotheby's, New York, 11 May
- [MP & MP, 1984](https://intelart.io/2022/07/24/mp-1984/) - JEAN-MICHEL BASQUIAT MP, 1984 Acrylic and Xerox collage on canvas 86x68 inches (218.5 x 172.8 cm) Signed, titled and dated '"MP" 1984 Basquiat' on the reverse Provenance Mary Boone Gallery, New York Private Collection (acquired from the above in 1985) Sotheby's, Paris, 7 December 2011, lot 7 Acquired at the above sale by the present
- [Sabado Por La Noche (Saturday Night), 1984](https://intelart.io/2022/07/24/sabado-por-la-noche-saturday-night-1984/) - JEAN-MICHEL BASQUIAT (1960-1988) Sabado por la Noche (Saturday Night), 1984 Acrylic, silkscreen, oil stick, and paper collage on canvas 77x88 inches (195.6 x 223.5 cm) Signed, titled, and dated 'Jean Michel 1984 - "SABADO POR LA NOCHE"' (on the reverse) Provenance Bruno Bischofberger, Zurich / Mary Boone, New York Galerie Yvon Lambert, Paris Galerie Daniel
- [Alpha Particules, 1984](https://intelart.io/2022/07/24/alpha-particules-1984/) - JEAN-MICHEL BASQUIAT Alpha Particles, 1984 Acrylic, oilstick and silkscreen ink on canvas 86.2 x 68.2 inches (219 x 173.3 cm) Signed, titled and dated '"ALPHA.PARTICLES" Jean Michel Basquiat 1984' (on the reverse) Provenance Mary Boone Gallery, New York. Galerie Bruno Bischofberger, Zurich. Paul Zane Pilzer, New York. His Sale, Christie's New York, 8 November
- [Pre Agrav, 1984](https://intelart.io/2022/07/24/pre-agrav-1984/) - JEAN-MICHEL BASQUIAT Pre-Agrav, 1984 Acrylic on canvas 65.7 x 59.9 inches (167 x 149.8 cm) Signed, titled and dated 'Jean-Michel Basquiat 1984 "PRE-AGRAV"' (on the reverse) Provenance Private collection Anon. sale; Sotheby's, London, 7 February 2001, lot 53 Acquired at the above sale by the present owner Christie's New-York: 11 November 2013 USD 6,773,000
- [Self-Portrait, 1988](https://intelart.io/2022/07/28/self-portrait-1988/) - JEAN-MICHEL BASQUIAT Self-Portrait, 1988 Acrylic on canvas 47.7 x 37.7 x 4 inches (121.3 x 95.9 x 10.2 cm) Indistinctly signed and dated '88' (on the reverse) Provenance Galerie Thaddaeus Ropac, Salzburg. Acquired from the above by the present owner in 1988. Christie's London: 22 March 2021 GBP 9,086,500 / USD 12,533,103 Source: Christie's 
- [Eroica I, 1988](https://intelart.io/2022/07/28/eroica-i-1988/) - JEAN-MICHEL BASQUIAT Eroica I, 1982 Acrylic and oilstick on paper mounted on canvas 90.9 x 88.7 inches (230.8 x 225.4 cm) Signed, titled and dated 1988 on the overlap Provenance Vrej Baghoomian Gallery, New York Tony Shafrazi Gallery, New York Private Collection, New York Sotheby's, New York, May 17, 2000, Lot 69 Acquired by the present
- [Victor 25448, 1987](https://intelart.io/2022/07/27/victor-25448-1987/) - JEAN-MICHEL BASQUIAT Victor 25448, 1987 Acrylic, oilstick, wax and crayon on paper laid on canvas 72x131 inches (182.9 x 332.7 cm) Provenance Tony Shafrazi Gallery, New York Stephanie and Peter Brant Foundation, Greenwich and New York (acquired from the above) Christie’s, New York, May 13, 2008, lot 36 Acquired at the above sale by the
- [Riddle Me This, Batman, 1987](https://intelart.io/2022/07/27/riddle-me-this-batman-1987/) - JEAN-MICHEL BASQUIAT Riddle Me This, Batman, 1987 Acrylic and oil paintstick on canvas 117.2 x 114.2 inches (297.8 x 290.2 cm) Signed and dated 1987 on the reverse Provenance Galerie Yvon Lambert, Paris Private Collection, Paris (acquired from the above in 1988) Giraud-Pisarro-Segalot, New York Private Collection, Paris Acquired by the present owner from the above
- [Untitled, 1987](https://intelart.io/2022/07/27/untitled-1987/) - JEAN-MICHEL BASQUIAT Untitled, 1987 Acrylic, oilstick, graphite, paper collage and crayon on canvas 93x108 inches (236.2 x 274.3 cm) Provenance Tony Shafrazi Gallery, New York Acquired from the above by the present owner Christie's New-York: 9 November 2010 USD 5,794,500 Source: Christie's Jean-Michel Basquiat (1960-1988) (christies.com) Jean-Michel Basquiat's Untitled magnificently shows the artist's injecting vibrant
- [In The Wings, 1986](https://intelart.io/2022/07/26/in-the-wings-1986/) - JEAN-MICHEL BASQUIAT In the Wings, 1986 Acrylic and oilstick on canvas 59 x 39.2 inches (149.9 x 99.7 cm) Signed, titled and dated 1986 on the overlap Provenance Galerie Bruno Bischofberger, Zurich Private Collection Christie's, New York, November 14, 2007, Lot 431 (consigned by the above) Private Collection (acquired from the above) Acquired by the present
- [Because It Hurts the Lungs, 1986](https://intelart.io/2022/07/26/because-it-hurts-the-lungs-1986/) - JEAN-MICHEL BASQUIAT Because it Hurts the Lungs, 1986 Acrylic, oil, oilstick and Xerox collage on wood 72 x 42.1 x 8.4 inches (183 x 107 x 23.9 cm) Provenance Galerie Bischofberger, Zurich Akira Ikeda Gallery, Tokyo Anon. sale, Sotheby’s New York, 6 October 1992, lot 202 Tony Shafrazi Gallery, New York Private Collection, Germany Anon.
- [Jim Crow, 1986](https://intelart.io/2022/07/26/jim-crow-1986/) - JEAN-MICHEL BASQUIAT (1960-1988) Jim Crow, 1986 Acrylic and gesso pencil on wood 80 7/8 x 96 1/8 x 1 5/8 inches (205.3 x 244 x 4 cm) Titled '"JIM CROW"' (within the composition) Initialed, titled and dated '"JIM CROW" jmb 86-' (on reverse) Provenance Galerie Bruno Bischofberger, Zurich Collection Olivier Stahel, Saint-Moritz Vente anonyme,
- [Black, 1986](https://intelart.io/2022/07/26/black-1986/) - JEAN-MICHEL BASQUIAT Black, 1986 Acrylic, oil, graphite, crayon and Xerox on wood 49.7 x 36.5 x 11.5 inches (126.4 x 92.7 x 29.2 cm) Titled; signed, titled and dated 86 on the reverse Provenance Galerie Bruno Bischofberger, Zurich Akira Ikeda Gallery, Nagoya (acquired from the above) Acquired by the previous owner from the above in March
- [Jazz, 1986](https://intelart.io/2022/07/26/jazz-1986/) - JEAN-MICHEL BASQUIAT Jazz, 1986 Acrylic, oil, graphite, crayon and Xerox on wood 49.5 x 36.5 x 11 inches (125.7 x 92.7 x 28.6 cm) Titled; signed, titled and dated 86 on the reverse Provenance Galerie Bruno Bischofberger, Zurich Akira Ikeda Gallery, Nagoya (acquired from the above) Gallery Schlesinger, New York (acquired from the above in 1988) Twiga
- [Untitled, 1985](https://intelart.io/2022/07/25/untitled-1985/) - Untitled, 1985 Acrylic and oilstick on wood, in three parts 85.5 x 108.5 x 12 inches (217.2 x 275.6 x 30.5 cm) Signed and dated 85 on the reverse Provenance Galerie Bruno Bischofberger, Zurich Private Collection Christie's, New York, 4 May 1994, Lot 46 Collection of Carmen Riera, Barcelona (acquired from the above sale) Christie's, London,
- [Peter and The Wolf, 1985](https://intelart.io/2022/07/25/peter-and-the-wolf-1985/) - JEAN-MICHEL BASQUIAT Peter and the Wolf, 1985 Acrylic, oilstick and paper collage on canvas 100 x 113.6 inches (254x289 cm) Signed, titled and dated '"Peter and the Wolf" Jean Michel Basquiat 85' (on the reverse) Provenance Michael Werner Gallery, New York Galerie Beaubourg, Marianne and Pierre Nahon, Paris Private collection, New York Anon. sale; Phillips
- [Rubber, 1985](https://intelart.io/2022/07/25/rubber-1985/) - JEAN-MICHEL BASQUIAT Rubber, 1985 Acrylic, oil stick and collage on canvas 86x68 inches (218.5 x 173 cm) Signed, titled and dated '85 on the reverse Provenance Galerie Bruno Bischofberger, Zurich Galerie Thaddaeus Ropac, Salzburg Private Collection, New York Sotheby’s New York, 17 November 1998, Lot 57 Acquired form the above sale by the present owner
- [Big Snow, 1984](https://intelart.io/2022/07/24/big-snow-1984/) - JEAN-MICHEL BASQUIAT (1960 - 1988) Big Snow, 1984 Acrylic and oilstick on canvas 66 1/4 x 60 1/8 inches (168.3 x 152.8 cm) Signed, titled and dated 1984 (on the reverse) Provenance Gagosian Gallery, Los Angeles Armand Bartos, New York Galerie 1900-2000, Paris (acquired from the above in November 1987) Sotheby’s London, 24 March 1994,
- [London Winter Auctions (March 2025)](https://intelart.io/2025/02/21/london-auctions-march-2025-preview/) - WORK IN PROGRESS Agenda Sotheby's Modern & Contemporary Art Evening Auction 4 March 2025 Modern & Contemporary Evening Auction | 2025 | Sotheby's Contemporary Day Auction 5 March 2025 Contemporary Day Auction | 2025 | Sotheby's Modern Day Auction 5 March 2025 Modern Day Auction | 2025 | Sotheby's Christie's 20th/21st Century
- [London Fall Auctions (October 2024)](https://intelart.io/2024/09/28/london-fall-auctions-october-2024-copy/) - WORK IN PROGRESS Timeline Sotheby's Contemporary Evening Auction 9 October 2024 Contemporary Evening Auction | 2024 | Sotheby's (sothebys.com) Contemporary Day Auction 10 October 2024 Contemporary Day Auction | 2024 | Sotheby's (sothebys.com) Christie's 20th/21st Century London Evening Sale 9 October 2024 20th / 21st Century: London Evening Sale (christies.com) Impressionist and
- [London Summer Auctions (June 2024)](https://intelart.io/2024/06/14/auction-results-london-june-2024/) - Timeline Sotheby's Modern and Contemporary Evening Auction 25 June 2024 https://www.sothebys.com/en/buy/auction/2024/modern-contemporary-evening-auction-including-the-ralph-i-goldenberg-collection Contemporary Day Auction including the Ralph I Goldenberg Collection 26 June 2024 https://www.sothebys.com/en/buy/auction/2024/contemporary-art-day-auction-including-the-ralph-i-goldenberg-collection?locale=en Phillips Modern and Contemporary Art Evening and Day Sale 27 June 2024 Modern & Contemporary Art: Evening & Day Sale: London June 2024 (phillips.com)
- [2024 London Winter Auctions (March 2024)](https://intelart.io/2024/02/24/london-auctions-march-2024/) - Table of Content PART I: SUMMARY 1. Auction Statistics 2. Top 10 Lots 3. Top 10 Artists 4. Outperformers and Underperformers PART II: AUCTION RESULTS 1. Sotheby's 2. Christie's 3. Phillips PART III: FOCUS 1. Ultra-Contemporary Art 1.1. Jade Fadojutimi 1.2. Adrian Ghenie 1.3. Other Artists (Nicolas Party, Caroline Walker, Ewa Jusckiewicz, Christina Quarles)
- [Auction Results: London Fall Auctions (October 2023)](https://intelart.io/2023/10/16/auction-results-london-fall-auctions-october-2023/) - Christie's 1. 20th/21st Century London Evening Sale 13 October 2023 20th/21st Century: London Evening Sale (christies.com) Auction Statistics Total: GBP 44,691,420 USD 54,237,146 --------- # Lots: 51 # Lots sold: 45 Sell-Through Rate: 84% --------- Above Estimates: 21 (41%) Within Estimates: 18 (35%) Below Estimates: 6 (12%) Unsold: 6
- [Auction Results: London Auctions (June 2023)](https://intelart.io/2022/10/31/auction-results-london-auctions-june-2023/) - Christie's 20th/21st Century London Evening Sale 28 June 2023 20th/21st Century: London Evening Sale (christies.com) Auction Statistics Total: GBP 63,824,100 # Lots: 66 Lots # Lots sold: 61 Sell-Through Rate: 92.4% ------------ Top Lot: GBP 8,015,000 21 Lots sold above GBP 1 million Revenues: GBP 47,992,200 (75.2 % of
- [Auction Results: London Auctions (February/March 2023)](https://intelart.io/2022/10/27/auction-results-london-auctions-february-march-2023-2/) - Auction Results London, February/March 2023 With a total of 5 evening sales, and 4 days sales, Christie's, Sotheby's and Phillips sold 782 artworks for a total of GBP 429,464,517. Christie's Total: GBP 198,888,394 390 Lots sold Sell-Through Rate: 86.9% 20/21st Century Evening Sale: GBP 128,952,500 (64 lots) The Art of the Surreal Evening
- [Auction Results: London Auctions (October 2022)](https://intelart.io/2022/10/24/london-auctions-october-2022/) - Christie's 20/21st Century Evening Sale 13 October 2022 GBP 72,533,850 (USD 81,974,928) 47 Lots Sold Top Lot: GBP 20,899,500 Sell-Through: 100% WHITE GLOVE SALE 47 Lots Above estimates: 20 Lots (42%) Within estimates: 15 Lots (31%) Below estimates: 12 Lots (25%) DAVID HOCKNEY Early Morning, Sainte-Maxime, 1968-1969 Acrylic on canvas
- [2025 London Fall Auctions (October 2025)](https://intelart.io/2025/10/03/2025-london-fall-auctions-october-2025-preview/) - WORK IN PROGRESS Agenda 20th/21st Century: London Evening Sale 15 October 2025 20th/21st Century: London Evening Sale Post-War and Contemporary Art Day Sale 16 October 2025 Post-War and Contemporary Art Day Sale Contemporary Evening Auction 16 October 2025 Contemporary Evening Auction | 2025 | Sotheby's Contemporary Day Auction 17
- [Liberty (from Portfolio III), 1982-83/2017](https://intelart.io/2021/07/17/liberty-1982-1983-2017/) - Liberty Medium: Screen-print in colors on 300gm Somerset Satin paper Year: 1982-83/2017 Sheet: 22x30 inches (56 x 76.4 cm) Edition: 50 Artist's Proofs: 20 Other: 15 Hors Commerce (HC), 5 Printer’s Proofs (PP), and 1 BAT Publisher: Flatiron Editions, New-York Printer: Brand X Editions, New-York Each screen-print bears the signatures of Lisane Basquiat and
- [Leeches (from Portfolio III), 1982/2017](https://intelart.io/2021/07/17/leeches-1982-1983-2017/) - Leeches Medium: Screen-print in colors on 300gm Somerset Satin paper Year: 1982/2017 Sheet: 22x30 inches (56 x 76.4 cm) Edition: 50 Artist's Proofs: 20 Other: 15 Hors Commerce (HC), 5 Printer’s Proofs (PP), and 1 BAT Publisher: Flatiron Editions, New-York Printer: Brand X Editions, New-York Each screen-print bears the signatures in pencil of Lisane
- [Ascent (from Portfolio III),1983/2017](https://intelart.io/2021/07/17/ascent1982-1983-2017/) - Ascent Medium: Screen-print in colors on 300gm Somerset Satin paper Year: 1983/2017 Sheet: 22x30 inches (56x76 cm) Edition: 50 Artist's Proofs: 20 Publisher: Flatiron Editions, New-York, 2017 Each screen-print bears the signatures of Lisane Basquiat and Jeanine Heriveaux, Administrators of the Estate of Jean-Michel Basquiat on verso, as well as the stamps of the
- [Flexible, 1984/2016](https://intelart.io/2021/07/16/flexible/) - Flexible Medium: 24 color screen-print on 4-ply Museum board Year: 1984/2016 Image: 58 3/8 x 43 7/8 inches (148.3 x 111.4 cm) Sheet: 60 1/2 x 45 1/2 inches (153.6 x 115.5 cm) Edition: 85 Artist's Proofs: 15 Other: 15 Hors Commerce (HC), 15 Printer's Proofs (PP), 1 BAT (Bon A Tirer) Publisher: Flatiron
- [Hollywood Africans in front of the Chinese Theater with Footprints of Movie Stars, 1983/2015](https://intelart.io/2021/07/15/hollywood-africans/) - Hollywood Africans in front of the Chinese Theater with Footprints of Movie Stars Medium: 23-Color Screen-print on 4-ply Museum Board Year: 1983/2015 Sheet: 38 x 84 1/2 inches (96.4 x 214.7 cm) Edition: 60 Artist's Proofs: 15 Publisher: Flatiron Editions, New-York, 2015 Each screen-print bears the signatures of Lisane Basquiat and Jeanine Heriveaux, Administrators
- [Charles The First (from Portfolio II), 1982/2004](https://intelart.io/2021/07/05/charles-the-first-1982-2005/) - Charles The First Medium: 21 color screen-print on Saunders 410 Hot Press Watercolor paper Year: 1982/2004 Sheet: 61x48 inches (154.9 x 121.9 cm) Edition: 85 Artist's Proofs: 15 AP Hors Commerce: 20 HC Publisher: David DeSanctis Contemporary Art, Inc., Los Angeles Signed in pencil on the verso by Gerard Basquiat, Administrator of the Estate
- [Jawbone of an Ass (from Portfolio II), 1982/2004](https://intelart.io/2021/07/05/jawbone-of-an-ass-1982-2005/) - Jawbone of an Ass Medium: Screen-print in colors on Saunders Hot Press watercolor paper Year: 1982/2004 Sheet: 42 1/2 x 60 inches (108 x 152.4 cm) Edition: 85 Artist's Proofs: 15 AP Publisher: David DeSanctis Contemporary Art, Inc., Los Angeles Each screen-print bears the signature of Gerard Basquiat, Administrator of the Estate of Jean-Michel
- [Rome Pays Off (from Portfolio II), 1983/2004](https://intelart.io/2021/07/05/rome-pays-off/) - Rome Pays Off Medium: Screen-print in colors on Saunders paper Year: 1984/2004 Sheet: 44 x 39 1/4 inches (111.8 x 99.7 cm) Edition: 85 Artist's Proofs: 15 AP Hors Commerce: 20 HC Publisher: David DeSanctis Contemporary Art, Inc., Los Angeles Signed and dated in pencil on the verso by Gerard Basquiat, Administrator of the
- [Cabeza (from Portfolio II), 1983/2005](https://intelart.io/2021/07/05/cabeza-1983-2005/) - Cabeza Medium: 21 color screen-print on Saunders 410 Hot Press Watercolor paper Year: 1983/2004 Sheet: 54 1/2 x 39 1/2 inches (138.4 x 100.3 cm) Edition: 85 Artist's Proofs: 15 AP Hors Commerce: 20 HC Publisher: David DeSanctis Contemporary Art, Inc., Los Angeles Printer: Brand X Editions Signed in pencil on the verso by
- [Jean-Michel Basquiat Estate Portfolio I, 1983-2001](https://intelart.io/2021/07/03/jean-michel-basquiat-estate-portfolio-i-1983-2001/) - Jean-Michel Basquiat Estate Prints Portfolio I Medium: 21 color screen-print on Saunders 410 Hot Press watercolor paper Year: 1983/2001 Sheet: 40x40 inches (101.6 x 101.6 cm) Edition: 85 Artist’s Proofs: 15 AP Other: 15 HC (Hors Commerce), 5 PP (Printer’s Proofs), and 1 BAT Publisher: DeSanctis Carr Fine Art, Los Angeles, 2001 Each signed and
- [Per Capita (from Portfolio I), 1983/2001](https://intelart.io/2021/07/01/per-capita/) - Per Capita Medium: 21 color screen-print on Saunders 410 Hot Press Watercolor paper Year: 1983/2001 Sheet: 40 x40 inches (101.6 x 101.6 cm) Edition: 85 Artist’s Proofs: 15 Other: 15 Hors Commerce (HC), 5 Printer’s Proofs (PP), and 1 BAT Publisher: DeSanctis Carr Fine Art, 2001 Each screen-print bears the signature of Gerard Basquiat,
- [Head (from Portfolio I), 1983/2001](https://intelart.io/2021/07/01/head/) - Head Medium: 21 color screen-print on Museum Board Year: 1983/2001 Sheet: 40x40 inches (101.6 x 101.6 cm) Edition: 85 Artist’s Proofs: 15 Other: 15 Hors Commerce (HC), 5 Printer’s Proofs (PP), and 1 BAT Publisher: DeSanctis Carr Fine Art, 2001 Each screen-print bears the signature of Gerard Basquiat, Administrator of The Estate of Jean-Michel
- [Ernok (from Portfolio I),1983/2001](https://intelart.io/2021/07/01/ernok/) - Untitled (Ernok) Medium: 21 color screen-print on Saunders 410 Hot Press watercolor paper Year: 1983/2001 Sheet: 40 x40 inches (101.6 x 101.6 cm) Edition: 85 Artist’s Proofs: 15 AP Other: 15 HC (Hors Commerce), 5 PP (Printer’s Proofs), and 1 BAT Publisher: DeSanctis Carr Fine Art, Los Angeles Printer: Brand X Editions, New York
- [Rinso (from Portfolio I), 1983/2001](https://intelart.io/2021/07/01/rinso/) - Rinso Medium: Screen-print in colors on Saunders paper Year: 1983/2001 Sheet: 40x40 inches (101.6 x 101.6 cm) Edition: 85 Artist's Proofs: 15 AP Printer's Proofs: 5 PP Publisher: David DeSanctis Contemporary Art, Inc., Los Angeles Numbered in pencil on the front Signed in pencil on the verso by Gerard Basquiat, Administrator of the Estate of
- [Untitled (From Leonardo), 1983 (5 works)](https://intelart.io/2021/06/30/untitled-from-leonardo-1983-5-works/) - Untitled (From Leonardo) The complete set of five screen-prints in colors Medium: Screen-print in colors on Okawara paper Year: 1983 All Sheets: 34 3/4 x 30 inches (88.3 x 76.2 cm) Edition: 45 Artist's Proofs: 4 Publisher: New City Editions, Venice, California Basquiat’s Untitled: From Leonardo serves as a captivating reflection on the high renaissance
- [Leg of a Dog, from Da Vinci, 1983](https://intelart.io/2021/06/30/leg-of-a-dog-from-da-vinci-1983/) - Leg of a Dog, from Da Vinci Medium: Screen-print on Okiwara rice paper Year: 1983 Sheet: 40 1/8 x 31 1/4 inches (101.9 x 79.4 cm) Edition: 20 of which 11 are signed Publisher/Printer: New City Editions, Venice, California Jean-Michel Basquiat created this print in 1983, towards the end of his tragically short
- [Academic Study of the Male Figure, 1983](https://intelart.io/2021/06/30/academic-study-of-the-male-figure-1983/) - Academic Study of the Male Figure Medium: Screen-print on Okiwara rice paper Year: 1983 Sheet: 40 x 31 1/4 inches (101.6 x 79.4 cm) Edition: 20 (0nly 13 impressions were signed) Publisher: New City Editions, Venice, California Auction Results Bonhams Paris: 1 June 2023 Estimated: EUR 12,000 - 18,000 EUR 15,360 / USD
- [Back of the Neck, 1983](https://intelart.io/2021/06/30/back-of-the-neck-1983/) - Back of the Neck Medium: Color screen-print with hand painting Year: 1983 Sheet: 50 1/8 x 101 7/8 inches (127.3 x 258.4 cm) Edition: 24 Artist's Proofs: 3 Signed and dated 1983 Numbered on the reverse Executed in 1983 and part of a rare and monumental screen print edition by Jean-Michel Basquiat, Back
- [Anatomy, 1982 (18 works)](https://intelart.io/2021/06/29/anatomy-1982-18-works/) - Jean-Michel Basquiat’s Anatomy is the artist’s first portfolio of prints and it distills many of the thematic qualities that define the artist’s early work. The series was created shortly after his inaugural solo exhibition, organized by the Annina Nosei Gallery in March of 1982. Nosei provided the artist with a studio in the basement of her gallery,
- [Riddle Me This Batman (from Superhero Portfolio), 1987/2022](https://intelart.io/2021/07/22/riddle-me-this-batman-from-superhero-portfolio-1987-2022/) - Riddle Me This Batman from Superhero Portfolio Medium: Screen-print in colors on 425 gm Saunders Waterford paper Year: 1987/2022 Size: 40x40 inches (101.6 x 101.6 cm) Edition: 85 Artist's Proofs: 20 AP Publisher: Flatiron Editions, New-York Signed and dated in pencil by Lisane Basquiat and Jeanine Heriveaux (the artist’s sisters and administrators of the
- [A Panel of Experts (from Superhero Portfolio), 1982/2022](https://intelart.io/2021/07/22/a-panel-of-experts-from-superhero-portfolio-1982-2022/) - A Panel of Experts from Superhero Portfolio Medium: Screen-print in colors on 425 gm Saunders Waterford paper Year: 1982-87/2022 Size: 40x40 inches (101.6 x 101.6 cm) Edition: 85 Artist's Proofs: 20 Publisher: Flatiron Editions, New-York Stamped and signed by Lisane Basquiat and Jeanine Heriveaux, the artist’s sisters and administrators of the Estate of Jean-Michel Basquiat.
- [Phooey, 1982/2021](https://intelart.io/2021/07/21/phooey-1982-2021/) - Phooey Medium: Screen-print in colors on wove paper Year: 1982/2021 Sheet: 43 1/4 x 84 5/8 inches (110 x 214.9 cm) Edition: 60 Artist's Proofs: 20 AP Publisher: Flatiron Editions, New-York Signed and dated in pencil by Lisane Basquiat and Jeanine Herivaux, the artist's sisters and administrators of the Estate of Jean-Michel Basquiat, with
- [Jean-Michel Basquiat Estate Portfolio IV, 1982-83/2019 (4 works)](https://intelart.io/2021/07/19/jean-michel-basquiat-estate-portfolio-iv-2019/) - Jean-Michel Basquiat Estate Prints Portfolio IV Wolf Sausage; King Brand; Dog Leg Study; Undiscovered Genius The complete set of four screen-prints in colors Medium: Screen-print in colors on Somerset Satin paper Year: 1982-83/ 2019 Sheet: 22x30 inches (55.9 x 76.2 cm) Edition: 50 Artist's Proofs: 20 Other Editions: 5 Printer's Proofs (PP), 1 BAT
- [King Brand (from Portfolio IV), 1982-83/2019](https://intelart.io/2021/07/19/king-brand/) - King Brand Medium: Screen-print in colors on 300gsm Somerset Satin Paper Year: 1982-83/2019 Sheet: 22x30 inches (55.9 x 76.2 cm) Edition: 50 Artist's Proofs: 20 Other Editions: 5 Printer's Proofs (PP), 1 BAT Publisher: Flatiron Editions, New-York Each screen-print bears the signatures of Lisane Basquiat and Jeanine Heriveaux, Administrators of the Estate of Jean-Michel
- [Wolf Sausage, 1982-83/2019](https://intelart.io/2021/07/19/wolf-sausage/) - Wolf Sausage Medium: Screen-print in colors on 300gsm Somerset Satin Paper Year: 1982-83/2019 Sheet: 22x30 inches (55.9 x 76.2 cm) Edition: 50 Artist's Proofs: 20 Other Editions: 5 Printer's Proofs (PP), 1 BAT Publisher: Flatiron Editions, New-York, 2019 Each screen-print bears the signatures of Lisane Basquiat and Jeanine Heriveaux, Administrators of the Estate of
- [Dog Leg Study (from Portfolio IV), 1982-83/2019](https://intelart.io/2021/07/19/dog-leg-study/) - Dog Leg Study Medium: Screen-print in colors on 300gsm Somerset Satin Paper Year: 1982-83/2019 Sheet: 22x30 inches (55.9 x 76.2 cm) Edition: 50 Artist's Proofs: 20 Other Editions: 5 Printer's Proofs (PP), 1 BAT Publisher: Flatiron Editions, New-York, 2019 Each screen-print bears the signatures of Lisane Basquiat and Jeanine Heriveaux, Administrators of the Estate of
- [Undiscovered Genius (from Portfolio IV), 1982-83/2019](https://intelart.io/2021/07/19/undiscovered-genius/) - Undiscovered Genius Medium: Screen-print in colors on 300gsm Somerset Satin Paper Year: 1982-83/2019 Sheet: 22x30 inches (55.9 x 76.2 cm) Edition: 50 Artist's Proofs: 20 Other Editions: 5 Printer's Proofs (PP), 1 BAT Publisher: Flatiron Editions, New-York, 2019 Each screen-print bears the signatures of Lisane Basquiat and Jeanine Heriveaux, Administrators of the Estate of
- [Boxer Rebellion, 1982-1983/2018](https://intelart.io/2021/07/18/boxer-rebellion/) - Boxer Rebellion Year: 1982-83/2018 Medium: Screen-print on Rives BFK paper Dimensions: 22x30 inches (55.9x76.2 cm) Edition: 60 Signed, stamped and numbered by the Estate of Jean-Michel Basquiat Boxer Rebellion depicts two boxers with stylized anatomical features exchanging blows, surrounded by references to boxing. The sport of boxing, famous black athletes and class
- [Jean-Michel Basquiat Estate Prints Portfolio III, 1982-83/2017 (4 works)](https://intelart.io/2021/07/17/jean-michel-basquiat-estate-prints-portfolio-iii-1982-83-2017-4-works/) - Jean-Michel Basquiat Estate Prints Portfolio III Ascent; Olympic; Leeches; and Liberty The complete set of four screen-prints in colors Medium: Screen-print in colors on 300gm Somerset Satin paper Year: 1982-83/2017 Size: 22x30 inches (56 x 76.4 cm) Edition: 50 Artist’s Proofs: 20 Other: 15 Hors Commerce (HC), 5 Printer’s Proofs (PP), and 1 BAT Publisher:
- [Olympic (from Portfolio III), 1983/2017](https://intelart.io/2021/07/17/olympic-1982-1983-2017/) - Olympic Medium: Screen-print in colors on 300gm Somerset Satin paper Year: 1983/2017 Sheet: 22x30 inches (56 x 76.4 cm) Edition: 50 Artist’s Proofs: 20 Other: 15 Hors Commerce (HC), 5 Printer’s Proofs (PP), and 1 BAT Publisher: Flatiron Editions, New-York Printer: Brand X Editions, New-York Each screen-print bears the signatures of Lisane Basquiat and
- [Flash in Naples (from Superhero Portfolio), 1982/2022](https://intelart.io/2021/07/22/flash-in-naples-from-superhero-portfolio-1982-2022/) - Flash in Naples from Superhero Portfolio Medium: Screen-print in colors on 425 gm Saunders Waterford paper Year: 1982/2022 Size: 40x40 inches (101.6 x 101.6 cm) Edition: 85 Publisher: Flatiron Editions, New-York Stamped and signed by Lisane Basquiat and Jeanine Heriveaux, the artist’s sisters and administrators of the Estate of Jean-Michel Basquiat. A striking
- [The Superhero Portfolio, 1982-87/2022](https://intelart.io/2021/07/22/the-superhero-portfolio-2022/) - The Superhero Portfolio A portfolio of four hand pulled limited edition screen-prints Medium: Hand-pulled screen-print in colors Year: 1982-87/2022 Size: 40x40 inches Edition: 85 Artist's Proofs: 20 Publisher: Flatiron Editions New-York Stamped and signed by Lisane Basquiat and Jeanine Heriveaux, the artist’s sisters and administrators of the Estate of Jean-Michel Basquiat. On 1
- [The Figure Portfolio, 1982/2023](https://intelart.io/2023/08/23/the-figures-portfolio-1982-2023/) - The Figure Portfolio A portfolio of five hand pulled limited edition screen-prints Medium: Hand-pulled screen-print in colors Year: 1982/2023 Size: 48x32 inches (122x81 cm) Edition: 85 Publisher: Flatiron Editions, New-York Printer: Brand X Editions, New-York Stamped and signed by Lisane Basquiat and Jeanine Heriveaux, the artist’s sisters and administrators of the Estate of Jean-Michel
- [Odours of Punt, 1983/2024](https://intelart.io/2023/08/23/odours-of-punt-1983-2024/) - Odours of Punt Medium: Screenprint in colors on Saunders Waterford 425 gsm Year: 1982/2024 Sheet: 84x42 inches (122x81 cm) Edition: 60 Artist's Proofs: 15 AP Printer's Proofs: 5 PP Bon a Tirer: 1 BAT Publisher: Flatiron Editions, New-York Printer: Brand X Editions, New-York Stamped and and dated by Lisane Basquiat and Jeanine Heriveaux, the
- [King Alphonso, 1982-83/2025](https://intelart.io/2023/08/23/king-alphonso/) - King Alphonso Medium: Screenprint in colors on Saunders Waterford 425 gsm Year: 1982-83/2025 Sheet: 29x39 inches (73.7 x 99.1 cm) Edition: 60 Artist's Proofs: 15 AP Printer's Proofs: 5 PP Bon a Tirer: 1 BAT Publisher: Flatiron Editions, New-York Printer: Brand X Editions, New-York Stamped and and dated by Lisane Basquiat and Jeanine Heriveaux, the
- [Jean-Michel Basquiat Prints Market Overview](https://intelart.io/2023/10/25/jean-michel-basquiat-prints-market-overview/) - DRAFT WORK IN PROGRESS Auction Statistics Unlike Keith Haring, or Andy Warhol, Jean-Michel Basquiat was never a prolific print-maker, he only did a few while he was alive on the anatomical subject. Most of the prints sold at auction are prints released by the Estate of Jean-Michel Basquiat after his death. It is
- [Overview of Jean-Michel Basquiat Prints](https://intelart.io/2023/10/25/jean-michel-basquiat-estate-prints/) - When asked to describe his art, Jean-Michel Basquiat responded with customary aplomb: “royalty, heroism, and the streets.” A high school dropout, Basquiat found his true calling hanging out in the streets and inserting himself in the bustling urban milieu, ultimately becoming an influential figure in New York City’s Downtown, especially the East Village club scene.
- [Andy Warhol (American, 1928-1987)](https://intelart.io/2022/12/12/andy-warhol-american-1928-1987/) - Introduction Andy Warhol, born Andrew Warhola on August 6, 1928, in Pittsburgh, Pennsylvania, emerged as a transformative figure in 20th-century art. The son of working-class Slovak immigrants, Warhol’s early years were marked by frailty due to health issues, including Sydenham chorea, which kept him bedridden for long stretches. During this time, he developed a passion
- [Jean-Michel Basquiat / Andy Warhol Collaboration, 1985-1986](https://intelart.io/2022/08/05/jean-michel-basquiat-andy-warhol-collaboration-1985-1986/) - At the time of their first official introduction in the fall of 1982, Basquiat was a young artist only just gaining establishment recognition, while Warhol had already been an international sensation for nearly twenty years. The duo were first formally acquainted through Bruno Bischofberger, who brought Basquiat to the Factory to have his portrait taken by
- [Joel Mesler (American, b. 1974)](https://intelart.io/2022/12/15/joel-mesler-american-b-1974-auction-market-overview/) - Born in Los Angeles, CA in 1974, Joel Mesler received his MFA from the San Francisco Art Institute. Mesler began painting in the early 2000s, and his work has since been shown at various exhibitions. In the past years he has held successful solo shows at David Kordansky Gallery in Los Angeles, Harper’s Books in New York,
- [Christina Quarles (American, b. 1985)](https://intelart.io/2022/12/15/christina-quarles-recent-auction-results-2/) - Los Angeles–based artist Christina Quarles paints bodies that are subjected not only to the weight and gravity of the physical world but also to the pleasures and pressures of the social realm. Untangling the complexities of race and gender through her dynamic explorations of the human body, Christina Quarles has emerged as one of the
- [Dana Schutz (American, b. 1976)](https://intelart.io/2022/12/15/dana-schutz-recent-auction-results-2/) - Dana Schutz was born in 1976 in Livonia, Michigan, and received her BFA from the Cleveland Institute of Art, Ohio and her MFA from Columbia University, New York. She lives and works in Brooklyn, New York. She is known for formally inventive canvases that combine figuration and abstraction to construct complex visual narratives that engage
- [Avery Singer (American, b. 1987)](https://intelart.io/2022/12/15/avery-singer-recent-auction-results-2/) - Born in 1987 and raised by artist parents, Singer grew up in lower Manhattan and was around art and museums from a young age. She went on to study sculpture at the esteemed Cooper Union, and later developed her interests in architectural computer modelling before settling on the medium of painting, making her a painter
- [Anna Weyant (Canadian, b. 1995)](https://intelart.io/2022/12/15/rising-stars-on-the-auction-blocks-2020-2022-2/) - The youngest artist to be internationally represented by Gagosian Gallery, is amidst a meteoric rise for her figurative tableaux that are simultaneously infused with playful humor and somber tragedy. Her signature oil paintings illustrate young women undergoing the common experience of striving to maintain appearances while negotiating the inner self-described “low-stakes trauma of girlhood”. Weyant
- [Rafa Macarron (Spanish, b. 1981)](https://intelart.io/2022/12/15/rafa-macarron-recent-auction-results-2/) - Rafa Macarrón is a self-taught artist whose works meld playful drawing and figuration with striking, chromatic abstraction. Macarrón’s work plays with bodies, particularly ones with manifold fingers, thin-lined limbs, and hyper-distorted facial features. Trained as a physiotherapist, he works with a comprehensive understanding of anatomy, only to rebuke its precision. “To create my elongated
- [Ewa Juszkiewicz (Polish, b. 1984)](https://intelart.io/2022/12/15/ewa-juszkiewicz-poland-b/) - Ewa Juszkiewicz’s oil portraits of women turn genre conventions inside out. Beginning by producing a likeness of a historical European painting—her sources date from the Renaissance through the nineteenth century—she expertly imitates the original’s technique and style but replaces the subject’s face with a surreal or grotesque distortion. In some compositions, the Polish artist swathes
- [Maria Berrio (Colombian, b. 1982)](https://intelart.io/2022/12/15/maria-berrio-colombian/) - WORK IN PROGRESS Based in Brooklyn, María Berrío grew up in Colombia. Her large-scale works, which are meticulously crafted from layers of Japanese paper, reflect on cross-cultural connections and global migration seen through the prism of her own history. Populated predominantly by women, Berrío’s art often appears to propose spaces of refuge or
- [Damien Hirst Prints Highlights](https://intelart.io/2024/01/14/the-virtues-2021/) - Damien Hirst has one of the most structured, prolific, and deliberately strategic print practices of any contemporary artist. From the outset, prints were never conceived as secondary objects in his work, but as a parallel system: one that mirrors his core ideas while allowing for scale, repetition, and wide circulation. Hirst’s print production is built
- [The Last Supper, 1999](https://intelart.io/2024/04/11/the-last-supper-1999/) - The Last Supper The complete set of 13 screenprints in colors Medium: Screenprint in colors on wove paper Year: 1999 Sheet: 152.5 x 101 cm Edition: 150 Artist's Proofs: 25 AP Publisher: The Paragon Press, London Literature: Contemporary Art in Print, The Paragon Press 1995-2000, London, 201, pp. 230-243 The Last Supper by Damien Hirst
- [Keith Haring Top Lots at Auction](https://intelart.io/2021/08/11/keith-haring-top-lots-at-auction/) - Auction Results # 1. Untitled, 1982 Sotheby's New-York: 18 May 2017 Estimated: USD 4,000,000 - 6,000,000 USD 6,537,500 KEITH HARING Untitled, 1982 Acrylic on vinyl tarpaulin with metal grommets 121 1/2 x 118 3/4 inches (308.6 x 301.6 cm) #2. Untitled, 1984 Christie's London: 29 June 2021 Estimated: GBP 3,900,000 - 4,500,000 GBP
- [Keith Haring - Summary Biography](https://intelart.io/2021/08/12/keith-haring-summary-biography/) - Keith Haring Summary Biography Born on 4 May, 1958, in Reading, Pennsylvannia, Keith Haring was best known for striking grafitti-inspired drawings that took him from New York City’s streets, subways and clubs to museums and public spaces around the world. Fascinated by cartoon art from an early age, Haring dropped out of the
- [Keith Haring Prints Auction Market Overview (2022-2025)](https://intelart.io/2023/09/29/keith-haring-prints-auction-market-overview/) - WORK IN PROGRESS CURRENTLY BEING UPDATED The market for Keith Haring prints has been substantially growing in value and in volume over the course of the past few years, with an auction market mostly centered in the US, but also in Japan, Korea, and Europe. 2022/2025 Auction Statistics 149 lots sold at auction
- [Keith Haring Auction Results (2021-2025)](https://intelart.io/2025/03/23/keith-haring-auction-results-2021-2025/) - 2025 Upcoming Lots MORE LOTS COMING SOON 2025 Auction Results Untitled, 1982 Christie's London: 6 March 2025 Estimated: GBP 200,000 - 300,000 GBP 378,000 / USD 483,840 KEITH HARING (1958-1990), Untitled | Christie's KEITH HARING (1958-1990) Untitled, 1982 Sumi ink on paper 38 1/4 x 50 inches (97x127 cm)
- [Figure Balancing on Dog, 1986 (2 versions)](https://intelart.io/2023/08/28/figure-balancing-on-dog-1986/) - 1. Figure Balancing on Dog (Small) Untitled (Figure Balancing On Dog) Medium: Brushed aluminum Year: 1986 Dimensions: 18 1/2 x 11 1/4 x 13 1/2 inches (50 x 28.6 x 34.3 cm) Edition: 10 Auction Results Sotheby's New-York: 17 November 2017 Estimated: USD 80,000 - 120,000 USD 175,000 KEITH HARING Untitled, 1989
- [Julia, 1987](https://intelart.io/2023/08/28/julia-1987/) - “[Sculpture] has a kind of power that a painting doesn't have. You can't burn it. It would survive a nuclear blast probably. It has this permanent, real feeling that will exist much much longer than I will ever exist, so it's a kind of immortality.” Keith Haring quoted in Flash Art, March 1984, p. 22.
- [King and Queen, 1987-1988](https://intelart.io/2023/08/27/king-and-queen-1987-1988/) - King and Queen Medium: Enamel on steel Year: 1987-1988 Dimensions: 50 x 39 1/2 x 39 1/2 inches (127 x 100.3 x 100.3 cm) Edition: 3 Executed between 1987 and 1988, King and Queen is a magnificent example of the figurative steel cut-outs that Keith Haring created during the final years of his career. Rendered

## Pages

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- [Yayoi Kusama​ Prints](https://intelart.io/yayoi-kusama-prints/) - YAYOI KUSAMA Yayoi Kusama Prints 2026 Upcoming Lots and Auction Results Overview of Yayoi Kusama Prints & Multiples (1982-2010) Yayoi Kusama Prints 2025 Auction Results Yayoi Kusama Prints 2024 Auction Results Yayoi Kusama Flowers The Lemon Squash Butterfly, Fish and Various Sea and Earth Creatures in Kusama’s Prints Yayoi Kusama and Fashion: Shoe, Hat, Dress
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- [Works on Paper](https://intelart.io/works-on-paper/) - WORKS ON PAPER Javier Calleja Works on Paper Sean Scully Works on Paper Keith Haring Works on Paper Rene Magritte Works on Paper Pablo Picasso Works on Paper Ed Ruscha Works on Paper Yoshitomo Nara Works on Paper Fernando Botero Works on Paper Jean Dubuffet Works on Paper George Condo Works on Paper David Hockney
- [Roy Lichtenstein Sculptures](https://intelart.io/roy-lichtenstein-sculptures/) - Roy Lichtenstein 2026 Upcoming Lots and Auction Results Overview of Roy Lichtenstein Prints Roy Lichtenstein Prints Auction Market Overview (2022/2025) Roy Lichtenstein Prints 2025 Auction Results Roy Lichtenstein Prints 2024 Auction Results Cubist Cello, 1997-98 Still Life (from the Geldzahler Portfolio), 1997 Interior with Chair (from the Leo Castelli 90th Birthday Portfolio), 1997 Brushstrokes Still
- [Keith Haring Prints](https://intelart.io/keith-haring-prints/) - Keith Haring Prints 2026 Upcoming Lots and Auction Results Overview of Keith Haring Prints (1982-1990) Keith Haring Prints Auction Market Overview (2022-2025) Keith Haring Prints 2025 Auction Results Keith Haring Prints 2024 Auction Results Pop Shop Prints, 1987-1989 Best Buddies, 1990 The Blueprint Drawings, 1990 Icons, 1990 Fight Aids Worldwide, 1990 Flowers, 1990 Pyramid, 1989
- [Yayoi Kusama​ Infinity Nets](https://intelart.io/yayoi-kusama-infinity-nets/) - Yayoi Kusama Infinity Nets Yayoi Kusama Infinity Nets 10-Year Auction Summary Infinity-Nets (RDUEL), 2018 Infinity Nets (KSUZL), 2017 Infinity Nets (KYKEY), 2017 Infinity Nets (KGSZH), 2017 INFINITY-NETS [APPGF], 2017 INFINITY-NETS (SFOOUY), 2017 Infinity-Nets [HSO], 2016 Infinity Nets (BRST), 2016 Infinity Nets (WKG), 2015 GOLD-INFINITY-NETS, 2015 Infinity Nets (HIWO), 2015 Gold-Sky-Nets, 2015 Silver Nets (EOKI), 2015
- [Keith Haring](https://intelart.io/keith-haring-3/) - Keith Haring Keith Haring was an American artist whose pop art emerged from the New York City graffiti subculture of the 1980s. His animated imagery has “become a widely recognized visual language”. Much of his work includes sexual allusions that turned into social activism by using the images to advocate for safe sex and AIDS
- [Jean-Michel Basquiat​ Paintings](https://intelart.io/jean-michel-basquiat-paintings/) - Self-Portrait, 1988 Eroica I, 1988 Victor 25448, 1987 Riddle Me This, Batman, 1987 Untitled, 1987 Gravestone, 1987 Saxaphone, 1986 In The Wings, 1986 Because It Hurts the Lungs, 1986 Jim Crow, 1986 Apex, 1986 Thin in the Old, 1986 Black, 1986 Jazz, 1986 Now’s the Time, 1985 Untitled, 1985 Peter and The Wolf, 1985 Rubber,
- [Roy Lichtenstein](https://intelart.io/roy-lichtenstein-2/) - ROY LICHTENSTEIN Roy Lichtenstein was an American Pop Artist, who, along with Andy Warhol, Jasper Johns and James Rosenquist, became a leading figure in the new art movement. His work defined the premise of pop art through parody. Largely inspired by the comic strip and popular advertising, Lichtenstein produced precise compositions that documented and reflected upon
- [ARTISTS REPORTS](https://intelart.io/artists-reports/) - ARTISTS' REPORTS Richard Prince Nurse Paintings Fernando Botero Sculptures Roy Lichtenstein Brushstroke Sculptures Pablo Picasso Dora Maar Claude Monet Nympheas Damien Hirst Butterfly Paintings BANKSY Girl with Balloon Robert Indiana Love Sculptures Pierre Soulages Outrenoirs / Beyond Black Damien Hirst Spot/Pharmaceutical Paintings Gerhard Richter Abstraktes Bild Keith Haring Subway Drawings, 1980-1984 Yayoi Kusama Infinity Nets
- [About -IntelArt](https://intelart.io/about-intelart/) - Clarity in a Complex Art Market Welcome to the future of art intelligence.IntelArt transforms raw auction data into actionable insights, helping collectors,advisors, and institutions make informed decisions. We eliminate market noise,focusing solely on verifiable data and expert context. 1. Independent & Objective We are a pure market intelligence player,not a marketplace. Our analysis is freefrom
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- [PRIINTS MARKET](https://intelart.io/prints-market/) - PRINTS MARKET KAWS Prints & Multiples Yayoi Kusama Prints Banksy Prints Keith Haring Prints Roy Lichtenstein Prints David Hockney Prints Andy Warhol Prints Yves Klein Multiples Ed Ruscha Prints Highlights Jeff Koons Multiples Highlights Damien Hirst Prints Highlights
- [MARKET NEWS](https://intelart.io/market-news/) - ART MARKET NEWS Prints Market: New Record Prices Achieved for Andy Warhol in the October Auctions David Hockney’s Arrival of Spring in Woldgate Reaches Unprecedented Heights
- [ART MARKET INTELLIGENCE REPORTS](https://intelart.io/art-market-intelligence-reports/) - ART MARKET INTELLIGENCE REPORTS In-depth reports analyzing auction results Richard Prince Nurse Paintings KAWS Prints & Multiples Yayoi Kusama Prints Banksy Prints Keith Haring Prints Roy Lichtenstein Prints David Hockney Prints Andy Warhol Prints Yves Klein Multiples The Global Art Market in 2025 Fernando Botero Sculptures Roy Lichtenstein Brushstroke Sculptures Load More
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- [Andy Warhol](https://intelart.io/andy-warhol-3/) - Andy Warhol Andy Warhol was an American artist, film director, and producer who was a leading figure in the visual art movement known as Pop Art. He is one of the first artists in modern times to legitimize screen-print as a fine art technique… Below you will find two catalogues: one for Paintings and one for Prints
- [Kaws](https://intelart.io/kaws/) - KAWS Continuing in the tradition of pop art, his influential work crosses painting, sculpture, and printmaking along with fashion, merchandise, and toy production while taking inspiration from art history and popular culture. In his paintings, KAWS deconstructs his appropriation of iconic characters into forms that draw on the tradition of abstract painting. Kaws giant companions have been invading the world
- [Banksy](https://intelart.io/banksy/) - Banksy Banksy is one of the most sought-after and talked about urban artist in the world. Banksy, the pseudonym adopted by the artist, heavily guards his privacy; the details of his life remains largely unknown to the public. He has garnered great fame for his street works, which often combine spray paint and stenciling techniques with commercial, political, and contemporary imagery,
- [wpwBot Mobile App](https://intelart.io/wpwbot-mobile-app/)
- [CATALOGUES](https://intelart.io/catalogues/) - CATALOGUES Moonstar created innovative catalogues mixing Art History and Auction Market Results for selected artists,offeringan in-depth analysis of major series that defined the artist’s oeuvre. Paintings/OriginalsMoonstar has created thematic catalogues regrouping the most important artworks sold at auction by major themes. Prints/MultiplesMoonstar has created a chronological catalogue of the most important artworks from each artist
- [Keith Haring](https://intelart.io/keith-haring-2/) - Keith Haring Keith Haring was an American artist whose pop art emerged from the New York City graffiti subculture of the 1980s. His animated imagery has “become a widely recognized visual language”. Much of his work includes sexual allusions that turned into social activism by using the images to advocate for safe sex and AIDS
- [Yayoi Kusama​ Pumpkins](https://intelart.io/yayoi-kusama-pumpkins/) - Yayoi Kusama Pumpkin Paintings Yayoi Kusama Pumpkin Sculptures PUMPKIN, 2017 Starry Pumpkin, 2017 A-PUMPKIN-SPW, 2014 Starry Pumpkin Gold, 2014 Pumpkin Army, 2014 Pumpkin (LPASG), 2013 A-PUMPKIN SKLO, 2013 PUMPKIN [FBAN], 2013 I Carry On Living with the Pumpkins, 2013 Pumpkin (PLOE), 2013 Pumpkin (GLMTS), 2012 Pumpkin A/ABC, 2012 Pumpkin AA, 2012 A-PUMPKIN-(CHA), 2011 Pumpkin (TWPOT),
- [Banksy - Originals](https://intelart.io/banksy-originals/) - Bunch of Flowers, 2020 Game Changer, 2020 Vest, 2019 Love Is In The Bin, 2018 Rat with Scalpel, 2018 Banksquiat. Boy and Dog in Stop and Search, 2018 Flower Thrower Triptych, 2017 The Leopard and Lamb, 2016 Mickey Snake, 2015 Hummingbird, 2015 Rat and Heart, 2014 Ballerina CP/03, 2013 Protect From All Elements, 2013 Sorry
- [Jean-Michel Basquiat​ Prints](https://intelart.io/jean-michel-basquiat-prints/) - Overview of Jean-Michel Basquiat Prints Jean-Michel Basquiat Prints Upcoming Lots & Auction Results (2024-2026) Jean-Michel Basquiat Prints Market Overview King Alphonso, 1982-83/2025 Odours of Punt, 1983/2024 The Figure Portfolio, 1982/2023 The Superhero Portfolio, 1982-87/2022 Riddle Me This Batman (from Superhero Portfolio), 1987/2022 Flash in Naples (from Superhero Portfolio), 1982/2022 A Panel of Experts (from Superhero
- [David Hockney​](https://intelart.io/david-hockney/) - David Hockney Voted Britain’s Most Influential Artist of All Time in a 2011 poll, David Hockney is one of the most popular and well-respected living artists today. Having worked as a painter, draughtsman, printmaker, photographer, videographer and stage designer, Hockney’s versatility has aided his popularity, making his paintings and limited edition prints some of the most sought-after in the
- [Yayoi Kusama​](https://intelart.io/yayoi-kusama/) - Yayoi Kusama Yayoi Kusama has been acknowledged as one of the most important living artists to come out of Japan. Multi-disciplinary artist whose work notably include sculptures, installations, painting, performances, and poetry, she is mostly associated with conceptual art, but also more widely linked to movements such as feminism, surrealism, and pop art. Kusama began drawing pictures of pumpkins in elementary
- [Jean-Michel Basquiat​](https://intelart.io/jean-michel-basquiat/) - Jean-Michel Basquiat Jean-Michel Basquiat is widely considered to be one of the most influential artists of the late twentieth century. he rose to success during the 1980s as part of the Neo-Expressionism movement. Many contemporary critics also believed that his use of “heroic” figures and icons further defined his style;Basquiat would also often incorporate words,
- [Roy Lichtenstein Paintings](https://intelart.io/roy-lichtenstein-paintings/) - Roy Lichtenstein Brushstroke Sculptures Roy Lichtenstein Auction Results (2021-2025) Landscapes in the Chinese Style, 1996 Nudes, 1994-1995 Interiors, 1994 Reflections, 1990 Roy Lichtenstein Top Lots at Auction Imperfect Paintings, 1986 Landscapes, 1984-85 Two Paintings Series, 1983-84 I Love Liberty, 1982 Expressionist Paintings, 1979-1980 American Indian Series, 1979 Surrealist Paintings, 1976-1977 Futuristic Paintings, 1973-1976 Still Lifes,
- [David Hockney​ Paintings](https://intelart.io/david-hockney-paintings/) - Grand Canyon II, 2017 Garrowby Hill, 2017 Tall Dutch Trees After Hobbema (Useful Knowledge) 2017 Nichols Canyon III, 2017 Studio Interior #2, 2014 Queen Anne’s Lace Near Kilham, 2010-2011 Woldgate Woods, Winter, 2010 More Woldgate Timber, October 13th 2009 Winter Timber, 2009 Early Blossom, Woldgate 2009 Felled Trees, 2008 Arranged Felled Trees, 2008 Woldgate Woods,
- [AUCTION RESULTS](https://intelart.io/auction-results/) - AUCTION RESULTS An in-depth analysis of major auction seasons around the world: The Spring and Fall New-York Auctions, London auctions, and Hong-Kong Auctions. NEW-YORK LONDON HONG-KONG
- [AUCTION MARKET OVERVIEWS](https://intelart.io/auction-market-overviews/) - AUCTION MARKET OVERVIEWS A detailed auction report containing 3 years auction results for a given artist, some elements of biography and highlights for selected lots sold at auction, presented along thematics relevant with the artist’s creative universe.We cover a wide range of artists from Andy Warhol (Post-War), to Shara Hughes (Ultra-contemporary), but also BANKSY (Urban
- [Kaws Prints](https://intelart.io/kaws-prints/) - KAWS Prints & Multiples 2026 Upcoming Lots and Auction Results KAWS Prints & Multiples 2025 Auction Results KAWS Prints & Multiples 2024 Auction Results TIME OFF, 2023 Family, 2023 SHELTER, 2023 CLEAN SLATE, 2022 The Promise, 2022 SHARE, 2021 SEPARATED, 2020 SNOOPY RUNNING, 2020 WHAT PARTY, 2020 URGE, 2020 TENSION, 2019 COMPANIONSHIP IN THE AGE
- [Banksy - Prints](https://intelart.io/banksy-prints/) - BANKSY Prints 2026 Upcoming Lots and Auction Results Overview of Banksy Prints BANKSY Prints Auction Market Overview (2022/2025) Banksy Prints 2025 Auction Results Banksy Prints 2024 Auction Results CCCP Love Is In The Air, 2000 Rude Copper, 2002 Laugh Now, 2003 Bomb Love, 2003 Love Is In The Air, 2003 Toxic Mary, 2003 HMV, 2003
- [MARKET INTELLIGENCE](https://intelart.io/market-intelligence-2/) - WELCOME TO THE HOME PAGE OF MOONSTAR MARKET INTELLIGENCE Moonstar has built an exclusive curated content around the auction results of numerous major artists who are being purchased globally, but also the new “Ultra-contemporary” artists. This content is constantly evolving and is updated with the most recent auction results. This innovative presentation mixes auction results
- [Keith Haring Paintings](https://intelart.io/keith-haring-paintings/) - Keith Haring Auction Results (2021-2025) Untitled, 1990 The Rain Forest, 1989 Untitled #4, 1988 Healing Hand, 1988 Untitled #1, 1988 Untitled, 1988 Untitled, 1988 Lil Keith, 1988 Untitled, 1988 Untitled, 1988 Silence = Death, 1988 Untitled, 1988 Untitled, 1988 Red-Yellow-Blue Paintings, 1987 Untitled, 1987 Untitled (Hollywood African Mask), 1987 Untitled, 1987 Untitled, 1987 Untitled (Grace
- [Kaws Paintings](https://intelart.io/kaws-paintings/) - Love Poems, 2014 The Last Supper, 1999
- [Andy Warhol - Paintings](https://intelart.io/andy-warhol-paintings/) - Andy Warhol Auction Results (2019-2026) Mercedes-Benz Paintings, 1987 (3) Late Self-Portraits, 1981-1986 Last Supper, 1986 Black & White Paintings, 1985-1986 Marilyns (Reversal Series), 1979-1986 Statue of Liberty, 1986 Camouflage, 1986 Celebrity & Society Portraits, 1972-1986 Lenin, 1986 Hamburger, 1985 Campbell’s Soup Boxes, 1985-1986 Ads, 1985 Jean-Michel Basquiat / Andy Warhol Collaboration, 1985-1986 Rorschach, 1984-1985 Vesuvius,
- [Andy Warhol](https://intelart.io/andy-warhol/) - Andy Warhol Andy Warhol was an American artist, film director, and producer who was a leading figure in the visual art movement known as Pop Art. He is one of the first artists in modern times to legitimize screen-print as a fine art technique… We are currently working on the content of the artists’ pages. Please forgive
- [URBAN ART](https://intelart.io/urban-art/) - URBAN ART No posts found!
- [ULTRA CONTEMPORARY ART](https://intelart.io/ultra-contemporary-art/) - ULTRA CONTEMPORARY ART Hernan Bas (American, b. 1978) Read More Maria Berrio (Colombian, b. 1982) Read More Lucy Bull (American, b. 1990) Read More Jade Fadojutimi (British, b. 1993) Read More Adrian Ghenie (Romanian, b. 1977) Read More Shara Hughes (American, b. 1981) Read More Rashid Johnson (American, b. 1977) Read More Ewa Juszkiewicz (Polish,
- [POST WAR](https://intelart.io/post-war/) - POST WAR Ernie Barnes (American, 1938-2009) Read More Fernando Botero (Colombian,1932-2023) Read More David Hockney (British, b. 1937) Read More Robert Indiana (American, 1928-2018) Read More Alex Katz (American, b. 1927) Read More Yves Klein (French, 1928-1962) Read More Yayoi Kusama (Japanese, b. 1929) Read More Roy Lichtenstein (American, 1923-1997) Read More Joan Mitchell (American,
- [CONTEMPORARY ART](https://intelart.io/contemporary-art/) - CONTEMPORARY ART BANKSY (British, b. 1974) Read More Jean-Michel Basquiat (American, 1960-1988) Read More Louise Bonnet (Swiss, b. 1970) Read More Cecily Brown (British, b. 1969) Read More Javier Calleja (Spanish, b. 1971) Read More George Condo (American, b. 1957) Read More Genieve Figgis (Irish, b. 1972) Read More Keith Haring (American, 1958-1990) Read More
- [Jean-Michel Basquiat​](https://intelart.io/jean-michel-basquiat-2/) - Jean-Michel Basquiat Jean-Michel Basquiat is widely considered to be one of the most influential artists of the late twentieth century. he rose to success during the 1980s as part of the Neo-Expressionism movement. Many contemporary critics also believed that his use of “heroic” figures and icons further defined his style;Basquiat would also often incorporate words,
- [David Hockney​](https://intelart.io/david-hockney-2/) - David Hockney Voted Britain’s Most Influential Artist of All Time in a 2011 poll, David Hockney is one of the most popular and well-respected living artists today. Having worked as a painter, draughtsman, printmaker, photographer, videographer and stage designer, Hockney’s versatility has aided his popularity, making his paintings and limited edition prints some of the most sought-after in the
- [Banksy](https://intelart.io/banksy-2/) - Banksy Banksy is one of the most sought-after and talked about urban artist in the world. Banksy, the pseudonym adopted by the artist, heavily guards his privacy; the details of his life remains largely unknown to the public. He has garnered great fame for his street works, which often combine spray paint and stenciling techniques with commercial, political, and contemporary imagery,
- [Contact](https://intelart.io/contact/) - Contact US
- [NON PROFIT](https://intelart.io/no-profit/) - Non-profit ARTS AND BUSINESS COUNCIL OF MIAMI BOARD CHAIR EMERITUSThe economic impact of non-profit arts organizations in Miami is estimated to surpass $1.4 billion annually, spread over almost 1,000 organizations. A healthy art ecosystem, not only creates a healthy business environment, but is also a key determinant to a good harmony within our communities. That
- [KEYNOTE SPEAKER](https://intelart.io/keynote-speaker/) - KEYNOTE SPEAKER Art is about education and sharing of experiences and knowledge.Sebastien Laboureau is a renown keynote speaker for various public and private organizations, including private banks addressing a wide array of topics linked to art history, the art market, art as an investment, art as a marketing tool.We provide content and share expertise in
- [BIOGRAPHY](https://intelart.io/biography/) - BIOGRAPHY With Associate Justice Breyer With Asst Secretary of State Rivkin French-born, long-time art enthusiast and experienced art collector, after a successful career in the financial industry, Sebastien Laboureau has funded MoonstarFine Arts Advisors in 2006. Trusted advisor of private collectors all over the world, he also has extensive experience in art consulting for various
- [PASSIONATE ABOUT ART](https://intelart.io/passionate-about-art/) - PASSIONATE ABOUT ART Expect the Best, and You will Get the BestMy strong analytical background, extensive experience, and expertise allow me to identify the best opportunities for my clients. I am a Certified Fine Art Appraiser with IFAA. I am an independent art advisor, without inventory, I can provide unbiased advice to build a custom-tailored
- [SERVICES - APPRAISALS - CLIENTS](https://intelart.io/services-appraisals-clients/) - CLIENTS
- [SERVICES](https://intelart.io/services/) - Buying and Selling Art Moonstar sources and advises on fine art purchase and sale transactions. We offer expert art advisory services tailored to the needs and objectives of our clients. Our expertise, knowledge of the art market, relationships, and experience allow us to give the right advice and close transactions in a smooth and rigorous
- [EVENTS & EXHIBITS](https://intelart.io/events-and-exhibits/) - EVENTS & EXHIBITS France Pavilion, Houston, March 2017 Femme Fatale, Sagamore Hotel, December 2016 Cuban Artists: The Prodigious Decade, Sagamore Hotel, June-November 2017 Urban Legends, Sagamore Hotel, December 2017 Music Is Life, Sagamore Hotel, March-June 2019 France Pavilion, Houston, March 2017 Femme Fatale, Sagamore Hotel, December 2016 Cuban Artists: The Prodigious Decade, Sagamore Hotel, June-November
- [Art Advisory](https://intelart.io/art-advisory-2/) - Post-War and Contemporary Art Urban ArtOriginals / Prints & Multiples 1. Buying and Selling Art Global Sourcing, market intelligence, due diligence, valuation, authentication, negotiation, legal documentation, transport, logistics, collection management, investment strategies. Moonstar sources and advises on fine art purchase and sale transactions. We offer expert art advisory services tailored to the needs and objectives of
- [Privacy Policy](https://intelart.io/privacy-policy/) - Who we are Our website address is: http://wandau.themezinho.net. What personal data we collect and why we collect it Comments When visitors leave comments on the site we collect the data shown in the comments form, and also the visitor’s IP address and browser user agent string to help spam detection. An anonymized string created from
- [About](https://intelart.io/about-2/) - We are fully dedicated to help our clients define their objectives, and to design and implement the right strategy to achieve the best results. We are committed to build high value strategies for private collectors, investors, family offices, wealth advisors and various high-level brands in the hospitality, luxury goods, and financial industries. SEBASTIEN LABOUREAU Long-time
- [Available Artworks](https://intelart.io/available-artworks-2/) - France Pavilion, Houston, March 2017 Femme Fatale, Sagamore Hotel, December 2016 Cuban Artists: The Prodigious Decade, Sagamore Hotel, June-November 2017 Urban Legends, Sagamore Hotel, December 2017 Music Is Life, Sagamore Hotel, March-June 2019 France Pavilion, Houston, March 2017
- [Kaws](https://intelart.io/kaws-2/) - KAWS Continuing in the tradition of pop art, his influential work crosses painting, sculpture, and printmaking along with fashion, merchandise, and toy production while taking inspiration from art history and popular culture. In his paintings, KAWS deconstructs his appropriation of iconic characters into forms that draw on the tradition of abstract painting. Kaws giant companions have been invading the world
- [Exhibits](https://intelart.io/exhibits-2/) - Events & Exhibits France Pavilion, Houston, March 2017 Femme Fatale, Sagamore Hotel, December 2016 Cuban Artists: The Prodigious Decade, Sagamore Hotel, June-November 2017 Urban Legends, Sagamore Hotel, December 2017 Music Is Life, Sagamore Hotel, March-June 2019
- [Press](https://intelart.io/press-2/) - PRESS I have given interview to many major press outlets all around the world. Here are just a few that have been published. WALL STREET JOURNAL MIAMI NEW TIMES MIAMI HERALD BBC NEWS LE FIGARO CBS MIAMI USA TODAY ART BURST MIAMI MIAMI ART SCENE ART OF THE TIMES CBS MIAMI WHITEWALL LIBERTY VOICE NEW
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- [Market Intelligence](https://intelart.io/market-intelligence-3/) - Market Intelligence Fall 2025 New-York Marquee Auctions (November 2025) WORK IN PROGRESS New York Fall Auctions 2025: Anatomy of a High-End Market Rebound The New York fall auctions of 2025 delivered Read More » 2025 Fall Auctions Hong-Kong SUMMARY Agenda Christie’s Hong-Kong 20th/21st Century Evening Sale 26 September
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- [INTRODUCTION](https://intelart.io/introduction/) - The Art Market in 2022The Art Market is more dynamic than ever. 2022 will break new records driven by a strong global demand, new buyers, and the development of new online platforms and the rise of new ultra-contemporary artists.It is estimated that there are around 700,000 art collectors worldwide. Around half are digitally native millennials.
- [PRESS](https://intelart.io/press/) - Spectrum local news – In Depth: France Pavillion in NC Read More One sothebys – The Art Basel Effect on Miami Read More French morning – France Pavilion: les artistes français débarquent en force à Houston Read More Widewalls – MoonStar Fine Arts Advisors Read More AzureAzure – Sebastien Laboreau: A Practical Guide to Purchasing
- [WHY PURCHASE ART?](https://intelart.io/why-purchase-art/) - Why purchase Art ? Purchasing Art can be Tedious and Risky… Purchasing Art can be Tedious and Risky… When buying an artwork, one must check numerous...Read More Why Purchase Art? Why Purchase Art? Art in an irreplaceable tangible Asset Art is a store of value...Read More
- [CLIENTS](https://intelart.io/clients/)
- [NON PROFITS](https://intelart.io/non-profits/) - NON PROFITS ARTS AND BUSINESS COUNCIL OF MIAMI BOARD CHAIR EMERITUS Cultural task force MIAMI 21 The economic impact of non-profit arts organizations in Miami is estimated to surpass $1.4 billion annually, spread over almost 1,000 organizations. A healthy art ecosystem, not only creates a healthy business environment, but is also a key determinant to
- [Register](https://intelart.io/register/) - *CountryAfghanistanÅland IslandsAlbaniaAlgeriaAmerican SamoaAndorraAngolaAnguillaAntarcticaAntigua and BarbudaArgentinaArmeniaArubaAustraliaAustriaAzerbaijanBahamasBahrainBangladeshBarbadosBelarusBelgiumBelauBelizeBeninBermudaBhutanBoliviaBonaire, Saint Eustatius and SabaBosnia and HerzegovinaBotswanaBouvet IslandBrazilBritish Indian Ocean TerritoryBritish Virgin IslandsBruneiBulgariaBurkina FasoBurundiCambodiaCameroonCanadaCape VerdeCayman IslandsCentral African RepublicChadChileChinaChristmas IslandCocos (Keeling) IslandsColombiaComorosCongo (Brazzaville)Congo (Kinshasa)Cook IslandsCosta RicaCroatiaCubaCuraçaoCyprusCzech RepublicDenmarkDjiboutiDominicaDominican RepublicEcuadorEgyptEl SalvadorEquatorial GuineaEritreaEstoniaEthiopiaFalkland IslandsFaroe IslandsFijiFinlandFranceFrench GuianaFrench PolynesiaFrench Southern TerritoriesGabonGambiaGeorgiaGermanyGhanaGibraltarGreeceGreenlandGrenadaGuadeloupeGuamGuatemalaGuernseyGuineaGuinea-BissauGuyanaHaitiHeard Island and McDonald IslandsHondurasHong KongHungaryIcelandIndiaIndonesiaIranIraqRepublic of IrelandIsle of ManIsraelItalyIvory CoastJamaicaJapanJerseyJordanKazakhstanKenyaKiribatiKuwaitKyrgyzstanLaosLatviaLebanonLesothoLiberiaLibyaLiechtensteinLithuaniaLuxembourgMacao S.A.R., ChinaMacedoniaMadagascarMalawiMalaysiaMaldivesMaliMaltaMarshall IslandsMartiniqueMauritaniaMauritiusMayotteMexicoMicronesiaMoldovaMonacoMongoliaMontenegroMontserratMoroccoMozambiqueMyanmarNamibiaNauruNepalNetherlandsNetherlands AntillesNew CaledoniaNew ZealandNicaraguaNigerNigeriaNiueNorfolk
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- [Art Advisory](https://intelart.io/art-advisory/) - Post-War and Contemporary Art Urban ArtOriginals / Prints & Multiples 1. Buying and Selling Art Global Sourcing, market intelligence, due diligence, valuation, authentication, negotiation, legal documentation, transport, logistics, collection management, investment strategies. Moonstar sources and advises on fine art purchase and sale transactions. We offer expert art advisory services tailored to the needs and objectives of
- [Exhibits](https://intelart.io/exhibits/) - Events & Exhibits France Pavilion, Houston, March 2017 Femme Fatale, Sagamore Hotel, December 2016 Cuban Artists: The Prodigious Decade, Sagamore Hotel, June-November 2017 Urban Legends, Sagamore Hotel, December 2017 Music Is Life, Sagamore Hotel, March-June 2019
- [About](https://intelart.io/about/) - We are fully dedicated to help our clients define their objectives, and to design and implement the right strategy to achieve the best results. We are committed to build high value strategies for private collectors, investors, family offices, wealth advisors and various high-level brands in the hospitality, luxury goods, and financial industries. SEBASTIEN LABOUREAU Long-time
- [Press](https://intelart.io/about/press/) - PRESS I have given interview to many major press outlets all around the world. Here are just a few that have been published. WALL STREET JOURNAL MIAMI NEW TIMES MIAMI HERALD BBC NEWS LE FIGARO CBS MIAMI USA TODAY ART BURST MIAMI MIAMI ART SCENE ART OF THE TIMES CBS MIAMI WHITEWALL LIBERTY VOICE NEW
- [Available Artworks](https://intelart.io/available-artworks/) - France Pavilion, Houston, March 2017 Femme Fatale, Sagamore Hotel, December 2016 Cuban Artists: The Prodigious Decade, Sagamore Hotel, June-November 2017 Urban Legends, Sagamore Hotel, December 2017 Music Is Life, Sagamore Hotel, March-June 2019 France Pavilion, Houston, March 2017
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## My Templates

- [Elementor Loop Item #70109](https://intelart.io/?elementor_library=elementor-loop-item-5) - Elementor Loop Item #70109
- [Elementor Loop Item #77970](https://intelart.io/?elementor_library=elementor-loop-item-7)
- [loop grid post](https://intelart.io/?elementor_library=loop-grid-post) - Self-Portrait, 1988 Eroica I, 1988 Victor 25448, 1987 Riddle Me This, Batman, 1987 Untitled, 1987 Gravestone, 1987 Saxaphone, 1986 In The Wings, 1986 Because It Hurts the Lungs, 1986 Jim Crow, 1986 Apex, 1986 Thin in the Old, 1986 Black, 1986 Jazz, 1986 Now’s the Time, 1985 Untitled, 1985 Peter and The Wolf, 1985 Rubber,
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- [CATALOG PAGE](https://intelart.io/?elementor_library=catalog-page) - ART MARKET REPORTS The Global Art Market in 2025 The Contemporary Art Market in 2024/2025 The Global Art Market 2024 The Most Expensive Paintings Sold at Auction The 2023 Contemporary Art Market Report The 2022 Art Market Annual Report The 2021 Art Market Annual Report
- [Elementor Loop Item #69827](https://intelart.io/?elementor_library=elementor-loop-item-2) - Elementor Loop Item #69827
- [Elementor Loop Item #69817](https://intelart.io/?elementor_library=elementor-loop-item)
- [moonstar original](https://intelart.io/?elementor_library=moonstar-original)
- [Catalog Grid](https://intelart.io/?elementor_library=catalog-grid) - Keith Haring Kaws David Hockney​ Banksy Jean-Michel Basquiat​ Andy Warhol
- [H1 RED BOX HEADING](https://intelart.io/?elementor_library=h1-red-box-heading) - AUCTION MARKET OVERVIEWS
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- [Post Details](https://intelart.io/?elementor_library=post-details-3) - BANKSY PRINTS Top Lots At Auction Updated as of 1 July 2021 The value of Banksy prints has increased substantially over the course of the past year. Some of the most iconic ones, such as Girl with Balloon, or Love Is In The Air have reached unprecedented heights at auction. We show below some
- [posts model](https://intelart.io/?elementor_library=posts-model) - Jean-Michel Basquiat is widely considered to be one of the most influential artists of the late twentieth century. he rose to success during the 1980s as part of the Neo-Expressionism movement. Many contemporary critics also believed that his use of “heroic” figures and icons further defined his style; Basquiat would also often incorporate words, anagrams,
- [Exhibition Details](https://intelart.io/?elementor_library=exhibition-details-3) - Exhibition Details PRELIMINARY DRAFT WORK IN PROGRESS Agenda Masterpieces from the Lewis Collection 24 June 2026 Masterpieces from the Lewis Collection | 2026 | Sotheby’s Modern & Contemporary Evening Auction 24 June 2026 Modern & Contemporary Evening Auction | 2026 | Sotheby’s Contemporary Day Auction 25 June 2026 Contemporary Day Auction | 2026 |
- [Exhibition Details](https://intelart.io/?elementor_library=exhibition-details-2) - Exhibition Details PRELIMINARY DRAFT WORK IN PROGRESS Agenda Masterpieces from the Lewis Collection 24 June 2026 Masterpieces from the Lewis Collection | 2026 | Sotheby’s Modern & Contemporary Evening Auction 24 June 2026 Modern & Contemporary Evening Auction | 2026 | Sotheby’s Contemporary Day Auction 25 June 2026 Contemporary Day Auction | 2026 |
- [Exhibition Details](https://intelart.io/?elementor_library=exhibition-details) - Exhibition Details PRELIMINARY DRAFT WORK IN PROGRESS Agenda Masterpieces from the Lewis Collection 24 June 2026 Masterpieces from the Lewis Collection | 2026 | Sotheby’s Modern & Contemporary Evening Auction 24 June 2026 Modern & Contemporary Evening Auction | 2026 | Sotheby’s Contemporary Day Auction 25 June 2026 Contemporary Day Auction | 2026 |
- [artists category](https://intelart.io/?elementor_library=artists-category) - Andy Warhol Auction Results (2019-2026) Mercedes-Benz Paintings, 1987 (3) Late Self-Portraits, 1981-1986 Last Supper, 1986 Black & White Paintings, 1985-1986 Marilyns (Reversal Series), 1979-1986 Statue of Liberty, 1986 Camouflage, 1986 Celebrity & Society Portraits, 1972-1986 Lenin, 1986 Page1 Page2 Page3 … Page8
- [Post Details](https://intelart.io/?elementor_library=post-details-2) - BANKSY PRINTS Top Lots At Auction Updated as of 1 July 2021 The value of Banksy prints has increased substantially over the course of the past year. Some of the most iconic ones, such as Girl with Balloon, or Love Is In The Air have reached unprecedented heights at auction. We show below some
- [main menu moonstar 2023](https://intelart.io/?elementor_library=main-menu-moonstar-2023) - Content area
- [main header](https://intelart.io/?elementor_library=main-header) - Content area
- [Artist Details](https://intelart.io/?elementor_library=artist-details-4) - basquiat Jean-Michel Basquiat is widely considered to be one of the most influential artists of the late twentieth century. he rose to success during the 1980s as part of the Neo-Expressionism movement. Many contemporary critics also believed that his use of “heroic” figures and icons further defined his style; Basquiat would also often incorporate words,
- [collection loop](https://intelart.io/?elementor_library=collection-loop-3) - collection loop
- [Contact Button](https://intelart.io/?elementor_library=contact-button-4) - Learn More
- [artists category](https://intelart.io/?elementor_library=artists-category-3) - Andy Warhol Auction Results (2019-2026) Mercedes-Benz Paintings, 1987 (3) Late Self-Portraits, 1981-1986 Last Supper, 1986 Black & White Paintings, 1985-1986 Marilyns (Reversal Series), 1979-1986 Statue of Liberty, 1986 Camouflage, 1986 Celebrity & Society Portraits, 1972-1986 Lenin, 1986 Page1 Page2 Page3 … Page8 Andy Warhol Auction Results (2019-2026) Mercedes-Benz Paintings, 1987 (3) Late Self-Portraits, 1981-1986 Last
- [fondationlouisvuitton.fr template](https://intelart.io/?elementor_library=fondationlouisvuitton-fr-template-4) - The Auditorium The Auditorium is dedicated to celebrating the arts, and brings together musicians and artists of all disciplines. This breathtaking space, like the prow of Frank Gehry’s “ship”, is flooded with light and offers expansive views of the surroundings, engaging in constant dialogue with the cascade of water and the “Grotto” to create a
- [About Template](https://intelart.io/?elementor_library=about-template-3) - Hi! We’re C.W. Urban and we’re leading the way in creating unique real estate in the urban cores of Utah. We’re a boutique design, build and development firm on a mission to create micro- communities that enhance, strengthen and contribute to the greater fabric of existing communities. Process MakesPerfect 01 / Gather Talent.First, we scout the best of the best. Each
- [custom search results](https://intelart.io/?elementor_library=custom-search-results-3) - 2026 London Summer Auctions (June 2026) MAY 2026 NEW-YORK AUCTIONS: Ultra-Contemporary Artists MAY 2026 NEW-YORK AUCTIONS: Jean Dubuffet MAY 2026 NEW-YORK AUCTIONS: KAWS MAY 2026 NEW-YORK AUCTIONS: Pablo Picasso MAY 2026 NEW-YORK AUCTIONS: Alex Katz MAY 2026 NEW-YORK AUCTIONS: George Condo MAY 2026 NEW-YORK AUCTIONS: David Hockney MAY 2026 NEW-YORK AUCTIONS: Joan Mitchell MAY 2026
- [press loop](https://intelart.io/?elementor_library=press-loop-3) - press loop
- [Press Page Template](https://intelart.io/?elementor_library=press-page-template-4) - PRESS I have given interview to many major press outlets all around the world. Here are just a few that have been published. Page1 Page2
- [Exhibitions Page Template](https://intelart.io/?elementor_library=exhibitions-page-template-4) - Exhibitions France Pavilion, Houston, March 2017 Femme Fatale, Sagamore Hotel, December 2016 Cuban Artists: The Prodigious Decade, Sagamore Hotel, June-November 2017 Urban Legends, Sagamore Hotel, December 2017 Music Is Life, Sagamore Hotel, March-June 2019
- [for_member-page](https://intelart.io/?elementor_library=for_member-page-4)
- [template membership](https://intelart.io/?elementor_library=template-membership-4) - Subscription Plan DAY PASSVALID FOR 24 HOURS ONLY FULL ACCESS TO CONTENT NO ART SUPPORT $20 for one daySign UpMONTHLY PLAN VALID FOR ONE CALENDAR MONTH ACCESS TO ALL CONTENT ART SUPPORT MONTHLY ZOOM CALL RENEWED UNTIL CANCELLED $55 for one monthSign UpVIP PASSVALID FOR ONE CALENDAR YEAR ACCESS TO ALL CONTENT ART
- [template membership](https://intelart.io/?elementor_library=template-membership-3) - Subscription Plan DAY PASSVALID FOR 24 HOURS ONLY FULL ACCESS TO CONTENT NO ART SUPPORT $20 for one daySign UpMONTHLY PLAN VALID FOR ONE CALENDAR MONTH ACCESS TO ALL CONTENT ART SUPPORT MONTHLY ZOOM CALL RENEWED UNTIL CANCELLED $55 for one monthSign UpVIP PASSVALID FOR ONE CALENDAR YEAR ACCESS TO ALL CONTENT ART
- [for_member-page](https://intelart.io/?elementor_library=for_member-page-3)
- [fondationlouisvuitton.fr template](https://intelart.io/?elementor_library=fondationlouisvuitton-fr-template-3) - The Auditorium The Auditorium is dedicated to celebrating the arts, and brings together musicians and artists of all disciplines. This breathtaking space, like the prow of Frank Gehry’s “ship”, is flooded with light and offers expansive views of the surroundings, engaging in constant dialogue with the cascade of water and the “Grotto” to create a
- [Press Page Template](https://intelart.io/?elementor_library=press-page-template-3) - PRESS I have given interview to many major press outlets all around the world. Here are just a few that have been published. Page1 Page2
- [Exhibitions Page Template](https://intelart.io/?elementor_library=exhibitions-page-template-3) - Exhibitions France Pavilion, Houston, March 2017 Femme Fatale, Sagamore Hotel, December 2016 Cuban Artists: The Prodigious Decade, Sagamore Hotel, June-November 2017 Urban Legends, Sagamore Hotel, December 2017 Music Is Life, Sagamore Hotel, March-June 2019
- [Contact Button](https://intelart.io/?elementor_library=contact-button-3) - Learn More
- [Artist Details](https://intelart.io/?elementor_library=artist-details-3) - basquiat Jean-Michel Basquiat is widely considered to be one of the most influential artists of the late twentieth century. he rose to success during the 1980s as part of the Neo-Expressionism movement. Many contemporary critics also believed that his use of “heroic” figures and icons further defined his style; Basquiat would also often incorporate words,
- [collection loop](https://intelart.io/?elementor_library=collection-loop-2) - collection loop
- [artists category](https://intelart.io/?elementor_library=artists-category-2) - Andy Warhol Auction Results (2019-2026) Mercedes-Benz Paintings, 1987 (3) Late Self-Portraits, 1981-1986 Last Supper, 1986 Black & White Paintings, 1985-1986 Marilyns (Reversal Series), 1979-1986 Statue of Liberty, 1986 Camouflage, 1986 Celebrity & Society Portraits, 1972-1986 Lenin, 1986 Page1 Page2 Page3 … Page8 Andy Warhol Auction Results (2019-2026) Mercedes-Benz Paintings, 1987 (3) Late Self-Portraits, 1981-1986 Last
- [Artist Details](https://intelart.io/?elementor_library=artist-details-2) - basquiat Jean-Michel Basquiat is widely considered to be one of the most influential artists of the late twentieth century. he rose to success during the 1980s as part of the Neo-Expressionism movement. Many contemporary critics also believed that his use of “heroic” figures and icons further defined his style; Basquiat would also often incorporate words,
- [Contact Button](https://intelart.io/?elementor_library=contact-button-2) - Learn More
- [fondationlouisvuitton.fr template](https://intelart.io/?elementor_library=fondationlouisvuitton-fr-template-2) - The Auditorium The Auditorium is dedicated to celebrating the arts, and brings together musicians and artists of all disciplines. This breathtaking space, like the prow of Frank Gehry’s “ship”, is flooded with light and offers expansive views of the surroundings, engaging in constant dialogue with the cascade of water and the “Grotto” to create a
- [About Template](https://intelart.io/?elementor_library=about-template-2) - Hi! We’re C.W. Urban and we’re leading the way in creating unique real estate in the urban cores of Utah. We’re a boutique design, build and development firm on a mission to create micro- communities that enhance, strengthen and contribute to the greater fabric of existing communities. Process MakesPerfect 01 / Gather Talent.First, we scout the best of the best. Each
- [custom search results](https://intelart.io/?elementor_library=custom-search-results-2) - 2026 London Summer Auctions (June 2026) MAY 2026 NEW-YORK AUCTIONS: Ultra-Contemporary Artists MAY 2026 NEW-YORK AUCTIONS: Jean Dubuffet MAY 2026 NEW-YORK AUCTIONS: KAWS MAY 2026 NEW-YORK AUCTIONS: Pablo Picasso MAY 2026 NEW-YORK AUCTIONS: Alex Katz MAY 2026 NEW-YORK AUCTIONS: George Condo MAY 2026 NEW-YORK AUCTIONS: David Hockney MAY 2026 NEW-YORK AUCTIONS: Joan Mitchell MAY 2026
- [press loop](https://intelart.io/?elementor_library=press-loop-2) - press loop
- [Press Page Template](https://intelart.io/?elementor_library=press-page-template-2) - PRESS I have given interview to many major press outlets all around the world. Here are just a few that have been published. Page1 Page2
- [for_member-page](https://intelart.io/?elementor_library=for_member-page-2)
- [template membership](https://intelart.io/?elementor_library=template-membership-2) - Subscription Plan DAY PASSVALID FOR 24 HOURS ONLY FULL ACCESS TO CONTENT NO ART SUPPORT $20 for one daySign UpMONTHLY PLAN VALID FOR ONE CALENDAR MONTH ACCESS TO ALL CONTENT ART SUPPORT MONTHLY ZOOM CALL RENEWED UNTIL CANCELLED $55 for one monthSign UpVIP PASSVALID FOR ONE CALENDAR YEAR ACCESS TO ALL CONTENT ART
- [Exhibitions Page Template](https://intelart.io/?elementor_library=exhibitions-page-template-2) - Exhibitions France Pavilion, Houston, March 2017 Femme Fatale, Sagamore Hotel, December 2016 Cuban Artists: The Prodigious Decade, Sagamore Hotel, June-November 2017 Urban Legends, Sagamore Hotel, December 2017 Music Is Life, Sagamore Hotel, March-June 2019
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- [Exhibitions Page Template](https://intelart.io/?elementor_library=exhibitions-page-template) - Exhibitions France Pavilion, Houston, March 2017 Femme Fatale, Sagamore Hotel, December 2016 Cuban Artists: The Prodigious Decade, Sagamore Hotel, June-November 2017 Urban Legends, Sagamore Hotel, December 2017 Music Is Life, Sagamore Hotel, March-June 2019
- [Press Page Template](https://intelart.io/?elementor_library=press-page-template) - PRESS I have given interview to many major press outlets all around the world. Here are just a few that have been published. Page1 Page2
- [About Template](https://intelart.io/?elementor_library=about-template) - Hi! We’re C.W. Urban and we’re leading the way in creating unique real estate in the urban cores of Utah. We’re a boutique design, build and development firm on a mission to create micro- communities that enhance, strengthen and contribute to the greater fabric of existing communities. Process MakesPerfect 01 / Gather Talent.First, we scout the best of the best. Each
- [custom search results](https://intelart.io/?elementor_library=custom-search-results) - 2026 London Summer Auctions (June 2026) MAY 2026 NEW-YORK AUCTIONS: Ultra-Contemporary Artists MAY 2026 NEW-YORK AUCTIONS: Jean Dubuffet MAY 2026 NEW-YORK AUCTIONS: KAWS MAY 2026 NEW-YORK AUCTIONS: Pablo Picasso MAY 2026 NEW-YORK AUCTIONS: Alex Katz MAY 2026 NEW-YORK AUCTIONS: George Condo MAY 2026 NEW-YORK AUCTIONS: David Hockney MAY 2026 NEW-YORK AUCTIONS: Joan Mitchell MAY 2026
- [fondationlouisvuitton.fr template](https://intelart.io/?elementor_library=fondationlouisvuitton-fr-template) - The Auditorium The Auditorium is dedicated to celebrating the arts, and brings together musicians and artists of all disciplines. This breathtaking space, like the prow of Frank Gehry’s “ship”, is flooded with light and offers expansive views of the surroundings, engaging in constant dialogue with the cascade of water and the “Grotto” to create a
- [collection loop](https://intelart.io/?elementor_library=collection-loop) - collection loop
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- [Artist Details](https://intelart.io/?elementor_library=artist-details) - basquiat Jean-Michel Basquiat is widely considered to be one of the most influential artists of the late twentieth century. he rose to success during the 1980s as part of the Neo-Expressionism movement. Many contemporary critics also believed that his use of “heroic” figures and icons further defined his style; Basquiat would also often incorporate words,

## Exhibitions

- [Urban Legends, Sagamore Hotel, December 2017](https://intelart.io/exhibition/urban-legends-sagamore-hotel-miami-art-week-2017-2/) - Urban Legends A Curated Exhibit showcasing the works of Iconic and Emerging Urban Artists Curated by Sebastien Laboureau Credit Photo: World Red Eye Sagamore Hotel Miami Beach Hosts 16th Annual Brunch Unveiling "Urban Legends" - World Red Eye | World Red Eye Sagamore Hotel Miami Beach returns to Miami Art Week for the 16th year,
- [Femme Fatale, Sagamore Hotel, December 2016](https://intelart.io/exhibition/femme-fatale-sagamore-hotel-december-2016-2/) - Femme Fatale Curated Exhibit dedicated to The Every Day Woman In partnership with Lingerie Française Curated by Fashion Historian Catherine Ormen and Sebastien Laboureau Credit Photos: World Red Eye 15th Annual Art Basel Brunch at The Sagamore - World Red Eye | World Red Eye Celebrating over 15 years as the Miami’s “hot-spot” for
- [Music Is Life, Sagamore Hotel, March-June 2019](https://intelart.io/exhibition/music-is-life-sagamore-hotel-march-june-2019-2/) - Music Is Life A Curated Selling Exhibit Entirely Dedicated To Music Curated by Sebastien Laboureau & Bernard Markowicz Miami Beach’s historic Art Deco hotel, The Sagamore Hotel known for its rotating experiences of museum-quality art year-round, presents for the first time ever in Miami Beach, an innovative art exhibit entirely dedicated to music curated
- [Cuban Artists: The Prodigious Decade, Sagamore Hotel, June-November 2017](https://intelart.io/exhibition/cuban-art-the-prodigious-decade-sagamore-hotel-june-november-2017-2/) - Cuban Artists: The Prodigious Decade A Curated Selling Exhibit with Historic and Recent Artworks from Cuban Artists of the 80’s Generation Curated by Dr Adriana Herrera, Willy Castellanos, and Sebastien Laboureau South Florida’s leading “art hotel”, The Sagamore Hotel Miami Beach, is debuting its latest seasonal curated exhibit on June 1, 2017, entitled: Cuban
- [France Pavilion, Houston, March 2017](https://intelart.io/exhibition/france-pavilion-houston-march-2017-2/) - France Pavilion A Curated Exhibit of French Contemporary Art Curated by Sebastien Laboureau Houston, Texas March 2017 Organized under the High Patronage of H.E. Gerard Araud, Ambassador of France to the United States, France Pavilion is supported by the Consulate General of France in Houston, France.fr, the French-American Chamber of Commerce, BeDesign, France-Amérique, BCI.
- [France Pavilion, Houston, March 2017](https://intelart.io/exhibition/france-pavilion-houston-march-2017/) - France Pavilion A Curated Exhibit of French Contemporary Art Curated by Sebastien Laboureau Houston, Texas March 2017 Organized under the High Patronage of H.E. Gerard Araud, Ambassador of France to the United States, France Pavilion is supported by the Consulate General of France in Houston, France.fr, the French-American Chamber of Commerce, BeDesign, France-Amérique, BCI.
- [Femme Fatale, Sagamore Hotel, December 2016](https://intelart.io/exhibition/femme-fatale-sagamore-hotel-december-2016/) - Femme Fatale Curated Exhibit dedicated to The Every Day Woman In partnership with Lingerie Française Curated by Fashion Historian Catherine Ormen and Sebastien Laboureau Credit Photos: World Red Eye 15th Annual Art Basel Brunch at The Sagamore - World Red Eye | World Red Eye Celebrating over 15 years as the Miami’s “hot-spot” for
- [Cuban Artists: The Prodigious Decade, Sagamore Hotel, June-November 2017](https://intelart.io/exhibition/cuban-art-the-prodigious-decade-sagamore-hotel-june-november-2017/) - Cuban Artists: The Prodigious Decade A Curated Selling Exhibit with Historic and Recent Artworks from Cuban Artists of the 80’s Generation Curated by Dr Adriana Herrera, Willy Castellanos, and Sebastien Laboureau South Florida’s leading “art hotel”, The Sagamore Hotel Miami Beach, is debuting its latest seasonal curated exhibit on June 1, 2017, entitled: Cuban
- [Urban Legends, Sagamore Hotel, December 2017](https://intelart.io/exhibition/urban-legends-sagamore-hotel-miami-art-week-2017/) - Urban Legends A Curated Exhibit showcasing the works of Iconic and Emerging Urban Artists Curated by Sebastien Laboureau Credit Photo: World Red Eye Sagamore Hotel Miami Beach Hosts 16th Annual Brunch Unveiling "Urban Legends" - World Red Eye | World Red Eye Sagamore Hotel Miami Beach returns to Miami Art Week for the 16th year,
- [Music Is Life, Sagamore Hotel, March-June 2019](https://intelart.io/exhibition/music-is-life-sagamore-hotel-march-june-2019/) - Music Is Life A Curated Selling Exhibit Entirely Dedicated To Music Curated by Sebastien Laboureau & Bernard Markowicz Miami Beach’s historic Art Deco hotel, The Sagamore Hotel known for its rotating experiences of museum-quality art year-round, presents for the first time ever in Miami Beach, an innovative art exhibit entirely dedicated to music curated

## Collections

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